The Fortunes & Misfortunes of the Famous Moll Flanders &C
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The House of Dust
The House of Dust Conrad Aiken The House of Dust Table of Contents The House of Dust.....................................................................................................................................................1 Conrad Aiken.................................................................................................................................................1 NOTE.............................................................................................................................................................1 PART I...........................................................................................................................................................1 PART II........................................................................................................................................................10 PART III......................................................................................................................................................23 PART IV......................................................................................................................................................48 i The House of Dust Conrad Aiken This page copyright © 2001 Blackmask Online. http://www.blackmask.com • NOTE • PART I. • PART II. • PART III • PART IV. THE HOUSE OF DUST A Symphony To Jessie NOTE . Parts of this poem have been printed in "The North American Review, Others, Poetry, Youth, Coterie, The Yale Review". I am indebted to Lafcadio Hearn for the episode -
Documents Click Here & Upgrade Expanded Features PDF Unlimited Pages Completedocuments
Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments “THE FATE OF THIS POOR WOMAN”: MEN, WOMEN, AND INTERSUBJECTIVITY IN MOLL FLANDERS AND ROXANA A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Peter Christian Marbais May, 2005 Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Dissertation written by Peter Christian Marbais B.A., Ohio Wesleyan University, 1995 M.A., Kent State University, 1998 Ph.D., Kent State University, 2005 Approved by Vera J. Camden, Professor of English, Chair, Doctoral Dissertation Committee Donald M. Hassler, Professor of English, Members, Doctoral Dissertation Committee Thomas J. Hines, Emeritus Professor of English Ute J. Dymon, Professor of Geography Accepted by Ronald J. Corthell, Chair, Department of English Darrell Turnidge, Dean, College of Arts and Sciences ii Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments TABLE OF CONTENTS ACKNOWLEDGMENTS…………………………………….…………………….........iv CHAPTER INTRODUCTION………………………………………………………..……….1 I. DEFOE AND FATE…………………...………………………………………25 II. DEFOE’S WOMEN IN THE MYTHOS OF FATE AND INTERSUBJECTIVITY……………………………..………………...…….77 III. MUTUAL RECOGNITION WITHIN THE FATAL MATRIX AND BETWEEN -
Representations of the Criminal in Eighteen-Century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 The culture of crime: representations of the criminal in eighteen-century England Daniel Gonzalez Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Gonzalez, Daniel, "The culture of crime: representations of the criminal in eighteen-century England" (2002). LSU Doctoral Dissertations. 112. https://digitalcommons.lsu.edu/gradschool_dissertations/112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE CULTURE OF CRIME: REPRESENTATIONS OF THE CRIMINAL IN EIGHTEENTH-CENTURY ENGLAND A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Daniel Gonzalez B.A., Bucknell University, 1992 M.A., McNeese State University, 1995 M.F.A., McNeese State University, 1995 May 2002 Acknowledgments First, I owe a tremendous amount of gratitude to my dissertation director, Dr. Jim Borck, for his continuing encouragement and friendship during this lengthy process. Dr. Elsie Michie has also been a strong voice of encouragement, and without the guidance and support of both of these mentors, this dissertation would never have been completed. When I grow up to be a professor, I want to be just like them; they have helped me more than either can ever know. -
PUSHING to the FRONT Volume II This E-Book by ORISON SWETT MARDEN Copyright 1911
