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Home , American Dance Festival, Capezio, Erick Hawkins, Jane Dudley, Jean Erdman, Louis Horst

FACES OF MODERN BARBARA MORGAN PHOTOGRAPHS May 28 - August 15, 2004 Patrick and Beatrice Haggerty Museum of Art Marquette University, Milwaukee, Wisconsin

Organized by the Patrick and Beatrice Haggerty Museum of Art, Marquette University © 2004 Marquette University, Milwaukee, Wisconsin. All rights reserved in all countries. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system without the prior written permission of the author and publisher.

Photography by Barbara Morgan, © 2004 Barbara and Willard Morgan Archives

International Standard Book Number: 0-945366-17-5

Catalogue editor: Annemarie Sawkins Catalogue design and layout: Jerome Fortier Catalogue printed by Special Editions, Hartland, Wisconsin

Cover Image:

Haggerty Museum of Art Staff Curtis L. Carter, Director Lee Coppernoll, Assistant Director Annemarie Sawkins, Associate Curator Lynne Shumow, Curator of Education Jerome Fortier, Assistant Curator James Kieselburg, II, Registrar Andrew Nordin, Head Preparator , Assistant Preparator Mary Wagner, Administrative Assistant Jason Pilmaier, Communications Assistant Clayton Montez, Chief Security Officer

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FACES OF BARBARA MORGAN PHOTOGRAPHS

3 Barbara Morgan Self, snapshot Gelatin Silver Print 4 x 6 in.

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Artist’s Biography 1900 1962 Born Barbara Brooks Johnson on July 8 in Has retrospective photographic exhibition at Buffalo, Kansas. Same year family moved to West Arizona State University, Tempe and University of Coast. Grew up on peach ranch in Southern California, Berkeley. California. 1967 1923 Death of Willard J. Morgan Graduated from University of California at Los 1968-88 Angeles (UCLA), with a major in art. Prepared major exhibitions and delivered numer- 1923-24 ous lectures and seminars. Taught art at San Fernando High School, San 1970 Fernando, California Elected fellow of the Philadelphia Museum of Art. 1925 Exhibition at the Smithsonian Institution, Joined art faculty UCLA. Married Willard D. Washington, DC. Morgan. 1975 1925-30 Received Grant from the National Endowment for Taught design, landscape, and woodcut at UCLA. the Arts. Served as writer, managing editor, and editor for 1977 Dark and Light Magazine, Arthur Wesley Dow Association, UCLA. Painted and photographed in Created Barbara Morgan Dance Portfolio. the Southwest with Willard in the summers. Met Exhibition at Marquette University, Milwaukee, and began working in photogra- WI. phy 1978 1930 Received honorary Doctorate of Fine Arts, Moved to . Traveled for Willard Marquette University, Milwaukee, WI. Morgan’s Leica Lectures. Photographed Barnes Included in book and exhibit, Recollections: Foundation art collection, Merion, Pennsylvania. Ten Women of Photography, International Center of Photography, New York. 1931 1980 Established a studio in New York for painting and lithography. Exhibited graphics at Weyhe Gallery, Exhibition of Photomontages, George Eastman New York, among other galleries. House, Rochester, NY. (Traveling exhibition). 1932 1984 Son Douglas born. Continued to exhibit paintings. Proclaimed “Barbara Morgan Day” in Greenburgh, NY by Supervisor of the Town 1934 1986 Solo painting and graphics exhibition, Mellon Gallery, Philadelphia. Received National Honor Award from the Women's Caucus for Art for her long and distin- 1935 guished career as a photographer. Son Lloyd born. Saw perform 1988 Primitive Mysteries. Began photographing Martha Graham . Published Barbara Morgan: Prints, Drawings, Watercolors & Photographs, exh. cat. Haggerty 1935-41 Museum of Art, Marquette University, Milwaukee, Established photography studio in New York. WI. (Traveling exhibition). Awarded Lifetime Exhibited city themes, dance, children, pho- Achievement Award by American Society of tomontages and light drawings. Magazine Photographers, Washington, D.C. 1941 Received a Certificate of Special Congressional Moved to Scarsdale, New York. Published Martha Recognition with Appreciation for Service and Graham: Sixteen Dances in Photographs. Achievement, from Richard H. Lehr, Member of Awarded American Institute of Graphic Arts Trade Congress. Book Clinic Award. 1989 1942-55 Honored with Annual Dance Award along Continued photographic projects and exhibitions. with Edward Vilella. Published Summer’s Children: A Photographic 1991 Cycle of Life at Camp. Picture-edited and Honored at the University Art Museum with a designed The World of Albert Schweitzer by Erica seminar and exhibition by the University of Anderson and Eugene Exman, 1955. Michigan, Ann Arbor. 1959 Received Lifetime Achievement Award from the Art-archeological trip to Greece, Spain, Italy, Photographic Insight Foundation. France and England. 1992 1961 Death of Barbara Morgan on August 17. Solo painting and graphics exhibition, Sherman Gallery, New York.

