DOCSLIB.ORG

EVOLT E-500 Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EVOLT E-500 Brochure TM EVOLT E-500 Digital SLR Type Interchangeable Lens Digital SLR Camera Sensitivity AUTO, 100, 200, 400 (AUTO: 100-400) Expandable to 800, 1600 Media Compact Flash Card (Type I, II), Microdrive, xD-Picture Card (Dual Slot) Exposure Compensation Up to +/- 5 EV in each 1, 1/2, or 1/3 EV step Imager Size 17.3mm x 13mm AE Lock Locked by first position of Shutter Button / AE/AF Lock Button (Customizable) Lens Mount Four Thirds Mount Exposure Bracketing 3 Frames in +/- 1, 2/3, 1/2 or 1/3 EV step Compatible Lens Zuiko Digital, Four Thirds System Lens White Balance System Image Sensor The most full-featured digital SLR in its class. WB Mode Auto WB, Preset WB, Custom WB, One-touch WB Type 4/3 type Full Frame Transfer Type CCD solid-state image sensor Preset WB Lamp (3000k) / Fluorescent 1 (4000k) / Fluorescent 2 (4500k) / Fluorescent 3 Effective Pixel Number 8.15 million pixels (6600k) / Daylight (5300k) / Cloudy (6000k) / Shade (7500k) Aspect 4:3 WB Compensation R-B/G-M up to +/- 7 step in each 2mired step for each Auto / Preset setting Filter Array Primary color filter (RGB) WB Bracketing 3 Frames with +/- 4/8/12 mired steps Filter Color System LPF Fixed type Color Space sRGB / AdobeRGB IR Cut Filter Hybrid Type Picture Mode Vivid / Natural / Muted / B&W / Sepia Dust Protection Filter Supersonic Wave Filter Color Saturation 5 levels in each Vivid, Natural and Muted mode Recording System Sharpness 5 levels in each Picture mode Type of Recording Format DCF (JPEG), TIFF, RAW Contrast 5 levels in each Picture mode Type of File Format JPEG, TIFF Ver. 6.0 (Exif 2.2), RAW (12bit) Filter Yellow / Orange / Red / Green in B&W mode RAW + JPEG Recording Yes Toning Sepia / Blue / Red / Green in B&W mode File Size RAW 3264 x 2448 Uncompressed Approx. 13.6MB Gradation 3 levels TIFF 3264 x 2448 Uncompressed Approx. 24.5MB Shutter SHQ 3264 x 2448 1/2.7 Approx. 6.4MB Type Electronic Controlled Focal Plane Shutter HQ 3264 x 2448 1/4 / 1/8 1/12 Approx. 4.5 / 2.5 / 1.8MB Shutter Speed A,P,Ps: 1/4000 to 60 Sec(depend on conditions), S: 1/4000 to 60 Sec, M: 1/4000 SQ 3200 x 2400 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 6.2 / 4.4 / 2.4 / 1.8MB to 60 Sec and Bulb (up to 8 minutes), AUTO: 1/4000 to 2 Sec, Scene: 1/4000 to 2 2560 x 1920 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 3.7 / 2.5 /1.3 / 0.8MB Sec (depend on selected mode) 1600 x 1200 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 1.5 / 1.0 / 0.5 / 0.4MB Self Timer 12 or 2 Sec. (possible to cancel) 1280 x 960 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 0.9 / 0.6 / 0.3 / 0.2MB Remote Control Wireless with bulb function by RM-1 (RM-1:option) 1024 x 768 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 0.6 / 0.4 / 0.2 / 0.2MB Drive System 640 x 480 1/2.7 / 1/4 / 1/8 / 1/12 Approx. 0.3 / 0.2 / 0.1 / 0.1MB Drive Mode Single / Sequential Shooting Viewfinder Sequential Shooting Speed Approx. 2.5 fps. Type Eye level Dach Mirror type Optical View Finder Max. Frame Number on Viewfinder Coverage Approx. 95% Sequential Shooting RAW; TIFF: 4 Frames Magnification Approx. x 0.9 with 50mm Lens set to infinity on -1diopter JPEG (HQ, SQ); Up to full capacity with high speed Media(*1) Eye Point Approx. 10mm Built-in Flash Diopter Adjustment Built-in type -3.0 to +1.0 diopter Type TTL Auto / Manual Focusing Screen Fixed type Synchronization Mode Auto / Red-eye Reduction / Slow synchro / Fill-in Mirror Quick Return Mirror X-Sync Speed X = 1/180 Sec. (FP Flash Mode up to 1/4000 sec.) Viewfinder Information AF frame, Shutter speed, Aperture value, AF confirmation mark, Flash, Intensity Control Up to +/- 2 EV in each 1, 1/2, or 1/3 EV step White balance, AE lock, Number of storable still pictures, Exposure compensation Synchro Timing Front curtain and Rear curtain selectable value indication, Metering mode, Battery check, Exposure mode, Record mode Hot-Shoe TTL Auto with FL20 / 36 / 50 (FP Flash with FL36 / 50) Depth of Field Preview One-touch WB Button (Customizable) Play Back