Compromise Printed Exploitation a Discipline of Esthetics

Total Page:16

File Type:pdf, Size:1020Kb

Compromise Printed Exploitation a Discipline of Esthetics 622 THE SATURDAY REVIEW OF LITERATURE, JANUARY 26, 1929 even through his restless first exile, still so filled with welcome it, use it until it is threadbare, and be better ambitions. Printed Exploitation craftsmen as a result. The general reader will find When at last he was alone, and seemingly with­ LAYOUT IN ADVERTISING. By W. A. an interesting, intimate narrative about a fascinating out hope—very near the end of the book—she went DwiGGiNs. New York: Harper & Brothers. profession which concerns them more, perhaps, than to him, and was with him when he was murdered. 1928. $7.50. they realize. It is a good book. Mr. Dwiggins writes as well as he designs—which is high praise. To conceal her nationality, she had taken the Greek Reviewed by CHARLES H. DE^fHARD name of Timandra. By this device Mrs. Atherton keeps pace with Plutarch's statement that a mistress, INE years ago, W. A. Dwiggins shocked Timandra, was living with Alcibiades at the end the book world by declaring that all con­ A Discipline of Esthetics temporary books were badly made—and and buried his slain body "as decently and honorably N AN OUTLINE OF ESTHETICS. Edited with as her circumstances would admit." In the novel, proved it most conclusively by making better ones. Introductory Notes by PHILIP N. YOUTZ. New Tiy takes the limp form across her arms, lifts it His influence upon the physical characteristics of York: W. W. Norton Co. 1928. 5 vols. $5. slowly, and holds it outward and aloft. "An offer­ books has been profound, and in a sense, revolution­ Reviewed by LEWIS MUMFORD ing to the sun-god whose child he may have been." ary. Mr. Dwiggins has waged individual warfare Author of "The Golden Day" The reader puts down either story, with thoughts of against the commonplace so successfully that his posi­ Socrates, whom Alcibiades in his marvellous youth tion is secure among the most distinguished modern HESE volumes on esthetics were first pre­ both loved and rejected. The conflict in his char­ designers, and his ideas have been instrumental in sented in a series of lectures at the People's acter would have made a dramatic appeal, but per­ establishing an entirely new standard in book mak­ T Institute in New York. They are uneven haps Mrs. Atherton thought it out of place in a ing. in length and range and in authority of scholarship; "processional" novel. In "Layout in Advertising," Mr. Dwiggins con­ but by the grace of ingenious bookmaking they have As in "The Immortal Marriage" the archjeolog- siders the problem of artistic unity in the preparation been put together in volumes of uniform size and ical fidelity is more industrious than inspired. In a of all forms of printed exploitation, ranging from design. The title itself is a little pretentious, for second printing, the reiterated errors in the spelling letterheads and labels to billboards and space in peri­ esthetics must make considerable advances and acqui­ of proper names should be corrected. But the canvas odicals. He divides his argument into three general sitions before anyone shall be able to reduce it to an is large, the purpose is serious, the material is im­ sections comprising the tools or materials with which outline: at best, these books are sketches towards what portant. If the great masters are not at hand, Mrs. the advertising designer works, the object for which may some day be the living discipline of esthetics. Atherton's picture of Alcibiades deserves recognition. the designer is striving, and the designing process Two of the volumes, Mr. Munro's "Scientific itself. While a rudimentary knowledge of adver­ Method in Esthetics" and Mr. Irwin Edman's tising preparation is presupposed, the book is singu­ "The World, the Arts, and the Artist" are very per­ Compromise larly free from technical matters and the casual tinent discussions of their subjects; one of them, THE NEW TEMPLE. By JOHN BOJER. New reader will find little to interrupt his interest in this "With the Eyes of the Past," a study of English York: The Century Company. 