5 Graham & Hawkins’ Embrace Gelatin Silver Print Vintage 4 x 7 in.

6 Select List of Barbara Morgan Exhibitions 1961 Syracuse University, Syracuse, NY. Exhibitions Sherman Gallery, New York, NY. 1984 1962 Queensborough Community College, New York; 1938 Barbara Morgan Retrospective, Arizona State Hudson River Museum, Yonkers, NY. Dance Photographs, YMHA., Lexington Ave., University, Tempe, AZ.; University of California, 1985 New York, NY; Bennington, College, Bennington, Berkeley, CA. University of Oregon, Eugene, OR.; Chrysler VT. 1964 Museum, Norfolk, VA. 1939 George Eastman House, Rochester, NY.; Société 1986 Dance Photographs, , Française de Photographie, , France. Philadelphia Museum of Art, Pennsylvania Atlanta Minneapolis, MN.; Duke University, Durham, NC.; 1965 Co, Atlanta, GA. Kamin Dance Gallery, New York, NY.; A Portfolio Carnegie Institute of Technology, Pittsburgh, PA.; 1988 of the Dance, , New York, Ceege Galleries, Los Angeles, CA.; University of Barbara Morgan: Prints, Drawings, NY.; Wheaton College, Norton, MA; Los Angeles Louisville, Louisville, KY. Watercolors & Photographs, Haggerty County Museum of Art, Los Angeles, CA. 1967 Museum of Art, Marquette University, Milwaukee, 1940 Photography in the Fine Arts V, WI.; Center for Creative Photography, Tucson, AZ.; Black Mountain College, Black Mountain, NC.; Metropolitan Museum of Art, New York, NY. Rochester Institute for Technology, Rochester, NY.; Dance Photograph, I, II, III and IV, traveling 1969 Wesleyan University, CT. exhibitions 1940-1943; Photographs of the Long Island University, Brooklyn Center, Brooklyn, 1989 Dance, , New York, NY.; Pratt NY. Visions in Rhythm, Marymount College, Institute, Brooklyn, NY.; University of Minnesota, 1970 Tarrytown, NY. Minneapolis, MN. Barbara Morgan: Women, Cameras, and 1991 1941 Images IV, Smithsonian Institution, Washington, National Museum of Dance, Saratoga Springs, NY; Wesleyan University, Middletown, CT.; Baltimore DC.; Gallery, Carmel, CA. I See America Dancing, University of Michigan Museum of Art, Baltimore, MD. 1971 Art Museum, Ann Arbor, MI.; Shadows, Light, 1943 831 Gallery, Birmingham, MI.; Montclair Art Movement: Moments in American History Modern Dance in Photography, Carleton Museum, Montclair, NJ.; Utah State University, Highlights of dance productions by Martha College, Northfield, MN; Action Photography, Logan, UT. Graham, , and Charles , NY. 1972 Weidman, Marymount College, Tarrytown, NY. 1944 Amon Carter Museum of Western Art, Fort Worth, 1993 Black Mountain College, Black Mountain, NC.; TX.; Focus Gallery, San Francisco, CA; Museum of A New Dance: Honoring Bill Bales at The Dance, First Annual Arts Forum, The Modem Art, New York, NY. (1936-67), Bennington Woman's College of the University of North 1973 College, Bennington, VT; Barbara Morgan, Carolina, Greensboro, NC. King Pitcher Gallery for Contemporary Art, Lawrence Miller Gallery, New York, NY. 1945 Pittsburgh, PA.; Pasadena Museum of Modern Art, 1994 Jewish Community Center, Detroit, MI.; Modem CA. Dance and People: The Passion of Barbara American Dance, Museum of Modem Art, New 1974 