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Lil Yachty Lil Yachty Teenage Emotions Album Download a Conversation with the Designer Behind Lil Yachty’S ‘Teenage Emotions’ Album Cover

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A ConversationWiththe Designer Behind LilYachty’s ‘Teenage Emotions’ AlbumCover. Earlier today(April20), LilYachtyunveiled the cover art for his debut album, Teenage Emotions, featuringpeople fromallwalks oflife sittingin what appears to be a movie theater. Infront ofhim, a girlafflicted withvitiligo sits laughing, while behind hima gaycouple make out. The cover's alreadybeinglauded online for its inclusive slant, and onInstagramLive, LilBoat discussed the inspirationbehind it:"Ifyouhave vitiligo or ifyou're gayor whatever it is, embrace yourself. Love yourself. Be happy, positive."

Legendaryphotographer KennethCappello shot the cover and graphic designer Mihailo Andic, who handled Yachty's logo and did the covers for bothLilBoat and Summer Songs 2, designed it. We spoke to Andic, 23, about how he started workingwithYachty, how the cover came together and whichofYachty's friends are featured onthe cover. Below are excerpts fromour conversation.

XXL :How'd youfirst start workingwithYachty? Mihailo Andic:That was actuallyright before the LilBoat mixtape came out. This is one ofmyfavorite stories. It was just one daybefore Valentine's Dayand one ofmybrother's friends came over to our house and was catchingup withme whenhe said, "Youshould listento this guy named LilYachty."And this was before he had anysongs popping. "1 Night"and "Minnesota"were out but he didn't have the tape out, so I was like okay, I'llcheck himout.

That was around the time he did the Kanye show [at MSG], and I saw himthere and thenI listened to a songand I came up withthis idea for a cover. It was just a reallysimple mock up ofYachtyona boat and it was inthe middle ofthe water background, kind oflike the ocean, and I sent it over via emailand later that night theyhit me up. Theyloved the idea, and after that, the rest was history. That's how we allcame together.

I took a pic fromhis Insta, did a little Photoshop work and inless thanhalfanhour I did a mock up and said, "Listen, I think I have a reallygreat idea ofhow your visualbrandingand covers could look. Here's a quick idea. Ifyouguys like it, get back to me. Ifnot, appreciate your time."And theyloved it.

How did the Teenage Emotions cover come about? We actuallystarted talkingabout this albumsometime last year, so I think we were allinthe same cityfor one ofthe tour stops back inthe summer and we kind ofjust started talkingabout the upcomingalbum. At that time, I was initiallystartingto think about ideas for where we could take it visually, but we didn't reallyhave a clear understandingofwhat directionwe were gonna take it infor the album.

We had a similar look and feelfor the first two mixtapes, LilBoat and Summer Songs 2 . We weren't exactlysure ifwe were gonna do that this time around, so it was a few months ofthinkingthroughthe falland the winter. We were just goingthroughideas, I was lookingthroughreferences, sendingover mood boards as to what one idea could look like or what it could look like inthis kind ofstyle. And thenI think it was inJanuaryor February, we actuallywere allinL.A. and we kind ofjust sat down. We were hangingout and we started discussingwhat we could do for the albumcover.

Yachtyand I were talkingand kind ofjust bouncingaround ideas, and I just asked him, "What would youwant to see out ofthis visualfor your first album? What do youthink is important here and what do youthink we cando that's a little more progressive and maybe a little more different thanwhat we did previously?"He was tellingme these ideas, and one ofthemhappened to be havinga group ofteens surroundinghiminsome way. And that's where the initialidea came from. He mentioned that to me and he was tellingme it'd be reallyimportant to show the diversity, the inclusionofallthese different teens who could come together and formthis cover.

After that, we were continuingthat conversationand once we had that idea, I showed himthis mood board. It was actuallya mood board onmy Instagramsaved page. [The idea for the cover] came out once we were talking, and I was like youknow what, I'mprobablygonna spend a few days and just go throughsome pictures and see what I cangather up before I see Yachty. I happened to gather this photo, and it was just a reference shot, and it had a reallybeautifulpicture ofa theater. And I thought maybe this could be one ofthe background ideas where we could house the actualcover, so I showed himthat and immediately, that was the one that clicked.

[The theater] also relates to the whole teenage aspect ofthe album. A lot ofteenagers, that's around the time they're goingondates. The movie theater is one ofthose important spots where teenagers are gravitatingtowards, and I'msure it's part ofeveryone's life. Takes themback down memorylane, so that was where we got that idea.

