Capital Style

Total Page:16

File Type:pdf, Size:1020Kb

Capital Style Many of these online influencers seek the unusual and unexpected in both what they put on their bodies and where they pose for snaps. sees a male population here that isn’t She’s particularly keen on luxe retail all stuffy suits and dull loafers. “People complex CityCenterDC’s Palmer Alley, are quick to say, ‘You live in D.C., you must selfie-worthy thanks to its seasonal love ties,’ but that couldn’t be further decorations (cherry blossom-pink from the truth,’’ says the blogger and lanterns in spring, white twinkly lights branding pro (@diegodowntown). “I call during the holidays). You’ll also find myself a street-style prep: I’ll mix my clas- Pendergrass shooting in spots like the sic brands with something urban like a redbrick sidewalks of Old Town Alexan- sneaker, a jogger or a cool jacket.” dria or the minimalist marble expanses This sidewalk (and Internet) fashion of the Kennedy Center. show is powered in part by a decade- long economic boom that’s brought MONLING LEE young residents, a buzzing creative class Many of these online influencers seek the and increasingly upscale retail to D.C. unusual and unexpected in both what “There’s a big art and culture commu- they put on their bodies and where they nity here, and a lot of people’s fashion is pose for snaps. “I look for places that Capital based on that,” says Gonzalez-Zuniga. are less historic-looking than those in You’ll spot him shopping and shoot- federal D.C., spots that are utilitarian, less ing photos at locally powered style decorated or just colorful,” says Monling sources like Steadfast Supply (D.C.-made Lee, the uber-popular (74.4k Instagram jewelry, clothing and bags) and Redeem followers @monlinglee) force behind Style (Cali-meets-London sportswear with a colorindex.us, a visual blog. Washington twist). Lee, an architect, features shots of “And I love this local men’s boutique, herself in color-blocked outfits artfully Whiskey Ginger, on U Street,” he says. posed on Miami-bright backdrops you’ll Digitally savvy NEAR THE U.S. CAPITOL, a well-dressed since 2005. “Many people here do have “The owner travels all over the world for be surprised are in Washington. trendsetters find woman in a bright pencil skirt and tuxedo conservative jobs with dress codes, but I brands and styles that are really different, Think a row of candy-hued Capitol jacket smiles as a single photographer see so many of them have fun with color, from suits in cool colors to really cool Hill townhouses setting off Lee in green cool D.C.-area snaps images, using the iconic dome as pattern and mixing high and low.” tank tops.” pants, a yellow jacket and red bag or spots to show- a stage set of sorts. Some lesser-known On her blog and Instagram feed the geometric murals at Shaw’s Atlantic case their latest congresswoman trying to polish her (@wardrobe_oxygen, 10.9k followers), Gary ELISABETH PENDERGRASS Plumbing complex highlighting a pink media presence? More likely she’s a local shows off looks that exemplify how chic “There are a lot more shopping areas and ruffled top. Lee’s cool-yet-happy shots fashion finds. fashion blogger or Instagrammer, utiliz- the capital can be. There she is rocking places to people watch that have sprung have earned her commercial collabora- ing the city’s dazzling architecture, urban a bright floral sundress in the gleaming up in the past few years,” says Elisabeth tions with brands like J. Crew and Coach. By Jennifer Barger sidewalks or funky murals as her (or his) marble surrounds of Union Station or trot- Pendergrass, aka E. of districtofchic.com Like other online, in-town fashion outdoor studio. They’re members of an ting out her signature black leather jacket and @districtofchic, a blog and Instagram forces, Lee represents a blend of savvy, increasingly chic local tribe that doesn’t for concerts at Shaw’s 9:30 Club. Popular handle chronicling the Audrey Hepburn- stylish and smart, and she’s helping rede- ON THE TOWN always get the fashion cred it deserves. with the hip mom crowd, Gary has done esque marketing pro’s outfits, dinner out- fine and refine how D.C. dresses. (From top) Monling Lee promotional partnerships with national ings and generally sophisticated life. “I find so much inspiration from the in D.C.’s happenin’ Shaw ALISON GARY brands like Cabi and Gwynnie Bee, but she “There are so many cool places to be D.C. blogger scene,” says local stylist neighborhood; Diego “The concept of the K Street woman in a also loves hitting local fashion sources like (and shop), from CityCenterDC to Union and personal shopper Rosana Vollmer- Gonzalez-Zuniga on a D.C. frumpy navy suit and white sneakers is Lynn