DOCSLIB.ORG

Canon Eos 5D Mark Ii Manual English

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Canon Eos 5D Mark Ii Manual English Canon eos 5d mark ii manual english Continue Digital single-lens reflex camera from Canon Canon EOS 5D Mark IIOverviewTypeDigital single-lens reflex cameraReleasedNovember 2008Intro price$2699.00LensLensInterchangeable (EF)Sensor/mediumSensor size36 × 24 mm (full-frame)Maximum resolution5,616 × 3,744 (21.1 effective megapixels)Film speed100– 6400 (expansion from 50 up to 25,600)Storage mediaCompactFlash (CF) (Type I or Type II)FocusingFocus modesOne-shot, AI Servo, AI-Focus, ManualFocus areas9 user points + 6 assist pointsExposure/meteringExposure modesFull auto, programmed, shutter priority, aperture priority, manualExposure meteringTTL, full aperture, 35 zonesMetering modesEvaluative, Partial, Spot, C/Wgt AverageShutterShutterElectronic focal-planeShutter speed range30 to 1/8000 sContinuous shootingup to 3.9 frame/s.ViewfinderViewfinderOptical pentaprism with 98% coverage[1] and electronic (Live View)GeneralLCD screen3.0 inches (76 mm), 640 × 480 (921,600 dots)BatteryLi-Ion LP-E6 Rechargeable (1800 mAh)Optional battery packsBG-E6 grip allows use of 6 AA cells One LP-E6 or two batteries LP-E6Dimensions152×113.5×75 mm (5.98×4.47×2.95 inches) Weight810 g (body only) Made in JapanRonologyReplacedCanon EOS-5D-2'SuccessorCanon EOS 5D Mark III'3' Canon EOS 5D Mark II is a 21.1 efficient megapixel full-frame digital single-lens reflex camera CMOS, made by Canon, The first Canon EOS camera, which has the ability to record video. It replaced the EOS 5D and was announced on September 17, 2008. On March 2, 2012, Canon announced the camera's successor: Canon EOS 5D Mark III. on December 24, 2012, Canon Japan moved the camera to the Old Products list, effectively shutting down the camera. Improvements compared to the original EOS 5D 21.1 megapixels (5616 × 3,744 pixels), compared to 12.8 megapixels (4,368 × 2,912 pixels). DIGIC 4 image processor, compared to DIGIC II. 100-6400 ISO (expands to L (50), H1 (12800), H2 (25600)), compared to 100-1600 (expands to L (50), H (3200)). 3.9 frames per second continuous shooting (78 JPEG or 13 Raw in one explosion), compared to 3 frames/s (60 JPEG or 17 Raw). Small Raw modes: sRAW1 mode (10 megapixels/3861 × 2574 pixels), sRAW2 mode (5.2 megapixels/2784 × 1856 pixels). 98% of viewfinder coverage increased by 0.71× compared to 96% coverage. The larger 3.0-inch (76 mm) LCD display has 920,000 pixels, compared to the 2.5-inch (64 mm) display. Battery 1800 mAh LP-E6, compared to 1390 mAh BP-511A. The rear of the camera with LCD New features Film Recording Full HD in 1920 × 1080 and SDTV on 640 × 480 resolution. Monaural microphone for audio during video recording, speaker for playback and microphone socket for external stereo microphone Live Preview with ExpSim LV exposure simulation live preview (full exposure control preview using ExpSim LV, For video in DSLR) Live preview with contrast-detect autofocus HDMI video output for live live or playing clips and images on an external monitor using the C MiniHDMI port dust reduction system to perform automatic battery control software for 5D Mark II sensors is the first camera in the EOS line to provide video recording features. However, a photo during the video is possible, but the camera pauses the recording of the video until the final shot is taken. The 5D Mark II (LP-E6) lithium-ion battery has a capacity of 1800 mAh. Each battery contains a microchip with a unique identifier for the reporting state of charge and battery life for display on the camera. The 5D Mark II Battery Info can track battery life and shooting history for up to six LP-E6 batteries. The camera has native ISO 100 values, multiplied by power 2; other ISOs are derived from digital exposure push (ISO values, multiples of 125) or digital exposure attraction (ISO values, multiples of 160). The digital exposure push ISO 1/3 stop more than the native ISO, and the digital exposure pull ISO 1/3 stop less than the native ISO. ISO's digital exposure settings produce more noise than native settings with reduced dynamic range, and digital exposure settings pull OUT less noise than native settings. Video recording 5D Mark II followed by focus, matte box and other cinematography equipment While the Nikon D90 was the first DSLR to shoot 720p high definition video, and Panasonic GH1, MILC, was capable of 1080p/24 recording before the 5D Mark II officially got this capability, the latter being the first full-frame DSLR feature of 1080p video recording. With these features, the Canon 5D Mark II was able to compete with the high-quality digital cameras available at the time. Its release