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Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments “THE FATE OF THIS POOR WOMAN”: MEN, WOMEN, AND INTERSUBJECTIVITY IN MOLL FLANDERS AND ROXANA A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Peter Christian Marbais May, 2005 Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Dissertation written by Peter Christian Marbais B.A., Ohio Wesleyan University, 1995 M.A., Kent State University, 1998 Ph.D., Kent State University, 2005 Approved by Vera J. Camden, Professor of English, Chair, Doctoral Dissertation Committee Donald M. Hassler, Professor of English, Members, Doctoral Dissertation Committee Thomas J. Hines, Emeritus Professor of English Ute J. Dymon, Professor of Geography Accepted by Ronald J. Corthell, Chair, Department of English Darrell Turnidge, Dean, College of Arts and Sciences ii Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments TABLE OF CONTENTS ACKNOWLEDGMENTS…………………………………….…………………….........iv CHAPTER INTRODUCTION………………………………………………………..……….1 I. DEFOE AND FATE…………………...………………………………………25 II. DEFOE’S WOMEN IN THE MYTHOS OF FATE AND INTERSUBJECTIVITY……………………………..………………...…….77 III. MUTUAL RECOGNITION WITHIN THE FATAL MATRIX AND BETWEEN -
Representations of the Criminal in Eighteen-Century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 The culture of crime: representations of the criminal in eighteen-century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Gonzalez, Daniel, "The culture of crime: representations of the criminal in eighteen-century England" (2002). LSU Doctoral Dissertations. 112. https://digitalcommons.lsu.edu/gradschool_dissertations/112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE CULTURE OF CRIME: REPRESENTATIONS OF THE CRIMINAL IN EIGHTEENTH-CENTURY ENGLAND A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Daniel Gonzalez B.A., Bucknell University, 1992 M.A., McNeese State University, 1995 M.F.A., McNeese State University, 1995 May 2002 Acknowledgments First, I owe a tremendous amount of gratitude to my dissertation director, Dr. Jim Borck, for his continuing encouragement and friendship during this lengthy process. Dr. Elsie Michie has also been a strong voice of encouragement, and without the guidance and support of both of these mentors, this dissertation would never have been completed. When I grow up to be a professor, I want to be just like them; they have helped me more than either can ever know. -
From Moll Flanders to Tess of the D'urbervilles
From Moll Flanders to Tess of the D’Urbervilles: Women, Autonomy and Criminal Responsibility in Eighteenth and Nineteenth Century England Nicola Lacey LSE Law, Society and Economy Working Papers 5/2007 London School of Economics and Political Science Law Department This paper can be downloaded without charge from LSE Law, Society and Economy Working Papers at: www.lse.ac.uk/collections/law/wps/wps.htm and the Social Science Research Network electronic library at: http://ssrn.comabstract=1012282 © Nicola Lacey. Users may download and/or print one copy to facilitate their private study or for non-commercial research. Users may not engage in further distribution of this material or use it for any profit-making activities or any other form of commercial gain. Nicola Lacey From Moll Flanders to Tess of the D’Urbervilles From Moll Flanders to Tess of the D’Urbervilles: Women, Autonomy and Criminal Responsibility in Eighteenth and Nineteenth Century England Nicola Lacey∗ Abstract: In the early 18th Century, Daniel Defoe found it natural to write a novel whose heroine was a sexually adventurous, socially marginal property offender. Only half a century later, this would have been next to unthinkable. In this paper, the disappearance of Moll Flanders, and her supercession in the annals of literary female offenders by heroines like Tess of the d’Urbervilles, serves as a metaphor for fundamental changes in ideas of selfhood, gender and social order in 18th and 19th Century England. Drawing on law, literature, philosophy and social history, I argue that these broad changes underpinned a radical shift in mechanisms of responsibility-attribution, with decisive implications for the criminalisation of women. -
The Fortunes & Misfortunes of the Famous Moll Flanders &C