1928. $2.50. extraordinarily clear, orderly, and competent array esthetic criticism from the seventeenth century on­ of sound and workable suggestions. ward by Mr. Henry Ladd, is, within its limited Reviewed by PHILLIPS D. CARLETON Of course, Mr. Dwiggins has his preferences. But frame, admirable—until the author reaches the critics R. BOJER'S fame rests securely on two he is never dogmatic. Nor does he stand in awe of of our own day. The other two books, "The Judg­ great novels—"The Great Hunger" and the advertising profession. In his preface he warns ment of Literature," by Mr. Henry Wells, and "The Last Viking," the first with its the reader against expecting to lift a method of pro­ "The Mirror of the Passing World," by Mr. M. hard-woMn philosophical conclusion, and the second cedure, ready made, out of a handbook. And Cecil Allen, though not negligible, do not seem to with its vivid narrative of men and coasts but dimly throughout the volume, genially and with a nice me to go close to the core of the esthetic problem. known before. "The Emigrants" was an interlude sense of humor, he presents his process of laying out With the exception of Mr. Edman, these writers not altogether successful; the size of the canvas printed matter, without inferring that his way is the assume an "esthetic world," a world of pictures and was too large and the list of characters too compre­ only way—or even the best way. sculptures and music and poetry, as a basis for their hensive. In "The New Temple" Mr. Bojer has Few readers will argue with Mr. Dwiggins's fun­ inquiry into how we apprehend or judge this world. returned to his earlier philosophical theme. Peer damentals of advertising design. They are basic, This is to face the problems of esthetics at their Holm in "The Great Hunger" had worked out a and exist in large part because of the author's own complex end, rather than at their beginning; and life philosophy that centered about the will to live efforts. Whatever dispute may arise will concern if there is a good deal of platitude or unilluminating that flames in every ma,n when forced to the wall. the possible sales value of a piece of advertising that comment in these books, it is partly because they In "The New Temple" his son, cut off early in artistically is a thing of beauty, as contrasted with have not participated in any fresh illuminations as to life from his parents, alienated in youth from his the brazen, bold, brutal form of attracting attention the source of this finished world. It happens that sister, works out his own conclusions. He runs and forcing one's merchandise on the attention of a my reading of this "Outline of /Esthetics" has coin­ through a facile communism, a religious orthodoxy, lethargic public. Yet, after all, if no difference of cided with an examination of the second volume a mysticism that breaks down before the exigencies opinion existed, even Mr. Dwiggins's excellent trea­ of Spengler's "Decline of the West"; and I was of human sorrow, and then finally turns parson, tise would fall short of its purpose. repeatedly struck by the fact that a single bold gen­ eager to serve humanity with the institutions avail­ (5* ^* «5* eralization by Spengler on the fundamental phases able, and proudly hopeful of being able to revitalize Seldom has the author of a technical or semi- of esthetic experience, that of the "blood" and the old and crusted formulas. technical book been so adroit in demolishing with a unformed primitive feelings as contrasted with the Lorentz's struggle lies in his inability to reconcile gesture long standing traditions; and conversely, so waking-sense of the light-world and the forms of the New with the Old—to find the connection be­ adept in offering new and more acceptable improve­ a cultured consciousness—a generalization like this, tween a narrow oriental religion and the stream of ments. While Mr. Dwiggins takes the reader unsound though it might prove in detail, gave me modern life. His triumph comes after he has felt through all the technique of advertising layout, and more to think about than any two of these books did. the necessity of affection from which he had been discusses each step from the Dwiggins point of view, (5* f5* ti?* cut off and has reestablished his relationship with his he is always stimulating new thought processes in Spengler has the great advantage of realizing that father and mother again. In his vision Christ the reader's mind. What he is establishing is a set the esthetic moment exists within a matrix of other speaks: of principles, as distinguished from a set of rules. events; and since every experience has an esthetic "Is it my fault that men so often picture me on a cross? Nowhere does he criticize an actual advertisement or aspect one of the chief tasks for the philosopher is Remember, I was a willing- guest at feasts. I danced at a label or circular. Instead he builds his own examples to analyze the progressive differentiation of this ex­ •wedding. There was in me something of Dionysius. I, around imaginary products and shows by variations perience into the arts, and the further elaboration too, love wine, lilies, and women. and isolation that has attended the arts themselves "But remember that I am not strength only but also of identical units why one form of design attracts, weakness.
