DOCSLIB.ORG

Aperture Magazine Anthology: the Minor White Years, 1952-1976 Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aperture Magazine Anthology: the Minor White Years, 1952-1976 Pdf, Epub, Ebook APERTURE MAGAZINE ANTHOLOGY: THE MINOR WHITE YEARS, 1952-1976 PDF, EPUB, EBOOK Peter C. Bunnell,Minor White | 456 pages | 01 Dec 2012 | aperture | 9781597111966 | English | New York, United States Aperture Magazine Anthology: The Minor White Years, 1952-1976 PDF Book Aperture launches its Photogravure Workshop with master gravure printer Jon Goodman. About this product. Published on the occasion of its sixtieth anniversary, this is the first ever anthology of Aperture magazine. Martin Parr's Life's A Beach is published in both trade and special collector's editions. Imene rated it it was amazing Dec 15, Escape the Present with These 24 Historical Romances. This book is not yet featured on Listopia. There are no discussion topics on this book yet. Paul Strand in Mexico , Howard Woodruff rated it it was ok Sep 17, Michael E. The Open Road , September Photographs by Loretta Lux , Michael Burke rated it really liked it Apr 04, Hoffman as curator. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of exceptional covers, as well as a selection of the colophons short statements or quotes that appeared at the front of each magazine. Add to cart. Edward S. A Couple of Ways of Doing Something , featuring daguerreotype portraits by Chuck Close and praise poems by Bob Holman, is published, accompanied by an exhibition of the work at Aperture Gallery, which subsequently travels internationally, continuing through A lot of good writing about photography - its history, methods, perspectives and evolution during the 20th century. Aperture Magazine Anthology: The Minor White Years, 1952-1976 Writer Friend Reviews. Bill o'Reilly's Killing Ser. Aperture commissions an original performance of music and images by Alec Soth, Billy Bragg and Joe Purdy made on the road. Aperture volume 1 A lot of good writing about photography - its history, methods, perspectives and evolution during the 20th century. Goodreads helps you keep track of books you want to read. Burden, at 20 East 23rd Street in Manhattan. Martin rated it it was amazing May 16, Michael Burke rated it really liked it Apr 04, Photograph by Dorothea Lange. Details if other :. Just a moment while we sign you in to your Goodreads account. Aperture, Inc. Sort order. Aperture initiates Photography in Context, a series of panel discussions in collaboration with the Parsons the New School for School Design. Peter C. About this product Product Information Published on the occasion of its sixtieth anniversary, this is the first ever anthology of Aperture magazine. Refresh and try again. Sunny rated it really liked it Sep 09, But, in the editorial to vol. Aperture Magazine Anthology: The Minor White Years, 1952-1976 Reviews Their intention was to provide a forum "in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials. Skip to main content. Michael Ruane rated it it was amazing Dec 25, Dec 20, Craig Maki rated it it was amazing. This book is not yet featured on Listopia. The first issue of the magazine vol. Aperture volume 1 Photographs by Loretta Lux , Goodreads helps you keep track of books you want to read. But, in the editorial to vol. Birdy Otton rated it liked it Jan 02, Ed Walker rated it liked it May 16, Philip rated it liked it Jul 21, Shirley C. Aperture, Inc. Trivia About Aperture Magazine Kiriakos P rated it it was ok Apr 12, After an initial printing of 4,, its print run today has reached almost , copies globally, including editions in German, French, Italian, and Japanese. Photograph by David Rowinski. American Odyssey , No ratings or reviews yet No ratings or reviews yet. Thomas Wilder rated it liked it Oct 12, About this product. Winners are announced in November at Paris Photo. Return to Book Page. Hoffman as curator. The rock duo, The Kills, also perform. Get A Copy. Vesa Loikas rated it really liked it Sep 12, Martin rated it it was amazing May 16, Aperture moves from the 23rd Street building to its new home in Chelsea. Eric rated it liked it May 27, The first annual Summer Open exhibition is selected by executive director Chris Boot. John Williams rated it it was amazing Jul 12, Aperture Magazine Anthology: The Minor White Years, 1952-1976 Read Online Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of exceptional covers, as well as a selection of the colophons short statements or quotes that appeared at the front of each magazine. A new design