began the DSLR Revolution trend, significantly changing the world of independent cinema for years to come. The Canon PowerShot SX 1 IS followed up with 1080p video in the digital camera bridge shortly thereafter. Part of the 16:9 side ratio of the sensor used in video mode is similar to the sensitive area of the VistaVision 8/35 frame. This large sensor allows you to shoot a video with a very small depth of field for a movie look. The 21-megapixel sensor was swiped up hd resolution using only every third line and chrome 4:2:0, leading to concerns about the Moir models in the recorded video. Video clips can be up to 4GB in size, approximately 12 minutes 1080p HD or 24 minutes of SD (640 x 480) frames. These limitations stem from the maximum 4GB file size supported by the FAT32 file system format used on Compact Flash cards. The camera also imposes a hard maximum clip length of 29 minutes 59 seconds if the 4GB limit has not yet been reached. Video and audio are recorded in container files with H.264/MPEG-4 (Basic Profile and L5) video and 48 kHz/16-bit PCM audio on. The 1080p beatrate is about 38 megabits per second (4.8 Mbps), while for SD it is about 17 megabits per second (2.2 MBPs). Although the internal microphone is mono, the stereo sound is supported through the connector to enter the sound. When recorded for long periods of time, especially in warmer climates, increased video noise can occur due to CMOS overheating. Magic Lantern's video functionality is superimposed on the liveview 5D Mark IIThe EOS 5D Mark II is capable of recording video in low light and is sold at a relatively low price compared to professional video cameras. During the first eighteen months of its release, the camera had only 30 frames per second (30p) video mode. On March 15, 2010, Canon released a firmware update to add 25p mode for PAL compatibility and 24p mode for compatibility with movie cameras. The firmware update also modified the 30p mode to record 29.97 frames/s, while the new 24p mode actually records 23,976 frames/s to have a frame rate compatible with the NTSC. Finally, the update added manual control to the levels of audio recording and an official way to disable automatic control get. After the success of canon Hack Development Kit (CHDK) for Canon's PowerShot Cameras, A third-party firmware supplement was also produced for 5D Mark II. The Magic Lantern firmware add-on provides a plethora of additional controls related to video and cinematography, such as false colors, and zebra stripes to control exposure, field depths through peak filters, audio VU meters and disables automatic amplification control controls at the microphone's entrance (manual amplification control for the input of the microphone since then was added to the official microphone statement). It also provides a steady output of non-14-bit RAW video data on fast UDMA 7 CF cards with almost HD resolution (1004p vs. 1080p in Full HD). Independent Film and Television Famous Film and Television Productions that used the Canon 5D Mark II include (in order of release): BBC coverage of the Grand Prix snooker in the first week of September 2009 was the first BBC programme to use the camera. (quote needed) The opening title sequence for the 35th season of NBC's Saturday Night Live, first aired on September 26, 2009. The camera, along with the Canon 7D, was used because of its size, allowing sneaky shooting on the streets of New York City, and the depth of field capabilities, making it a suitable replacement for the usual 35mm film series. The music video for the Japanese band Sakanaction's song Aruku Around (2010), which won the 14th Japanese Media Arts Festival, was shot in full with the Canon EOS 5D Mark II. Drama is the usual 35mm film format. Parts of the seventh season were also recorded with 5D Mark II. bbc Two comedy series Shelfstackers, first shown on 4 September 2010, is the first BBC programme to be fully captured on camera. The corporation initially abandoned its use due to lack of quality, but were convinced the reverse director of the series, Dom Bridges. All six episodes of the series were filmed with a total budget of 160,000 pounds. The Road to Coronation Street, shown by BBC Four on 16 September 2010, is the UK's first television drama, filmed on Canon 5D Mark II. The director of the drama photography has been impressed and plans to use the camera on the seventh series of BBC One drama Hustle. In 2011, the short film Scenes from the Suburbs directed by Spike Jonze used a version of the modified camera to use Panavision lenses to capture all night scenes along with the 35mm film used for daytime scenes. He has now re-entered the Hawaiian TV series Five-0 using Canon 5DmkII.
