DOCSLIB.ORG

Herbert Edward Palmer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Herbert Edward Palmer Herbert Edward Palmer: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Palmer, Herbert Edward, 1880-1961 Title: Herbert Edward Palmer Collection Dates: 1890-1967 Extent: 15 record center cartons (15 linear feet), 4 galley folders (gf), 2 oversize folder (osf) Abstract: Herbert Edward Palmer was an English poet and critic. His collection consists mainly of typed and handwritten manuscripts and correspondence. Call Number: Manuscript Collection MS-3153 Language: English, French, German Access: Open for research. Part or all of this collection is housed off-site and may require up to three business days' notice for access in the Ransom Center's Reading and Viewing Room. Please contact the Center before requesting this material: [email protected]. Administrative Information Acquisition: Purchases, 1961-1975 (R884, R999, R1000, R2039, R2279, R3944, R4561, R6055, R6625) Processed by: Hagan Barber, Jack Boettcher, Betsy Nitsch, 2012 Note: This finding aid replicates some information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 2 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 3 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 Works: [Unidentified article on Eva Martin], Ams/ draft/ fragment with A emendations (p 2 Container only), nd. 1.1 [Unidentified article on his leaving Germany at beginning of WW I], Galley proofs/ inc with A corrections and revisions [1p], nd, for Adelphi Magazie. [Unidentified article on the poet and the reviewer], Ams/ drafts/ inc I with A Container revisions [3pp], 1922 Summer. 1.2 [Unidentified article on Robert Bridges], Ams/ draft/ fragment with A emendations Container [1p], nd. 1.1 [Unidentified article on Robert Bridges], Ams/ fragment with A emendations [1p], nd. [Unidentified article on various poets], TmsS/ fragment [final page, p 36, only], nd. [Unidentified article re Ezra Pound], Ams/ fragment with A emendations [1p], nd. [Unidentified introduction to anthology], Ams/ draft/ fragment with A revisions [1p], nd. [Unidentified miscellaneous fragments], Ams/ fragments with A revisions [3pp], nd. [Unidentified moral essay], 2 Ams/ fragments with A emendations [2pp], nd. Container [Unidentified play], Ams/ fragment with A revisions [3pp on 2ll], nd. 1.3 [Unidentified poem], Ams/ fragments [2pp], nd. [Unidentified poem], Ams/ fragment with A emendations [1p], nd. [Unidentified poem], Ams/ draft/ inc [2pp on 1l], nd. [Unidentified poem], Ams workings/ fragment [1p], nd. [Unidentified poetic fragments], Ams/ fragments, one signed, with A revisions and Container workings [50ll, some with verso written on], nd. 1.4 [Unidentified poetic workings], Ams/ fragments [1p], nd. Container 1.3 [Unidentified poetic workings], Ams/ fragment with A revisions [2pp on 1l], nd. 4 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 [Unidentified prose fragments], Ams/ fragments and 1 Tms fragment, some signed Container [25pp], nd. 1.5 Container [Unidentified prose work], Ams/ fragment with A revisions [1p], nd. 1.3 [Unidentified prose work on Nietzchean attitude toward Christianity], Ams/ draft/ fragment with A emendations [1p], nd. [Unidentified prose work on poetry], Ams/ draft/ fragment with A revisions [1p], nd. [Unidentified satirical article on proposed new magazines], Ams/ draft/ inc with A revisions [2pp], nd. [Unidentified short story], Ams/ inc S with A revisions [2pp], nd. [Unidentified statement on contemporary poetry], Ams/ fragment with A emendations [1p], nd. [Unidentified work extolling his theory and attacking his