Louisa and Betsy Fisher. Market.” Pendergrass often shows off her hausen of D.C. Style Factory. “I love rooftop; Elisabeth Pender- so dated,” says Alison Gary of Wardrobe classic-meets-contemporary outfits (think that they turn what people expect of grass on an Alexandria, Va. Oxygen (wardrobeoxygen.com), who DIEGO GONZALEZ-ZUNIGA a striped T-shirt dress with a corset belt Washington on its head. There’s a mix sidewalk; (Opposite) Alison has been doling out what you might call The dapper force behind diegodown and cherry red mules) in those hip zones of fantasy, art and accessible, everyday Gary in Hyattsville, Md., (FROM TOP) ©EMMA MCALARY; ©DIEGO GONZALEZ-ZUNIGA; ©ELISABETH PENDERGRASS ©ELISABETH GONZALEZ-ZUNIGA; ©DIEGO MCALARY; ©EMMA TOP) (FROM edgy everywoman style and life advice town.com, Diego Gonzalez-Zuniga also ©KARL GARY that draw both locals and travelers. style. They’re killing it!” just northeast of D.C. 18 WHERE I SEPTEMBER 2017 19.
Recommended publications
  • Shooting Street Style in Indonesia: a Photo Essay1
    CC 1 (1) pp. 59–81 Intellect Limited 2014 Clothing Cultures Volume 1 Number 1 © 2014 Intellect Ltd Article. English language. doi: 10.1386/cc.1.1.59_1 Brent Luvaas Drexel University Shooting street style in Indonesia: A photo essay1 Abstract Keywords Street-style blogs have become a major Internet phenomenon in the last few years, street style luring millions of readers and documenting everyday fashion in diverse cities around Indonesia the globe. But the Southeast Asian island nation of Indonesia, despite an abundance photography of other varieties of fashion blogs and a population with some of the highest percent- blogs ages of social media use in the world, remains decidedly off the street style map. This fashion photo essay seeks both to understand why and to begin filling in that gap. Through full-colour and black and white photographs taken by the author on a recent trip to Indonesia, along with reflections and thoughts inspired by the photographs, it inves- tigates the vibrant and idiosyncratic expressions of style happening in Indonesia today. But it also questions the very qualification of these images as ‘street style 1. All photographs by photographs.’ Does street style have to happen on ‘the streets’, this essay asks, to be Brent Luvaas. street style? For if so, Indonesia’s urban model seems to preclude participation. And does ‘cool,’ that occult quality ascribed to the subjects of street style photographs, translate to an Indonesian context? This essay both adheres to, and calls into ques- tion, the conventions of street style photography to document the myriad meanings of ‘style’ and ‘street’ in contemporary Indonesia.
    [Show full text]
  • African-Print Fashion Now! a Story of Taste, Globalization and Style March 26–July 30, 2017
    Press Release African-Print Fashion Now! A Story of Taste, Globalization and Style March 26–July 30, 2017 Organized by the Fowler Museum at UCLA, African-Print Fashion Now! A Story of Taste, Globalization, and Style, introduces audiences to the dynamic traditions of African dress featuring colorful, boldly patterned printed cloth. The exhibition highlights the interplay between regional preferences and cosmopolitanism that has long flourished on the continent, while highlighting the expansiveness of 21st-century African-print fashion. The works featured throughout the exhibition demonstrate the vital role that African-print has played in the expression of beauty, fashion, and heritage, while creating transcultural connections across Africa and into the larger world. The exhibition is organized into four distinct sections: “It All Starts with Cloth,” “Portraits in Print,” “Regional Styles, Fashion Preferences,” and “New Directions.” Collectively, the installation includes sixty tailored fashions, one hundred archival and contemporary cloths, twenty black-and-white studio portrait photographs from the 1960s and 1970s, a series of runway videos, and seven works by contemporary visual artists. Ensembles on view draw from the Fowler’s collections, private loans, and the extensive archives of the Dutch textile manufacturing company Vlisco. Several themes weave their way throughout the exhibition, mimicking the cyclical nature of fashion trends and the ripple effects of politics and technology on the formation of identity. One theme is consumer agency, both in determining designs and patterns through purchasing power and by commissioning unique ensembles from seamstresses and tailors. Another theme is the theatrical power of fashion, and its ability to express individualism or collective solidarity, whether in a family portrait or Women’s Day Marches in communities across the continent.