Function Eye Cup Interchangeable type (EP-5/6), EP-5 supplied Display Mode Single / Zoom ( 2 / 3 / 4 /6 / 8 / 10 / 14x) / Index (4 / 9 / 16 /25 frames) / Calendar Eye Piece Shutter Interchangeable type, EP-4 supplied View / Slide Show / Light Box View LCD Monitor Information Exposure Mode, Metering Mode, Shutter Speed, F-Stop, Compensation level, ISO, Type HyperCrystal LCD (TFT Color LCD) Color Space, WB Mode, WB Compensation Level, Focal Length, Focus Area, File Size 2.5 Inch type, Picture Mode Pixel Number 215,250 pixels Exposure Level View Y,R,G,B Histograms, High Light/Shadow Point Warning Viewfield Coverage Approx. 100% Video Signal Output Yes Brightness Control +/- 7 steps Menu Information REC, Play Back, Custom, Setup Autofocus Menu Languages English, German, French, Spanish, Japanese, Chinese, and Korean Type TTL Phase Difference Detection System Edit Functions Focus Mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus / S-AF + MF/ C-AF + MF RAW Edit Mode RAW Development Focus Area 3 points TIFF, JPEG Mode B&W, Sepia, Red-eye Reduction, Color Saturation, Resize Detection Range EV 0 to 19 (ISO 100) Copy Mode Single / All / Selected (Between CF Media and xD-Picture Card) Focus Area Selection Automatic Selectable / Manual Selectable Erase/Protection Function AF Assist Lamp Built-in Flash type Erase Mode Single, All, Selected AF Lock Locked by first position of Shutter Button / AE/AF Lock Button (Customizable) Image Protect Mode Single Exposure Control PC Interface USB 2.0 Full Speed Light Metering System TTL Full Aperture Light Metering by 49 Zones Multi-pattern Sensing System Power Supply Light Metering Mode Digital ESP / Center Weighted Average / Spot / Highlight Spot / Shadow Spot Battery Rechargeable Li-ion battery Pack BLM-1 / Optional 3x CR123A with LBH-1 (Approx. 2% Spot) Size/Weight Detection Range Digital ESP / Center Weighted Average; EV 1 to 20 (50mm F2, ISO 100) Dimensions 5 x 3.7 x 2.6 inches (129.5 x 94.5 x 66mm) Spot; EV 3 to 17 (50mm F2, ISO 100) Weight Approx. 15.34 oz. (435g); Without Batteries and CF Card Exposure Mode Full Auto, Program with Program Shift / Shutter Priority / Aperture Priority / Environment Manual / Scene Program AE / Scene Select AE Temperature Operating Range; 32°F to 104°F (0°C to 40°C) Scene Program AE Portrait / Landscape / Macro / Sports / Night Scene & Portrait Storage Range; 4°F to 140°F (-20°C to 60°C) Scene Select Portrait / Landscape / Landscape & Portrait / Night Scene / Night Scene & Portrait Humidity Operating Range; 30% to 90%, Storage Range; 10% to 90% / Firework / Sunset / Macro / Sports / High-Key / Low-Key / Documents / Beach & Snow / Candle / Children *1) with SanDisk Extreme III CF card on default image quality mode(HQ 1/8) For more information: www.olympusamerica.com/evolt Olympus Imaging America Inc. • Two Corporate Center Drive • Melville, NY 11747 Specifications subject to change without notice or obligation on the part of the manufacturer. © 2005 Olympus Imaging America Inc. All rights reserved. D1298-0905 Printed in the United States of America. Olympus is a trademark or registered trademark of Olympus Corporation, Olympus Imaging America Inc. or their affiliated entities. There’s a first time for everything. And for digital SLR cameras, this is the first time that so many leading-edge breakthroughs have gone hand-in-hand with user-friendly innovations. From our patented dust-reduction technology for spot-free photos, to our exclusive 8.0 megapixel CCD. From our advanced TruePic TURBO™ processor that helps you capture spectacular, color-rich images to a large, 2.5” high-resolution LCD. From the largest selection of digital-specific lenses to dual memory slots for storing your images – EVOLT E-500’s array of features is unparalleled and always easy to use. At first glance, EVOLT E-500 is surprisingly compact. Pick it up and discover it’s lighter than you imagined. Photo enthusiasts will find EVOLT E-500 to be a refreshing throwback to a time you could actually grab a camera and not let it slip through your fingers. Beginners will view EVOLT E-500 as a