Recommended publications
  • SIBL. . V^'- ' / Proquest Number: 10096794
    -TÂ/igSEOBSIAW p o e t s : A. CBIIXCÆJEaaMIBA!ElûIif--CÆJ^ POETRY '' ARD POETIC THEORY. “ KATHARIKE COOKE. M. P h i l . , SIBL. v^'- ' / ProQuest Number: 10096794 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10096794 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SYNOPSIS. As the Introduction explains this thesis sets out to look at the Georgians* achievement in poetry in the light of their intentions as avowed in prose and their methods as exemplified hy their poems. This is chiefly a critical exercise hut history has heen used to clear away the inevitable distortion which results from looking at Georgian poetry after fifty years of Eliot- influenced hostility. The history of the movement is dealt with in Chapter 2. The next three chapters examine aspects of poetry which the Georgians themselves con­ sidered most interesting. Chapter 3 deals with form, Chapter 4 with diction and Chapter 5 with inspiration or attitude to subject matter. Chapter 6 looks at the aspect of Georgianism most commonly thought by later readers to define the movement, th a t is i t s subjects.
    [Show full text]
  • XMAS DOUBLE NUMBER Nos. 6 & 7
    XMAS DOUBLE NUMBER COTERIE NINA HAMNETT Nos. 6 & 7 Winter, 1920-21 COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Russell Green. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. W. Earp. Aldous Huxley. Nina Hamnett. Literary and Art Contributions for publication in COTERIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C.2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. 8d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents; or yearly, $3. Paris: Copies may be had from W. H. Smith & Son, Rue de Rivoli. COTERIE NINA HAMNETT LONDON : HENDERSONS SIXTY-SIX CHARING CROSS ROAD COTERIE, Winter, 1920-21, Nos. 6 and 7 Xmas Double Number - COVER DESIGN by NINA HAMNETT I. John Burley: " Chop and Change " 6 II. Roy Campbell: Canal 23 The Head 23 The Sleepers 24 III. Wilfrid Rowland Childe: Hymn to the Earth 26 IF. Thomas Earp: Grand Passion 28 Post-mortem 28 Cowboy Bacchanale 29 V. Godfrey Elton: Farcical Rhyme 31 VI. John Gould Fletcher: The Star 32 Who will Mark 33- VII. Frank Harris: Akbar: The " Mightiest" 34 VIII. Russell Green : Gulliver 52 IX. G. H. Johnstone : Naive 58 X.
    [Show full text]
  • Modem Women's Poetry 1910—1929
    Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions.
    [Show full text]
  • Georgian Poetry 1918-19
    Georgian Poetry 1918-19 Various The Project Gutenberg EBook of Georgian Poetry 1918-19, by Various Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Georgian Poetry 1918-19 Author: Various Release Date: January, 2006 [EBook #9621] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 10, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK GEORGIAN POETRY 1918-19 *** Produced by Keren Vergon, Clytie Siddall and PG Distributed Proofreaders GEORGIAN POETRY 1918-1919 EDITED BY SIR EDWARD MARSH TO THOMAS HARDY EIGHTH THOUSAND THE POETRY BOOKSHOP 35 Devonshire Street Theobalds Road W.C.1 MCMXX PREFATORY NOTE This is the fourth volume of the present series. I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry.
    [Show full text]
  • Herbert Edward Palmer
    Herbert Edward Palmer: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Palmer, Herbert Edward, 1880-1961 Title: Herbert Edward Palmer Collection Dates: 1890-1967 Extent: 15 record center cartons (15 linear feet), 4 galley folders (gf), 2 oversize folder (osf) Abstract: Herbert Edward Palmer was an English poet and critic. His collection consists mainly of typed and handwritten manuscripts and correspondence. Call Number: Manuscript Collection MS-3153 Language: English, French, German Access: Open for research. Part or all of this collection is housed off-site and may require up to three business days' notice for access in the Ransom Center's Reading and Viewing Room. Please contact the Center before requesting this material: [email protected]. Administrative Information Acquisition: Purchases, 1961-1975 (R884, R999, R1000, R2039, R2279, R3944, R4561, R6055, R6625) Processed by: Hagan Barber, Jack Boettcher, Betsy Nitsch, 2012 Note: This finding aid replicates some information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 2 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 3 Palmer, Herbert Edward, 1880-1961 Manuscript Collection MS-3153 Works: [Unidentified article on Eva Martin], Ams/ draft/ fragment with A emendations (p 2 Container only), nd. 1.1 [Unidentified article on his leaving Germany at beginning of WW I], Galley proofs/ inc with A corrections and revisions [1p], nd, for Adelphi Magazie.