for the magazine by Malcolm Grear is unveiled with issue no. Aperture launches new educational program offering photographer's workshops for adults as well as an educational outreach program to teach visual literacy through photography and photobook creation in public schools and after-school programs in grade five through twelve. Aperture celebrates its fiftieth anniversary with a series of mini exhibitions at fifty venues—from storefronts to museums—throughout New York City. Giorgis Kapelonis rated it it was amazing Nov 27, Aperture moves from the 23rd Street building to its new home in Chelsea. Aperture volume 1 Thomas Wilder rated it liked it Oct 12, Philip rated it liked it Jul 21, Bunnell , is published as a two- volume set. Aperture will collaborate with the museum on many exhibitions and publications, and continues to work with it today, working in partnership with PMA to preserve and promote the legacy of Paul Strand. Additional Product Features Dewey Edition. The texts and visuals in this anthology will be selected by Peter C. Published on the occasion of "Aperture" magazines sixtieth anniversary, this is the first anthology of "Aperture" magazine ever published. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. Skip to main content. Bill o'Reilly's Killing Ser. Bunnell has published two anthologies of his essays: Degrees of Guidance and Inside the Photograph The texts and visuals in this anthology were selected by Peter C. The first monograph on the photographic work of James Welling, written by James Crump, is published, as well as a first book of photographs, for Matthew Pillsbury, City Stages. Be the first to ask a question about Aperture Magazine Anthology. Dec 20, Craig Maki rated it it was amazing. Books by Peter Bunnell. https://img1.wsimg.com/blobby/go/bd1eda85-0774-49a1-a273-177101f22c41/collectors-edition-radio-amateur-callbook-wint.pdf https://files8.webydo.com/9585975/UploadedFiles/1B3DFF9F-3A8B-B3C7-CB6B-1D02FC8A8D57.pdf https://cdn.starwebserver.se/shops/nellienordinjo/files/happy-marriage-115.pdf https://files8.webydo.com/9585719/UploadedFiles/47ECD760-3F23-1609-4314-E646044E4F14.pdf https://img1.wsimg.com/blobby/go/ff37fd4e-cba7-4b19-9f73-08ec695256e0/spirit-woman-the-teachings-of-the-shields-730.pdf https://img1.wsimg.com/blobby/go/32371dd7-d2f6-4de5-abac-c7ea0f44f131/shadowhunters-and-downworlders-a-mortal-instru.pdf https://img1.wsimg.com/blobby/go/e462a873-81f1-4432-bce5-90a2a33bdeaf/national-matters-1st-edition-647.pdf https://img1.wsimg.com/blobby/go/58fcdc5d-8c57-41eb-9f0f-448c74279f97/improvising-tradition-18-quilted-projects-usin.pdf.
Load more

Recommended publications
  • Annual Report 2018–2019 Artmuseum.Princeton.Edu
    Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb.
    [Show full text]
  • {PDF} Minor White: Manifestations of the Spirit Pdf Free Download
    MINOR WHITE: MANIFESTATIONS OF THE SPIRIT PDF, EPUB, EBOOK Paul Martineau | 200 pages | 08 Jul 2014 | Getty Trust Publications | 9781606063224 | English | Santa Monica CA, United States Minor White: Manifestations of the Spirit PDF Book He had them all read photographs, and the group that had completed the exercises came up with much more profound insights and reactions to the photographs. Some of the results are dark, moody, and romantic. The subtitle of your show is Manifestations of the Spirit. Although I cannot view this exhibition, I have seen the checklist of all the works in the exhibition. The only reason that I did not give it the top rating was that I thought it bordered on the hagiographic in several aspects of the description of his life and manner of working. Throughout his career, White sought to photograph things not only for what they are but also for what they may suggest, and his pictures teem with symbolic and metaphorical allusions. Paul Getty Museum in Los Angeles. Average rating 4. Inconspicuous at first, the photograph depicts two trees in a small secluded clearing, crusted with patches of dry moss, surrounded everywhere by dead leaves and so close as to be united at the base. Get The Deal. Search z. Nothing anyone can say can take away from the sheer simple pleasure of really looking at photographs by these two icons of the art form. Paul Martineau is associate curator in the Department of Photographs at the J. It also discusses his role as a teacher, and as the editor of Aperture magazine from its inception in through , and his relationships with other photographers of that era, including Alfred Stieglitz, Edward Weston, Paul Brandt, Dorothea Lange and Ansel Adams.