opponents], Ams/ draft/ inc with A revisions [3pp on 2ll], nd. [Unidentified work on Cecil Floersheim], Ams/ draft-notes with A emendations [1p], nd. Container [Unidentified work on T.S. Eliot], Ams/ draft/ inc with A revisions [25pp], nd. 1.6 Container [Unidentified work on Yeats], Ams/ draft/ fragment with A revisions [1p], nd. 1.3 [Unidentified work re V. H. Friedlaender], Ams/ draft/ fragment with A emendations [1p], nd. [Unidentified works], 4 Ams/ fragments with A emendations [1p each], nd. [Untitled article on the beginnings of the Windsorian], Ams/ inc with A emendations Container [2pp], nd. 1.7 [Untitled article on Dylan Thomas], Ams/ draft S with A emendations [3pp], nd. [Untitled article on Francois Villon], Ams/ inc with A revisions [6pp], nd. [Untitled article on John Masefield], Ams with A revisions [3pp], nd. [Untitled article on Swedenborg], Ams with A emendations [4pp], nd. [Untitled article on the trials of the fly-fisherman], Ams/ draft with A revisions 5 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 [Untitled article on the trials of the fly-fisherman], Ams/ draft with A revisions [3pp], nd. [Untitled article on uglification on the English countryside], Ams with A emendations [4pp], nd. [Untitled article on Yorkshire fly-fishing], Ams/ draft with A emendations [7pp], nd. [Untitled bridge poem] "How went the end?..," 1 Ams/ early draft with A Container emendations [1p], 4 Tmss with A revisions [1p each], 1 Tccms with A note [1p], [c. 1.8 1958]. [Untitled bridge poem] "I spoke it at the time…," 2 Ams/ drafts, one initialed, with A emendations [1p each], [c. 1958]. [Untitled bridge poem] "In such clenched tones …," 2 Ams/ drafts with A emendations [1p each], [c. 1958]. [Untitled bridge poem] "The voice receded …," 2 Tmss with A emendations, one with Ams addition [1p each], [c.1958]. [Untitled eulogy for F. D. Wiseman], AmsS with A emendations [1p], nd. [Untitled poem] "And ere Jane…," Ams/ draft with A revisions [1p], nd. [Untitled poem] "And he! He had followed the tenets …," Ams/ draft with A revisions [1p], nd. [Untitled poem], "And I will bind it in crimson…," Ams/ draft [1p], nd. [Untitled poem], "As might a blackbird…," Ams workings/ inc [2pp on 1l], nd. [Untitled poem] "At dusk it shines…," Ams/ draft with A revisions [1p], nd. [Untitled poem] "Friend! May I call you friend?…," Ams/ draft and workings [4pp on 3ll], nd. [Untitled poem] "God pity each in direst hell tonight…," Ams/ draft with heavy A revisions [1p], nd. [Untitled poem] "I’m Catullus of a caterpillar con…," Ams/ draft/ inc with A revisions [1p], Ams/ fragment [1p], nd. [Untitled poem] "I love the stars of heaven…," AmsS with A revisions [1p], nd. [Untitled poem] "In Tobermory Bay…," Ams/ draft/ inc with heavy A revisions [1p], nd. 6 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 [Untitled poem] "0 long lost Love …," Ams with A revisions [1p], nd. [Untitled poem] "One gay May morning …," Ams/ draft/ fragment with A revisions [1p], nd. [Untitled poem] "One of my friends…," Ams [1p], nd. [Untitled poem] "Pluck, prod, click, snip…," 2 Tccmss with A emendations [1p each], nd. [Untitled poem] "Serve now as you can…," 4 Ams/ drafts with A revisions [1p each], nd. [Untitled poem] "A Shower of silver singing rain…" Ams/ draft [1p], nd. [Untitled poem] "So hear me all ye ogres of night…," Ams with A revisions [1p], nd. [Untitled poem] "Sound all sweet cymbals of music…," Ams/ draft with A emendations [1p], nd. [Untitled poem] "The Angel Wyrd stole by me …," 2 Ams/ drafts with A revisions and workings [3pp on 2ll], nd. [Untitled poem] "The stars thunder over the hills…," Ams