Please Share PUSHING TO THE FRONT Click Here For This E-Book BY ORISON SWETT MARDEN Reading Tips Pushing to the Front BY ORISON SWETT MARDEN VOLUME II "The world makes way for the determined man.' PUBLISHED BY The Success Company's Branch Offices Digital Version 1.00 by www.arfalpha.com Created November 2003 PETERSBURG, TOLEDO DANVILLE N.Y. OKLAHOMA SAN JOSE CITY Please Share PUSHING TO THE FRONT Volume II This E-Book BY ORISON SWETT MARDEN Copyright 1911 COPYRIGHT, 1911 BY ORISON SWETT MARSDEN Please Share PUSHING TO THE FRONT Volume II This E-Book BY ORISON SWETT MARDEN Copyright 1911 CONTENTS VOLUME II Chapter PAGE XXXIII. PUBLICSPEAKING.............................................................. 411 XXXIV. THE TRIUMPHS OF THE COMMON VIRTUES......................... 424 XXXV. GETTING AROUSED............................................................ 433 XXXVI. THE MAN WITH AN IDEA..................................................... 439 XXXVII. DARE................................................................................ 452 XXXVIII. THE WILL AND THE WAY..................................................... 471 XXXIX. ONE UNWAVERING AIM..................................................... 485 XL. WORK AND WAIT.............................................................. 500 XLI. THE MIGHT of LITTLE THINGS............................................. 513 XLII. THE SALARY YOU DO NOT FIND IN YOUR PAY ENVELOPE....... 525 XLIII. EXPECT GREAT THINGS of YOURSELF................................... 540 XLIV. THE NEXT TIME YOU THINK -
From Moll Flanders to Tess of the D'urbervilles
From Moll Flanders to Tess of the D’Urbervilles: Women, Autonomy and Criminal Responsibility in Eighteenth and Nineteenth Century England Nicola Lacey LSE Law, Society and Economy Working Papers 5/2007 London School of Economics and Political Science Law Department This paper can be downloaded without charge from LSE Law, Society and Economy Working Papers at: www.lse.ac.uk/collections/law/wps/wps.htm and the Social Science Research Network electronic library at: http://ssrn.comabstract=1012282 © Nicola Lacey. Users may download and/or print one copy to facilitate their private study or for non-commercial research. Users may not engage in further distribution of this material or use it for any profit-making activities or any other form of commercial gain. Nicola Lacey From Moll Flanders to Tess of the D’Urbervilles From Moll Flanders to Tess of the D’Urbervilles: Women, Autonomy and Criminal Responsibility in Eighteenth and Nineteenth Century England Nicola Lacey∗ Abstract: In the early 18th Century, Daniel Defoe found it natural to write a novel whose heroine was a sexually adventurous, socially marginal property offender. Only half a century later, this would have been next to unthinkable. In this paper, the disappearance of Moll Flanders, and her supercession in the annals of literary female offenders by heroines like Tess of the d’Urbervilles, serves as a metaphor for fundamental changes in ideas of selfhood, gender and social order in 18th and 19th Century England. Drawing on law, literature, philosophy and social history, I argue that these broad changes underpinned a radical shift in mechanisms of responsibility-attribution, with decisive implications for the criminalisation of women. -
Daniel Defoe and the Written Constitution Bernadette Meyler Cornell Law School, [email protected]
Cornell University Law School Scholarship@Cornell Law: A Digital Repository Cornell Law Faculty Publications Faculty Scholarship 11-2008 Daniel Defoe and the Written Constitution Bernadette Meyler Cornell Law School, [email protected] Follow this and additional works at: http://scholarship.law.cornell.edu/facpub Part of the Constitutional Law Commons, and the Legal History, Theory and Process Commons Recommended Citation Meyler, Bernadette, "Daniel Defoe and the Written Constitution" (2008). Cornell Law Faculty Publications. Paper 18. http://scholarship.law.cornell.edu/facpub/18 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Law Faculty Publications by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. DANIEL DEFOE AND THE WRITTEN CONSTITUTION Bernadette Meylert INTRODUCTION ..................................................... 73 I. DEFOE AS MYrH-MAKER, COGNATE, AND PRECEDENT ...... 79 II. FROM THE PROMISE TO THE TEXT ........................... 85 A. A Serious Inquiry .................................... 86 B. Party-Tyranny........................................ 90 C. The Case of ProtestantDissenters ....................... 99 III. THE WRITTEN CONSTITUTION IN MINIATURE .............. 106 A. Crusoe, Writing, and Contract ...................... 106 B. Pyrates, the Polity, and Constitutional Review ...... -