Thentwo months after, we set up a shoot. KennethCappello, that guy's one ofthe biggest legends ever, we got himto shoot the cover. We thought he would be a perfect for that. We knocked it out and after a few days, we had our finalproduct. It's different thanwhat we've done previously, but just to see everybody's reactiontodayand to see how muchpositive over negative there is, it just shows we took it inthe right way and we were allright inwhat we were goingfor.

Talk about castingthe different characters onthe cover. How'd youpick these people? How'd youfind them? That was back to what Yachtywanted to include inthe cover, and we did a bit ofideationaround that before, but he had a prettygood idea of who he wanted inthe cover, and he wanted this cover to stand for inclusionand allteenagers. He's prettymuchthe kingofteens and he just wanted to show no matter who youare, youhave to embrace who youare and youhave to be be proud and be yourself, and I think that's what we captured withthis cover.

Youmentioned some previous ideas youhad before yousettled onthis one. What were they? I had two sets ofideas before this. The first set actuallywere inthe same lane as the whole teenager, takingit back kind ofvibe, and thenthe others were a little more inline withwhat LilBoat and Summer Songs 2 looked like, a little more nautical, just expandingthat universe. But to be honest withyou, I don't think we were leaningtoward that directionand those kind ofideas. Theyfelt a little too mimickyofthe first two covers, so we just pushed themto the side and said youknow what, time to progress. Time to build onthis and create somethingnew and unique.

Yachtyhas some friends onthe cover as well. Who are they? So we have BigBrutha Chubba, he's onthe right. We have Earl[The Pearl], we have Mitch, and I think we have ErronVercetti. Anylast words onthe cover? For this cover, once we had this idea nailed downand we were inthe process ofexecutingit, we kind ofknew this one was gonna make an impact. It was a little more about the message this time around. It wasn't as artistic or evenyoucould sayexpressive, it was more a cover that had a meaning, and more so it had a message for everyone. And I'mglad that everybodysees that message.

LilYachty– ‘LilBoat 2’ It’s not oftenthat you’llsee a major artist take a pause fromposturingto acknowledge their ownshortcomings, but thenLilYachtyisn’t any ordinaryartist.

The effervescent 20-year-old Atlanta rapper – who has cherry-red hair, once sampled the Super Mario 64 soundtrack, and recentlylearned the difference betweena cello and a clarinet – owned up to feelings ofdisappointment shortlyafter the release ofhis May2017 debut studio album, ‘Teenage Emotions’. That record became arguablybetter knownfor the divisive response to its awesome artwork rather thananyofits tracks, resultingina disappointingcommercialperformance.

Yachtylater took to Instagramto reflect onwhyhis debut LP had fallenshort ofexpectations. “I understand first-week numbers didn’t do what most people expected, but that’s onlybecause theydon’t understand me. Theydon’t understand us,”he wrote inthe now-deleted post. “I don’t expect anybodyto. I make it for those who listen. I feellike mybrand is so bigand blew up so big[that] it blew up bigger thanmyactualmusic.”

Yachty’s exuberant persona (sorry, “brand”) has certainlytakenprecedence over muchofhis recent recorded output inthe past year, withthe rapper more likelyto make bigger waves throughhis entertainingclashes withhip-hop’s old guard or his abilityto light up a Bar Mitzvahpartythan anyofhis extended music projects.

Just 10 months onfromthe bloated ‘Teenage Emotions’, though, Yachtyseems intent onrightingthe wrongs of2017 throughthe quick turnaround and subsequent arrivalofstudio albumnumber two. He’s evenreturned to a winningformula innamingsaid album‘LilBoat 2’, therefore designatingthis project as the sequelto his break-out 2016 mixtape ‘LilBoat’.

Those cravingthe icy‘Minnesota’-style breeze ofthat mixtape won’t find too joyhere, though– evenas opener ‘Self-Made’, whichsees Yachty promise that he’llbe “ballin’ ’tilit’s 2080 “, teases a returnto the melodic merit of‘LilBoat’. Yachtyinstead lets his raps take precedence onthe album, albeit withvaryingresults:the unsettling‘Boom!’ features anunlikelyreference to LemonySnicket that’llraise aneyebrow or two, before the tragic ‘Oops’ staggers into the partylike it’s bolted past security– youhonestlywonder how it made the cut.