workings/ fragment [1p], nd. [Untitled poem] "The twining vine goes up the wall…," Ams/ draft with A emendations [1p], nd. [Untitled poem] "There’s no affinity…," Ams with A emendations [1p], nd. [Untitled poem] "Thinkig, the enthroned…," Ams with A emendations [1p], nd. [Untitled poem] "We ---[?] and wonder…," Ams/ workings/ inc. [1p], nd. [Untitled poem] "We poets…," Ams/ draft with A revisions [1p], nd. [Untitled poem] "Who is this that comes…," Ams/ draft with A revisions [1p], nd. Abelard sings his love to Heloise, AmsS with A emendations [1p], Tccms with A Container emendations and note [1p], nd. 1.9 About an epitaph, 2 AmssS with A emendations [1p each], 1 Ams with A note [1p], nd. After Munich: A prayer, Ams/ draft S with A revisions [1p], Tms/ draft S with A emendations [1p], Tccms/ draft S with A emendations [1p], TccmsS [1p], nd. 7 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 Airmen of the Battle of Britain: 1940, Ams [1p], [c. 1940], 3 Ams/ early drafts S with A revisions [1p each], 3 Ams/ early drafts with A revisions [one 2pp; two 1p], 4 Ams/ drafts S with A revisions [1p each], 1 Ams/ draft with A revisions [1p], nd. [An Allegorical] parable, TmsS with A revisions [1p], TccmsS with A revisions [1p], nd. An Allegory, AmsS with A emendations [1p], nd. An allegory of pilgrimage, TccmsS with few A emendations (4pp), nd. Container The Angler, 2 Ams/ drafts S with A revisions [1p each], nd. 1.10 An Angling holiday in the Harz Mountains, AmsS with A emendations [12pp], 1910 Container June 9. 1.9 [Annotations on Edith Sitwell], Ams/ annotations written in copy of Edith Sitwell, The Augustun Books of Modern Poetry series, nd. [Answers to questionnaire], Ams/ draft S with A revisions (5pp), nd. Any poetry revival, 2 AmssS with A emendations [1p each], nd. Any practical idealist, 2 AmssS, one with A emendations [1p each], published in the Unknown warrior (1924). [Apocalypse], Ams/ workings/ fragment [1p], nd. Apocalypse, 1 Ams/ inc [2pp], 2 Ams/ drafts with A revisions [2pp each], 2 Ams/ Container early drafts/ inc with A revisions [1p; 2pp], 1 Ams/ draft/ fragment with A 1.11 emendations [1p], 1 Ams workings [9pp]. Apocalypse (Card 2), 1 Tccms with A emendations [3pp], nd. Container Apostrophe to Melancholy, 2 AmssS, one with A emendations [1p each], nd. 1.9 An appeal for the W.E.A., Composite Ams and printed paste-ins S with A revisions Container (12pp), Ams/ inc S with A revisions [6pp], nd.
Load more

Recommended publications
  • SIBL. . V^'- ' / Proquest Number: 10096794
    -TÂ/igSEOBSIAW p o e t s : A. CBIIXCÆJEaaMIBA!ElûIif--CÆJ^ POETRY '' ARD POETIC THEORY. “ KATHARIKE COOKE. M. P h i l . , SIBL. v^'- ' / ProQuest Number: 10096794 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10096794 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SYNOPSIS. As the Introduction explains this thesis sets out to look at the Georgians* achievement in poetry in the light of their intentions as avowed in prose and their methods as exemplified hy their poems. This is chiefly a critical exercise hut history has heen used to clear away the inevitable distortion which results from looking at Georgian poetry after fifty years of Eliot- influenced hostility. The history of the movement is dealt with in Chapter 2. The next three chapters examine aspects of poetry which the Georgians themselves con­ sidered most interesting. Chapter 3 deals with form, Chapter 4 with diction and Chapter 5 with inspiration or attitude to subject matter. Chapter 6 looks at the aspect of Georgianism most commonly thought by later readers to define the movement, th a t is i t s subjects.
