Fact Sheet the Queen's Coronation 1953 Children's Outfits

Total Page:16

File Type:pdf, Size:1020Kb

Fact Sheet the Queen's Coronation 1953 Children's Outfits FACT SHEET 24 January 2013 The Queen’s Coronation 1953 Coronation outfits of Prince Charles and Princess Anne The clothes worn by Prince Charles and Princess Anne on Coronation Day were supplied by the children’s outfitter Miss Hodgson, of 33 Sloane Street, London, who was a regular supplier to the Royal Family at the time. The four-year-old Prince’s outfit consisted of a cream silk shirt with a lace jabot and lace- trimmed cuffs, and cream woollen trousers. He wore black patent shoes with buckles. The Prince, who was known as The Duke of Cornwall in 1953, also wore his Coronation Medal. Princess Anne, who was two, wore a dress of cream silk and lace with a silk sash and silk-covered buttons, with matching cream, silk ballet pumps. The Princess did not attend the Coronation ceremony in Westminster Abbey, as she was considered too young. The children’s elegant, yet relatively informal outfits were a marked contrast to those worn by The Queen, then Princess Elizabeth, and Princess Margaret, for the coronation of their father, King George VI, on 11 May 1937. On that occasion, the children, who were slightly older (aged 11 and six respectively), wore long dresses, robes and coronets – as was the conventional dress for adults of their rank for a coronation. The display of the children’s outfits will be supplemented by film footage and photographs taken at Buckingham Palace, famously recording the children waving off The Queen as she departed for Westminster Abbey. Prince Charles later left the Palace in his own carriage, accompanied by his nanny. During the taking of the official portraits at Buckingham Palace by Cecil Beaton, the children were captured in several portraits with their grandmother, Queen Elizabeth The Queen Mother. Prince Charles’s personal invitation to the Coronation, which measures 32.9cm x 37.9cm, will also go on display. It was designed by the illustrator Joan Hassall, OBE (1906-88), daughter of the great illustrator John Hassall. The invitation is decorated with soldiers, a lion and a unicorn in pencil, watercolour, gold paint and black ink. Exhibition curator Caroline de Guitaut said, ‘The 60th anniversary of Her Majesty’s Coronation provides a marvellous occasion to exhibit these charming clothes alongside the grand dresses and robes of the Royal Family. The children’s outfits help to remind us of The Queen as Sovereign and, at the same time, a mother of two young children.’ The Queen’s Coronation 1953 is part of a visit to the Summer Opening of the State Rooms at Buckingham Palace, 27 July ––– 29 September 2013. Advance tickets and visitor infinformation:ormation: www.royalcollection.org.uk or +44 (0)20 7766 7300. For further information and photographs, please contact the Royal Collection Trust Press Office, +44 (0)20 7839 1377, press@[email protected]. A selection of images is also available from www.picselect.com. Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, press@[email protected] , www.royalcollection.org.uk .
Recommended publications
  • Open Stamp History
    SPECIAL STAMP HISTORY The Royal Silver Wedding Issue Date of issue: APRIL 26 1948 Thoughts about stamps for the 1948 Royal Silver Wedding arose after the wedding of Princess Elizabeth on 20 November 1947. The GPO commemorated the wedding with only a special postmark because of lack of time to produce stamps following the announcement on 1 August (nine months was considered necessary). The GPO found itself the target of adverse criticism from the public, Parliament and the press. There was a ‘strong public demand for a British pictorial stamp’ to honour the occasion and there had been a missed opportunity to earn valuable foreign currency, especially dollars, a point reiterated by the Treasury. At the end of November 1947 the Channel Islands Liberation and Olympic Games issues planned for 1948 were already in hand; there was no plan to mark the Royal Silver Wedding of King George VI and Queen Elizabeth, or awareness that it required commemoration. However, pressures were being exerted, and senior officials responded quickly. The first discussions were on 25 November, and by 1 December the Board had decided: there would be a 2½d stamp ‘for popular use’ and a £1 stamp (aimed primarily at collectors – ‘a special stamp will earn dollars which only a stiff necked purist would overlook at the present time’); with only five months available, attempts to shorten the design process would be made by utilising (a) designs originally submitted for the projected Edward VIII coronation issue and (b) the photographs of the King and Queen that had featured on their 1937 Coronation stamps; the printing would be by Harrison & Sons Ltd of London and High Wycombe, using the photogravure process of which they had a virtual monopoly; 1 the Council of Industrial Design (CoID) would be asked to nominate one or two artists to collaborate with Harrisons in preparing designs.
    [Show full text]
  • Spring 2010 Spring 2010
    SPRING 2010 SPRING 2010 CLEARWATER BOOKS 213b Devonshire Road Forest Hill London SE23 3NJ United Kingdom Telephone: 07968 864791 Email: [email protected] Website: www.clearwaterbooks.co.uk Unless otherwise indicated, all the items in this catalogue are first English editions, published in Greater London. Dust wrappers are mentioned when present (post-1925). Any item found to be unsatisfactory may be returned, but within ten days of receipt, please. Shipping charges are additional. Personal Note Last autumns catalogue was a great experience. Writing it was an enjoyable challenge and then, perhaps imprudently, issuing it amidst the postal strike added an element of tension as I waited a whole twenty-four hours for the telephone to ring, wondering if it could really be so bad as to not generate a single enquiry. Eventually however the calls began, and so did the real fun. Customers I had not spoken to in years, and as often as not never personally dealt with at all, called with the most delightful reminiscences about dad. And the occasional order, of course. Here is the follow-up, my spring 2010 issue (I wonder at what point it stops being presumptive to number them?) The catalogue is divided between literature and a little poetry towards the front; and art and illustrated at the rear, and I do hope it will be an enjoyable read. Clearwater will be exhibiting at the Hand & Flower Hotel book fair in June, now in its third year. If you have the opportunity do come along to peruse the books and say hello Best Wishes Bevis Clarke 1.