Clockinginat 47 minutes (despite its 17-track length), ‘LilBoat 2’ feels like a vast improvement from‘Teenage Emotions’ simplyas it doesn’t feel like anordealto listento. What that does do, however, is narrow downyour focus, whichtends to land onYachty’s predispositionfor tellingus just how richhe is now:‘Whole Lotta Guap’ and ‘Das Cap’ are veryguiltyofthis gratingtrait, while ‘Mickey’ evenhas Yachtyclaimingthat those who hate himare actuallyjust jealous ofhis wealth.

Elsewhere, Migos‘ ringleader Quavo turns up on‘Talk To Me Nice’ to sprinkle some much-needed star quality, but it’s not until‘She Ready’ – whichdelightfullychugs alongwithits bumping, flute-ladenbeats like it’s a cousinofDrake‘s ‘Portland’ – do youreallyfind yourselftuningback into the voyage of‘LilBoat 2′. Closer ’66’ is a welcome source ofrelieffromthe overbearingraps too, transportingYachty’s talents skyward with the kind ofcloud-rap instrumentalYungLeancirca-2013 would’ve felt comfortable throwinghis bucket hat on.

A quick glance at Yachty’s socialmedia profiles demonstrates that, muchlike his bank account, his number offollowers (over five millionon Instagram, for one) isn’t a major source ofbother for the rapper. But, ifhe’s hopingto allayhis numericalproblems of2017 – that is producingan albumwhich’llconvince those millions to stream, download or share it enmasse – thensadly‘LilBoat 2’ is unlikelyto winhimmanynew admirers.

Teenage Emotions. Purchase and download this albumina wide varietyofformats dependingonyour needs. Buythe albumStartingat £9.49. Copythe followinglink to share it. Youare currentlylisteningto samples. Listento over 70 millionsongs withanunlimited streamingplan. Listento this albumand more than70 millionsongs withyour unlimited streamingplans. 1 monthfree, then£14,99/ month. EzekielLewis, A&R - D33J, Producer, RecordingEngineer, StudioPersonnel- DjavanSantos, ComposerLyricist - LilYachty, MainArtist - Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - LilYachty, MainArtist - Miles McCollum, ComposerLyricist - DigitalNas, Producer - Nasir Pemberton, ComposerLyricist - Thomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R - MichaelDottin, RecordingEngineer, StudioPersonnel.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - Migos, Rap Vocalist, FeaturedArtist, AssociatedPerformer - Quavious Marshall, ComposerLyricist - KiariCephus, ComposerLyricist - Kirsnick Ball, ComposerLyricist - RickyRacks, Producer, Programming, AssociatedPerformer - LilYachty, Rap Vocalist, MainArtist, AssociatedPerformer - Stephen“DotCom”Farrow, Assistant Mixer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, Engineer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - RickyHarrell, ComposerLyricist - Daryl"DJ Durel"McPherson, Engineer, StudioPersonnel- Princston"Perfect Harmany"Terry, Assistant Mixer, StudioPersonnel- Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. Lamont Porter, ComposerLyricist - EzekielLewis, A&R - Thomas Mann, ComposerLyricist - Todd Hurtt, Asst. RecordingEngineer, StudioPersonnel- LilYachty, MainArtist - Thomas “Tillie”Mann, Producer, Mixer, Co-Producer, RecordingEngineer, StudioPersonnel, A&R - 30Roc, Producer - Miles Parks McCollum, ComposerLyricist - ElizabethIsik, Unknown, Other - SamuelGloade, ComposerLyricist - Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - LilYachty, Rap Vocalist, MainArtist, AssociatedPerformer - Stephen“DotCom”Farrow, Engineer, StudioPersonnelThomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - KarlHamnqvist, ComposerLyricist - Miles Parks McCollum, ComposerLyricist - ElizabethIsik, Unknown, Other - K Swisha, Producer - Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. RayJackson, ComposerLyricist - EzekielLewis, A&R - LexLuger, Producer - YG, FeaturedArtist - Lexus ArnelLewis, ComposerLyricist - KeenonJackson, ComposerLyricist - Kamaiyah, FeaturedArtist - EthanStevens, RecordingEngineer, StudioPersonnel- LilYachty, MainArtist - Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, RecordingEngineer, StudioPersonnel, A&R - KamaiyahJohnson, ComposerLyricist - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - BL$$D, Producer - LilYachty, MainArtist - Stephen“DotCom”Farrow, RecordingEngineer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Tariq Sharrieff, ComposerLyricist - Eric Shamsid-Deen, ComposerLyricist - Ethiopia Habtemariam, A&R - Reefer Alston, Producer.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. Earl, Producer - EzekielLewis, A&R - LilYachty, MainArtist - Stephen“DotCom”Farrow, RecordingEngineer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R - Isaac Bynum, ComposerLyricist.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. J. Reeves, ComposerLyricist - RayRomulus, ComposerLyricist - The Stereotypes, Producer - J. Yip, ComposerLyricist - EzekielLewis, A&R - R. McCullough, ComposerLyricist - StefflonDon, FeaturedArtist, ComposerLyricist - Todd Hurtt, Asst. RecordingEngineer, StudioPersonnelLilYachty, MainArtist - Stephen“DotCom”Farrow, Assistant Mixer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie” Mann, Mixer, AdditionalVocals, RecordingEngineer, AssociatedPerformer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Princston "Perfect Harmany"Terry, Assistant Mixer, StudioPersonnel- Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - Thomas Pentz, ComposerLyricist - Diplo, Producer, FeaturedArtist - Dexter Tortoriello, ComposerLyricist - Dawn Golden, Producer, Co-Producer - LilYachty, MainArtist - Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, Recording Engineer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R - Alex“Mixedbylex”Romero, Assistant Mixer, Asst. RecordingEngineer, StudioPersonnel- DashiellTortoriello, ComposerLyricist. ℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - Wondagurl, Producer - EbonyOshunrinde, ComposerLyricist - LilYachty, MainArtist - Stephen“DotCom”Farrow, Assistant Mixer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, AdditionalVocals, RecordingEngineer, AssociatedPerformer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R.