The Project Gutenberg EBook of The Fortunes and Misfortunes of the Famous Moll Flanders &c., by Daniel Defoe This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Fortunes and Misfortunes of the Famous Moll Flanders &c. Author: Daniel Defoe Release Date: March 19, 2008 [EBook #370] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK MOLL FLANDERS *** The Fortunes & Misfortunes of the Famous Moll Flanders &c. Who was Born in Newgate, and during a Life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, and dies a Penitent. Written from her own Memorandums … by Daniel Defoe 1 THE AUTHOR'S PREFACE The world is so taken up of late with novels and romances, that it will be hard for a private history to be taken for genuine, where the names and other circumstances of the person are concealed, and on this account we must be content to leave the reader to pass his own opinion upon the ensuing sheet, and take it just as he pleases. The author is here supposed to be writing her own history, and in the very beginning of her account she gives the reasons why she thinks fit to conceal her true name, after which there is no occasion to say any more about that. -
Daniel Defoe and the Written Constitution Bernadette Meyler Cornell Law School, [email protected]
Cornell University Law School Scholarship@Cornell Law: A Digital Repository Cornell Law Faculty Publications Faculty Scholarship 11-2008 Daniel Defoe and the Written Constitution Bernadette Meyler Cornell Law School, [email protected] Follow this and additional works at: http://scholarship.law.cornell.edu/facpub Part of the Constitutional Law Commons, and the Legal History, Theory and Process Commons Recommended Citation Meyler, Bernadette, "Daniel Defoe and the Written Constitution" (2008). Cornell Law Faculty Publications. Paper 18. http://scholarship.law.cornell.edu/facpub/18 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Law Faculty Publications by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. DANIEL DEFOE AND THE WRITTEN CONSTITUTION Bernadette Meylert INTRODUCTION ..................................................... 73 I. DEFOE AS MYrH-MAKER, COGNATE, AND PRECEDENT ...... 79 II. FROM THE PROMISE TO THE TEXT ........................... 85 A. A Serious Inquiry .................................... 86 B. Party-Tyranny........................................ 90 C. The Case of ProtestantDissenters ....................... 99 III. THE WRITTEN CONSTITUTION IN MINIATURE .............. 106 A. Crusoe, Writing, and Contract ...................... 106 B. Pyrates, the Polity, and Constitutional Review ...... -
The Feminist Thoughts of Moll Flanders in Moll Flanders
Journal of Literature and Art Studies, March 2015, Vol. 5, No. 3, 177-180 doi: 10.17265/2159-5836/2015.03.003 D DAVID PUBLISHING The Feminist Thoughts of Moll Flanders in Moll Flanders LIU Xi, MA Wen-ying Changchun University, Changchun, China Moll Flanders is one of Daniel Defoe’s masterpieces. The protagonist—Moll Flanders is a female character from lower class that Daniel Defoe first depicted in his novel. The image of Moll Flanders has attracted the attention of many critics since it was created. Critics viewed her as a “whore”, because she had been married for five times in the comparatively conservative society. This paper attempts to analyze the feminist thoughts of the protagonist—Moll Flanders and makes an exploration upon Moll Flanders’ fate from the perspective of feminism so as to encourage females to pursue whatever they want in order to acquire equal rights with men. Keywords: feminism, resistance, equality, patriarchal society, pursuit Introduction Moll Flanders is one of the masterpieces written by Daniel Defoe (1660-1731), the founder of the realistic novel. Compared with the contemporary writer, Defoe runs in front of the times by his female consciousness to protect women’s rights representatively at early times in England. In Moll Flanders, Daniel Defoe portrayed an image of a woman named Moll Flanders. She was born in Newgate prison because her mother was a thief. Since her birth, she lost her parents and was brought up in an orphanage. Under the pressure of making a living, she got married for five times and she even gave up her self-esteem to be a mistress. -
DAVID FULTON a Holiday from High Tone