    [Show full text]
  • Smart Street Style Collection 2016
    LOOKBOOK SMART STREET STYLE COLLECTION 2016 Think smart, think Indola. SMART STREET STYLE COLLECTION 2016 MEET THE TEAM… The Indola Street Style Collection is the work of an GAIJESS / BARBERS incredible, global team - bloggers, stylists, colourists, Raymond Schulte and Danny Verheijen have reinvented the barber experience for the photographers, make-up artists - all working together modern man who wants trend awareness with to interpret the most exciting trends emerging right now. traditional quality. With their salon Gaijess the go-to destination in The Netherlands we And every look they’ve created can be made to suit every were thrilled to have this talented duo, who WELCOME woman – and man – that steps into your salon. have been Indola clients for over 10 years, at our shoot to cut and style our guys. The Indola Street Style Collection you have in your hands is part of a new global ANNA PONSA LOPEZ / BLOGGER PETER GEHRKE / PHOTOGRAPHER Since last year’s Street Style Collection, You might think a snapper of Peter’s Anna’s life has got even busier. Her blog won pedigree – campaigns for Acne, H&M, Esprit, movement where STREET STYLE – worn the best in Spain (Zalando Blogger Awards), Diesel, Levis, Louis Vuitton and Triumph – she’s featured in short films, been spotted in might want to spend more time on his front rows worldwide, headed guest lists at beloved skateboard but we’re delighted by real people all over the world – is shaping launches and premieres and starred in some to have his calm energy and unique vision of fashion’s hottest shoots.
    [Show full text]
  • Dressing the Alter Ego: Alter Ego Swing Dancers with Day Jobs1)
    pISSN 2233-9051 International Journal of Costume and Fashion eISSN 2288-7490 Vol. 14 No. 1, June 2014, pp. 47-62 Dressing the Dressing the Alter Ego: Alter Ego Swing Dancers with Day Jobs1) Judy Park Dept. of Clothing and Textiles, Sungkyunkwan University, Republic of Korea (Received April 29, 2014; Revised June 5, 2014; Accepted June 9, 2014) Abstract People today belong to many different subcultures and have diverse interests. Their job no longer defines who they are, while their pastimes can be a bigger reflection of their inner self. This ar- ticle examines swing dancers in Korea, and focuses on their self-identity and how they express this through clothes. Based on in-depth interviews, observations and photographs of swing dancers with dif- ferent day jobs, the study results find that most of the subjects intentionally incorporate swing dance cues in their daily work wardrobe, and that this makes them feel more comfortable, honest and satisfied with their job and identity, both as a swing dancer and working professional. Key words swing dance, dress, identity, self-expression, Korea Introduction There was a time when people once thought that what you do defines who you are. However, people today, especially young people, do not let what they do for a living define who they are. They are growing more interested in having a full life and enjoying different things, and have more than one ego. For example, riders in Korea used to be limited to teenagers and people in their early twenties who en- joyed the thrill of speed and getting away from the pressures of adults and society, but in the 2000s, the rider subculture expanded to include young men in their thirties with white collar jobs and children (Ha and Park 2011, p.
    [Show full text]
  • Street Style Looks / 2020 Your Hair Is Now Back in Expert Hands!