    [Show full text]
  • 1507: the Well-Dressed Civil Servant. Eddie Marsh, Rupert
    C THE WELL- DRESSED CIVIL SERVANT CATALOGUE 1507: MAGGS BROS LTD. Eddie Marsh with Winston Churchill, in 1907. the well-dressed civil servant Rupert Brooke Eddie Marsh Christopher Hassall & their friends Catalogue 1507 MAGGS BROS LTD 48 Bedford Square, London WC1B 3DR www.maggs.com +44 (0) 20 3906 7069 An introduction to Edward Marsh This catalogue is from the library of John Schroder. His first purchase of a book by Rupert Brooke was made in Cambridge in 1939, and provided the impetus for the cre- ation of a collection initially focused on Brooke himself, but which soon expanded to include Brooke’s friend and biographer Eddie Marsh, and Marsh’s friend and biogra- pher Christopher Hassall: consequently to a certain extent the collection and catalogue revolves around the figure of Marsh himself, reinforced when Schroder was able to buy all of Brooke’s correspondence to Marsh, now at King’s College Cambridge. Schroder celebrated the collection in the handsome catalogue printed for him by the Rampant Lions Press in 1970. Marsh, the Well-Dressed Civil Servant, was a dapper, puck- ish and popular figure in the drawing rooms of Edwardian and Georgian England. He was very clever and highly edu- cated, well-connected, courteous, amiable and witty, and was a safe single man at a house or dinner party, especially one in need of a tame intellectual. For his part, he loved the mores of the unconventional upper-classes of England, the Barings, Lyttons, Custs, Grenfells and Manners, although he himself was not of the aristocracy, but of “the official class”.
    [Show full text]
  • The Well- Dressed Civil Servant
    C THE WELL- DRESSED CIVIL SERVANT CATALOGUE 1507: MAGGS BROS LTD. Eddie Marsh with Winston Churchill, in 1907. the well-dressed civil servant Rupert Brooke Eddie Marsh Christopher Hassall & their friends Catalogue 1507 MAGGS BROS LTD 48 Bedford Square, London WC1B 3DR www.maggs.com +44 (0) 20 3906 7069 An introduction to Edward Marsh This catalogue is from the library of John Schroder. His first purchase of a book by Rupert Brooke was made in Cambridge in 1939, and provided the impetus for the cre- ation of a collection initially focused on Brooke himself, but which soon expanded to include Brooke’s friend and biographer Eddie Marsh, and Marsh’s friend and biogra- pher Christopher Hassall: consequently to a certain extent the collection and catalogue revolves around the figure of Marsh himself, reinforced when Schroder was able to buy all of Brooke’s correspondence to Marsh, now at King’s College Cambridge. Schroder celebrated the collection in the handsome catalogue printed for him by the Rampant Lions Press in 1970. Marsh, the Well-Dressed Civil Servant, was a dapper, puck- ish and popular figure in the drawing rooms of Edwardian and Georgian England. He was very clever and highly edu- cated, well-connected, courteous, amiable and witty, and was a safe single man at a house or dinner party, especially one in need of a tame intellectual. For his part, he loved the mores of the unconventional upper-classes of England, the Barings, Lyttons, Custs, Grenfells and Manners, although he himself was not of the aristocracy, but of “the official class”.
    [Show full text]
  • Literature and Book Arts
    Literature And Book Arts Catalogue 335 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be emailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Thomas Waller Gissing Before His Move to Wakefield: Some Materials Towards His Biography
    The Gissing Journal Volume XLVI, Number 1, January 2010 “More than most men am I dependent on sympathy to bring out the best that is in me.” Commonplace Book Thomas Waller Gissing before his Move to Wakefield: Some Materials towards his Biography BOUWE POSTMUS University of Amsterdam To the end of his brief life Thomas Waller Gissing remained grateful to his benefactress, Miss Ellen Sophia Whittington (1795-1862),1 whose kind and timely financial assistance allowed him to attend Harvey’s Academy 2 in Hales-worth (see picture), his birthplace. He included a dedicatory sonnet to her in the first published volume of his poems,3 expressing his great apprecia- tion of her benevolent encouragement. When in 1867 his younger daughter was born, he called her Ellen Sophia Gissing, Harvey's Academy 2007 in another late recognition of the great kindness of the woman whose life had been largely spent in companionship with Thomas Waller Gis-sing’s aunt Emily Waller. Had it not been for Miss Whittington’s generous offer, the son of a Halesworth and Badingham shoemaker would have had to face the world with no more than the very limited education provided by the National school at Badingham. In principle Harvey’s Academy catered for boarders, but a few day pupils were allowed to share in the more privileged schooling intended for the sons of wealthier and socially more ambitious parents. As the 1841 Census confirms that 11-year-old TWG was still living with his parents at Badingham, it would seem logical to assume that some time after March 1841 he became a boarder at the Academy, run by Joseph4 and Harriet Harvey, assisted by some of their children.
    [Show full text]