powerful combination of advanced technologies that can help them master digital photography. Get your hands on EVOLT E-500. The most full-featured digital SLR in its class. Patented Dust Reduction Technology and CCD, it vibrates over 35,000 times The new EVOLT E-500 features our exclusive dust-reduction technology for spot-free photos. With undetectable vibrations, it shakes dust and debris loose from the image sensor thousands of times each second. Rather than shadows and imperfections, clear images are all you’ll see. second. As a result, dust particles cannot block light – ensuring unblemished pictures, a with each press of the shutter button. With the E-500’s Dust Reduction System, changing lenses in the field (or in your family room) won’t ruin your images. Your photos will be spot-free, without you needing to retouch them on a computer. Have you ever looked inside a camera? The amount of dust collected would startle you. That’s because – prior to the E-series – dust entered from daily use, especially when lenses were changed.
Load more

Recommended publications
  • This E-Book Is Intended to Be Read on a Computer Screen
    This e-book is intended to be read on a computer screen. You can print the e-book for your own use. However, it will have a copyright watermark notice at the bottom of each page. Table of contents and Foreword I am pleased that you purchased one of our “Pentax K-7 – Everything you need to know…..and then some” book. As an enthusiastic photographer for many years, I have had many Pentax cameras. My first “new” camera was a Pentax Spotmatic, purchased when I was still in Junior High. When Pentax stepped into the Digital SLR market, I was delighted. Their first few DSLRs (The *ist series) were the smallest DSLRs on the market but were not particularly special with the 6MP CCD. When the K10D was introduced, everything changed and Pentax was suddenly a major player. The K10D was a breakthrough, in my opinion. It had the capabili- ties of Professional DSLRs with the price of entry-level DSLRs. It had some unique features found nowhere else at any price. In January of 2008, Pentax an- nounced the K20D. It was not a revolution as the K10D was, but it certainly was an evolution of the revolution. The K200D and the K2000/KM followed with no exceptional or marginal improvements. On May 20, 2009, Pentax made history again by introducing the Pentax K-7. This time, it is definitely another revolu- tion, and maybe bigger than the K10D was when introduced. Once again, Pentax engineers have pushed the envelope and designed a DSLR with more features than any camera in it’s price range.
    [Show full text]
  • Lumix DMC-G1.Pdf
    Ultra-Compact Digital Interchangeable Lens Camera The LUMIX G1 is as easy to use as a compact digital camera, with the stunning photo quality of a digital SLR camera. It's a new-generation digital interchangeable lens camera that does away with the mirror box and complies with the new Micro Four Thirds System standard. It also features Full-time Live View for compact digital camera shooting ease, and iA (Intelligent Auto) mode for beautiful photos with point-and-shoot simplicity. In short, the G1 writes an entirely new chapter in the evolution of the digital interchangeable lens camera. And it lets you enjoy all this expressive power from the moment you first pick it up. With the G1 in hand, every day is a new chance for discovery. Anne, NEW WAY an art teacher Full-time Live View Lets You Take It Easy Casual, everyday shooting is now its own art form. I decided to upgrade from a compact digital camera to a digital SLR camera when the first of my two girls started kindergarten. But to tell the truth, I was afraid a digital SLR camera would be hard to use. Not the G1. I look at the LCD to frame my shot – just like with my compact camera – and press the shutter button when I like what I see. In addition, it is handy and small! What could be simpler and smaller? And the photos are so beautiful, you'd think they were shot by a professional. The G1 has been a lot of fun, for both me and my children.