    [Show full text]
  • Oral History Interview with Jerome Liebling, 2010 Sept. 17
    Oral history interview with Jerome Liebling, 2010 Sept. 17 Funding for this interview was provided by the Brown Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Jerome Liebling on September 17, 2010. The interview took place in Amherst, Massachusetts, and was conducted by Robert Silberman for the Archives of American Art, Smithsonian Institution. The Archives of American Art has reviewed the transcript and has made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ROBERT SILBERMAN: This is Robert Silberman interviewing Jerome Liebling at the artist's home in Amherst, Massachusetts on September 17th, 2010 for the Archives of American Art, Smithsonian Institution, card number one. Good morning, Jerry. Maybe we could begin by my asking you when and where were you born. JEROME LIEBLING: New York City, April 16th, 1924. New York City, of course, has many boroughs. I was born in Manhattan. In fact, I was born in Harlem. At the time, that's where my family lived. And soon moved to Brooklyn. ROBERT SILBERMAN: Could you describe your childhood and your family background a little? JEROME LIEBLING: Interesting, in contemplating your arrival and finding a form to talk about my childhood— [phone rings]—in contemplating my childhood, there are certain terms that I think are important and when I had learned about these terms, would help define my childhood.
    [Show full text]
  • Minor White Manifestations of the Spirit Paul Martineau
    “Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is! I will persist however . because the camera has its eye on the exterior world. Camera will lead my constant introspection back into the world. So camerawork will save my life.”—Minor White MINOR WHITE MANIFESTATIONS OF THE SPIRIT PAUL MARTINEAU GETTY PUBLICATIONS JULY 8, 2014 AN EXQUISTELY ILLUSTRATED TRIBUTE TO ONE OF THE MOST INFLUENTIAL PHOTOGRAPHERS OF THE TWENTIETH CENTURY ACCOMPANYING EXHIBITION AND FIRST MINOR WHITE SHOW IN 25 YEARS ON VIEW AT THE J. PAUL GETTY MUSEUM IN LOS ANGELES JULY 8 TO OCTOBER 19, 2014 Controversial, eccentric, and sometimes overlooked, Minor White (1908–1976) is one of the great photographers of the twentieth century, whose ideas and philosophies about the medium of photography have exerted a powerful influence on a generation of practitioners and still resonate today. Born and raised in Minneapolis, his photographic career began in 1938 in Portland, Oregon with assignments as a “creative photographer” for the Oregon Art Project, an outgrowth of the Works Progress Administration (WPA). After serving in World War II as a military intelligence officer, White studied art history at Columbia University in New York. It was during this period that White’s focus started to shift toward the metaphorical. He began to create images charged with symbolism and a critical aspect called “equivalency,” which referred to the invisible spiritual energy present in a photograph made visible to the viewer and was inspired by the work of Alfred Stieglitz. White’s belief in the spiritual and metaphysical qualities in photography, and in the camera as a tool for self-discovery, was crucial to his oeuvre.