The Feminist Thoughts of Moll Flanders in Moll Flanders
Journal of Literature and Art Studies, March 2015, Vol. 5, No. 3, 177-180 doi: 10.17265/2159-5836/2015.03.003 D DAVID PUBLISHING The Feminist Thoughts of Moll Flanders in Moll Flanders LIU Xi, MA Wen-ying Changchun University, Changchun, China Moll Flanders is one of Daniel Defoe’s masterpieces. The protagonist—Moll Flanders is a female character from lower class that Daniel Defoe first depicted in his novel. The image of Moll Flanders has attracted the attention of many critics since it was created. Critics viewed her as a “whore”, because she had been married for five times in the comparatively conservative society. This paper attempts to analyze the feminist thoughts of the protagonist—Moll Flanders and makes an exploration upon Moll Flanders’ fate from the perspective of feminism so as to encourage females to pursue whatever they want in order to acquire equal rights with men. Keywords: feminism, resistance, equality, patriarchal society, pursuit Introduction Moll Flanders is one of the masterpieces written by Daniel Defoe (1660-1731), the founder of the realistic novel. Compared with the contemporary writer, Defoe runs in front of the times by his female consciousness to protect women’s rights representatively at early times in England. In Moll Flanders, Daniel Defoe portrayed an image of a woman named Moll Flanders. She was born in Newgate prison because her mother was a thief. Since her birth, she lost her parents and was brought up in an orphanage. Under the pressure of making a living, she got married for five times and she even gave up her self-esteem to be a mistress. -
DAVID FULTON a Holiday from High Tone
EnterText 1.2 DAVID FULTON A Holiday from High Tone: Politics and Genre in Andrew Davies’s Adaptation of Daniel Defoe’s Moll Flanders When Granada commissioned Andrew Davies to adapt Moll Flanders, they were consciously engaging in an act of TV politics, designed to counter recent BBC successes.1 That latter organisation had long stood accused of reneging on its public- service obligations and, in an attempt to compete for audience figures with ITV, of dumbing down its programmes. One of its responses was to reassert its commitment to David Fulton: A Holiday from High Tone 132 EnterText 1.2 literary culture and it did this primarily by revamping a genre that had served it well in the 1960s: the classic serial. Black-and-white was to be replaced by colour, unconvincing studio sets by outside locations, shot according to the big-budget production values of cinema, and self-financed serials by ones co-funded by foreign— usually American—TV companies. The first of the new brand of adaptations to catch the popular imagination was Dennis Potter’s version of Thomas Hardy’s Mayor of Casterbridge (1978), filmed on location in Corfe Castle for the then-massive TV budget of over half a million pounds and starring Alan Bates as the Lear-like protagonist.2 However, this popular success was itself eclipsed by two BBC adaptations of the mid- 1990s—of George Eliot’s Middlemarch (1994) and, pre-eminently, Jane Austen’s Pride and Prejudice (1995). The romance of Darcy and Elizabeth Bennet gained such currency it found its way into the tabloids, especially after it was rumoured the actors playing the parts, Colin Firth and Jennifer Ehle had themselves begun an affair during the serial’s shooting. -
JANUS a Written Creative Work Submitted to the Faculty of San Francisco State University in Partial Fulfillment O F ^ 0 1Q the R
JANUS A Written Creative Work submitted to the faculty of San Francisco State University In partial fulfillment of ^ 0 1 q the requirements for m e w tte D q ,re e Master o f Fine Arts In Creative Writing by A i Ebashi San Francisco, California M ay 2019 Copyright by A i Ebashi 2019 CERTIFICATION OF APPROVAL I certify that I have read JANUS by Ai Ebashi, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master o f Fine Arts in Creative Writing at San Francisco State University. M ichelle Carter, M.F.A. Professor o f Creative Writing fry - Andrew Joron, B.A. Assistant Professor o f Creative Writing JANUS A i Ebashi San Francisco, California 2019 JANUS is a full-length play which portrays the moment of the psychic disintegration of the Roman God Janus and inner battles that ensue. It explores the themes o f gender, identity, duality, power structure and transgenderism. Through the lenses o f the divided Gods, He Janus and She Janus, who are trapped in an apocalyptic world, I used the yin and yang concept, symbol and dynamics to portray the two polarized forces that are forever opposing or conflicting but are also ultimately complementary. My approach to these themes is philosoph al but I also included physical movement, farcical element and outrageous happenings to create comedic effects. I certify that the Abstract is a correct representation o f the content o f this written creative work. -