    [Show full text]
  • Preliminary Catalog 02 LUMIX G X VARIO 12-35Mm / F2.8 ASPH
    Specifications Type Digital Single Lens Mirrorless camera Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset SD Memory Card, SDHC Memory Card, Recording media Still image Glow / Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / SDXC Memory Card (Compatible with UHS-I standard SDHC / SDXC Memory Cards) TYPE Artistic Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower Image sensor size 17.3 x 13.0 mm (in 4:3 aspect ratio) SCENE / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome Lens mount Micro Four Thirds mount GUIDE Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Type Live MOS Sensor Motion picture Sunset Glow / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Food / Cute Dessert / Freeze Animal Total pixels 17.20 Megapixels Motion / Clear Sports Shot / Monochrome IMAGE Camera effective pixels 16.05 Megapixels BURST SH: 20 frames/sec, H: 6 frames/sec, SENSOR Burst speed SHOOTING M: 4 frames/sec [with Live View], L: 2 frames/sec [with Live View] Color filter Primary color filter TTL Built-in-Flash, GN12 equivalent (ISO 100 •­­­­­­m)/GN17 equivalent (ISO 200 •m) Built-in Built in flash type Dust reduction system Supersonic wave filter Pop-up (Reference) Auto, Auto/Red-eye Reduction [when iA, iA+], Forced On, Forced On/Red-eye Reduction, Still Image: JPEG(DCF, Exif 2.3), RAW, MPO (When attaching 3D lens in Micro Four Thirds standard) Flash mode Recording file format Slow Sync., Slow Sync./Red-eye Reduction Motion Image: AVCHD Ver2.0 compliant (AVCHD Progressive), MPEG4-AVC(H.264).
    [Show full text]
  • Stunning Photography Is Just a Step Away Magnifi Cation Approx
    Nikon Digital SLR Camera D60 Specifications Type Focus Type Single-lens refl ex digital camera Autofocus Nikon Multi-CAM 530 autofocus sensor module with TTL phase detection, 3 focus points Lens mount Nikon F mount (with AF contacts) and AF-assist illuminator (range approx. 1 ft. 8 in.-9 ft. 10 in./0.5-3 m) Effective picture angle Approx. 1.5 x lens focal length (Nikon DX format) Detection range -1 to +19 EV (ISO 100, 68°F/20°C) Effective pixels Lens servo • Autofocus: Single-servo AF (S), Continuous-servo AF (C), Auto-servo AF (A), Predictive Effective pixels 10.2 million focus tracking automatically activated according to subject status in single- and continuous-servo AF Image sensor • Manual focus: Electronic rangefi nder can be used Image sensor 23.6 x 15.8 mm CCD sensor Focus point Selectable from three focus points Total pixels 10.75 million AF-area mode Single-point AF, dynamic-area AF, Closest subject AF Dust-reduction system Image Sensor Cleaning, Airfl ow Control System, Image Dust Off reference data (optional Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by Capture NX software required) pressing AE-L/AF-L button Storage Flash Image size (pixels) 3,872 x 2,592 [L], 2,896 x 1,944 [M], 1,936 x 1,296 [S] Built-in fl ash • Guide number of 39/12 (ft/m, ISO 100, 68°F/20°C) or 43/13 in manual mode (ft/m, ISO File format • NEF (RAW): 12-bit compressed 100, 68°F/20°C) • JPEG: JPEG-Baseline compliant with fi ne (approx.