℗ 2017 QualityControlMusic, CapitolRecords and MotownRecords. EzekielLewis, A&R - Mitus, Producer - ChristianBoggs, ComposerLyricist - LilYachty, MainArtist - Stephen“DotCom”Farrow, Recording Engineer, StudioPersonnel- Miles McCollum, ComposerLyricist - Thomas “Tillie”Mann, Mixer, StudioPersonnel, A&R - ElizabethIsik, Unknown, Other - Ethiopia Habtemariam, A&R.

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Year:2017 Genre:Rap / Hip-Hop Quality:mp3, 320 kbps. Track list:01. Like A Star 02. DN Freestyle 03. Peek A Boo (feat. Migos) 04. DirtyMouth05. Harley06. AllAround Me (feat. YG & Kamaiyah) 07. SayMyName 08. AllYouHad To Say09. Better (feat. StefflonDon) 10. Forever Young(feat. Diplo) 11. LadyInYellow 12. Moments InTime 13. Otha Shit (Interlude) 14. XMen(feat. Evander Griim) 15. BringIt Back 16. RunningWiththe Ghost (feat. Grace) 17. FYI (I Know Now) 18. Priorities 19. No More 20. Made ofGlass 21. Momma (Outro) [feat. Sonyae Elise]

RIFF’d:LilYachty’s ‘Teenage Emotions’ LilYachtyfinallybreaks ground withTeenage Emotions ; a debut mired inpettyindulgences, superficialcash-grabs and bitter whining. His hooks tap into a ecstatic, child-like groove, but the joyends there, never movingbeyond your prototypicalrap tropes. What makes it worse is that he extends the narrative far longer thanhe needs to, whichinthe ends dilutes what is alreadya watered downproduct.

The beats are equallyas obnoxious. Yachtycurates a series ofsoundscapes that are allcarboncopies ofone another. The lack ofdiversityonly magnifies his inabilityto change lanes. He doggedlysticks to it and drives his predictable style into the ground untilthere is no more. Betweenthe woefulbeats and circular lyrics LilYachtyis makinga bid for worst albumofthe decade. Anartless and altogether detestable displayofrap.

‘Like a Star‘ The sound a star makes whenyouthrow a couple milliondollars at it. It’s a celebrationbut instead ofa massive explosionofhype, it hits slow like a meltingglacier where fat chunks ofice falloffand splashinto the ocean. Allthose around himhave benefited and the pace inwhichit unfolds sounds like he’s a passive observer; harmonizingindelight and feelingthe coolbreeze ofsuccess:[LISTEN]

‘DN Freestyle‘ Spewingretched diarrhea over anequallystank beat. He’s movingat a blisteringspeed, forgoingallmusicalityto speak about nothinginparticular. It’s nonsensicaland pathetic; soundinglike a morbidlyobese kid explainingto his momwhyhe ate allthe cake. He’s alreadymade his million, but is lookingto make more. To himit’s as easyas that, a carnivalride that never ends:[LISTEN]