Load more

Recommended publications
  • This E-Book Is Intended to Be Read on a Computer Screen
    This e-book is intended to be read on a computer screen. You can print the e-book for your own use. However, it will have a copyright watermark notice at the bottom of each page. Table of contents and Foreword I am pleased that you purchased one of our “Pentax K-7 – Everything you need to know…..and then some” book. As an enthusiastic photographer for many years, I have had many Pentax cameras. My first “new” camera was a Pentax Spotmatic, purchased when I was still in Junior High. When Pentax stepped into the Digital SLR market, I was delighted. Their first few DSLRs (The *ist series) were the smallest DSLRs on the market but were not particularly special with the 6MP CCD. When the K10D was introduced, everything changed and Pentax was suddenly a major player. The K10D was a breakthrough, in my opinion. It had the capabili- ties of Professional DSLRs with the price of entry-level DSLRs. It had some unique features found nowhere else at any price. In January of 2008, Pentax an- nounced the K20D. It was not a revolution as the K10D was, but it certainly was an evolution of the revolution. The K200D and the K2000/KM followed with no exceptional or marginal improvements. On May 20, 2009, Pentax made history again by introducing the Pentax K-7. This time, it is definitely another revolu- tion, and maybe bigger than the K10D was when introduced. Once again, Pentax engineers have pushed the envelope and designed a DSLR with more features than any camera in it’s price range.
    [Show full text]
  • Lumix DMC-G1.Pdf
    Ultra-Compact Digital Interchangeable Lens Camera The LUMIX G1 is as easy to use as a compact digital camera, with the stunning photo quality of a digital SLR camera. It's a new-generation digital interchangeable lens camera that does away with the mirror box and complies with the new Micro Four Thirds System standard. It also features Full-time Live View for compact digital camera shooting ease, and iA (Intelligent Auto) mode for beautiful photos with point-and-shoot simplicity. In short, the G1 writes an entirely new chapter in the evolution of the digital interchangeable lens camera. And it lets you enjoy all this expressive power from the moment you first pick it up. With the G1 in hand, every day is a new chance for discovery. Anne, NEW WAY an art teacher Full-time Live View Lets You Take It Easy Casual, everyday shooting is now its own art form. I decided to upgrade from a compact digital camera to a digital SLR camera when the first of my two girls started kindergarten. But to tell the truth, I was afraid a digital SLR camera would be hard to use. Not the G1. I look at the LCD to frame my shot – just like with my compact camera – and press the shutter button when I like what I see. In addition, it is handy and small! What could be simpler and smaller? And the photos are so beautiful, you'd think they were shot by a professional. The G1 has been a lot of fun, for both me and my children.
    [Show full text]
  • Preliminary Catalog 02 LUMIX G X VARIO 12-35Mm / F2.8 ASPH
    Specifications Type Digital Single Lens Mirrorless camera Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset SD Memory Card, SDHC Memory Card, Recording media Still image Glow / Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / SDXC Memory Card (Compatible with UHS-I standard SDHC / SDXC Memory Cards) TYPE Artistic Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower Image sensor size 17.3 x 13.0 mm (in 4:3 aspect ratio) SCENE / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome Lens mount Micro Four Thirds mount GUIDE Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Type Live MOS Sensor Motion picture Sunset Glow / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Food / Cute Dessert / Freeze Animal Total pixels 17.20 Megapixels Motion / Clear Sports Shot / Monochrome IMAGE Camera effective pixels 16.05 Megapixels BURST SH: 20 frames/sec, H: 6 frames/sec, SENSOR Burst speed SHOOTING M: 4 frames/sec [with Live View], L: 2 frames/sec [with Live View] Color filter Primary color filter TTL Built-in-Flash, GN12 equivalent (ISO 100 •­­­­­­m)/GN17 equivalent (ISO 200 •m) Built-in Built in flash type Dust reduction system Supersonic wave filter Pop-up (Reference) Auto, Auto/Red-eye Reduction [when iA, iA+], Forced On, Forced On/Red-eye Reduction, Still Image: JPEG(DCF, Exif 2.3), RAW, MPO (When attaching 3D lens in Micro Four Thirds standard) Flash mode Recording file format Slow Sync., Slow Sync./Red-eye Reduction Motion Image: AVCHD Ver2.0 compliant (AVCHD Progressive), MPEG4-AVC(H.264).
