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SIBL. . V^'- ' / Proquest Number: 10096794
-TÂ/igSEOBSIAW p o e t s : A. CBIIXCÆJEaaMIBA!ElûIif--CÆJ^ POETRY '' ARD POETIC THEORY. “ KATHARIKE COOKE. M. P h i l . , SIBL. v^'- ' / ProQuest Number: 10096794 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10096794 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SYNOPSIS. As the Introduction explains this thesis sets out to look at the Georgians* achievement in poetry in the light of their intentions as avowed in prose and their methods as exemplified hy their poems. This is chiefly a critical exercise hut history has heen used to clear away the inevitable distortion which results from looking at Georgian poetry after fifty years of Eliot- influenced hostility. The history of the movement is dealt with in Chapter 2. The next three chapters examine aspects of poetry which the Georgians themselves con sidered most interesting. Chapter 3 deals with form, Chapter 4 with diction and Chapter 5 with inspiration or attitude to subject matter. Chapter 6 looks at the aspect of Georgianism most commonly thought by later readers to define the movement, th a t is i t s subjects. -
America the Beautiful Part 1
America the Beautiful Part 1 Charlene Notgrass 1 America the Beautiful Part 1 by Charlene Notgrass ISBN 978-1-60999-141-8 Copyright © 2020 Notgrass Company. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Jordan Pond, Maine, background by Dave Ashworth / Shutterstock.com; Deer’s Hair by George Catlin / Smithsonian American Art Museum; Young Girl and Dog by Percy Moran / Smithsonian American Art Museum; William Lee from George Washington and William Lee by John Trumbull / Metropolitan Museum of Art. Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of Denali in Denali National Park. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History 975 Roaring River Rd. Gainesboro, TN 38562 1-800-211-8793 notgrass.com Thunder Rocks, Allegany State Park, New York Dear Student When God created the land we call America, He sculpted and painted a masterpiece. -
Fact Sheet the Queen's Coronation 1953 Children's Outfits
FACT SHEET 24 January 2013 The Queen’s Coronation 1953 Coronation outfits of Prince Charles and Princess Anne The clothes worn by Prince Charles and Princess Anne on Coronation Day were supplied by the children’s outfitter Miss Hodgson, of 33 Sloane Street, London, who was a regular supplier to the Royal Family at the time. The four-year-old Prince’s outfit consisted of a cream silk shirt with a lace jabot and lace- trimmed cuffs, and cream woollen trousers. He wore black patent shoes with buckles. The Prince, who was known as The Duke of Cornwall in 1953, also wore his Coronation Medal. Princess Anne, who was two, wore a dress of cream silk and lace with a silk sash and silk-covered buttons, with matching cream, silk ballet pumps. The Princess did not attend the Coronation ceremony in Westminster Abbey, as she was considered too young. The children’s elegant, yet relatively informal outfits were a marked contrast to those worn by The Queen, then Princess Elizabeth, and Princess Margaret, for the coronation of their father, King George VI, on 11 May 1937. On that occasion, the children, who were slightly older (aged 11 and six respectively), wore long dresses, robes and coronets – as was the conventional dress for adults of their rank for a coronation. The display of the children’s outfits will be supplemented by film footage and photographs taken at Buckingham Palace, famously recording the children waving off The Queen as she departed for Westminster Abbey. Prince Charles later left the Palace in his own carriage, accompanied by his nanny. -
XMAS DOUBLE NUMBER Nos. 6 & 7
XMAS DOUBLE NUMBER COTERIE NINA HAMNETT Nos. 6 & 7 Winter, 1920-21 COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Russell Green. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. W. Earp. Aldous Huxley. Nina Hamnett. Literary and Art Contributions for publication in COTERIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C.2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. 8d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents; or yearly, $3. Paris: Copies may be had from W. H. Smith & Son, Rue de Rivoli. COTERIE NINA HAMNETT LONDON : HENDERSONS SIXTY-SIX CHARING CROSS ROAD COTERIE, Winter, 1920-21, Nos. 6 and 7 Xmas Double Number - COVER DESIGN by NINA HAMNETT I. John Burley: " Chop and Change " 6 II. Roy Campbell: Canal 23 The Head 23 The Sleepers 24 III. Wilfrid Rowland Childe: Hymn to the Earth 26 IF. Thomas Earp: Grand Passion 28 Post-mortem 28 Cowboy Bacchanale 29 V. Godfrey Elton: Farcical Rhyme 31 VI. John Gould Fletcher: The Star 32 Who will Mark 33- VII. Frank Harris: Akbar: The " Mightiest" 34 VIII. Russell Green : Gulliver 52 IX. G. H. Johnstone : Naive 58 X. -