Morgan, Milton J. Weil Art Gallery, New York, York, NY.; National Gallery of Art traveling exhibi- Institute of American Indian Arts, Santa Fe, NM. NY.; Barbara Morgan: Pioneer Photographer tion (Latin America).; United Nations Conference, 1976 of the Modem American Dance Movement, San Francisco, CA. G. Ray Hawkins Gallery, Los Angeles, CA.; 831 The Gallery at South Presbyterian Church, Dobbs 1946 Gallery, Birmingham, MI.; The Washington Gallery Ferry, NY.; Barbara Morgan 1935- Dance in America, Museum of Modern Art, NY; of Photography; LIFE’s Remarkable American 1945:Dialogues with Dance, Iona College, University of Redlands, Redlands, CA.; University Women, International Center of Photography, New Rochelle, NY. of Minnesota, Minneapolis, MN.; University of New York, NY. 1996 Wisconsin, Madison, WI. 1977 Dance in America: Lois Greenfield, Barbara 1947 The Gallery at Hastings-on-Hudson, NY.; Morgan, Gjon Mili, The Howard Greenberg Dance Photographs, World Youth Festival, Marquette University, Milwaukee, WI. Gallery, New York, NY. Prague, Czechoslovakia. University of Nebraska, Lincoln, NE.; Rochester 1997 1951 Institute of Technology, Rochester, NY. Vintage photomontage and light drawings Abstraction in Photography, Museum of 1978 From the 1930s and 1940s, Gallery 292, New Modern Art, NY. Williams College, Museum of Art, MA.; American York, NY.; Important Modernist Works on 1952 Dance Guild, New York, NY. Paper, Hollis Taggart Galleries, New York, NY. Summer’s Children, New York Public Library, 1979 1999 New York, NY. Photographic Workshop, New Canaan, CT.; Ohio Barbara Morgan: A Retrospective, James 1955 University College of Fine Arts, Athens, OH.; Danziger Gallery, New York, NY. Summer’s Children, George Eastman House, Baldwin Street Gallery, Toronto, Ontario. 2000 Rochester, NY. 1980 In the American Grain, Barbara Morgan 1956 Photomontages, George Eastman House, Photographs 1935-1944, The Bushnell, Summer’s Children, Kodak Photographic Rochester, NY.(Travelling exhibition); Douglas Hartford, CT.; Wall to Wall Women, Weber Fine Information Center, Grand Central Terminal, New Elliott Gallery, San Francisco, CA. Art, Scarsdale, NY. York, NY. 1981 2001 1957 Ikona Photo Gallery, Venice, Italy; Jeffrey Fuller On Equal Footing: Photography and Dance Summer’s Children,Parents’ Magazine Gallery, Gallery, Philadelphia, PA.; Kathleen Ewing Gallery, Barbara Morgan & Lois Greenfield, Hicks Art New York, NY. Washington D.C.; Zabriskie Gallery, Paris, France; Center Gallery, Bucks County Community College, 1959 Jane Corkin Gallery, Toronto, Ontario; Bruce Newtown, PA.; Barbara Morgan: Vintage and Twelfth , Connecticut Museum, Greenwich, CT.; Daniel Wolf Gallery, Modem Photographs, Soho Triad Fine Arts, College, New London, CT. New York, NY. New York City, NY.; Light on the Feet: Masters 1960 1982 of Dance Photography, Erie Art Museum, Erie Photography in the Fine Arts II, Metropolitan Arizona State University, Tempe, AZ. Dance Consortium, Erie, PA. Museum of Art, New York, NY. 1983 2001-2 Catskill Center for Photography, Woodstock, NY.; Barbara Morgan: Leaps and Bounds: The