    [Show full text]
  • XMAS DOUBLE NUMBER Nos. 6 & 7
    XMAS DOUBLE NUMBER COTERIE NINA HAMNETT Nos. 6 & 7 Winter, 1920-21 COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Russell Green. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. W. Earp. Aldous Huxley. Nina Hamnett. Literary and Art Contributions for publication in COTERIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C.2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. 8d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents; or yearly, $3. Paris: Copies may be had from W. H. Smith & Son, Rue de Rivoli. COTERIE NINA HAMNETT LONDON : HENDERSONS SIXTY-SIX CHARING CROSS ROAD COTERIE, Winter, 1920-21, Nos. 6 and 7 Xmas Double Number - COVER DESIGN by NINA HAMNETT I. John Burley: " Chop and Change " 6 II. Roy Campbell: Canal 23 The Head 23 The Sleepers 24 III. Wilfrid Rowland Childe: Hymn to the Earth 26 IF. Thomas Earp: Grand Passion 28 Post-mortem 28 Cowboy Bacchanale 29 V. Godfrey Elton: Farcical Rhyme 31 VI. John Gould Fletcher: The Star 32 Who will Mark 33- VII. Frank Harris: Akbar: The " Mightiest" 34 VIII. Russell Green : Gulliver 52 IX. G. H. Johnstone : Naive 58 X.
    [Show full text]
  • Modem Women's Poetry 1910—1929
    Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions.
    [Show full text]
  • Georgian Poetry 1918-19
    Georgian Poetry 1918-19 Various The Project Gutenberg EBook of Georgian Poetry 1918-19, by Various Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Georgian Poetry 1918-19 Author: Various Release Date: January, 2006 [EBook #9621] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 10, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK GEORGIAN POETRY 1918-19 *** Produced by Keren Vergon, Clytie Siddall and PG Distributed Proofreaders GEORGIAN POETRY 1918-1919 EDITED BY SIR EDWARD MARSH TO THOMAS HARDY EIGHTH THOUSAND THE POETRY BOOKSHOP 35 Devonshire Street Theobalds Road W.C.1 MCMXX PREFATORY NOTE This is the fourth volume of the present series. I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry.
    [Show full text]
  • Fans, Collectors, Academics, and the MP Shiel Archives
    Romps with Ransom’s King: Fans, Collectors, Academics, and the M. P. Shiel Archives Kirsten MacLeod University of Alberta as HEzra Pound, Virginia Woolf, Ernest Hemingway, E. M. Forster, D. H. Law- rence, James Joyce, E. E. Cummings, and Oscar Wilde, the Harry Ransom Humanities Research Center in Austin, Texas is a Mecca for academic researchers from all over the world. At the same time, it is a Mecca for a very diff erent kind of researcher attracted to a very diff erent kind of archive. Take Alex, for example, a self-professed “goth” who describes his pilgrimage to the Ransom Center to view the Aleister Crowley archives in his “blog,” “Alex’s Journal.”¹ Among his other interests cited on the “user info” page, Alex lists “death metal,” “body piercing,” “drinking,” “comics” “hurting peoples brains [sic],” “debauchery,” “subdural haematomas,” and “weirding out weird people.” e sheer eccentricity of the Ransom’s collec- tions—which include high literary, mass cultural, and even counter-cul- tural material—make it a place where a professor earnestly poring over a Joyce manuscript might rub shoulders with a fan like Alex who describes e full account of Alex’s research trip reads as follows: “Went to the Harry Ransom Centre and looked at rare Aleister Crowley manuscripts which was lots of fun. I fi lled out all these request tags and they’re like ‘are you for real or are you playing around?!?’ and I said ‘I’m very serious’ and they said ‘this might take a while’ and I said ‘I can wait.’ So eventually they brought me out boxes of stuff , he he, and I spent several hours poring over the stuff and taking some cool notes.” ESC .