    [Show full text]
  • Specifications
    Specifications Type Digital Single Lens Mirrorless camera TTL Built-in-Flash, GN5.6 equivalent (ISO200 · m), GN4.0 equivalent Type SD memory card, SDHC memory card, SDXC memory card (ISO100 · m), Built-in Pop-up Recording Media TYPE (Compatible with UHS-I standard SDHC/SDXC memory cards) Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye BUILT-IN- Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) Flash Mode Reduction, Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off FLASH * For iA, iA+ only. Lens Mount Micro Four Thirds mount Synchronization Speed Less than 1/50 second Type Live MOS Sensor Flash Synchronization 1st Curtain Sync., 2nd Curtain Sync. Total Pixels 16.84 Megapixels IMAGE Camera Effective Pixels 16.00 Megapixels Type TFT LCD with touch monitor SENSOR Color Filter Primary color filter Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Dust Reduction System Supersonic wave filter MONITOR Pixels (Approx.) 1,036K dots JPEG [DCF, Exif 2.3], RAW, Field of View (Approx.) 100% Still Image Recording File MPO [When attaching 3D lens in Micro Four Thirds standard] Format Monitor Adjustment Brightness, Contrast and Saturation, Red tint, Blue tint Motion Image AVCHD [Audio format: Dolby Digital 2ch] / MP4 [Audio format AAC 2ch] Digital Zoom 2x, 4x Aspect Ratio 4:3, 3:2, 16:9, 1:1 Max. 2.4x (Aspect ratio sets at 16:9. Not effective with L size recording. Still Image RAW, RAW+Fine, RAW+Standard, Fine, Standard, Magnification ratio depends on the recording pixels and aspect ratio.) Image Quality MPO+Fine,
    [Show full text]
  • Nikon Digital SLR Camera D700 Specifications
    Nikon Digital SLR Camera D700 Specifications Type Focus Type Single-lens reflex digital camera Autofocus TTL phase-detection AF, 51 focus points (15 cross-sensors) by Nikon Multi-CAM 3500FX Lens Mount Nikon F bayonet mount with AF coupling and AF contacts autofocus module; Detection: -1 to +19 EV (ISO 100 at 68°F/20°C); AF fine tuning possible; Picture Angle Equivalent to angle produced by lens focal length (1.5 times when DX format is selected) AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3 m) Lens Servo 1) Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus Tracking automatically Effective Pixels activated according to subject status, 2) Manual focus (M) with electronic rangefinder Effective Pixels 12.1 million Focus Point Single AF point can be selected from 51 or 11 focus points Image Sensor AF-Area Mode 1) Single-point AF, 2) Dynamic-area AF [number of AF points: 9, 21, 51, 51 (3D-Tracking)], Image Sensor CMOS sensor, 36.0 x 23.9 mm; Nikon FX format 3) Auto-area AF Total Pixels 12.87 million Focus Lock Focus can be locked by pressing AE-L/AF-L button or by pressing shutter-release button Dust-Reduction System Image sensor self-cleaning function, Image Dust Off reference data acquisition (Capture halfway (Single-point AF in AF-S) NX 2 required) Flash Storage Built-in Flash Manual pop-up type; guide number of 56/17 (ISO 200, ft./m, 68°F/20°C) or 39/12 (ISO 100, Image Size (pixels) ft./m, 68°F/20°C) Image area L M S Flash Control 1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard
    [Show full text]
  • D-SLR Seminar
    DD--SLRSLR SeminarSeminar Basic information about D-SLR How many types of D-SLR lens mount system are available in the market now? 5 types Canon Nikon Panasonic / Olympus Pentax / SONY Sumsung Olympus Canon Nikon Sony Panasonic Camera Panasonic L1 1D MarkN D2X A100 Olympus E1 1Ds Mark D2HS Olympus E500 5D D200 Olympus E330 30D D70 350D D50 Mount Diameter Four Thirds EF Mount F Mount α Mount Mount 51mm 44mm 47mm 44mm Sensor size 4/3 type APS-C size APS-C size APS-C size [mm] 17.3x13.0 22.5x15.0 23.7x15.6 23.7x15.6 Full size 35.8x23.9 Conversion ratio 2x 1.6x 1.5x 1.5x to 35mm camera 1.0x focal length Even with wind angle lens for 35mm film camera, the field of view is narrowed, and the actual image does not become wide angle due to smaller sensor size How many interchangeable lenses have been sold so far? More than 80 million How many interchangeable lenses are there in the market now? 200 pcs. for AF film SLR camera 49 pcs. for D-SLR camera Four Thirds Canon EF Nikon F SONY α Mount Mount Mount Mount Lens Panasonic Canon Nikon SONY Manufacture Olympus (Sigma, (Sigma, (Sigma, Tamron, Tamron, Tamron, Sigma Tokina) Tokina) Tokina) Lens Nothing 30 million 35 million 16 million Property (Minolta from Analog lens) era The total 23 57+ (69) 59 19+ (48) number of (AF50+MF9) lens + (66) Digital 23 (All lenses 5 (EF- 7 6+(6) dedicated lens are designed S)+(13) (DX)+(13) for D-SLR) 4/3 system has the largest lens amount dedicated for D-SLR.