7 José Limón Playing with Cat, 1944 Gelatin Silver Print Signed 8 x 10 in.

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Bibliography Select list of articles and books Deschin, Jacob. “Barbara Morgan: Permanence McCausland, Elizabeth. “Martha Graham: about Barbara Morgan Through Preservation.” Popular Photography Sixteen Dances in Photographs by Barbara 69:2 (August 1971). Morgan.” (book review), Dance Observer, 8:9 “A Danca Moderna.” Em Guarda (Brazil) no. 4 Deshin, Jacob. “Here’s How They Get Those (1941): 120-1. (1944): 7. Offbeat Effects.” Popular Photography, Summer Mitchell, Margaretta K. Recollections: Ten “A Photographic Exhibition of the Modern 1974. Women in Photography. New York: Viking Press, American Dance.” Dance Observer (May 1945). Deshin, Jacob. The Photo Reporter, August 1974. 1979. Abbott, Berenice. “Summer’s Children” (book Dictionary of International Biography. Neugass, Fritz. “Die vielen Gesichter der Barbara review). American Photography (November Cambridge, England, 1975. Morgan.” Foto Magazin (Munich) (July 1965). 1951). Doty, Robert. ed. Photography In America. New Neugass, Fritz. “Great American Photographers: Adams, Robert and Michael E. Hoffman. “1992, York: Random House Press, 1975. Barbara Morgan.” Camera 31:2 (February about Aperture.” Aperture 129 (1992): 107. 1952): 50-1. Exposure: Journal of the Society for Albuquerque Journal. New Mexico (exhibit Photographic Education, September 1974. Newhall, Beaumont. “Barbara Morgan, Summer’s review) (4 April 1974). Children.” (book review) Magazine of Art Haskell, Helen. “Summer’s Children: Life at (March 1952). “Apertura de la Exposicion ‘La Danza Moderna Camp.” Living Wilderness 17 (1952): 41. Norte-Americana’.” El Mundo (Havana) (21 Newhall, Beaumont. The History of Photography September 1945). Hering, Doris. ed. 25 Years of American Dance. from 1839 to the Present Day. New York: New York: Orthwine, 1954. Museum of Modern Art, 1949. Feature on Allen, Casy. “Barbara Morgan.” Camera 35 (May Barbara Morgan. 1977). Hatfield, Don and Ruth. “Dance Photography,” Dance Observer, vol. 8:1 (1941): 4-6. Newhall, Nancy. “Journey Into Childhood.” Arnheim, Rudolph. “Mobility and Stillness.” Popular Photography (October 1951). University of Michigan Symposium, Ann Arbor, Hering, Doris. “Barbara Morgan: One of 1991. America’s Great Photographers Reflects a Decade Ovo Photo, Montreal, Quebec (November 1974). of Dance 1935-1945.” (July Art: A Woman’s Sensibility. Institute of the Arts, 1971): 43-56. Panier, Deborah. “All the Atoms are Dancing.” Valencia, California, 1975. Washington Calendar Magazine, 1976. Hulick, Diana. “Sung, Chu, Mei; The Pine, The “Barbara Morgan.” Encyclopedia of Bamboo, and the Plum: the Work of Barbara Patnaik, Deba P. “Barbara Morgan.” Photography, 13, (1964); 2373-2375. Morgan.” A Celebration of the Achievements of Contemporary Photographers. London: St. Martin’s/Macmillan Press, 1982. “Barbara Morgan: Inner Dialogues with the Women in Photography (2 March 1991). External World.” (interview) Quadrille 5:4, 1971. Isaacs, Edith J.R. “Graham Dance Record.” “Photographic Exhibition of Modern Dance.” The Standard (Argentina) (June 1947). Barbara