    [Show full text]
  • Stunning Photography Is Just a Step Away Magnifi Cation Approx
    Nikon Digital SLR Camera D60 Specifications Type Focus Type Single-lens refl ex digital camera Autofocus Nikon Multi-CAM 530 autofocus sensor module with TTL phase detection, 3 focus points Lens mount Nikon F mount (with AF contacts) and AF-assist illuminator (range approx. 1 ft. 8 in.-9 ft. 10 in./0.5-3 m) Effective picture angle Approx. 1.5 x lens focal length (Nikon DX format) Detection range -1 to +19 EV (ISO 100, 68°F/20°C) Effective pixels Lens servo • Autofocus: Single-servo AF (S), Continuous-servo AF (C), Auto-servo AF (A), Predictive Effective pixels 10.2 million focus tracking automatically activated according to subject status in single- and continuous-servo AF Image sensor • Manual focus: Electronic rangefi nder can be used Image sensor 23.6 x 15.8 mm CCD sensor Focus point Selectable from three focus points Total pixels 10.75 million AF-area mode Single-point AF, dynamic-area AF, Closest subject AF Dust-reduction system Image Sensor Cleaning, Airfl ow Control System, Image Dust Off reference data (optional Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by Capture NX software required) pressing AE-L/AF-L button Storage Flash Image size (pixels) 3,872 x 2,592 [L], 2,896 x 1,944 [M], 1,936 x 1,296 [S] Built-in fl ash • Guide number of 39/12 (ft/m, ISO 100, 68°F/20°C) or 43/13 in manual mode (ft/m, ISO File format • NEF (RAW): 12-bit compressed 100, 68°F/20°C) • JPEG: JPEG-Baseline compliant with fi ne (approx.
    [Show full text]
  • Specifications
    Specifications Type Digital Single Lens Mirrorless camera TTL Built-in-Flash, GN5.6 equivalent (ISO200 · m), GN4.0 equivalent Type SD memory card, SDHC memory card, SDXC memory card (ISO100 · m), Built-in Pop-up Recording Media TYPE (Compatible with UHS-I standard SDHC/SDXC memory cards) Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye BUILT-IN- Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) Flash Mode Reduction, Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off FLASH * For iA, iA+ only. Lens Mount Micro Four Thirds mount Synchronization Speed Less than 1/50 second Type Live MOS Sensor Flash Synchronization 1st Curtain Sync., 2nd Curtain Sync. Total Pixels 16.84 Megapixels IMAGE Camera Effective Pixels 16.00 Megapixels Type TFT LCD with touch monitor SENSOR Color Filter Primary color filter Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Dust Reduction System Supersonic wave filter MONITOR Pixels (Approx.) 1,036K dots JPEG [DCF, Exif 2.3], RAW, Field of View (Approx.) 100% Still Image Recording File MPO [When attaching 3D lens in Micro Four Thirds standard] Format Monitor Adjustment Brightness, Contrast and Saturation, Red tint, Blue tint Motion Image AVCHD [Audio format: Dolby Digital 2ch] / MP4 [Audio format AAC 2ch] Digital Zoom 2x, 4x Aspect Ratio 4:3, 3:2, 16:9, 1:1 Max. 2.4x (Aspect ratio sets at 16:9. Not effective with L size recording. Still Image RAW, RAW+Fine, RAW+Standard, Fine, Standard, Magnification ratio depends on the recording pixels and aspect ratio.) Image Quality MPO+Fine,