    [Show full text]
  • 'Determined to Be Weird': British Weird Fiction Before Weird Tales
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Repository of Birkbeck Institutional Theses Birkbeck, University of London ‘Determined to be Weird’: British Weird Fiction before Weird Tales James Fabian Machin Submitted for the degree of Doctor of Philosophy June 2016 1 Declaration I, James Fabian Machin, declare that this thesis is all my own work. Signature_______________________________________ Date____________________ 2 Abstract Weird fiction is a mode in the Gothic lineage, cognate with horror, particularly associated with the early twentieth-century pulp writing of H. P. Lovecraft and others for Weird Tales magazine. However, the roots of the weird lie earlier and late-Victorian British and Edwardian writers such as Arthur Machen, Count Stenbock, M. P. Shiel, and John Buchan created varyingly influential iterations of the mode. This thesis is predicated on an argument that Lovecraft’s recent rehabilitation into the western canon, together with his ongoing and arguably ever-increasing impact on popular culture, demands an examination of the earlier weird fiction that fed into and resulted in Lovecraft’s work. Although there is a focus on the literary fields of the fin de siècle and early twentieth century, by tracking the mutable reputations and critical regard of these early exponents of weird fiction, this thesis engages with broader contextual questions of cultural value and distinction; of notions of elitism and popularity, tensions between genre and literary fiction, and the high/low cultural divide allegedly precipitated by Modernism. 3 Table of Contents Acknowledgements ....................................................................................... 5 Introduction .................................................................................................. 6 Chapter 1: The Wyrd, the Weird-like, and the Weird ..............................
    [Show full text]
  • Spring 2010 Spring 2010
    SPRING 2010 SPRING 2010 CLEARWATER BOOKS 213b Devonshire Road Forest Hill London SE23 3NJ United Kingdom Telephone: 07968 864791 Email: [email protected] Website: www.clearwaterbooks.co.uk Unless otherwise indicated, all the items in this catalogue are first English editions, published in Greater London. Dust wrappers are mentioned when present (post-1925). Any item found to be unsatisfactory may be returned, but within ten days of receipt, please. Shipping charges are additional. Personal Note Last autumns catalogue was a great experience. Writing it was an enjoyable challenge and then, perhaps imprudently, issuing it amidst the postal strike added an element of tension as I waited a whole twenty-four hours for the telephone to ring, wondering if it could really be so bad as to not generate a single enquiry. Eventually however the calls began, and so did the real fun. Customers I had not spoken to in years, and as often as not never personally dealt with at all, called with the most delightful reminiscences about dad. And the occasional order, of course. Here is the follow-up, my spring 2010 issue (I wonder at what point it stops being presumptive to number them?) The catalogue is divided between literature and a little poetry towards the front; and art and illustrated at the rear, and I do hope it will be an enjoyable read. Clearwater will be exhibiting at the Hand & Flower Hotel book fair in June, now in its third year. If you have the opportunity do come along to peruse the books and say hello Best Wishes Bevis Clarke 1.
    [Show full text]
  • A Recuperative Study
    Georgianism Then and Now­ A Recuperative Study James Richard Bridges A thesis submitted to the University of Gloucestershire in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Arts and Humanities September 2001 Abstract The thesis attempts to revise our view of Georgian poetry, and thus to rescue it from the critical disregard and disdain it has suffered since the 1930s. Georgian poetry will be redefined as a strong traditional poetry contemporaneous with, and yet different from, literary Modernism. An historical overview of the critical literature from the 1920s onwards will reveal the original co-existence of those now known as 'Georgians' and 'Modernists', stress their mutual break with Edwardian conventions, and will sketch the process by which Georgianism and Modernism became oppositional. Georgianism will be re-evaluated as a brave and creditable attempt to continue the Romantic and humanistic impulse in poetry at a time when younger and ostensibly more radical writers were forsaking it for the values of Modernism. The thesis will further suggest that the Georgian poets had a rather more socially aware and progressive agenda than many of the fledgling Modernists. Georgian poetry is reread, therefore, in order to bring out, as major themes, its concern with the poor and with work, with the changing environment of the nation, with the position of women in Georgian society, and with its response to the First World War. This reappraisal will lead to the contention that Georgianism should not be viewed as a low point in British poetry, but instead as supplying the formal foundations and political sensibility which mark the achievement of Great War poetry.