EnterText 1.2 DAVID FULTON A Holiday from High Tone: Politics and Genre in Andrew Davies’s Adaptation of Daniel Defoe’s Moll Flanders When Granada commissioned Andrew Davies to adapt Moll Flanders, they were consciously engaging in an act of TV politics, designed to counter recent BBC successes.1 That latter organisation had long stood accused of reneging on its public- service obligations and, in an attempt to compete for audience figures with ITV, of dumbing down its programmes. One of its responses was to reassert its commitment to David Fulton: A Holiday from High Tone 132 EnterText 1.2 literary culture and it did this primarily by revamping a genre that had served it well in the 1960s: the classic serial. Black-and-white was to be replaced by colour, unconvincing studio sets by outside locations, shot according to the big-budget production values of cinema, and self-financed serials by ones co-funded by foreign— usually American—TV companies. The first of the new brand of adaptations to catch the popular imagination was Dennis Potter’s version of Thomas Hardy’s Mayor of Casterbridge (1978), filmed on location in Corfe Castle for the then-massive TV budget of over half a million pounds and starring Alan Bates as the Lear-like protagonist.2 However, this popular success was itself eclipsed by two BBC adaptations of the mid- 1990s—of George Eliot’s Middlemarch (1994) and, pre-eminently, Jane Austen’s Pride and Prejudice (1995). The romance of Darcy and Elizabeth Bennet gained such currency it found its way into the tabloids, especially after it was rumoured the actors playing the parts, Colin Firth and Jennifer Ehle had themselves begun an affair during the serial’s shooting. -
University of Huddersfield Repository
University of Huddersfield Repository Muller, Andreas Karl Ewald The public voices of Daniel Defoe Original Citation Muller, Andreas Karl Ewald (2005) The public voices of Daniel Defoe. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/9142/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Public Voices of Daniel Defoe by Andreas Karl Ewald Müller Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy University of Huddersfield March 2005 Contents Page Acknowledgements i Note on text i Abstract ii Abbreviations iii Introduction 1 `Exchanging for Chapter I one Tyrant Three hundred' - Defoe 22 and the Standing Army Controversy, 1697-99' Chapter -
Colonel Jack, Moll Flanders, Captain Singleton, the Fortunate Mistress
THE MORAL PDEPOSS OJ B3F0S'3 KOKJE HISTORIES: COLONEL JACK, MOLL FIANDHSS, CAFTAIE SINGLETON, THS FOETOTATE MISIREES (EOX^IIA) by CLAYTON LOUIS KAUPP B, A., Fort Kays Kansas Stats College, A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Deparfensnt of English KANSAS STATE UNIVERSITY Manhattan, Kansas 19S3 Approved by; ^ZZILk- Major Professor TABLE OF CONTESTS 1 I. THE NATURE OF GENTILITY A. Illustrated by Singleton's African gentleman B. Discovered by the rogues C. Differentiated from aristocracy D. Misrepresented by certain types 1, Tradesman-sportsman 2, Gentleman thief E. Embodied by various occupations 1. True-bred merchant 2. Gentleman soldier 3. Gentleman planter F. Defined primarily as economic security II. THE PREREQUISITES TO ATTAINMENT OF THE STATUS (THE NECESSARY "ECONOMIC VIRTUES") 10 A. Honesty B, Gratitude C. Utility D. Courage E, Meroy 1. Reform, the outgrowth of mercy 2. Gentility, the result of reform F, Consciousness and selflessness III. SECONDARY OBJECTIVES 26 A. Suitable appearance B. Genteel attainments C. Marital bliss IV. DANGERS OF SECONDARY OBJECTIVES 29 A.. Marital excess B. Dueling C. Tihoring D. "Fooling and toying" E. Luxury F. Private ventures on foreign soils G. Drinking V. THE IDEAL BEGINNING FOE VSOULD-BE GENTILITY 39 (Attainment of genteel status fe.g., Moll, Jack, and BobJ and °voidance of common errors fe.g., Bobj was possible without a suitable education. However, the rogues 1 lives were not a desirable pattern.) A, Practical education 1. For women also 2. About value of money 3. About one f s expectations 4. For self control B, Spiritual education (to develop awareness of Providential intervention) 1. -
The Impact of Colonialism in Moll Flanders and the Belle's Stratagem