Modem Women's Poetry 1910—1929
Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions. -
Sowerby on Toleration
Of Different Complexions: Religious Diversity and National Identity in James II's Toleration Campaign The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Sowerby, Scott. Of different complexions: Religious diversity and national identity in James II's toleration campaign. English Historical Review 124, no. 506: 29-52. Published Version http://dx.doi.org/10.1093/ehr/cen363 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:2897166 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA This is an author-produced version of an article accepted for publication in The English Historical Review. The final version of this article will be available online in February 2009 at http://ehr.oxfordjournals.org. Of Different Complexions: Religious Diversity and National Identity in James II’s Toleration Campaign* by Scott Sowerby One of the most remarkable speeches ever given by an English monarch was delivered by James II in the city of Chester on 27 August 1687. This speech deserves the attention of historians but has never been published, surviving only in a first-hand account written by a Cheshire gentleman in his diary. That diary has been held for the past eighty years in the municipal archives of Liverpool.1 Like many similar diaries, it largely consists of an unembellished record of the diarist’s daily appointments as he called on his neighbours. -
Georgian Poetry 1918-19
Georgian Poetry 1918-19 Various The Project Gutenberg EBook of Georgian Poetry 1918-19, by Various Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Georgian Poetry 1918-19 Author: Various Release Date: January, 2006 [EBook #9621] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 10, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK GEORGIAN POETRY 1918-19 *** Produced by Keren Vergon, Clytie Siddall and PG Distributed Proofreaders GEORGIAN POETRY 1918-1919 EDITED BY SIR EDWARD MARSH TO THOMAS HARDY EIGHTH THOUSAND THE POETRY BOOKSHOP 35 Devonshire Street Theobalds Road W.C.1 MCMXX PREFATORY NOTE This is the fourth volume of the present series. I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry. -
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse. -
THE STORY of PAST DEEDS Qp HEN AMD NATIONS. IT IS a RECORD OE the PROGRESS of the AGES Fron VHICH VE TARE OUR LESSONS F
HISTORY! THE STORY OF PAST DEEDS Qp HEN AMD NATIONS. IT IS A RECORD OE THE PROGRESS OF THE AGES FROn VHICH VE TARE OUR LESSONS FOR THE FUTURE. lit; BOOK or MARIETTA Being a Condensed, Accurate and Reliable Record of the Important Events in the History of the Citv of Marietta, in the State of Ohio, from the Time of Its Earliest Settlement bv the Kirst Pioneers of the Ohio Land Company OB April 7th, 1788, to Ihe Present Time INCH DING A. Careful and Authentic Compilation of Statistics and Useful Information About the Commercial, Industrial and Municipal Development of the City, With Up-to-date Railroad and Steam- :>?at Information, Distance and Fare Tables. County and City Officials, Churches. Societies, and,a Fund of Other Information •M.Sl) INI 1,1,u A COMPLETE AND ACCURATE GAZETTEER ALL COMMERCIAL, INDUSTRIAI AND BUSINESS INTERESTS INC [AIDING THOSE OP WlLLlAMSTOVN. VEST VIRGINIA COMPILED AND PUBLISHED UY F. M. MCDONNELL MARIETTA, OHIO 1900 M. MCDONNELL 1906 rid Money PREFACE II nol claimed thai within HIP following pnfjes tl will be round a voluminous history, n Hie'sense thai exhnu tivc descriptions 'if things mil events have I n iittemjited The Book of Marietta is intended for easy ami ready reference. it is MU encyclopaedia of historical raets and data; nntion both practical and useful, pertaining to tlm :ity "f Marietta, This information, while tersely "Id, and free of superfluous words, does not, how sver lose its value by its brevity; bui rather makes •Hi- • move interesting and of a grcnter iven herein have been gathered from bh authorities Many important oo- rh dates, that have in all probability eei long since fnrgotten and of which there has leretofore I n no published record, will be found ithin ill,"a, pages. -
The Vea T Chs Ar T S of the Book C a Talogue