    [Show full text]
  • 1 Enjoy High Picture Quality and Innovative Wireless Connectivity Unleashing a Sense of Art and Creativity
    TYPE Type Digital Single Lens Mirrorless camera BUILT-IN-FLASH Type TTL Built-in-Flash, GN6.3 equivalent (ISO160 · m), GN5.0 Recording Media SD Memory Card, SDHC Memory Card, SDXC Memory Card equivalent (ISO100 · m), Built-in Pop-up (Compatible with UHS-I standard SDHC / SDXC Memory Cards) Flash Mode Auto, Auto / Red-eye Reduction, Forced On, Forced On / Red- Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) eye Reduction, Slow Sync., Slow Sync. / Red-eye Reduction, Lens Mount Micro Four Thirds mount Forced Off IMAGE SENSOR Type Live MOS Sensor Synchronization Speed Less than 1/160 second Total Pixels 16.68 Megapixels Flash Synchronization 1st Curtain Sync. Camera Effective Pixels 16.00 Megapixels LCD MONITOR Type TFT LCD with Touch panel, Tiltable monitor Color Filter Primary color fi lter Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Dust Reduction System Supersonic wave fi lter Pixels 1,040K dots RECORDING SYSTEM Recording File Format Still Image: JPEG (DCF, Exif 2.3), RAW Field of View Approx. 100% MPO (When attaching 3D lens in Micro Four Thirds System standard) Monitor Adjustment Brightness, Contrast and Saturation, Red tint, Blue tint Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 LIVE VIEW Digital Zoom 2x, 4x (Audio format AAC 2ch) Extra Tele Conversion Still Image: Max.2x (When a picture size of S (4M), aspect Aspect Ratio 4:3, 3:2, 16:9, 1:1 ratio of 4:3 is selected. Magnifi cation ratio depends on the Image Quality RAW, RAW+Fine, RAW+Standard, Fine, Standard recording pixels and aspect ratio.)
    [Show full text]
  • Exquisite Gear [VGA] 640 X 480, 30Fps (Sensor Output Is 30P) (Approx
    Specifications Type Digital interchangeable lens system camera Type TFT LCD with Touch panel SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Recording Media TYPE SDHC / SDXC Memory Cards) Pixels 460,000 dots Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) LCD MONITOR Field of View Approx. 100% Lens Mount Micro Four Thirds mount Monitor Adjustment Brightness (7 levels), Contrast and Saturation (7 levels), Red tint (7 levels), Blue tint (7 levels) Type Live MOS Sensor Guide Lines (3 patterns) Live View Functions Total Pixels 16.68 Megapixels Real-time Histogram IMAGE Touch Zoom (when use power zoom lenses*) Camera Effective Pixels 16.0 Megapixels Additional Zoom Operation SENSOR *H-PS14042 lens and H-PS45175 lens Color Filter Primary color filter ZOOM Digital Zoom 2x, 4x Dust Reduction System Supersonic wave filter Still image: Max. 2x (Not effective with L size recording. Still Image: JPEG (DCF, Exif 2.3), RAW, EXTRA TELE CONVERSION Magnification ratio depends on the recording pixels and aspect ratio.) Recording File Format MPO (When attaching 3D lens in Micro Four Thirds System standard) Motion image: Max. 4.8x (Magnification ratio depends on the recording quality and aspect ratio.) Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 (Audio format AAC 2ch) LEVEL GAUGE Yes (Built-in 3 shaft accelerometer sensor) Aspect Ratio 4:3, 3:2, 16:9, 1:1 DIRECTION DETECTION FUNCTION Yes RAW, RAW+Fine, RAW+Standard, Fine, Standard One Push AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size Image Quality Fn1, Fn2, Fn3*, Fn4* MPO+Fine, MPO+Standard (When attaching 3D lens in Micro Four Thirds System standard) FUNCTION / Quality / Metering Mode / Flash / Flash Adjust.