    [Show full text]
  • Spring 2010 Spring 2010
    SPRING 2010 SPRING 2010 CLEARWATER BOOKS 213b Devonshire Road Forest Hill London SE23 3NJ United Kingdom Telephone: 07968 864791 Email: [email protected] Website: www.clearwaterbooks.co.uk Unless otherwise indicated, all the items in this catalogue are first English editions, published in Greater London. Dust wrappers are mentioned when present (post-1925). Any item found to be unsatisfactory may be returned, but within ten days of receipt, please. Shipping charges are additional. Personal Note Last autumns catalogue was a great experience. Writing it was an enjoyable challenge and then, perhaps imprudently, issuing it amidst the postal strike added an element of tension as I waited a whole twenty-four hours for the telephone to ring, wondering if it could really be so bad as to not generate a single enquiry. Eventually however the calls began, and so did the real fun. Customers I had not spoken to in years, and as often as not never personally dealt with at all, called with the most delightful reminiscences about dad. And the occasional order, of course. Here is the follow-up, my spring 2010 issue (I wonder at what point it stops being presumptive to number them?) The catalogue is divided between literature and a little poetry towards the front; and art and illustrated at the rear, and I do hope it will be an enjoyable read. Clearwater will be exhibiting at the Hand & Flower Hotel book fair in June, now in its third year. If you have the opportunity do come along to peruse the books and say hello Best Wishes Bevis Clarke 1.
    [Show full text]
  • Handlist of the Megroz Archive
    Reading University Library Section name Library Special Collections Service R.L. Mégroz RUL MS 1979 Handlist Personal names index An asterisk after a reference number indicates that correspondence is to be found at that number. References without asterisks generally mean that the person is the subject of an article or book by R.L.M Name Reference Aanrud, Hans 98/7 Aaronson, L. 113/1* Abbott, Anthony (Lord Tenterden) 27* Abbott, Mary 37* Abrahams, Vera H. 24* Adcock, Almey St John 24*, 27*, 64*, 113/1*, 130 Adcock, Arthur St John 64*, 114/1*, 128/3*, 130, 147/5*, 173 Adcock, Marion St John 64*, 77, 113/1* Aiken, Conrad 113/1* Aimmsdel, Ruefort 37* Ainslie, Douglas 37* Allen, Dorothy 99/2* Allen, E.H. 37*, 76*, 97* Allen, Ronald 37* Anderson, J. Redwood 113/1* Andrade, E.N. da C. 37*, 113/1* Andrews, A.S. 37*, 113/2*, 144/4* Archdale, Helen A. 37* Archer, William H. 37* Arkell, R. 37* Arlott, John 37* Armitage, John 37*, 150/4* Armstrong, Fytton – see Gawsworth, John Armstrong, Martin 17*, 37*, 42*, 98/1, 109/39, 130, 175 Arnold, Matthew 109/29, 132, 166/3 Arnold, Thomas 166/4 Arundel, Almey St John – see Adcock, Almey St John Ashbee, Janet 37* Ashwell, Lena 2, 76, 173 Aske, Stephen 97* ©University of Reading 2014 Friday 28 November 2014 Page 1 Special Collections Service Library Astor, Nancy (Viscountess) 2 Attlee, Clement 37* Austin, F. Britten 175 Ayling, Keith 37* Ayscough, Florence 37*, 147/5* Bacon, Francis 121 Bacon, Mary 120/5* Baden-Powell, (Lady Robert) 2, 76 Bagnall, Nicholas 5* Baird, Jimmy 144/3 Baker, Ernest A.