    [Show full text]
  • Nikon Digital SLR Camera D700 Specifications
    Nikon Digital SLR Camera D700 Specifications Type Focus Type Single-lens reflex digital camera Autofocus TTL phase-detection AF, 51 focus points (15 cross-sensors) by Nikon Multi-CAM 3500FX Lens Mount Nikon F bayonet mount with AF coupling and AF contacts autofocus module; Detection: -1 to +19 EV (ISO 100 at 68°F/20°C); AF fine tuning possible; Picture Angle Equivalent to angle produced by lens focal length (1.5 times when DX format is selected) AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3 m) Lens Servo 1) Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus Tracking automatically Effective Pixels activated according to subject status, 2) Manual focus (M) with electronic rangefinder Effective Pixels 12.1 million Focus Point Single AF point can be selected from 51 or 11 focus points Image Sensor AF-Area Mode 1) Single-point AF, 2) Dynamic-area AF [number of AF points: 9, 21, 51, 51 (3D-Tracking)], Image Sensor CMOS sensor, 36.0 x 23.9 mm; Nikon FX format 3) Auto-area AF Total Pixels 12.87 million Focus Lock Focus can be locked by pressing AE-L/AF-L button or by pressing shutter-release button Dust-Reduction System Image sensor self-cleaning function, Image Dust Off reference data acquisition (Capture halfway (Single-point AF in AF-S) NX 2 required) Flash Storage Built-in Flash Manual pop-up type; guide number of 56/17 (ISO 200, ft./m, 68°F/20°C) or 39/12 (ISO 100, Image Size (pixels) ft./m, 68°F/20°C) Image area L M S Flash Control 1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard
    [Show full text]
  • D-SLR Seminar
    DD--SLRSLR SeminarSeminar Basic information about D-SLR How many types of D-SLR lens mount system are available in the market now? 5 types Canon Nikon Panasonic / Olympus Pentax / SONY Sumsung Olympus Canon Nikon Sony Panasonic Camera Panasonic L1 1D MarkN D2X A100 Olympus E1 1Ds Mark D2HS Olympus E500 5D D200 Olympus E330 30D D70 350D D50 Mount Diameter Four Thirds EF Mount F Mount α Mount Mount 51mm 44mm 47mm 44mm Sensor size 4/3 type APS-C size APS-C size APS-C size [mm] 17.3x13.0 22.5x15.0 23.7x15.6 23.7x15.6 Full size 35.8x23.9 Conversion ratio 2x 1.6x 1.5x 1.5x to 35mm camera 1.0x focal length Even with wind angle lens for 35mm film camera, the field of view is narrowed, and the actual image does not become wide angle due to smaller sensor size How many interchangeable lenses have been sold so far? More than 80 million How many interchangeable lenses are there in the market now? 200 pcs. for AF film SLR camera 49 pcs. for D-SLR camera Four Thirds Canon EF Nikon F SONY α Mount Mount Mount Mount Lens Panasonic Canon Nikon SONY Manufacture Olympus (Sigma, (Sigma, (Sigma, Tamron, Tamron, Tamron, Sigma Tokina) Tokina) Tokina) Lens Nothing 30 million 35 million 16 million Property (Minolta from Analog lens) era The total 23 57+ (69) 59 19+ (48) number of (AF50+MF9) lens + (66) Digital 23 (All lenses 5 (EF- 7 6+(6) dedicated lens are designed S)+(13) (DX)+(13) for D-SLR) 4/3 system has the largest lens amount dedicated for D-SLR.
