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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Read Book ~ Spirit Into Matter: the Photographs of Edmund Teske
VCK6BKPUKIO7 < Book « Spirit into Matter: The Photographs of Edmund Teske Spirit into Matter: The Photographs of Edmund Teske Filesize: 2.7 MB Reviews This pdf is so gripping and intriguing. I could comprehended almost everything using this composed e ebook. You are going to like just how the article writer create this ebook. (Miss Dakota Zulauf) DISCLAIMER | DMCA DHVCKBNWIIZA » PDF / Spirit into Matter: The Photographs of Edmund Teske SPIRIT INTO MATTER: THE PHOTOGRAPHS OF EDMUND TESKE To read Spirit into Matter: The Photographs of Edmund Teske eBook, remember to refer to the link under and download the document or get access to additional information that are in conjuction with SPIRIT INTO MATTER: THE PHOTOGRAPHS OF EDMUND TESKE ebook. Getty Trust Publications. Paperback. Book Condition: new. BRAND NEW, Spirit into Matter: The Photographs of Edmund Teske, Julian Cox, Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of work that explored the expressive and emotional potentials of the medium. His drive to experiment with sophisticated techniques, such as solarization and composite printing, liberated a younger generation of American photographers; at the same time, his subject matter - sometimes abstract, oen homoerotic, and always lyrical and poetic - opened up new areas for photographers to explore. Spirit into Matter is published to coincide with the first major retrospective of Teske's work, to be held at the Getty Museum from June 15 to September 19, 2004. Julian Cox provides an introduction and extensive biocritical essay on Teske that traces his long and varied career, from Chicago in the 1930s to Los Angeles, where the photographer took up residence in 1943. -
Oral History Interview with Jerome Liebling, 2010 Sept. 17
Oral history interview with Jerome Liebling, 2010 Sept. 17 Funding for this interview was provided by the Brown Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Jerome Liebling on September 17, 2010. The interview took place in Amherst, Massachusetts, and was conducted by Robert Silberman for the Archives of American Art, Smithsonian Institution. The Archives of American Art has reviewed the transcript and has made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ROBERT SILBERMAN: This is Robert Silberman interviewing Jerome Liebling at the artist's home in Amherst, Massachusetts on September 17th, 2010 for the Archives of American Art, Smithsonian Institution, card number one. Good morning, Jerry. Maybe we could begin by my asking you when and where were you born. JEROME LIEBLING: New York City, April 16th, 1924. New York City, of course, has many boroughs. I was born in Manhattan. In fact, I was born in Harlem. At the time, that's where my family lived. And soon moved to Brooklyn. ROBERT SILBERMAN: Could you describe your childhood and your family background a little? JEROME LIEBLING: Interesting, in contemplating your arrival and finding a form to talk about my childhood— [phone rings]—in contemplating my childhood, there are certain terms that I think are important and when I had learned about these terms, would help define my childhood. -
Bibliography
Bibliography Abell, Sam. Stay this Moment : The Photographs of Sam Abell. Rochester, N.Y.; Charlottesville, Va: Professional Photography Division, Eastman Kodak Co; Thomasson-Grant, 1990. Print. Aberth, Susan L., and Leonora Carrington. Leonora Carrington : Surrealism, Alchemy and Art. Aldershot, Hampshire; Burlington, VT: Lord Humphries; Ashgate, 2004. Print. Abram, David. Becoming Animal : An Earthly Cosmology. 1st ed. New York: Pantheon Books, 2010. Print. ---. The Spell of the Sensuous. New York: Pantheon Books, 1996. Print. Using descriptive personal stories of interaction with nature David Abram introduces the reader to phenomenology. This philosophy rejects the separation of the human mind by Descartes and believes all observation is participatory. Abram brings Merleau-Ponty’s theory that the human body is the true subject of experience through examples, often as his outings in nature. I related to this work for I believe humans aren’t superior, that we are interconnected and part of the chain of life with other creatures. I never knew my beliefs were part of an existing philosophy. It is through full sensory interaction with the earth that we realize we must do more to save it. Abram’s book is a call to all humans to join in this activity, reawakening our senses to the rest of the world. Allmer, Patricia, and Manchester City Art Gallery. Angels of Anarchy : Women Artists and Surrealism. Munich ; New York: Prestel, 2009. Print. Anderson, Adrian. Living a Spiritual Year: Seasonal Festivals in Northern and Southern Hemispheres : An Esoteric Study. Rudolph Steiner Press, 1993. Print. Avedon, Richard, et al. Evidence, 1944-1994. 1st ed. New York: Random House, Eastman Kodak Professional Imaging in association with the Whitney Museum of American Art, 1994. -
Minor White Manifestations of the Spirit Paul Martineau
“Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is! I will persist however . because the camera has its eye on the exterior world. Camera will lead my constant introspection back into the world. So camerawork will save my life.”—Minor White MINOR WHITE MANIFESTATIONS OF THE SPIRIT PAUL MARTINEAU GETTY PUBLICATIONS JULY 8, 2014 AN EXQUISTELY ILLUSTRATED TRIBUTE TO ONE OF THE MOST INFLUENTIAL PHOTOGRAPHERS OF THE TWENTIETH CENTURY ACCOMPANYING EXHIBITION AND FIRST MINOR WHITE SHOW IN 25 YEARS ON VIEW AT THE J. PAUL GETTY MUSEUM IN LOS ANGELES JULY 8 TO OCTOBER 19, 2014 Controversial, eccentric, and sometimes overlooked, Minor White (1908–1976) is one of the great photographers of the twentieth century, whose ideas and philosophies about the medium of photography have exerted a powerful influence on a generation of practitioners and still resonate today. Born and raised in Minneapolis, his photographic career began in 1938 in Portland, Oregon with assignments as a “creative photographer” for the Oregon Art Project, an outgrowth of the Works Progress Administration (WPA). After serving in World War II as a military intelligence officer, White studied art history at Columbia University in New York. It was during this period that White’s focus started to shift toward the metaphorical. He began to create images charged with symbolism and a critical aspect called “equivalency,” which referred to the invisible spiritual energy present in a photograph made visible to the viewer and was inspired by the work of Alfred Stieglitz. White’s belief in the spiritual and metaphysical qualities in photography, and in the camera as a tool for self-discovery, was crucial to his oeuvre. -
7TH ANNUAL GROUP SHOW CATALOG ONLINE 2021 Juried by Paula Tognarelli Executive Director and Curator, Griffin Museum of Photography
7TH ANNUAL GROUP SHOW CATALOG ONLINE 2021 Juried by Paula Tognarelli Executive Director and Curator, Griffin Museum of Photography 114 Warren St. Hudson NY 12534 http://davisortongallery.com [email protected] o Debra Achen o Olga Merrill o Julia Arstorp o C E Morse o Deyva Arthur o Xuan-Hui Ng o Gary Beeber o Catherine Panebianco o Bruce Berkow o Bruce Panock o Joan Lobis Brown o Thomas Pickarski o Jenny Carey o Michalis Poulas o Syl Arena o Michael Prais o John A Benigno o Susan Richman o Linda Cassidy o Russ Rowland o Sally Chapman o Jacque Rupp o Patricia Houghton Clarke o Meryl Salzinger o Ellen Feldman o Paul David Shea o Diane Fenster o Vicky Stromee o Beth Galton o Edgar Takoyaki o Steven Parisi Gentile o Larry Torno o Karen Ghostlaw o Benjamin Tankersley o Danielle L Goldstein o John Tunney o Katie Golobic o Jim Turner o Rohina Hoffman o Karey Walter o Susan Higgins o Molly Wood o David Kulik o Thomas Yackley o Randy Matusow 114 Warren St. Hudson NY 12534 http://davisortongallery.com [email protected] Debra Achen Conveyance Portfolio Title: Frequency Shift: The Stonehenge Continuum 11 x 15” Size of edition: 10 + 2AP Archival Pigment Price of print only: $375 Other size available: 14 x 20" $450 Artist Statement: The “Frequency Shift” portfolio explores the vibrant energy I experienced while visiting Stonehenge. I consider the source of this energy to be aligned with the monument’s evolving continuum in history… a story that changes over time with prevailing thought and scientific discoveries of each era. -
Getty Publications Spring 2014 Getty
The J. Paul Getty Museum Getty Research Institute Getty Conservation Institute Getty Foundation Getty Publications Spring 2014 Getty Getty Publications Publications To order Connect with Us A look at the making of a modern American New INDIVIDUALS BOOKSTORES masterpiece and its restoration Visit your local bookstore or call: 800 621-2736 (U.S. and Canada) 800 223-3431 (North America) (44) 01273 603 717 (U.K. and Europe) Titles 310 440-7333 (International) Find us on Facebook www.getty.edu/publications www.facebook.com/GettyPublications [email protected] E-Newsletter Follow us on Twitter For information about Getty Publications and future titles, @GettyPubs sign up for Art Bound, our monthly electronic newsletter at www.getty.edu/artbound Follow us on Tumblr Jackson Pollock’s Mural www.gettypubs.tumblr.com The Transitional Moment Yvonne Szafran, Laura Rivers, Alan Phenix, Tom Learner, Ellen G. Landau, and Steve Martin Jackson Pollock's (1912–1956) first large-scale painting, Mural, in many ways represents the birth of Pollock, the legend. The controversial artist’s creation of this painting has been recounted in dozens of books and dramatized in the Oscar-winning film Pollock. Rumors—such as it was painted in one alcohol-fueled night and at first didn’t fit the intended space —abound. But never in doubt was that the creation of the Mobile App painting was pivotal, not only for Pollock but for the Abstract Expressionists who would follow his radical conception of art —“no limits, just edges.” Sound of One Hand, The J. Paul Getty Museum Highlights of the Collections Mural, painted in 1943, was Pollock’s first major commission. -
Teske, Edmund (1911-1996) by Craig Kaczorowski