    [Show full text]
  • Poems. Masefield, John : Reynard the Fox—Multitude and Solitude —Gallipoli
    No. 3. December, 1919. COTERIE LONDON : HENDERSONS, SIXTY-SIX CHARING CROSS ROAD COTERIE A Quarterly ART, PROSE, AND POETRY General Editor: Chaman Lall. American Editors: Conrad Aiken, South Yarmouth, Mass., U.S.A. Stanley I. Rypins, University of Minnesota, Minneapolis, Minn., U.S.A. Editorial Committee: T. S. Eliot. T. W. Earp. Richard Aldington. Aldous Huxley. Wyndham Lewis. Nina Hamnett. Russell Green- Literary and Art Contributions for publication in COTEEIE should be addressed to the Editor, 66 Charing Cross Road, London, W.C.2; or in U.S.A. to the American Editors. All other communications should be addressed to Hendersons, 66 Charing Cross Road, London, W.C. 2. Contributors who desire the return of rejected MSS. are requested to enclose a stamped addressed envelope. COTERIE is published Quarterly, price 2s. &d., post free. Yearly subscription, 10s. 8d., post free. New York, U.S.A.: Copies may be purchased at Brentano's, price 75 cents ; or yearly, $3. COTERIE, December, 1919, No. 3 COVER DESIGN by WILLIAM ROBERTS. 1. John Gould Fletcher : The Stone Place 7 Gates 8 II. E. R. Dodds: Low Tide on the Foreshore at Merrion 9 The Blind Glen 10 The Moon-worshippers 10 Why should Beauty endure? 11 III. Sacheverell Sitwell: Week-ends 12 IV. E. C. Blunden: The Pike 15 An Evensong 16 The Unchangeable 17 A Waterpiece 18 V. Harold Monro : Occasional Visitor 19 A Cautionary Rhyme for Parents 19 VI. Robert Nichols: The Spring Song 20 VII. F. S. Flint: On Richard Aldington 24 VIII. Richard Aldington: Bones 26 IX. Osbert Sitwell: The New Legend 28 Summer Wind 32 What the Syren said to the Sea-Horse 33 X.
    [Show full text]
  • A Magazine of Verse Edited by Harriet Monroe July 1920
    Vol. XVI No. IV A Magazine of Verse Edited by Harriet Monroe July 1920 French-Canadian Folk-songs Tr'd by Edward Sapir Thomas Moult, David Morton Raymond Holden Poems by a Child by Hilda Conkling 543 Cass Street. Chicago $2.00 per Year Single Numbers 20* Splendidly edited. Invaluable to those who would keep in touch with mod­ ern poetry. "Point of departure from conservatism may be dated from the establishment of POETRY" (Braithwaite). From Classified List of Contemporary Poets compiled for libraries by Anne Morris Boyd, A. B., B. L. S. Vol. XVI No. IV POETRY for JULY, 1920 PAGE French-Canadian Folk-Songs Edward Sapir 175 The Prince of Orange—The King of Spain's Daughter and the Diver—White as the Snow—The Dumb Shepherdess The Three Children Albert Edmund Trombly 186 Here for a Time Thomas Moult 188 The Mountain Woman DuBose Heyward 191 Three Summer Poems Leonora Speyer 192 The Squall—The Locust—Crickets at Dawn Sweet Peas Margaret McKenny 193 Envyings I-III—A Heat Wave . Katherine Wisner McCluskcy 194 Two Sonnets David Morton 196 Summer—Symbols Night on the River E. Merrill Root 197 Sugaring Raymond Holden 198 Poems by a Child Hilda Conkling 200 Moon in October—Wishes—My Mind and I—Lilacs—Or­ chid Lady—To a Black Pansy—Bare Butter-nut Tree— Leaves—River—The Cellar—Japanese Picture—To a Mother Dr. Chubb on the Platform H. M. 305 Note on French-Canadian Folk-Songs . Edward Sapir 210 Reviews: A Book for Literary Philosophers R. A. 213 A New Light on Lancelot Babette Deutsch 217 Comedy over Tragedy A.