Morgan, Masters of Photography. Theatre Arts Monthly (December 1941). Aperture Foundation, 1999. With an essay by Kelly, Etna M. “Barbara Morgan: Painter Turned “Photographic Study of the ‘Modern Dance’.” Deba P. Patnaik. Photographer.” Photography 6:7 (September Buenos Aires Herald (24 June 1947). “Barbara Morgan Monograph.” (book review) 1938): 73. Salbitani, Alberto A. “Taccuino Americano: Saturday Review World (6 November 1973). Kirkpatrick, Diane. “Barbara Morgan and 20th- Barbara Morgan.” Progresso Fotographico, 1978. Barbara Morgan: Prints, Drawings, Watercolors Century Photography.” East Quad Symposium- & Photographs. exh. cat. Milwaukee, WI: Museum of Art Exhibition & Performance, Spencer, Ruth. The British Journal of Photo-gra- Haggerty Museum of Art, 1988. Essays by Curtis L. University of Michigan, Ann Arbor (21 September phy (13 June 1975). Carter and William C. Agee. 1991). “Summer’s Children by Barbara Morgan.” (book Beaton, Cecil and Gail Buckland. eds. The Magic Kisselgoff, Anna. New York Times (interview) (19 review) Art News (September 1951). Image: The Genius of Photography from 1839 June 1975). Stodelle, Ernestine. “Barbara Morgan: emanations to the Present. London: Weidenfeld & Nicholson, Lawrence, Clive. “An Explosion of Energy.” of energy.” Dance Magazine 65 (1991): 44-7. 1975. Christian Science Monitor, January 13, 1973 Stodelle, Ernestine. “Martha Graham, Doris Bennett, Edna. “The Boom in Picture Books,” UCLA Daily Bruin, Los Angeles, California (exhibit Humphrey and ” exhibition U.S. Camera 28 (1965): 3. review) (18 October 1973). essay for Of Dance Productions: Photographs by Benet, Rosemary. “Summer’s Children” (book Lewis, Harold. “On Illustrating a Book.” Barbara Morgan. Marymount College, Tarrytown, review), Book-of-the-Month Club News Photography 7 (April 1952): 4. NY (31 January 1991). (October 1951). Lloyd, Margaret. “Portraits of Energy.” Christian “The Woman Artist.” Art and Man, Scholastic for Bunnell, Peter. “Barbara Morgan” in Degrees of Science Monitor (1 November 1941). National Gallery of Art (Fall 1974). Guidance. New York: Cambridge University Press, Loercher, Diane. “The Essence of Dance.” White, Minor. ed. Barbara Morgan: Aperture. 1993. Christian Science Monitor (18 September Rochester, NY, 1964. Chapin, Louis. Christian Science Monitor (inter- 1978). Women and the Arts: Art in Society, University of view) (February 1974). “Martha Graham: Sixteen Dances in Wisconsin (Summer 1974). Coppens, Jan. “Barbara Morgan: fotographe Photographs by Barbara Morgan.” (book review) Viva. New Mexico (exhibit review) (April 1974). tussen twee wereldoorlogen,” Foto U.S. Camera (December 1941). (Amsterdam) 27:7 (July 1972). McCausland, Elizabeth. “Dance Photographs by Select list of books and articles by Craven, George. Object and Image, Prentice-Hall, Barbara Morgan.” Springfield Sunday Union Barbara Morgan Winter 1974. and Republican (7 September 1941). McCausland, Elizabeth. “Barbara Morgan “Abstraction in Photography.” Encyclopedia of Deschin, Jacob. “Archival Printing—Push for Photography vol. 1 (1963): 57-61. Permanence.” Popular Photography 69:2 Photographs the Dance.” Minicam Photography (1969). 5:7 (1942) 40-7.