Teske, Edmund (1911-1996) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2013 glbtq, Inc. Reprinted from http://www.glbtq.com In a career that spanned over sixty years, American photographer Edmund Teske created a distinct and inventive body of work that embraced multiple styles and subjects, from somber urban vistas to intimate, often eroticized, portraits. Although primarily self-taught in the photographic process, Teske's sophisticated experiments with darkroom techniques, such as solarization, layered negatives, and composite printing became his signature distinction. Noting that Teske considered himself a "poet with a camera," the curator and writer Julian Cox observed that Teske's "subject matter--sometimes abstract, often homoerotic, and always lyrical and poetic--opened up new areas for photographers to explore." Similarly, Lee Witkin, a photography dealer who has exhibited many of Teske's works, heralded him as "one of the forgotten greats of American photography," and observed that "his photographs are poems of his life-- fragments of the far past combined with yesterday and today." Edmund Teske was born on the near South Side of Chicago, Illinois on March 7, 1911, the first of three children to German Lutheran immigrants, Rudolph and Olga Teske. When he was a young child, his family moved out of the city to a small farm a few miles outside of Wisconsin Rapids, Wisconsin. His father attempted to raise cows and chickens, and grow wheat, potatoes, and cucumbers. The work, however, turned out to be much more strenuous--and much less prosperous-- than expected, and within a short time the family moved back to Chicago. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Untitled with Only Indications of Date and Location
H EDMUND TESKE, now a teacher of photography at the University of California in Los Angeles, ...as born in Chicago and spent his early life here . This, ho"'ever, is the first exhibition of bis ...ork in this city. During WPA years he produced a large documentation of the life of that time and later "'as photographer for Frank Lloyd Wright at Taliesin. Since then he has lived in California and is ;a pioneer in the recent revival of multiple printing, solariza- tion and other techniques. He has made, also, many portraits of Holly,,.ood personalities. Although his "'ork has strong personal character and stands alone amidst the many trends and tendencies of modern photography, it has had far-reaching influence. The present exhibition is a survey of his accomplishments including a group of prints made during his early years ih Chicago and extending to the present. Most of Mr. Teske's photographs are untitled with only indications of date and location. The camera is a reliquary for Edmund Teske, a box preserving vestiges of what the eye venerates. Frag- ments of tactile experience are focused through the psychological aperture of homage, and the outsider, observing Teske's results, asks himself why these particular photographs hold so much v,,onder. It is Teske's love for the secret clues profusely scattered in life, those shadowings �hich lead men to trace themselves v,,ithin alien contours until they come to sites of their own initiation. A romantic among direct-print photographers, and an inventor among those manipulating development procedures for unique effects, Teske's special position among American master photographers since the Thirties is due to the consistently reflective spirit of his work. -
Literary Miscellany
Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Minor White: Manifestations of the Spirit Free
FREE MINOR WHITE: MANIFESTATIONS OF THE SPIRIT PDF Paul Martineau | 200 pages | 08 Jul 2014 | Getty Trust Publications | 9781606063224 | English | Santa Monica CA, United States Minor White: Manifestations of the Spirit by Minor White Paul Getty Museum. These two photographers were my heroes when I first started studying photography in the early s. They remain so today. Nothing anyone can say can take away from the sheer simple pleasure of really looking at photographs by these two icons of the art form. What drew me to his work all those years ago? And that exposing is really an exposing of the Self. Although I cannot view this exhibition, I have seen the checklist of all the works in the exhibition. I hope in my lifetime! How Minor White: Manifestations of the Spirit you really judge his work without understanding the very form that he wanted the work to be seen in? I hope he would be happy with my selection. I hope I have made them sing. But these are all well made images by MW. He was never Diogenes with a camera, never the objective camera, he was always involved… and his images were printed with a mixture of spirit and emotion. It is possible, everything is possible. Well then, it must be time for another Minor White retrospective. He just accepted it for what it is and moved with it. The plates in the book give a flavor of his shifting — some might say dilettantish — photo styles. I do not. Look at the early paintings of Jackson Pollock or Mark Rothko in their representational ease, or the early photographs of Aaron Siskind and how they progress from social documentary to abstract expressionism.