University of Huddersfield Repository
University of Huddersfield Repository Muller, Andreas Karl Ewald The public voices of Daniel Defoe Original Citation Muller, Andreas Karl Ewald (2005) The public voices of Daniel Defoe. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/9142/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Public Voices of Daniel Defoe by Andreas Karl Ewald Müller Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy University of Huddersfield March 2005 Contents Page Acknowledgements i Note on text i Abstract ii Abbreviations iii Introduction 1 `Exchanging for Chapter I one Tyrant Three hundred' - Defoe 22 and the Standing Army Controversy, 1697-99' Chapter -
Colonel Jack, Moll Flanders, Captain Singleton, the Fortunate Mistress
THE MORAL PDEPOSS OJ B3F0S'3 KOKJE HISTORIES: COLONEL JACK, MOLL FIANDHSS, CAFTAIE SINGLETON, THS FOETOTATE MISIREES (EOX^IIA) by CLAYTON LOUIS KAUPP B, A., Fort Kays Kansas Stats College, A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Deparfensnt of English KANSAS STATE UNIVERSITY Manhattan, Kansas 19S3 Approved by; ^ZZILk- Major Professor TABLE OF CONTESTS 1 I. THE NATURE OF GENTILITY A. Illustrated by Singleton's African gentleman B. Discovered by the rogues C. Differentiated from aristocracy D. Misrepresented by certain types 1, Tradesman-sportsman 2, Gentleman thief E. Embodied by various occupations 1. True-bred merchant 2. Gentleman soldier 3. Gentleman planter F. Defined primarily as economic security II. THE PREREQUISITES TO ATTAINMENT OF THE STATUS (THE NECESSARY "ECONOMIC VIRTUES") 10 A. Honesty B, Gratitude C. Utility D. Courage E, Meroy 1. Reform, the outgrowth of mercy 2. Gentility, the result of reform F, Consciousness and selflessness III. SECONDARY OBJECTIVES 26 A. Suitable appearance B. Genteel attainments C. Marital bliss IV. DANGERS OF SECONDARY OBJECTIVES 29 A.. Marital excess B. Dueling C. Tihoring D. "Fooling and toying" E. Luxury F. Private ventures on foreign soils G. Drinking V. THE IDEAL BEGINNING FOE VSOULD-BE GENTILITY 39 (Attainment of genteel status fe.g., Moll, Jack, and BobJ and °voidance of common errors fe.g., Bobj was possible without a suitable education. However, the rogues 1 lives were not a desirable pattern.) A, Practical education 1. For women also 2. About value of money 3. About one f s expectations 4. For self control B, Spiritual education (to develop awareness of Providential intervention) 1. -
The Impact of Colonialism in Moll Flanders and the Belle's Stratagem
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2015 The Impact of Colonialism in Moll Flanders and The Belle’s Stratagem Tamara Kathwari CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/531 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Kathwari 1 The Impact of Colonialism in Moll Flanders and The Belle’s Stratagem Tamara Kathwari Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of New York of the City University of New York Kathwari 2 Table of Contents Introduction Chapter 1. Desire, Disguise, and Identity: The Impact of Colonialism in Moll Flanders Section 1. Paper Credit and the Problem of Social Identity Section 2 The Master- Slave Relationship and Disguise Section 3 Virginia and Economic Security Section 4 Easy Wealth, Disastrous Investments, and Promising Prospects Section 5 Escaping Crime and Servitude: Life in a Colony Chapter 2. Colonialism and The Crisis of National Identity in The Belle’s Stratagem Section 1 Colonialism and The Marriage Act of 1753 Section 2 Social Mimicry, Colonial Influence, and National Identity Section 3 Anxiety and Loss over Colonial Wealth Section 4 Transformation and the Crisis of Identity Kathwari 3 Introduction He who has sovereign power does not value the provocations of a rebellious subject but knows how to subdue him with ease and will make himself obeyed; but patience and submission are the only comforts that are left to a poor people who groan under tyranny unless they are strong enough to break the yoke, to depose and abdicate, which I doubt would not be allowed of here.