9 “Advancing Photography as a Fine Art.” “Russell Less, Photographer.” Russell Lee- Encyclopedia of Photography vol. 1 (1963): 77- Retrospective Exhibition 1934-64 (catalogue). 87. University Art Museum, University of Texas, Austin “Aspects of Photographic Interpretation.” (1964): 4. General Semantics Bulletin 3o-31 (1963-4): 44- “Scope of Action Photography,” Encyclopedia of 9. Photography 18 (1964): 3330-3345. “The Theme Show: A Contemporary Exhibition Summer’s Children: A Photographic Cycle of Technique.” Aperture 3:2 (1955): 24-7. Life at Camp. Scarsdale, NY: Morgan & Morgan, “Barbara Morgan.” Aperture 11:1 (1964). 1951. Barbara Morgan. Morgan & Morgan “The Photographer’s Ego vs. An Anonymous (?) Monograph, New York: Hastings-on-Hudson, Medium.” Spectrum Magazine (Rhode Island 1972. School of Design, Providence, R.I.) 6:2 (1956): 12, 21-2. Barbara Morgan Photomontage. exh. cat. George Eastman House, Dobbs Ferry, NY: Morgan “The Presentation Medium of Family of Man.” & Morgan, 1980. Aperture 3:2 (1955). “Birth and Proliferation of Photographic Image.” “The Scope of Action Photography.” The Aperture 10:2 (1962): 56-58. Complete Photographer. New York: National Educational Alliance 10:4 (20 March 1944): Conquest of Civilization. New York: Harper & 289-309. Row, 1938. With James Henry. “The Theme Show: A Contemporary Exhibition “Dance Photography.” Encyclopedia of Technique,” Aperture 3:2, (1955): 24-7. Photography 6 (1963): 1013-24. “The World of Albert Schweitzer.” Publishers’ “Dance Into Photography.” US Camera Weekly 167:1 (1 January 1955): 68-74. With (December 1941): 102. Erica Anderson and Eugene Exman. “Dance Photography.” The Complete “Under the Sun, by Lyons, Labrot and Chappell,” Photographer. New York: National Educational Aperture 8:4 (1960); 195-7. Alliance 18:3 (March 10, 1942): 1133-44. “What I Think of Modern Art.” L.A. Times (13 “Dance Photography.” US Camera (February June 1926). 1940). “Esthetics of Photography.” Encyclopedia of Videos Photography 7 (1963): 1294-1308. “Barbara Morgan-Everything is Dancing.” Video “Esthetics of Photography.” The Complete by Images Production, Cincinnati, Ohio, for Photographer, 1528-1549. Checkerboard Foundation, New York, 1983. “Growing Americans: Shooting Stills for a “Vision USA: Barbara Morgan-Photographer.” US Government Short.” US Camera 7:1 (February Information Agency, Craven Films, 1974. 1944): 44-7. “In Focus: Photography, the Youngest Visual Art.” Art Reproductions Magazine of Art 35:7 (November 1942): 248-55. “Is Black and White Better Than Color: No! Says “Emergence” (Art Reproduction), Aperture 95 Ivan Dmitri, Yes! Says Barbara Morgan.” Modern (1984): 33. Photography 86 (July 1952): 52-7. “Minor White in Edward Weston’s Studio, Pt. “Juxtapositions in Photography.” Encyclopedia of Lobos.” (Art Reproduction), Aperture 95 Photography 10 (1963): 1896-1904. (1984): 29. “Kinetic Design in Photography.” Aperture 1:4 “, speak to me of rivers.” (Art (1953): 18-27. Reproduction), Aperture 95 (1984): 32. Martha Graham: Sixteen Dances in Photograph. New York: Duell, Sloan and Pearce, 1941. “Modern Dance.” Popular Photography 16:6 (June 1945): 44-7. “My Creative Experience with Photomontage.” Image 14:5-6 (1971): 18-20. “Photographing the Dance.” Graphic Graflex Photography. New York: Morgan & Lester, (1947): 230-9. “Photomontage.” Encyclopedia of Photography 10 15 (1964): 2841-51. “Photomontage.” Miniature Camera Work. New York: Morgan & Lester, (1938): 145-66. Prestini’s Art in Wood. Lake Forest, Illinois: Pocahontas Press, 1950. 11 Eight 8 in. x10 in. vintage working prints of José Limón Use as part of Mexican Suite, 1944—5 unsigned (includes “Conquistador” & “Peon”)—2 signed Two 8 x 10 in. prints mounted for repros. Signed vintage Gelatin Silver Prints