    Inspiring solo stylists Street Style Looks / 2020 Your hair is now back in expert hands! You, your families and the whole planet have through a lot in the last few months ... Your hair as well. How much did you miss your hairdresser? It’s finally arrived – the moment that expert hands can take care of you – to refresh 2 your colour, get back to your usual look 3 or even dare to revamp your style. Your HD has all the newest inspiration on latest looks for you so go back to YOUR stylist, the hair expert. Be it a root re-touch, a colour refresh, a rescue care kit – we’re here for you. Enjoy it! Our Creative Crew has been taking the trend temperature and came back with a seasonal All just for you! collection of irresistible looks. From oh so natural blondes that melt seamlessly into one, to a dazzling statement that reverses the expected, flowing light to dark – so we can create a tailored look that’s as unique as you are. Our new looks combine the colours of autumn with cool new shapes. They are playful and super-flattering. With our panelling colour technique, we’ve also got smart new ways 4 5 to make your shade shimmer – hello, flawless! ready-to-wear street-style hair looks professional skills Street Style Looks 6 7 This modern contemporary colour technique genuinely flatters the overall skin complexion, whilst making a timeless fashion statement. Colourmelting is a colour service that seamlessly Look 1 blends reflective nuances, ensuring harmonizing results by creating flawless colour transitions.
    [Show full text]
  • Free the Youth Portfolio
    FREE THE YOUTH PORTFOLIO 1 EXECUTIVE SUMMARY • Envisioned by Johnathan Coffie in 2013, FREE THE YOUTH is a collective of young creatives determined to empower Ghanaian and all African youth to connect to Art scenes around the world, with Ghanaian inspired Street-style fashion and Culture. • While the initial goal was to showcase Ghanaian street-style via social media, FREE THE YOUTH has developed into a multi-branched company; The Fashion brand, the Creative Agency and the NGO. All of these components are working towards the grand goal of facilitating Art-based, youth oriented charitable work. • The NGO has designed a creative hub called FREE THE YOUTH INSTITUTE. This space, equipped with technological tools, networking opportunities, mentorship, personal development, future literacy labs, and anti- oppression based curriculum, is designed to allow Ghanaian youth to incubate and build sustainable opportunities from their own ideas. 2 THE BRAND • FREE THE YOUTH’s first collection went into production late 2015, with T-shirts and sweatshirts showcasing the simple Brand title across the chest and the message “this is pain printed on cotton” at the back. • Showcasing at Accra Fashion Week 2017, a buzz was created with high demand for the product. The brand became even more popular by local artists including B4Bonah and Amaarae wearing the shirts, the positive response encouraged the Free the Youth team to continue creating. Ghetto University of Tema was the second collection from Free the Youth, worn by many popular artists in Ghana, including BET nominee for Best International Act, Kwesi Arthur. Subsequent collections followed as the brand grew with collaborations from other brands and organizations.
    [Show full text]
  • V&A Announces Africa Fashion Exhibition with a Public Call-Out To
    News Release For immediate release V&A announces Africa Fashion exhibition with a public call-out to uncover iconic designs Today the V&A reveals plans to stage a major exhibition celebrating the irresistible creativity, ingenuity and unstoppable global impact of contemporary African fashions. Opening June 2022, the exhibition will celebrate the vitality and innovation of this vibrant scene, as dynamic and varied as the African continent itself. Over 250 objects, drawn from the personal archives of a selection of iconic mid-twentieth century and influential contemporary African fashion creatives, alongside textiles and photographs from the V&A’s collection will go on display – many for the first time. Starting with the African independence and liberation years that sparked a radical political and social reordering across the continent, the exhibition will look to explore how fashion, alongside music and the visual arts, formed a key part of Africa’s cultural renaissance, laying the foundation for today’s fashion revolution. Across contemporary couture, ready-to-wear, made-to-order and street-style, the V&A will also seek to offer a close-up look at the new generation of ground-breaking designers, collectives, stylists and fashion photographers working in Africa today. The V&A will explore how the digital world accelerated the expansion of the industry, irreversibly transforming global fashions as we know them. From global fashion weeks to celebrity wearers and the role of social media and blogging, the exhibition will celebrate and champion the diversity and ingenuity of the continent’s fashion scene. Dr Christine Checinska, Curator of African and African Diaspora Fashion, said: Our guiding principle is the foregrounding of individual African voices and perspectives.