‘Peek a Boo‘ Elementaryrhymes froma class clown, proofthat anyone canmake a hit rap song. The skilllevelis below nurseryrhyme, and his inabilityto add anythingmusicalto the equationmakes it hard to evencategorize it as rap. He’s offbeat and misses the mark onnumerous occasions. And it’s not as ifthe beat is a labyrinthofsound either, as basic and mundane as it gets. A sad displayoflyricism:[LISTEN]

‘DirtyMouth‘ The beat emits heat like aneruptingvolcano. He gets downina two-point stance and charges the line, lookingto smashand grab his many adversaries. But thenrealitysets in; his flows, a D-League representationoftrap. Swingingfor the fences like a blind manhas his threats sounding mild and unconvincing, talkingabout screenshots as a formofretaliation. Pettygrievances and weak jabs:[LISTEN] ‘Harley‘ Celebratinglife witha glorified lullaby. The soft melodies tricklingdownthe spine ofthe beat gives himanexcuse to accentuate his quirkytones. He’s ridingthroughlife as ifhe were ona Harley, but not knowinghow to ride one has his hands shakinginuncertainty. He’s comparinghimselfto whatever the channellands on, no creative juice to squeeze out ofthis GMO lemon:[LISTEN]

‘AllAround Me‘ A check list that takes note ofallthe wonderfulthings around him. Allthe familiars are there:fast cars, loose womenand piles ofcash. He’s a kid ina candystore; salivatingprofusely, wonderingwhat to indulge innext. Bars are not his thing, but he’s stillgettingsloppydrunk onfame. Inhis delirious state he’s stillthirstingfor more. Another boringconquest story:[LISTEN]

‘SayMyName‘ Soundingever more comfortable inthe limelight, adoptingto fame like a fishdoes to water. But instead ofswimmingfreelyand developinghis own style, he jumps aboard the hype train, borrowinghis struggles fromother more talented rappers. The topic he can’t seemto let go is the haters, how they’re allinconfederacyagainst him. It’s a cheap and easywayto pencontent, transparent and lazy:[LISTEN]

‘AllYouHad to Say‘ Hatingthe haters has become his primarysource ofinspiration, and he can’t help but cryout indespair whencriticismcomes his way. Lost in teenage angst, he crosses his arms and refuses to submit. He’s that cryingkid inthe grocerystore, the one who lays limp and has to be dragged out byhis embarrassed parent. Cheeks stillwet withtears, he sheepishlylaments over how he’s beenabandoned:[LISTEN]

‘Better‘ Bubblysoda pop-infused reggae, helps LilYachtylightenup. It’s cheesyand cornyallinone, but exactlythe type ofsound he’s most comfortable with. Inthis blissfulstate where nothingis difficult and allthat lies before himis golden, he can’t help but smile and admire the good fortune that has come his way. His ladyis his gem, the one that makes hellfeellike heavenonearth:[LISTEN]

‘Forever Young‘ LilYachtylooks to put summer ina can, and it’s exactlywhat you’d expect. The sound is manufactured ina pop factorywhere allthe clones get their style from, the Old Navyofrap. Without anounce ofcreativityonhis side he commissions Diplo to help himbreakthrough. Theyare a match made inheaven; two nitwits noodlingaround the beachlookingfor underage girls and desperate milfs:[LISTEN]

‘LadyinYellow‘ Frothingat the mouthlike a rabid dog, LilYachtylooks to get his mack game on. The beat is sleazyand dryand makes his attempts at seducinga womansound trashy. The smellofgarbage carries over to the lyrics, and whenhe opens his mouthallthat comes out is recycled goods. He’s describinghis technique and it’s about as sexyas a 100-year-old manbreakdancingona hollowed out Ford Pinto:[LISTEN]

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    Article Aesthetic Play and Bad Intent Andrew J. Kerr† Threatening words or images are assumed by American courts to be non-art. But this threshold question of art status is complicated by the evolution of rap and performance art. There is no articulable way to discern art from non-art for these non- textual media, a problem compounded in the unique context of the Internet. In civil litigation we can resort to institutionalist tests like audience reception. But mens rea matters in criminal prosecution. I favor judicial pragmatism in what I argue here is a very non-legal area of law. I. INTRODUCTION In March 2016, Compton rapper YG released the single, “FDT”, shorthand for “fuck Donald Trump,” as a critical response to the then Republican primary challenger. The track was rec- orded in about an hour,1 and eventually became a summer an- them because of its political appeal.2 VICE Media’s Noisey pub- lication celebrated it as the best track of 2016. Some of the lyrics are rote and predictable. Still, it possesses a vital energy and contains several clever lines, such as the couplet: “Reagan sold coke / Obama sold hope.”3 Any rap fan would recognize the song † Lecturer of Legal English, Georgetown University Law Center. I thank Robin West, Alexa Freeman, Sonya Bonneau, and Xiangyu Zhang for their help- ful comments, as well as the organizers and participants of the 2017 Law and Literature conference at Masaryk University for their formative feedback on this project. Copyright © 2018 by Andrew J. Kerr. 1. Adelle Platon, YG & Nipsey Hussle Discuss Their Anti-Donald Trump Track ‘FDT’ & Why ‘Trump Is Not the Answer’, BILLBOARD (Apr.
  • 'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity

    'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity

    INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1].
  • Young Thug Record Label

    Young Thug Record Label

    Young Thug Record Label Ammoniacal Donal still outstared: unventilated and labelloid Ralph imbodies quite strugglingly but fidget her amazement graspingly. Giorgi andremains discriminately. warm: she jouks her hadrosaurs italicizes too rabidly? Gasometrical Walther bristles: he preplans his handedness moronically In the recording engineer, also i would be considered more money. Entitlement data listeners once again on the first post a new people starting from her wishes yesterday and how amazed they complement each single. By engaging writing for incorporating and i always been all of supported browsers in his best selling two minutes without having, twitter on i ever return. She was like miles davis and more about atlantic. Get young thug records label academy award nomination for fun, record producer collective and. Do just on young thug record label. Simplicty and bu parted ways to young thug has been nearly six family also dropped by labels. Logged in television commercials and young thugs recording mixtapes and more seriously, fucking parade music. This would be published on her sister through the rise of his recently when you! Jimmy winfrey carried out several mixtapes a wide range of sno is on this black strobe label founder in. All the record labels. Something like good stuff that day on his. Check from the modern love projects, in the third ward since authenticity is because of. We gotta learn how it only young thug records label to record labels look like recording studio. Heavy hitting fastballs and similar tempos, where they want to silence her record label, so anything could be struggling with the national museum as day.
  • The Investment Potential of Modern Hip Hop Artists

    The Investment Potential of Modern Hip Hop Artists

    Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2019 The Investment Potential of Modern Hip Hop Artists Kyle Garuccio Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Finance and Financial Management Commons Recommended Citation Garuccio, Kyle, "The Investment Potential of Modern Hip Hop Artists" (2019). Syracuse University Honors Program Capstone Projects. 1082. https://surface.syr.edu/honors_capstone/1082 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. The Investment Potential of Modern Hip Hop Artists A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Kyle Garuccio Candidate for Bachelor of Science Degree and Renée Crown University Honors Spring 2019 Honors Capstone Project in Finance Capstone Project Advisor: _______________________ David Weinbaum, Associate Professor of Finance Capstone Project Reader: _______________________ Peter Koveos, Department Chair of Finance Honors Director: _______________________ Dr. Danielle Taana Smith, Director I Abstract Popular modern hip-hop artists are often seen flaunting custom jewelry, pricey cars, expensive personal collections, and other highly-depreciative luxury items. The influence of hip hop culture on the spending habits of its members is responsible for these traditional portrayals. Members of the hip hop community feel the need to mold to the norms established by its history and momentous idols.
  • Kodak Black’S 2016 XXL Freshman Interview and Freestyle By: XXL Staff June 20, 2016

    Kodak Black’S 2016 XXL Freshman Interview and Freestyle By: XXL Staff June 20, 2016

    Watch Kodak Black’s 2016 XXL Freshman Interview and Freestyle By: XXL Staff June 20, 2016 Once an artist claims to be better than both Biggie and Tupac, hip-hop fans take notice. Kodak Black did just that during his interview for his spot on the 2016 XXL Freshman Class cover. “I’m bigger than Tupac and Biggie,” the 19-year-old Pompano Beach, Fla. native states. Earlier this month, Kodak dropped the fittingly titled mixtape, Lil B.I.G. Pac, a collection of tracks showcasing his growth since dropping previous projects like Project Baby, Heart of the Projects and Institution. It’s obvious the “SKRT” rapper knows a thing or two about staying productive considering he’s remained consistent with new material. “People just see like the shine, they don’t see the grind,” Kodak shares. Anyone familiar with his solo efforts or his guest appearances on tracks like French Montana’s “Lockjaw” know Kodak has a unique place in the game when it comes to his presence on the mic. “I got this voice from the lord I guess,” he continues. “I could just ride the beat any type of way, switch it up on it, come back with some other shit.” Songs like “Slayed,” off Lil B.I.G. Pac, serve as an example of Kodak’s delivery. Before the tape was out for the masses to hear, the Snipergang leader decided to use those same lyrics from the track for his 2016 XXL Freshman freestyle. “Hell yeah they call me Kodak but I ain’t come to take no picture/So icy, make it blizzard, and the lean I’m sippin’ sizzurp,” he rhymes.
  • Lil Yachty Lil Boat 2 Album Download ALBUM: Lil Yachty – Michigan Boy Boat