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2015 The Impact of Colonialism in Moll Flanders and The Belle’s Stratagem Tamara Kathwari CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/531 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Kathwari 1 The Impact of Colonialism in Moll Flanders and The Belle’s Stratagem Tamara Kathwari Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of New York of the City University of New York Kathwari 2 Table of Contents Introduction Chapter 1. Desire, Disguise, and Identity: The Impact of Colonialism in Moll Flanders Section 1. Paper Credit and the Problem of Social Identity Section 2 The Master- Slave Relationship and Disguise Section 3 Virginia and Economic Security Section 4 Easy Wealth, Disastrous Investments, and Promising Prospects Section 5 Escaping Crime and Servitude: Life in a Colony Chapter 2. Colonialism and The Crisis of National Identity in The Belle’s Stratagem Section 1 Colonialism and The Marriage Act of 1753 Section 2 Social Mimicry, Colonial Influence, and National Identity Section 3 Anxiety and Loss over Colonial Wealth Section 4 Transformation and the Crisis of Identity Kathwari 3 Introduction He who has sovereign power does not value the provocations of a rebellious subject but knows how to subdue him with ease and will make himself obeyed; but patience and submission are the only comforts that are left to a poor people who groan under tyranny unless they are strong enough to break the yoke, to depose and abdicate, which I doubt would not be allowed of here. -
1 Compare and Contrast the Importance of Female Morality In
Compare and contrast the importance of female morality in Daniel Defoe’s 1722 novel Moll Flanders and Middlemarch by George Eliot, 1871. Examine the view that church, state and “men make the moral code and they expect women to accept it.”(3) Emmeline Pankhurst Throughout Daniel Defoe’s Moll Flanders (1722) and George Eliot’s Middlemarch (1871), female morality and its cultural importance in dictating the behaviour of the characters is a major theme which features continually. Emmeline Pankhurst’s statement “men make the moral code and they expect women to accept it” (3) also plays a relevant role in both texts and expresses a historic social standard for women; unchanging between these periods. Whether it is conveyed through religious influence, class stratification or male power in business and marriage, the rigid female moral code described in both novels has been created by these factors. Although writing a hundred years apart, Defoe’s and Eliot’s description of women’s moral behaviour and position in society is surprisingly consistent, but the characters they use to describe moral aspects of life are very different. It could be argued both authors allow their protagonists, Moll and Dorothea, to attempt to escape society’s expectation of female behaviour but they choose to introduce the struggle of female morality in contrasting manners. From the beginning of Middlemarch, religious vigour and moral virtues are deeply rooted in the character of Dorothea and influence her conduct in many ways. She is initially shown to have “a pure beauty supported by her plain dressing and garments” perhaps resembling “the Blessed Virgin” (4). -
Colonel Jack
“My Fellow-Servants”: Othering and Identification in Daniel Defoe’s Colonel Jack Catherine Fleming !"# E$O%&MOUS H#(O of Daniel Defoe’s 1722 Colonel Jack, brother to Captain /ac0 and Major Jac0, spends m2ch of the boo0 atte pting to craft his identity thro2gh his relationships to others3 Jac0’s identity, and partic2larly the connection between his na e and the Union Jac0, attracted the attention of early scholars, b2t c2rrent research is ost invested in Jac0’s intersections with iss2es of race and colonialis . There are few st2dies which foc2s pri arily on Colonel Jack, b2t the novel is increasingly recogni5ed in a1or scholarly wor0s, s2ch as Dennis Todd’s Defoe’s America, which disc2ss the racist colonial syste of North A erica d2ring the 16th and 17th cent2ries3 Altho2gh us2ally disc2ssed in the context of Defoe’s other narratives rather than on its own merits, Colonel Jack has m2ch to reco end it to modern scholarshi.3 With a hero that travels thro2gho2t the United Kingdo , France, and the A ericas, and a plot which evo0es parallels between A erican servit2de and stories of English en enslaved in M2slin %orth Africa, Colonel Jack is partic2larly interesting for its de.iction of international connections and conflicts3 Jac0’s o-servations on the Irish, the Scots, the French, the 6 ericans, and the S.anish settlers of So2th A erica o<er a fascinating st2dy of how perce.tions of national and racial di<erence shape personal identification, the constr2ction of class syste s, and the social str2ct2res that acco .anied the colonial syste of coerced la-o2r3 Digital Defoe: Studies in Defoe & His Contemporaries 11, no.