CATALOGUE 97 THE VEATCHS ARTS OF THE BOOK Above: 22. Frasconi Cover: 7. Berté Catalogue 97 New Acquisitions, including Bindings, Color Printing, Paper Specimens, and Typography summer 2021 The Veatchs Arts of the Book · Lynne & Bob Veatch 6145 McKinley Parkway, No. 9, Hamburg, New York 14075 [email protected] · 716–648–0361 · veatchs.com ordering informAtion: Your satisfaction is guaranteed. All books are returnable, with advance notice. Payment is accepted by check, Visa, Mastercard, and wire transfer. Libraries may request deferred billing. New York State residents must add 8¾% sales tax. Shipping charges are additional. NOTE: We will be glad to provide additional photo graphs of any item. 1 Album Amicorum (Stammbuch). A Friendship Album, or Poesiealbum, belonging to Rosa Müller. Fröbershammer, 1768. 7 × 4¼. Approx. 45 leaves of manuscript interspersed with numerous blank leaves + 9 tipped in drawings and paintings, four on vellum. Baroque title printed in red, with microscopic calligraphic text in black. Contemporary leather with gilt fleu- rons bordering a geometric inlay on both covers; marbled end- papers, edges gilt. Binding quite worn. Paper clip mark on title page, one leaf missing a corner, some tanning. A good copy of this charming artifact. $600 The handwritten text on the title page admonishes contributors to honor the beauty of Rosa’s illustration by contributing their own. The tipped- in illustrations here may have been commissioned or purchased ready- made from a stationer. Most entries are dated 1768 or 1769, and are scattered throughout the album. One entry is as late as 1787. The sentiments are written in a wide variety of scripts. -
Jack Clemo 1916-55: the Rise and Fall of the 'Clay Phoenix'
1 Jack Clemo 1916-55: The Rise and Fall of the ‘Clay Phoenix’ Submitted by Luke Thompson to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English In September 2015 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 2 Abstract Jack Clemo was a poet, novelist, autobiographer, short story writer and Christian witness, whose life spanned much of the twentieth century (1916- 1994). He composed some of the most extraordinary landscape poetry of the twentieth century, much of it set in his native China Clay mining region around St Austell in Cornwall, where he lived for the majority of his life. Clemo’s upbringing was one of privation and poverty and he was famously deaf and blind for much of his adult life. In spite of Clemo’s popularity as a poet, there has been very little written about him, and his confessional self-interpretation in his autobiographical works has remained unchallenged. This thesis looks at Clemo’s life and writing until the mid-1950s, holding the vast, newly available and (to date) unstudied archive of manuscripts up against the published material and exploring the contrary narratives of progressive disease and literary development and success. -
Open Stamp History
SPECIAL STAMP HISTORY The Royal Silver Wedding Issue Date of issue: APRIL 26 1948 Thoughts about stamps for the 1948 Royal Silver Wedding arose after the wedding of Princess Elizabeth on 20 November 1947. The GPO commemorated the wedding with only a special postmark because of lack of time to produce stamps following the announcement on 1 August (nine months was considered necessary). The GPO found itself the target of adverse criticism from the public, Parliament and the press. There was a ‘strong public demand for a British pictorial stamp’ to honour the occasion and there had been a missed opportunity to earn valuable foreign currency, especially dollars, a point reiterated by the Treasury. At the end of November 1947 the Channel Islands Liberation and Olympic Games issues planned for 1948 were already in hand; there was no plan to mark the Royal Silver Wedding of King George VI and Queen Elizabeth, or awareness that it required commemoration. However, pressures were being exerted, and senior officials responded quickly. The first discussions were on 25 November, and by 1 December the Board had decided: there would be a 2½d stamp ‘for popular use’ and a £1 stamp (aimed primarily at collectors – ‘a special stamp will earn dollars which only a stiff necked purist would overlook at the present time’); with only five months available, attempts to shorten the design process would be made by utilising (a) designs originally submitted for the projected Edward VIII coronation issue and (b) the photographs of the King and Queen that had featured on their 1937 Coronation stamps; the printing would be by Harrison & Sons Ltd of London and High Wycombe, using the photogravure process of which they had a virtual monopoly; 1 the Council of Industrial Design (CoID) would be asked to nominate one or two artists to collaborate with Harrisons in preparing designs.