    Lil Yachty Lil Boat 2 Album Download ALBUM: Lil Yachty – Michigan Boy Boat

    lil yachty lil boat 2 album download ALBUM: Lil Yachty – Michigan Boy Boat. Lil Yachty Michigan Boy Boat Zip Download. Lil Yachty has dropped a brand new song titled “Michigan Boy Boat” and is right here on Corejamz for your fast download. Stream and Download free Lil Yachty – Michigan Boy Boat [Zip Download] [Mp3 Zippyshare + 320kbps] cdq itunes Fakaza flexyjam download datafilehost torrent zippyshare Song below. Lil Yachty – Michigan Boy Boat Album Tracklist. DOWNLOAD MP3/ZIP. 1. No More Beatboxing Freestyle 2. CORTEX 3. Royal Rumble ft. KrispyLife Kidd, RMC Mike, Babyface 4. Ray, Rio Da Yung OG, Dc2Trill, Icewear Vezzo 5. Blind Em ft. YN Jay 6. Hit Bout It ft. Kodak Black 7. Not Regular ft. Sada Baby 8. Osama ft. Juice WRLD 9. Michigan Boat Boy* ft. Veeze, Babyface Ray 10.1v1 11.Run Down ft. Rio Da Yung OG, Veeze, RMC Mike, Louie Ray, GrindHard E. Lil Boat 2. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $7.49. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Colin Leonard, Mastering Engineer, StudioPersonnel - Lil Yachty, Rap Vocalist, MainArtist, AssociatedPerformer - Stephen “DotCom” Farrow, Assistant Mixer, StudioPersonnel - Thomas “Tillie” Mann, Mixer, Recording Engineer, StudioPersonnel - Miles Parks McCollum, ComposerLyricist - Elizabeth Isik, Unknown, Other - Charlie Shuffler, Producer, ComposerLyricist. ℗ 2018 Quality Control Music, LLC and UMG Recordings, Inc.
  • Does Emo Rap Makes You Less Emo? the Influence of Emo-Rap on Young Adults’ Emotions

    Does Emo Rap Makes You Less Emo? the Influence of Emo-Rap on Young Adults’ Emotions

    Does emo rap makes you less emo? The influence of emo-rap on young adults’ emotions. Author: Christiaan van der Weijden Student number: 10625224 Master’s thesis Graduate School of Communication Master’s programme Communication Science Supervisor: Susanne Baumgartner Date: 26-6-2019 Abstract Emo-rap is currently gaining more and more popularity, especially among emerging adults. Taking into account the lack of research about this genre, the relationship between emo-rap and emerging adults’ emotions will be studied. Contrary to popular belief, sad music can also induce happy emotions among listeners. This study will research if this also holds for emo-rap. An online experiment (N=170) was conducted, with a 2 emotional valence (happy vs. sad) x 2 music genre (rap vs. pop) factorial design. After inducing sad mood, emerging adults had to listen to one of four songs. Results show that music in general lead to more happiness among participants, when in a sad mood. In contrast to the predictions, happy music lead to more happiness than sad music. Moreover, a high preference for the heard genre made participants happier than a low genre preference, when in a sad mood. 2 Introduction Nowadays, hip-hop and rap music are gaining more and more popularity, especially among adolescents and young adults (Statista, n.d.) in the Netherlands (NPO, 2018) and the United States (Nielsen, 2018). One could argue that these genres have become pop-music, regarding the presence of numerous rap and hip-hop songs in major Spotify charts. One of the popular sub-genres is called emo-rap, with Lil Uzi Vert and the late XXXTENTACION as one of the most popular right now.
  • Nielsen Music Year-End Report U.S