    [Show full text]
  • The Nineteenth Century (1800- 1900)
    THE NINETEENTH CENTURY (1800- 1900) HlSTORIES AND STUDIES BATHO,EDITH CLARA,and DOBREE,BONAMY The Victorians and after, 1830-1914. Cresset Press, 1938 (T ntroductions to English literature, v.4) BOWRA,SIR CECILMAURICE Tireromantic imagination. Oxford U.P., 1950 CECIL,LORDDAVID Early Victorian novelists: essays ill revaluation. Constable, 1934 CUNNINGTON,CECILWILLETT Feminine attitudes ill the nineteenth century. Heinemann, 1935 DRINKWATER,JOliN Victorian poetry. Hodder and Stoughton, [1923] (Hodder and Stoughton's people's library) EVANS,SIR BENJAMIN[FOR Ellglish poetry in the later nineteenth century. Methuen, 1933 HERFORD,CHARLESHAROLD The age 0/ Wordsworth. 3rd ed. G. Bell, 1899 (1930 reprint) (Handbooks of English literature) LUCAS,FRANKLAURENce Tell Victorian poets. Cambridge U.P., 1940 MACLIse,DANIEL The Maclise portrait-gallery of 'illustrious literary characters'. With memoirs by William Bates. Chauo and Wind us, 1883 OMOND,THOMASSTEWART The romantic triumph, Edinburgh, William Blackwood, 1923 (Periods of European literature, II) QUILLEn-CouCH, Sm ARTHURTHOMAS Charles Dickens & other Victorians. Cambridge U.P., 1927 ROYALSOCIETYOF LITERATURe The etghteen-sixties: essays. By Fellows of the Royal Society of Literature. Ed. John Drinkwater. Cambridge U.P., 1932 The eighteen-seventies: essays. By Fellows of the Royal Society of Literature. Ed. Harley Granville-Barker. Cambridge U.P., 1929 The eighteen-eighties: essays. By Fellows of the Royal Society of Literature. Ed. Walter de la Marc. Cambridge U.P., 1930 SAINTSBURY,GEORGEEDWARD BATEMAN A history of nineteenth century literature (1780- 1900). Macmillan, 1929 The later nineteenth century, Edinburgh, William Blackwood, 1923 (Periods of European literature, 12) WALKEJ.l,HUGI-I The age of Tennyson, G. Bell, 1897 (1932 reprint) (Handbooks of English literature) ANTHOLOGIES (1800-1900) AII allthology of .Nineties' verse.
    [Show full text]
  • Handlist of the Megroz Archive
    Reading University Library Section name Library Special Collections Service R.L. Mégroz RUL MS 1979 Handlist Personal names index An asterisk after a reference number indicates that correspondence is to be found at that number. References without asterisks generally mean that the person is the subject of an article or book by R.L.M Name Reference Aanrud, Hans 98/7 Aaronson, L. 113/1* Abbott, Anthony (Lord Tenterden) 27* Abbott, Mary 37* Abrahams, Vera H. 24* Adcock, Almey St John 24*, 27*, 64*, 113/1*, 130 Adcock, Arthur St John 64*, 114/1*, 128/3*, 130, 147/5*, 173 Adcock, Marion St John 64*, 77, 113/1* Aiken, Conrad 113/1* Aimmsdel, Ruefort 37* Ainslie, Douglas 37* Allen, Dorothy 99/2* Allen, E.H. 37*, 76*, 97* Allen, Ronald 37* Anderson, J. Redwood 113/1* Andrade, E.N. da C. 37*, 113/1* Andrews, A.S. 37*, 113/2*, 144/4* Archdale, Helen A. 37* Archer, William H. 37* Arkell, R. 37* Arlott, John 37* Armitage, John 37*, 150/4* Armstrong, Fytton – see Gawsworth, John Armstrong, Martin 17*, 37*, 42*, 98/1, 109/39, 130, 175 Arnold, Matthew 109/29, 132, 166/3 Arnold, Thomas 166/4 Arundel, Almey St John – see Adcock, Almey St John Ashbee, Janet 37* Ashwell, Lena 2, 76, 173 Aske, Stephen 97* ©University of Reading 2014 Friday 28 November 2014 Page 1 Special Collections Service Library Astor, Nancy (Viscountess) 2 Attlee, Clement 37* Austin, F. Britten 175 Ayling, Keith 37* Ayscough, Florence 37*, 147/5* Bacon, Francis 121 Bacon, Mary 120/5* Baden-Powell, (Lady Robert) 2, 76 Bagnall, Nicholas 5* Baird, Jimmy 144/3 Baker, Ernest A.