    [Show full text]
  • TOUR NOTES JANUARY 2019 Styles of Resistance
    TOUR NOTES JANUARY 2019 Styles of Resistance Styles of Resistance: From the Corner to the Catwalk On View: January 18-February 24, 2019 ​ Curated by: Amy Andrieux, Richard Bryan and Mariama Jalloh ​ FEATURED DESIGNERS coup d’etat BROOKLYN, Frank William Miller, Jr., FUBU, Johnny Nelson!, Karl Kani, Melody Ehsani, Maurice Malone, Moshood, Philadelphia Print Works, PNB Nation, Sean John, Spike’s Joint, Studio 189, Shirt King Phade, The Peralta Project, Walker Wear, Willi Wear LTD, Xuly Bet, and more. FEATURED ARTISTS Alex Blaise, Anthony Akinbola, Aurelia Durand, Barry Johnson, Benji Reid, Dr. Fahamu Pecou, Hassan Hajjaj, Jamel Shabazz, Janette Beckman, Kendall Carter, Lakela Brown, Marc Baptiste, Michael Miller, Righteous Jones (Run P.), Ronnie Rob, TTK, and Victoria Ford. Themes: ● 70s and 80s ○ Police Brutality in the United States and the Black Panther Party ■ How did “self-actualization”and police brutality inspire groups like the Black Panther Party to build the foundation for the birth of hip-hop and streetwear fashion? ○ Graffiti and Social Movements ■ How did black and brown communities respond to continued police brutality and poverty globally? What art was produced as a response to these grievances while also building community? ■ How did graffiti play a role in advancing the hip-hop movement? ● 90s ○ Michael Jordan and Sneakers ■ Jordans quickly became incorporated into streetwear, so they were always in high demand. Because Jordans were vastly consumed by Black people, Jordans quickly became associated with crime and violence. ● Spike Lee commercial ○ Streetwear, Urbanwear and Luxury Brands ■ Luxury Designers, and NY Fashion week had a disdain for urban fashion. Not only was the word “urban” synonymous to “ghetto”, but this label was used to exclude black designers, and people from big media platforms, fashion shows and stores.
    [Show full text]
  • How to Pull Off an Effortless European Street Style Industry: Content Type: Clothing to Effortless Style
    Please Note: This document is a Fire&Spark content marketing writing sample. Content Type: How-To Industry: Apparel, Fashion How to Pull Off an Effortless European Street Style Effortless. Easy to wear. Elegant. Comfortable. Classy. These are all terms that can be How to Pull Off an Effortless European Street Style used to describe what is known as the European Street Style today. It is a fashion vibe visitors and residents alike use as their go-to look when heading out for a busy day. The style is the epitome of blending high fashion sensibility with comfort. It is put together with pieces that can be worn all day and look — and feel — as good at hour 12 as it did when you first stepped out the door. All of this can also be used to describe Anatomie’s brand sensibility. Easy to wear clothing that doesn’t wrinkle, always looks good, and is comfortable for traveling, business meetings and everything in between. But just having a few great pieces isn’t enough. It’s all about how those pieces are put together that transforms them from 1 clothing to effortless style. To build the perfect European fashion outfit, start with a great pair of pants. This is the foundation of the entire look. And the Gail High Waisted Pant is the perfect choice for this type of outfit. How to Pull Off an Effortless European Street Style It features a relaxed, curve-hugging look, while being made of a breathable stretch fabric that will be comfortable no matter where the day takes you.
    [Show full text]
  • Fashion, Personal Style, and the Sartorialist
    IMAGES ON THE STREET: FASHION, PERSONAL STYLE, AND THE SARTORIALIST by Meghan Lengyell Bachelor of Arts Honours, Queens University, 2007 A thesis presented to Ryerson University and York University In the partial fulfilment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2011 © Meghan Lengyell 2011 I hereby declare that I am the sole author of this thesis. I authorize Ryerson University to lend this thesis or dissertation to other institutions or individuals for the purpose of scholarly research. ________________________________________ I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. ________________________________________ ii IMAGES ON THE STREET: FASHION, PERSONAL STYLE, AND THE SARTORIALIST Master of Arts 2011 Meghan Lengyell Communication and Culture Ryerson University and York University ABSTRACT Drawing on urban modernity and subcultures, the street photography of the online site, The Sartorialist, is interpreted within a history of everyday style on the streets (or “streetstyle”) since the mid­twentieth century. The paper argues that, as a digital archive of streetstyle, The Sartorialist creates a convincing portrait of the mythic notion of self­invention through fashion by tying style to a variety of elements of the real. Through a distant reading of the archive and semiotic analysis of the images, the underlying structures of meaning­making on the site are revealed. Through a condensation of Nancy’s theory of the image and Benjamin’s conception of the wish in the dream, I argue that The Sartorialist both validates and highlights the ultimate limitations of the urban project of fashion and encourages a particular way of looking at the world.