    [Show full text]
  • Present a Review of Criticism of Poet Charlotte Mew. the Essay Out
    DOCUMENT RESUME ED 367 352 IR 054 900 AUTHOR Kircher, Pamela TITLE Appraisals of Charlotte Mew's Poetry 1916-1989: An Annotated Bibliography and Critical Essay. PUB DATE Dec 90 NOTE 78p.; M.L.S. Research Paper, Kent State University. PUB TYPE Dissertations/Theses Masters Theses (042) Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Annotated Bibliographies; Biographies; Females; *Literary Criticism; *Poetry; *Poets; Research Needs; Sex Differences; Synthesis IDENTIFIERS *Mew (Charlotte) ABSTRACT The purpose of this essay and bibliography is to present a review of criticism of poet Charlotte Mew. The essay synthesizes the salient critical comments under the topics of historical context, language, obscurity, biography, distancing, religion and philosophy, technique, and male/female issues. It draws conclusions as to the comprehensiveness of the criticism and points out potential areas for further study. The extensive bibliography annotates biographical material about Mew and criticisms of her poetry from 1916 to 1989. The literature search on criticisms included periodicals, monographs, monograph chapters, and dissertations. Arrangement is chronological by publication date, and each entry is followed by an abstract of the document's contents. An alphabetical index to the authors of the appraisals is included. (Author/TMK) *********************************************************************** * Reproductions supplied by EDRS are the best that
    [Show full text]
  • William Butler Yeats and the Oxford Book of Modern Verse
    SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book of Modern Verse Robert Alden Rubin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2011 Christopher Armitage William Harmon George Lensing Allan Life Weldon Thornton © 2011 Robert Alden Rubin ALL RIGHTS RESERVED ii ABSTRACT Robert Alden Rubin Some Heroic Discipline: William Butler Yeats and the Oxford Book of Modern Verse (Under the direction of Christopher Armitage and William Harmon) This project explores William Butler Yeats’s work as editor of the 1936 Oxford Book of Modern Verse, with emphasis on Yeats’s sense of his own place among the poets of his day. The study considers all of the 379 poems by the ninety-seven writers included in the anthology (as well as notable omissions) in the context of Yeats’s critical writings and correspondence; where possible, it identifies the sources consulted by Yeats for his selections, and the circumstances of publication. It also examines the degree to which Yeats saw the anthology as a way to influence the emerging literary consensus of the mid-1930s. Finally, it argues that the anthology offers the same essentially neo-Romantic critique of modernity that can be found in Yeats’s own poems—a sense that to be modern is to wrestle with an impulse to believe, despite circumstances that weaken the basis for such belief. Chapter I relates the details of the book’s conception, gestation, and publication.
    [Show full text]
  • Guide to the Poetry: a Magazine of Verse Records 1895-1961
    University of Chicago Library Guide to the Poetry: A Magazine of Verse Records 1895-1961 © 2007 University of Chicago Library Table of Contents Descriptive Summary 4 Information on Use 4 Access 4 Citation 4 Historical Note 4 Scope Note 6 Related Resources 7 Subject Headings 7 INVENTORY 7 Series I: Administrative Files, 1912-1936 7 Subseries 1: General Manuscripts 8 Subseries 2: Major Poets 66 Subseries 3: Addenda 92 Sub-subseries 1: Biographies 92 Sub-subseries 2: Guarantors 120 Sub-subseries 3: Business Correspondence 122 Sub-subseries 4: Circulars, Etc. 123 Sub-subseries 5: Mila Straub and Harriet Monroe, Correspondence, Photographs,123 Reprints Sub-subseries 6: Clippings 126 Series II: Administrative Files, 1936-1953 128 Subseries 1: Manuscripts - Major Contributors 129 Subseries 2: Manuscripts - Minor Contributors 156 Subseries 3: Editorial Files 213 Sub-subseries 1: Correspondence, Notes, and Mockups 213 Sub-subseries 2: Galleys 227 Subseries 4: Business Files 239 Sub-subseries 1: Fund Raising 239 Sub-subseries 2: Publishers and Advertising Agencies 240 Sub-subseries 3: Other Organizations (Literary Societies, Periodicals, etc.) 241 Sub-subseries 4: Distribution and Miscellaneous Business 243 Sub-subseries 5: Projects, Prizes and Personnel 244 Series III: Administrative Files, 1954-1961 246 Subseries 1: Contributors -- Manuscripts and Correspondence 247 Subseries 2: Business Records and Correspondence 366 Subseries 3: Publication Matter 377 Series IV: Oversize 391 Subseries 1: Administrative Files, 1912-1936 391 Sub-subseries 1:
    [Show full text]