    [Show full text]
  • Poems. Masefield, John : Reynard the Fox—Multitude and Solitude —Gallipoli
    No. 3. December, 1919. COTERIE LONDON : HENDERSONS, SIXTY-SIX CHARING CROSS ROAD COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Chaman Lall. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. S. Eliot. T. W. Earp. Richard Aldington. Aldous Huxley. Wyndham Lewis. Nina Hamnett. Russell Green- Literary and Art Contributions for publication in COTEEIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C. 2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. &d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents ; or yearly, $3. COTERIE, December, 1919, No. 3 COVER DESIGN by WILLIAM ROBERTS. 1. John Gould Fletcher : The Stone Place 7 Gates 8 II. E. R. Dodds: Low Tide on the Foreshore at Merrion 9 The Blind Glen 10 The Moon-worshippers 10 Why should Beauty endure? 11 III. Sacheverell Sitwell: Week-ends 12 IV. E. C. Blunden: The Pike 15 An Evensong 16 The Unchangeable 17 A Waterpiece 18 V. Harold Monro : Occasional Visitor 19 A Cautionary Rhyme for Parents 19 VI. Robert Nichols: The Spring Song 20 VII. F. S. Flint: On Richard Aldington 24 VIII. Richard Aldington: Bones 26 IX. Osbert Sitwell: The New Legend 28 Summer Wind 32 What the Syren said to the Sea-Horse 33 X.
    [Show full text]
  • A Magazine of Verse Edited by Harriet Monroe July 1920
    Vol. XVI No. IV A Magazine of Verse Edited by Harriet Monroe July 1920 French-Canadian Folk-songs Tr'd by Edward Sapir Thomas Moult, David Morton Raymond Holden Poems by a Child by Hilda Conkling 543 Cass Street. Chicago $2.00 per Year Single Numbers 20* Splendidly edited. Invaluable to those who would keep in touch with mod­ ern poetry. "Point of departure from conservatism may be dated from the establishment of POETRY" (Braithwaite). From Classified List of Contemporary Poets compiled for libraries by Anne Morris Boyd, A. B., B. L. S. Vol. XVI No. IV POETRY for JULY, 1920 PAGE French-Canadian Folk-Songs Edward Sapir 175 The Prince of Orange—The King of Spain's Daughter and the Diver—White as the Snow—The Dumb Shepherdess The Three Children Albert Edmund Trombly 186 Here for a Time Thomas Moult 188 The Mountain Woman DuBose Heyward 191 Three Summer Poems Leonora Speyer 192 The Squall—The Locust—Crickets at Dawn Sweet Peas Margaret McKenny 193 Envyings I-III—A Heat Wave . Katherine Wisner McCluskcy 194 Two Sonnets David Morton 196 Summer—Symbols Night on the River E. Merrill Root 197 Sugaring Raymond Holden 198 Poems by a Child Hilda Conkling 200 Moon in October—Wishes—My Mind and I—Lilacs—Or­ chid Lady—To a Black Pansy—Bare Butter-nut Tree— Leaves—River—The Cellar—Japanese Picture—To a Mother Dr. Chubb on the Platform H. M. 305 Note on French-Canadian Folk-Songs . Edward Sapir 210 Reviews: A Book for Literary Philosophers R. A. 213 A New Light on Lancelot Babette Deutsch 217 Comedy over Tragedy A.
    [Show full text]