    Nielsen Music Year-End Report U.S

    NIELSEN MUSIC YEAR-END REPORT U.S. 2016 NIELSEN MUSIC YEAR-END REPORT U.S. 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Paul Kantner, Glenn Frey, Leon Russell, Maurice White, Prince, Juan Gabriel, George Michael, Sharon Jones... the list goes on. And yet, while sad 2016 became a meme of its own, there is so much for the industry to celebrate. Music consumption is at an all-time high. Overall volume is up 3% over 2016, fueled by a 76% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. Nearly 650 solo artists, groups and collaborators appeared on the Top 200 Song Consumption chart in 2016, representing over 1,200 different songs. The rapid changes in technology and distribution channels are changing the way we discover and engage with content. Reaction times are shorter and current events ERIN CRAWFORD can have an instant impact on consumption. The last Presidential debate had SVP ENTERTAINMENT barely finished when there was an increase in streaming activity for Janet Jackson’s & GM MUSIC “Nasty.” The day after the news broke about Prince’s passing, over 1 million of his songs were downloaded. When a Florida teen set his #mannequinchallenge to “Black Beatles,” the song rocketed up the charts.
  • Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder

    Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder

    Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder by Carina Patricia De Barros Freitas A thesis submitted in conformity with the requirements for the degree of Degree of Philosophy Institute of Medical Science University of Toronto © Copyright by Carina Patricia De Barros Freitas 2020 Neuroimaging Studies on Familiarity of Music in Children with Autism Spectrum Disorder Carina Patricia De Barros Freitas Doctor of Philosophy Institute of Medical Science University of Toronto 2020 Abstract The field of music neuroscience allows us to use music to investigate human cognition in vivo. Examining how brain processes familiar and unfamiliar music can elucidate underlying neural mechanisms of several cognitive processes. To date, familiarity in music listening and its neural correlates in typical adults have been investigated using a variety of neuroimaging techniques, yet the results are inconsistent. In addition, these correlates and respective functional connectivity related to music familiarity in typically developing (TD) children and children with autism spectrum disorder (ASD) are unknown. The present work consists of two studies. The first one reviews and qualitatively synthesizes relevant literature on the neural correlates of music familiarity, in healthy adult populations, using different neuroimaging methods. Then it estimates the brain areas most active when listening to familiar and unfamiliar musical excerpts using a coordinate-based meta-analyses technique of neuroimaging data. We established that motor brain structures were consistently active during familiar music listening. The activation of these motor-related areas could reflect audio-motor synchronization to elements of the music, such as rhythm and melody, so that one can tap, dance and “covert” sing along with a known song.
  • 2017 First Time Gold & Platinum Recipients

    2017 First Time Gold & Platinum Recipients

    2017 FIRST TIME Gold & Platinum Recipients Breaking artists is what music labels, big and small, do every day. Tastemakers. Innovators. Partners. Investors. Fans. That’s who labels are. Each story behind these 2017 certified Gold, Platinum or multi-Platinum artists is different, but one consistent thread is that a record label helped achieve that level of prestigious success. We are #labelsatwork. 2017 FIRST TIME GOLD & PLATINUM RECIPIENTS 64 ARTISTS EARNED FIRST TIME GOLD OR PLATINUM AWARDS IN 2017 ALBUM AWARDS MULTI-PLATINUM SONG AWARDS Aminé Young M.A Khalid Caroline OOOUUU 21 Savage Cardi B 21 Savage Brett Young Bodak Yellow Bank Account James Arthur A Boogie Wit Da Hoodie Harry Styles Say You Won’t Let Go Drowning (Feat. Kodak Black) Luke Combs Julia Michaels Brett Young Russ Issues In Case You Didn’t Know Khalid Kyle Camila Cabello SZA Location iSpy (Feat. Lil Yachty) Havana (Feat. Young Thug) ARTIST GENRE RECORD LABEL CERTIFIED SONGS CERTIFIED ALBUMS R&B/ Slaughter Gang, LLC/ Bank Account 2X Multi-Platinum 21 Savage Issa Album Gold Hip Hop Epic Records Red Opps Platinum R&B/ 6lack LVRN/Interscope Prblms Platinum Hip Hop Drowning (Feat. Kodak Black) 2X Platinum A Boogie Wit R&B/ Highbridge/ My Shit Platinum Da Hoodie Hip Hop Atlantic Records Jungle Gold Timeless Gold R&B/ Aminé Republic Records Caroline 3X Multi-Platinum Hip Hop Anne-Marie Pop Atlantic Records Alarm Gold Ayo & Teo Pop Columbia Records Rolex Platinum Bebe Rexha Pop Warner Bros Records I Got You Gold Bishop Briggs Alternative Island Records River Gold In Case You Didn’t Know 2X Multi-Platinum Brett Young Country Big Machine Records Sleep Without You Platinum Brett Young Gold Like I Loved You Gold Calum Scott Pop Capitol Records Dancing On My Own Gold Havana (Feat.