12 13 14 15 with Dachshund & Dancer (on bicycle), Bennington College, 1939 Gelatin Silver Print Printed 1973, signed

16 Works in the Exhibition

1-9. Seven 8 x10 in. vintage working prints of Vintage, signed, mounted Gelatin silver print José Limón 15 x 19 1/8 in. Vintage, signed, mounted for repro. Use as part of Mexican Suite, 1944—5 unsigned 32. , El Penitente (Solo “El 18 1/4 x 14 3/4 in. (includes “Conquistador” & “Peon”)—2 signed Flagellante”), 1940 45. & , 1942 Two 8 x 10 in. prints mounted for repros. Signed Gelatin silver print Gelatin silver print vintage Vintage, signed Printed Later Gelatin silver prints 19 1/4 x 15 1/8 in. 8 x 10 in. 10. Louis Horst with Dachshund & Dancer (on 33. Merce Cunningham, Totem Ancestor, 46. Merce Cunningham & , 1942 bicycle), Bennington College, 1939 1942 (1) Gelatin silver print Gelatin silver print Gelatin silver print Signed, printed later Printed 1973, signed Vintage, signed 15 x 13 in. 11. José Limón Playing with Cat, 1944 19 x 14 1/2 in. 47. Martha Graham & Erick Hawkins, Every Gelatin silver print 34. Merce Cunningham, Totem Ancestor, Soul Is a Circus, 1940 Signed 1942 (2) Gelatin silver print 8 x 10 in. Gelatin silver print Vintage, signed 12. Martha Graham & Erick Hawkins’ Embrace Vintage, signed 19 1/2 x 15 1/4 in. Gelatin silver print 15 1/4 x 19 1/2 in. 48. Pearl Primus (1), Rock Daniel, 1944 Vintage 35. , I Had a Garden, (black Gelatin silver print 4 x 7 in. shawl), 1940 Vintage-toned print, signed, mounted, printed 13. Willard Morgan Tossing Cats (strobe), 1942 Gelatin silver print later Harold Eagleton Speed Light-Dancing Cats Vintage, signed 17 x 15 in. Gelatin silver print 14 1/2 x 19 1/2 in. 49. Pearl Primus (2), Rock Daniel, 1944 Vintage, signed 36. Anna Sokolow, I Had a Garden, 1940 Gelatin silver print 12 3/4 x 10 1/2 in. Gelatin silver print Vintage-toned print, signed, mounted, printed 14. Self, snapshot Estate Print later Gelatin silver print 11 x 13 1/2 in. 17 X 15 in. 4 x 6 in. 37. José Limón, Peon, from Mexican Suite, 50. Merce Cunningham Root of the Unfocus 15. Cunningham/Graham/Hawkins, El 1944 (2), 1944 Penitente, 1942 Gelatin silver print Gelatin silver print Gelatin silver print Signed, mounted Singed, printed 60s-70s Vintage, signed Printed 60s –70s 19 1/2 x 15 5/8 in. 18 1/2 x 14 1/2 in. 15 x 19 1/4 in. 51-57. Louise Kloepper, All Bennington, 16-18. Doris Humphrey, Inquest, (3 pieces 38. Marian Van Tyl Group, Out of One 1938 sleeved), 1944 Happening, (neg. 5306), 1944 Gelatin silver prints Gelatin silver prints Gelatin silver print Seven prints, vintage, sleeved in 3 packs per Vintage Contacts Vintage, singed dance 4 x 5 in. 10 3/9 x 13 1/2 in. 8 x 10 in. 19-21. Doris Humphrey, Shakers, (3 pieces), 39. Humphrey Group, Two Dancers Leaping, 58. Martha Graham, Deaths & Entrances, 1938 (neg. 526), (group), 1945 Gelatin silver prints Gelatin silver print Gelatin silver print Vintage Contacts Vintage, signed Vintage, signed 4 x 5 in. 9 1/2 x 13 in. 9 3/4 x 12 in. 22-24. Erick Hawkins (?), All, (3 pieces), 40. Charles Weidman, Atavisms (Bargain 59. , Cante , 1942 1942 Counter), (ribbons), 1938 Gelatin silver print Gelatin silver prints Gelatin silver print Vintage Vintage Contacts Vintage, signed 13 1/2 x 10 1/4 in. 4 x 5 in. 15 1/2 x 19 1/2 in. 60. Jane Dudley, Cante Flamenco, 1942 25-28. Merce Cunningham, Totem Ancestor, 41. , Prairie Born, 1944 Gelatin silver print (4 pieces), 1942 Gelatin silver print Vintage, signed, on large mount Gelatin silver prints Vintage, signed 19 1/4 x 15 1/2 in. Vintage Contacts 19 1/2 x 16 in. 61. Valerie Bettis, The Desperate Heart, 4 x 5 in. 42. Doris Humphrey & Weidman, Square (kick to front), 1944 29. Valerie Bettis, Desperate Heart, 1944 Dance for Moderns (facing front), 1938 Gelatin silver print Gelatin silver print Gelatin silver print Vintage, signed Vintage, wavy edges, signed Vintage, signed 20 x 15 1/2 in. 19 1/2 x 15 1/3 in. 18 1/2 x 15 1/4 in. 62. Valerie Bettis, The Desperate Heart, 30. Valerie Bettis, Solo, 1944 43. Doris Humphrey & Weidman, Square (white dress, back of feet), 1944 Gelatin silver print Dance for Moderns (facing back), 1938 Gelatin silver print Vintage, signed Gelatin silver print Vintage, signed 15 1/4 x 19 in. Vintage, signed 15 3/4 x 20 in. 31. Martha Graham, American Document, 18 1/2 x 15 1/4 in. 63. Valerie Bettis, The Desperate Heart, (trio) (double exposure), 1938 44. Merce Cunningham, El Penitente (high kick, face not seen), 1944 Gelatin silver print (“Christus”), 1940 Gelatin silver print