    [Show full text]
  • Getty Publications Spring 2014 Getty
    The J. Paul Getty Museum Getty Research Institute Getty Conservation Institute Getty Foundation Getty Publications Spring 2014 Getty Getty Publications Publications To order Connect with Us A look at the making of a modern American New INDIVIDUALS BOOKSTORES masterpiece and its restoration Visit your local bookstore or call: 800 621-2736 (U.S. and Canada) 800 223-3431 (North America) (44) 01273 603 717 (U.K. and Europe) Titles 310 440-7333 (International) Find us on Facebook www.getty.edu/publications www.facebook.com/GettyPublications [email protected] E-Newsletter Follow us on Twitter For information about Getty Publications and future titles, @GettyPubs sign up for Art Bound, our monthly electronic newsletter at www.getty.edu/artbound Follow us on Tumblr Jackson Pollock’s Mural www.gettypubs.tumblr.com The Transitional Moment Yvonne Szafran, Laura Rivers, Alan Phenix, Tom Learner, Ellen G. Landau, and Steve Martin Jackson Pollock's (1912–1956) first large-scale painting, Mural, in many ways represents the birth of Pollock, the legend. The controversial artist’s creation of this painting has been recounted in dozens of books and dramatized in the Oscar-winning film Pollock. Rumors—such as it was painted in one alcohol-fueled night and at first didn’t fit the intended space —abound. But never in doubt was that the creation of the Mobile App painting was pivotal, not only for Pollock but for the Abstract Expressionists who would follow his radical conception of art —“no limits, just edges.” Sound of One Hand, The J. Paul Getty Museum Highlights of the Collections Mural, painted in 1943, was Pollock’s first major commission.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Minor White: Manifestations of the Spirit Free
    FREE MINOR WHITE: MANIFESTATIONS OF THE SPIRIT PDF Paul Martineau | 200 pages | 08 Jul 2014 | Getty Trust Publications | 9781606063224 | English | Santa Monica CA, United States Minor White: Manifestations of the Spirit by Minor White Paul Getty Museum. These two photographers were my heroes when I first started studying photography in the early s. They remain so today. Nothing anyone can say can take away from the sheer simple pleasure of really looking at photographs by these two icons of the art form. What drew me to his work all those years ago? And that exposing is really an exposing of the Self. Although I cannot view this exhibition, I have seen the checklist of all the works in the exhibition. I hope in my lifetime! How Minor White: Manifestations of the Spirit you really judge his work without understanding the very form that he wanted the work to be seen in? I hope he would be happy with my selection. I hope I have made them sing. But these are all well made images by MW. He was never Diogenes with a camera, never the objective camera, he was always involved… and his images were printed with a mixture of spirit and emotion. It is possible, everything is possible. Well then, it must be time for another Minor White retrospective. He just accepted it for what it is and moved with it. The plates in the book give a flavor of his shifting — some might say dilettantish — photo styles. I do not. Look at the early paintings of Jackson Pollock or Mark Rothko in their representational ease, or the early photographs of Aaron Siskind and how they progress from social documentary to abstract expressionism.
    [Show full text]
  • Finding Aid for The
    1 FINDING AID FOR THE ANSEL ADAMS ARCHIVE AG31 Center for Creative Photography The University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 TABLE OF CONTENTS page number Description, Provenance, Restrictions 2 Scope and Content 2-3 Organization of the Collection 3-4 Correspondence 5-25 Correspondence Index 25-30 Biographical materials 30-33 Music related materials 34-36 Activity Files 36-97 Clippings 97 Publications 97-101 Audio-visual Materials 101-106 Memorabilia 106-107 Photographic Materials 107-118 Photographic Equipment 118-122 Appendix A: Periodicals and miscellaneous, by and about Adams Appendix B: Monographs by and about Adams Appendix C: Personal library: monographs by others Appendix D: Index to photographs in the Ansel Adams Archive Ansel Adams Archive, Center for Creative Photography, The University of Arizona 1 2 DESCRIPTION Papers, photographic materials, and memorabilia, 1920s -1984, of Ansel Adams (1902 - 1984), photographer, author, teacher and conservationist. Includes correspondence (1906 - 1984) between Adams and his family, friends, business associates, and other artists; activity files documenting his commercial projects (1930s - 1977); exhibitions (1936 - 1983); his associations with the Sierra Club (1937 - 1984), Friends of Photography (1967 - 1984), and Images and Words Workshop (1967 - 1972); writings, lectures, and interviews (1931 - 1982); publications with Morgan and Morgan (1950 - 1975), 5 Associates (1952 - 1979), and New York Graphic Society (1973 - 1983); photographic materials including work, reproduction, and exhibition prints; printed materials including reproductions of his work in periodicals and a portion of his personal library; audio and visual materials relating to interviews with him; and memorabilia including awards, certificates, equipment, and clothing.