    [Show full text]
  • 1 Enjoy High Picture Quality and Innovative Wireless Connectivity Unleashing a Sense of Art and Creativity
    TYPE Type Digital Single Lens Mirrorless camera BUILT-IN-FLASH Type TTL Built-in-Flash, GN6.3 equivalent (ISO160 · m), GN5.0 Recording Media SD Memory Card, SDHC Memory Card, SDXC Memory Card equivalent (ISO100 · m), Built-in Pop-up (Compatible with UHS-I standard SDHC / SDXC Memory Cards) Flash Mode Auto, Auto / Red-eye Reduction, Forced On, Forced On / Red- Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) eye Reduction, Slow Sync., Slow Sync. / Red-eye Reduction, Lens Mount Micro Four Thirds mount Forced Off IMAGE SENSOR Type Live MOS Sensor Synchronization Speed Less than 1/160 second Total Pixels 16.68 Megapixels Flash Synchronization 1st Curtain Sync. Camera Effective Pixels 16.00 Megapixels LCD MONITOR Type TFT LCD with Touch panel, Tiltable monitor Color Filter Primary color fi lter Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Dust Reduction System Supersonic wave fi lter Pixels 1,040K dots RECORDING SYSTEM Recording File Format Still Image: JPEG (DCF, Exif 2.3), RAW Field of View Approx. 100% MPO (When attaching 3D lens in Micro Four Thirds System standard) Monitor Adjustment Brightness, Contrast and Saturation, Red tint, Blue tint Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 LIVE VIEW Digital Zoom 2x, 4x (Audio format AAC 2ch) Extra Tele Conversion Still Image: Max.2x (When a picture size of S (4M), aspect Aspect Ratio 4:3, 3:2, 16:9, 1:1 ratio of 4:3 is selected. Magnifi cation ratio depends on the Image Quality RAW, RAW+Fine, RAW+Standard, Fine, Standard recording pixels and aspect ratio.)
    [Show full text]
  • Exquisite Gear [VGA] 640 X 480, 30Fps (Sensor Output Is 30P) (Approx
    Specifications Type Digital interchangeable lens system camera Type TFT LCD with Touch panel SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard Monitor Size 3.0 inch (7.5 cm) / 3:2 Aspect / Wide-viewing angle Recording Media TYPE SDHC / SDXC Memory Cards) Pixels 460,000 dots Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) LCD MONITOR Field of View Approx. 100% Lens Mount Micro Four Thirds mount Monitor Adjustment Brightness (7 levels), Contrast and Saturation (7 levels), Red tint (7 levels), Blue tint (7 levels) Type Live MOS Sensor Guide Lines (3 patterns) Live View Functions Total Pixels 16.68 Megapixels Real-time Histogram IMAGE Touch Zoom (when use power zoom lenses*) Camera Effective Pixels 16.0 Megapixels Additional Zoom Operation SENSOR *H-PS14042 lens and H-PS45175 lens Color Filter Primary color filter ZOOM Digital Zoom 2x, 4x Dust Reduction System Supersonic wave filter Still image: Max. 2x (Not effective with L size recording. Still Image: JPEG (DCF, Exif 2.3), RAW, EXTRA TELE CONVERSION Magnification ratio depends on the recording pixels and aspect ratio.) Recording File Format MPO (When attaching 3D lens in Micro Four Thirds System standard) Motion image: Max. 4.8x (Magnification ratio depends on the recording quality and aspect ratio.) Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 (Audio format AAC 2ch) LEVEL GAUGE Yes (Built-in 3 shaft accelerometer sensor) Aspect Ratio 4:3, 3:2, 16:9, 1:1 DIRECTION DETECTION FUNCTION Yes RAW, RAW+Fine, RAW+Standard, Fine, Standard One Push AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size Image Quality Fn1, Fn2, Fn3*, Fn4* MPO+Fine, MPO+Standard (When attaching 3D lens in Micro Four Thirds System standard) FUNCTION / Quality / Metering Mode / Flash / Flash Adjust.
    [Show full text]
  • Freedom of Expression
    Freedom of expression Lens: AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR • Image quality: NEF (RAW) • Exposure: Aperture priority mode, 1/320 second, f/8 • White balance: Auto • ISO sensitivity: 200 • Picture Control: Vivid Discover the joy of Nikon. With ease. Meet the D5000, a new breed of Nikon digital SLR camera. A wonderful blend of fun, simplicity, and beautiful image quality, the D5000 features an innovative Vari-angle monitor for an exciting new take on photographic expression. Combined with Live View shooting, this monitor gives you the ability to shoot from nearly any angle. And your creativity is not limited to still images — Nikon’s D-Movie function lets you record richly detailed HD movie clips, too. There’s also a dazzling array of shooting features to help you get great pictures, shot-after-shot. Add to this a superb 12.3-megapixel CMOS sensor working The D5000 is exclusively designed for use with NIKKOR AF-S and AF-I lenses in tandem with Nikon’s EXPEED image processing system and watch your photos and movie clips come alive with all the that are equipped with an autofocus motor. 2 stunning beauty for which Nikon is famous. 3 A monitor that puts a fun new twist on High-angle and low-angle shooting D-Movie Live View shooting. High-angle shooting is when you hold the camera high, This is Nikon’s digital movie shooting feature. D-Movie lets you Flip it, tilt it, turn it, stow it. The new Vari-angle monitor adds a flexible dimension to Live View and is especially useful for shooting over obstacles such take advantage of interchangeable lenses, one of the key shooting, which vividly shows your subject in real-time.