17 Signed, later printing Gelatin silver print 19 1/2 x 16 Vintage 64. Valerie Bettis, The Desperate Heart, 15 1/2 x 19 1/2 in. (high kick, face not seen), 1944 Gelatin silver print Signed, later printing 78. , (seated), 1938 19 1/2 x 16 Gelatin silver print 65. Valerie Bettis, The Desperate Heart Printed 80s (Double exposure, kick to back), 1944 9 x 6 in. Gelatin silver print 79. Jane Dudley, Leap #1, (in leotard) Vintage, signed Gelatin silver print 15 3/8 x 19 1/8 in. Vintage 66. Doris Humphrey, With My Red Fires, 10 1/4 x 12 1/2 in. 1938 80. Jane Dudley, Leap #2, (in leotard) Gelatin silver print Gelatin silver print Mounted estate print, embossed Vintage 9 x 9 1/2 in. 10 1/4 x 12 1/2 in. 67. Martha Graham, Letter to the World, 81. Martha Graham, American Document, (kick), 1940 (trio) (double exposure), 1938 Gelatin silver print ADDED TO SHIPMENT TO SUB FOR MOUNTED Vintage, signed, mounted TO BE SHIPPED VERSION (#31) FROM WACH GALLERY Gelatin silver print 68. Doris Humphrey, Shakers (group), 1938 Vintage, signed, unmounted Gelatin silver print 15 x 19 1/8 in. Signed, x-large mount 19 1/2 x 15 1/2 in. 69. Charles Weidman, Traditions, 1944 Gelatin silver print Signed, estate print 13 1/2 x 16 70. Charles Weidman, On My Mother’s Side, 1944 Gelatin silver print Vintage, signed, mounted 13 1/2 x 18 1/2 in. 71. Charles Weidman, Daddy Was a Fireman, (with Ray Hamilton), 1944 Gelatin silver print Vintage, signed 19 3/4 x 15 1/4 in. 72. Doris Humphrey, Shaker, (Bea Seckler and group), 1938 Gelatin silver print Signed, printed 60s-70s 15 1/4 x 19 1/4 in. 73. & Daniel Nagrin, 1944 Gelatin silver print Signed, printed 60s-70s 19 1/4 x 15 1/4 in. 74. Daniel Nagrin, (double exposure), 1944 Gelatin silver print Signed, printed 60s-70s 19 3/4 x 15 1/2 in. 75. Daniel Nagrin, 1944 Gelatin silver print Vintage, signed 19 3/4 x 15 1/2 in. 76. & Bill Bales, Sweet Betsy From Pike, 1938 Gelatin silver print Vintage, singed, mounted 19 x 15 1/2 in. 77. Doris Humphrey, With My Red Fires, (seated), 1938

18 Humphrey, Inquest, (3 pieces sleeved), 1944 Gelatin Silver Prints Vintage Contacts 4 x 5 in.

19 Humphrey, Shakers, (3 pieces), 1938 Gelatin Silver Prints Vintage Contacts 4 x 5 in.

20 21 22 Hawkins (?), All 1942, (3 pieces), 1942 Gelatin Silver Prints Vintage Contacts 4 x 5 in.

23 Cunningham, Totem Ancestor, (4 pieces), 1942 Gelatin Silver Prints Vintage Contacts 4 x 5 in.

24 25 26 Louise Kloepper, Solo, All Bennington, 1938 Gelatin Silver Prints Three prints, vintage, 8 x 10 in.

27 28 Louise Kloepper, Station of Dissent, All Bennington, 1938 Gelatin Silver Prints Three prints, vintage, 8 x 10 in.

29 Louise Kloepper, Earth Saga, All Bennington, 1938 Gelatin Silver Prints 3 prints, vintage, 8 x 10 in.

30 José Limón and May O’Donnell

31