    [Show full text]
  • Freedom of Expression
    Freedom of expression Lens: AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR • Image quality: NEF (RAW) • Exposure: Aperture priority mode, 1/320 second, f/8 • White balance: Auto • ISO sensitivity: 200 • Picture Control: Vivid Discover the joy of Nikon. With ease. Meet the D5000, a new breed of Nikon digital SLR camera. A wonderful blend of fun, simplicity, and beautiful image quality, the D5000 features an innovative Vari-angle monitor for an exciting new take on photographic expression. Combined with Live View shooting, this monitor gives you the ability to shoot from nearly any angle. And your creativity is not limited to still images — Nikon’s D-Movie function lets you record richly detailed HD movie clips, too. There’s also a dazzling array of shooting features to help you get great pictures, shot-after-shot. Add to this a superb 12.3-megapixel CMOS sensor working The D5000 is exclusively designed for use with NIKKOR AF-S and AF-I lenses in tandem with Nikon’s EXPEED image processing system and watch your photos and movie clips come alive with all the that are equipped with an autofocus motor. 2 stunning beauty for which Nikon is famous. 3 A monitor that puts a fun new twist on High-angle and low-angle shooting D-Movie Live View shooting. High-angle shooting is when you hold the camera high, This is Nikon’s digital movie shooting feature. D-Movie lets you Flip it, tilt it, turn it, stow it. The new Vari-angle monitor adds a flexible dimension to Live View and is especially useful for shooting over obstacles such take advantage of interchangeable lenses, one of the key shooting, which vividly shows your subject in real-time.
    [Show full text]
  • This Season, Enjoy the Warmth of Family & Friends
    Winter 2008 Moments to Memories This season, enjoy the warmth of family & friends Save Time with Fantastic Finds for everyone on your shopping list Great photo projects for you & your kids White Out – our best tips for getting Amazing Winter Photos Irresistable items to capture and show off your special moments Get it right, from the source! fotosource.com CLIC • winter ‘08 — 1 DSLRs With over 90 years experience in advancing and refi ning the delicate art of imaging technology, Nikon provides creativity without compromise. Trusted by world-renowned photographers and hobbyists alike, Nikon DSLRs are engineered to perfection to capture crisp clear true colour images every time, everywhere. Nikon.ca THE D40, D60 AND D90 ARE BACKED BY NIKON CANADA’S 2YEAR WARRANTY. ALL NIKKOR LENSES ARE BACKED BY NIKON CANADA’S 5YEAR WARRANTY. D40 The D40 packs high-performance, advanced features and exceptional ease-of-use into a compact, intuitively styled body. t 6.1 megapixel DX-format CCD sensor t Fast response t Simple, user-friendly operation t In-camera image editing and eff ects menu D60 The D60 delivers all the power and versatility of Nikon’s DX-format, housed in a compact, ergonomic body. t10.2 megapixel DX-format sensor tFast power-up and split-second shutter response tAutomatic Dust Reduction System with Airfl ow Control t Fast and simple in-camera editing and retouching D90 The D90 off ers enthusiasts the power and performance to match their passion and creative range. And, in keeping with Nikon’s tradition of innovation, the D90 off ers the world’s fi rst D-Movie mode letting you capture 720p HD movie clips with sound.
    [Show full text]
  • LUMIX S1H Brochurelumix
    Cinematic Performance, Boundless Creativity. The full-frame camera unlocking creative possibilities for cinematographers. The LUMIX S1H is a full-frame mirrorless camera for film production, scaled to a hand-held design without compromising professional-level standards. It offers extensive recording modes and cinematic image quality to meet the high demands of today’s creators. With superior functionality that slots effortlessly into the professional workflow, the S1H is also designed for active filming in the field when attached to a gimbal or drone. The LUMIX S1H combines cinema industry performance, refined by Panasonic, with the high mobility and functionality of LUMIX mirrorless cameras. 2 3 I've always loved full-frame imagery, and now I have the ability to do that in a video format that also shoots 4K 4:2:2 10-bit. It's just a game changer for me. Having a camera that has dual native ISO built in, 640 ISO native and 4,000 native, it allows us to, in any circumstance, wherever we're shooting – capture the images we want. It's been an incredible tool for us. Jacob Schwarz 4 CINEMATOGRAPHY ESSENTIALS Best Combination of 24.2MP CMOS Sensor and Venus Engine Multiple Formats and Aspect Ratios with Full Range of Video Recording Modes The LUMIX S1H gives you breathtaking image quality without compromise. By delivering ample Notably, these include full-area 3:2 6K24p, C4K (4,096 x 2,160) and anamorphic modes. The 35 mm light condensation per pixel, the 24.2-megapixel CMOS sensor offers a wide dynamic range and full-frame CMOS sensor built into the S1H offers 6,024 x 4,016 effective pixels at stunning 6K sharp, natural expression even at high sensitivity settings.
    [Show full text]