    [Show full text]
  • EVOLT E-500 Brochure
    TM EVOLT E-500 Digital SLR Type Interchangeable Lens Digital SLR Camera Sensitivity AUTO, 100, 200, 400 (AUTO: 100-400) Expandable to 800, 1600 Media Compact Flash Card (Type I, II), Microdrive, xD-Picture Card (Dual Slot) Exposure Compensation Up to +/- 5 EV in each 1, 1/2, or 1/3 EV step Imager Size 17.3mm x 13mm AE Lock Locked by first position of Shutter Button / AE/AF Lock Button (Customizable) Lens Mount Four Thirds Mount Exposure Bracketing 3 Frames in +/- 1, 2/3, 1/2 or 1/3 EV step Compatible Lens Zuiko Digital, Four Thirds System Lens White Balance System Image Sensor The most full-featured digital SLR in its class. WB Mode Auto WB, Preset WB, Custom WB, One-touch WB Type 4/3 type Full Frame Transfer Type CCD solid-state image sensor Preset WB Lamp (3000k) / Fluorescent 1 (4000k) / Fluorescent 2 (4500k) / Fluorescent 3 Effective Pixel Number 8.15 million pixels (6600k) / Daylight (5300k) / Cloudy (6000k) / Shade (7500k) Aspect 4:3 WB Compensation R-B/G-M up to +/- 7 step in each 2mired step for each Auto / Preset setting Filter Array Primary color filter (RGB) WB Bracketing 3 Frames with +/- 4/8/12 mired steps Filter Color System LPF Fixed type Color Space sRGB / AdobeRGB IR Cut Filter Hybrid Type Picture Mode Vivid / Natural / Muted / B&W / Sepia Dust Protection Filter Supersonic Wave Filter Color Saturation 5 levels in each Vivid, Natural and Muted mode Recording System Sharpness 5 levels in each Picture mode Type of Recording Format DCF (JPEG), TIFF, RAW Contrast 5 levels in each Picture mode Type of File Format JPEG, TIFF Ver.
    [Show full text]
  • This Season, Enjoy the Warmth of Family & Friends
    Winter 2008 Moments to Memories This season, enjoy the warmth of family & friends Save Time with Fantastic Finds for everyone on your shopping list Great photo projects for you & your kids White Out – our best tips for getting Amazing Winter Photos Irresistable items to capture and show off your special moments Get it right, from the source! fotosource.com CLIC • winter ‘08 — 1 DSLRs With over 90 years experience in advancing and refi ning the delicate art of imaging technology, Nikon provides creativity without compromise. Trusted by world-renowned photographers and hobbyists alike, Nikon DSLRs are engineered to perfection to capture crisp clear true colour images every time, everywhere. Nikon.ca THE D40, D60 AND D90 ARE BACKED BY NIKON CANADA’S 2YEAR WARRANTY. ALL NIKKOR LENSES ARE BACKED BY NIKON CANADA’S 5YEAR WARRANTY. D40 The D40 packs high-performance, advanced features and exceptional ease-of-use into a compact, intuitively styled body. t 6.1 megapixel DX-format CCD sensor t Fast response t Simple, user-friendly operation t In-camera image editing and eff ects menu D60 The D60 delivers all the power and versatility of Nikon’s DX-format, housed in a compact, ergonomic body. t10.2 megapixel DX-format sensor tFast power-up and split-second shutter response tAutomatic Dust Reduction System with Airfl ow Control t Fast and simple in-camera editing and retouching D90 The D90 off ers enthusiasts the power and performance to match their passion and creative range. And, in keeping with Nikon’s tradition of innovation, the D90 off ers the world’s fi rst D-Movie mode letting you capture 720p HD movie clips with sound.
    [Show full text]