    [Show full text]
  • UC Davis Streetnotes
    UC Davis Streetnotes Title Nailed It: Producing and Consuming in Tokyo's Nail Industry Permalink https://escholarship.org/uc/item/9fd6h8h6 Journal Streetnotes, 20(01) Author Scofield, Rebecca Publication Date 2012 DOI 10.5070/S5201011885 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Streetnotes (2012) 20: 111-133 111 ISSN: 2159-2926 Nailed It: Producing and Consuming in Tokyo’s Nail Industry Rebecca Scofield Abstract This study, supported by public observation, interviews, and analysis of Japanese fashion and nail magazines, looks at the role of the Tokyo nail industry in the shaping of Japanese women's bodies. I particularly investigate how, through the lens of the nail industry, issues surrounding class, race, and femininity are played out in Tokyo today. The visible gap between women who can afford, either economically or socially, to wear extreme forms of nail art publically marks women as culturally acceptable or socially transgressive. Scofield, R. “Nailed It”. http://escholarship.org/uc/ucdavislibrary_streetnotes Streetnotes (2012) 20: 111-133 112 ISSN: 2159-2926 Urban Divides In Tokyo, Japan, women’s proclivities for extreme fashion might be hidden at first to an untrained eye. Sitting demurely on crowded trains in sedate blouses and skirts, many Japanese women quietly carry in their purses the small items, like rhinestone-coated cell phones and bejeweled mirrors, which allow them to consume princess-inspired styles without publically drawing attention to themselves. Other young Tokyo women, however, brazenly display their commitment to fashion trends by marching down the street in six-inch platforms, fishnet leggings, and bra-baring tops.
    [Show full text]
  • Wwd0219web.Pdf
    GROWING STAR OF THE DESERT KANE ATH-LEISURE CONTINUED TO BE THE KEY CHRISTOPHER TREND IN MEN’S WEAR AT THE TRADE SHOWS KANE UNVEILS HIS IN LAS VEGAS, ALONG WITH CASUALWEAR FIRST FLAGSHIP, IN AND LESS FORMAL TAILORING. PAGE MW1 LONDON’S MOUNT STREET. PAGE 5 MCKEE TALKS STRATEGY XXXXXX Saks Downtown: Xxx Xxx Xxx Going ‘Avant-Garde’ Xxx Xxx Xxx Xxx By DAVID MOIN By OVIDIS A NATQUE NET NEW YORK — The opening is two years away, but MENDA VOLUPTA turepudit, quias nestis accus as it’s none too soon to discuss the vision for Saks Fifth resti beriasi doluptatem. Nem aut aperunto est ut Avenue in Brookfi eld Place. perrori taquidem aut qui blatem ad eium fugiantur “It will be a fusion of the Saks DNA with a mod- modi cus vel iusam fugiamus, omnim volendus, sinus ern relevance,” Marigay McKee, the president of Saks eaquas dolorep tatatent qui que sandelendis quis aut THURSDAY, FEBRUARY 19, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY Fifth Avenue, said Wednesday in her fi rst interview voluptur? about the site, in the burgeoning fi nancial district. Nam essint aut ea duntinv elendiciam num exp- WWD labo ribusae niam quidebi ssimet autat. “It will be a very, very cool store with a good, better, best approach. Just because we’re selling Antiur, nobit faceptat. Fendi or Gucci doesn’t mean we shouldn’t be selling Idis molupti nonsequis doloren impelecae nusci Longchamp as well, or Tumi leather — large-volume im solente molorep eribus des corpora tibus, odis et products as well as the high end,” she said.
    [Show full text]