    [Show full text]
  • Minor White on Equivalence
    Equivalence: The Perennial Trend Minor White, PSA Journal, Vol. 29, No. 7, pp. 17-21, 1963 When we speak of trends, we concern ourselves with changes, with shifts in style from here to there and back again. Trends are peripheral, yet we can lose ourselves in too blind a concern for them. Central to the changes is something else. If we have to give a name to this centrality, and I guess we do, one name is "Spirit." Every fashion, every trend, every style may function as a gateway to the central significance of the aesthetic experience if the individual persists. That is, though we follow trends or get on bandwagons we can always get off and head towards the eternal significance, Spirit. At best styles and trends and fashions are but clothes for the raison d'etre of any art. At the worst, fashions, styles and trends function as traps for the unwary. I will treat here of a tradition, a concept and a discipline, namely the concept or theory called "Equivalence," by which any style, fashion or trend may be worked through to something beyond the conformism of competition. Probably the most mature idea ever presented to picture-making photography was the concept of Equivalence which Alfred Stieglitz named early in the 1920's and practiced the rest of his life. The idea has been continued by a few others, notably at the Institute of Design in Chicago under Aaron Siskind and Harry Callahan, and at the former California School of Fine Arts in San Francisco under the efforts of the present author.
    [Show full text]
  • Barbara Morgan (1900-1992)
    #55 November 2020 Cameraderie Barbara Morgan (1900-1992) Barbara Morgan (nee Johnson) trained and practiced first as an artist, and later as a photographer. She is noted as a dance photographer—the focus herein—but her artistic work was prominent. Most of all, this unique woman was an extraordinarily whole and sensitive person, both artistically and in her relationships with other people; I have not seen this noted so strongly before about any photographer in this series. Consequently, I have quoted below extensively from the Wikipedia article to tell her story. See the Wikipedia article on Morgan here, and read it for more detail: https://en.wikipedia.org/wiki/Barbara_Morgan_(photographer). The Center for Creative Photography at the University of Arizona holds a Barbara Morgan collection. Here is the webpage: https://kennerly.ccp.arizona.edu/artists/barbara-morgan But you can go directly to view 14 Morgan photos in this collection with this more specific link: http://ccp- emuseum.catnet.arizona.edu/view/objects/asimages/People@1600?t:state:flow=4e8a22b1- ed1a-4a20-abbf-1d34a319a67d Here are some quotes of interest from the Wikipedia article, indented below, interrupted by my one summary comment, not indented. Barbara Morgan used a Speed Graphic [see the image of Morgan above] to photograph Martha Graham's choreography. (Perhaps the most famous Speed Graphic user was New York City press photographer Arthur "Weegee" Fellig, who covered the city in the 1930s and 1940s [see #38, March 2019] [This quote is from the Wikipedia article on the Speed Graphic camera: https://en.wikipedia.org/wiki/Speed_Graphic .]) Her art training at UCLA, from 1919 to 1923, was based on Arthur Wesley Dow's principles of art “synthesis.” Abstract design was taught parallel to figurative drawing and painting.
    [Show full text]
  • The Bma Presents the Work of Influential Photographers Harry Callahan, Aaron Siskind, and Minor White
    Media Contacts: Anne Mannix-Brown Dionne McConkey Sarah Pedroni 443-573-1870 THE BMA PRESENTS THE WORK OF INFLUENTIAL PHOTOGRAPHERS HARRY CALLAHAN, AARON SISKIND, AND MINOR WHITE BALTIMORE, MD (May 11, 2017)—The Baltimore Museum of Art (BMA) explores abstraction through more than 40 photographs by three of the most important and influential American photographers of the 20th century: Harry Callahan, Aaron Siskind, and Minor White. Black, White & Abstract: Callahan, Siskind, White, on view May 17-October 1, 2017, is drawn from the museum’s Prints, Drawings & Photographs collection, considered one of the most significant holdings of works on paper in the country. Acquired in 2012, Minor White’s nine-part sequence The Sound of One Hand Clapping, Sequence 14 has never before been on view at the museum. “The major acquisition of White’s series provided an exciting opportunity to organize an exhibition about the abstract, black-and-white photographs of White and two of his important contemporaries Harry Callahan and Aaron Siskind, whose work is well-represented in the museum’s collection of 4,000 photographs,” said Rena Hoisington, Senior Curator of Prints, Drawings & Photographs. Born within a decade of one another, each artist took up photography in the 1930s and achieved prominence in the 1940s and 1950s as they embarked on long teaching careers that would inspire generations of artists. The three worked primarily in black and white, although White and Callahan experimented with color photography. All were interested in extending the expressive potential of the medium while pursuing—and expanding the possibilities of—abstraction, even as their work remained tethered to representational subject matter.
    [Show full text]