Fabric Photo P1

Total Page:16

File Type:pdf, Size:1020Kb

Fabric Photo P1 FABRIC GUIDE & SUGGESTIONS Bridal Parties Wedding Gown: Charmeuse Chiffon Crepe de Chine Douppioni Faille Georgette Moire Organza Peau de Soie Satin Thai Silk Velvet Bridesmaids & In-Laws: Brocade Charmeuse Chiffon Crepe de Chine Crepe Georgette Douppioni Jacquard Silk Lurex Peau de Soie Prints Taffeta Thai Silk Special Events Lame Lame Carnival Costume Cheogn Sam Saree Prom Casual Broadcloth Charmeuse Crepe de Chine Georgette Douppioni Faille Herringbone Jacquard Silk Silk Knit Linen & Silk Noil Silk Sandwashed Silk corduroy wool crepe Tweed Houndstooth Douppioni Boucle Interior Decorating & Home Furnishing Douppioni Charmeuse Chiffon Taffeta Crepe de Chine Georgette Thai Silk Pongee Douppioni Tussah Pongee Twill Spun Silk Cushions Hand Painted Cushion Lamp Shade Crepe de Chine Charmeuse Charmeuse Pongee Crepe de Chine Crepe de Chine Douppioni Pongee Pongee Twill Twill Twill Hand Painted Lamp Shade Hand Pained Screen Hand Painted Wall Hanging Douppioni Douppioni Taffeta Taffeta Thai Silk Thai Silk Tussah Silk Tussah Silk Headboard & Draperies Light Uphostery Wall Covering Arts and Crafts Charmeuse Charmeuse Charmeuse Crepe de Chine Crepe de Chine Crepe de Chine Pongee Pongee Pongee Twill Twill Twill Hand Pained Scarf Hand Pained Kimono Silk Tapestry Charmeuse Organza Douppioni Pongee Taffeta Thai Silk Silk Sculpture Silk Handbag Hand Painted Necktie FABRIC GUIDE & SUGGESTIONS FABRIC INDEX Each fabric is assigned a number. Use fabric name to look up fabric number Boucle : 63-1 Bridal Satin : see Peau de Soie Broadcloth : 20, 21, 39, see Fuji Brocade : 11, 170-2, 170-3, 177, 177- 2, 192-3, 192-4 Charmeuse : see Crepe Satin Checks : 123 Chiffon : 101, 123, 133-1, 133-2, 133-3, 145-1 Cotton : C005, C013, C014, C021, C029, C031, C036, C041, C042, C045 Corduroy : 52, Cotton & Silk Mixed : 170-2, 170-3, 179-5, 196, 196-1 see Rayon & Cotton Crepe de Chine : 7, 8, 25, 25-1, 81, 163, 175 see Faille Crepe Georgette : 26, 34, 88-3, 88-7, 157-3,4 Crepe Satin : 35, 35-1, 35-4, 35-9, 35-10, 125, 126, 199 Crinkled Silk : 40-2. 204 Douppioni, piece dyed : 30, 30-2, 104, 135, 194 Douppioni, yarn dyed : 10, 10-1, 10-3, 10-7, 10-8, 10-9, 10-11 see Tussah Douppioni Duchess Satin : see Peau de Soie Faille : 155-1, 159, 175-3, 175-3, 175-4, 175-5, 175-6 Four(4) Ply Silk : 175-6 Fuji : 20, 39 Garbadine : 213 Georgette : see Crepe Georgette Habotai : See Pongee Hand-woven Silk : 31, 169-1, 178 Herringbone : 57 Houndstooth : 12-7, 12-8, 205 Indian Silk : 169-1 to 169-44, Iridescent Silk : 71-4, 169 Jacquard : 11, 71-1, 108, 125, 138, 143, 153-1, 153-2, 153-3, 196, 200, 202, 203, 204 Knit : 50-7 Lame : 105, 105-3, 105-7, 105-11, 105-24, 105-25, Linen : R011, R014 Linen & Silk Mixed : 177, 177-2, 177-6, 179-5 Lurex : 125, 133-1, 133-2, 133-3, 133-4, 145-1 Moire : 71-5, Noil Silk : 12, 12-1, 12-5, 12-6, 12-7, 12-8, 170-2, 170-3, 177, 196, 196-1 Organza : 27, 27-2, 27-3, 27-11, 27-12, 27-13, 27-15, 27-17 see Satin Organza Ottoman : 211-1, 211-2, 211-3 Paper Tafetta : see Taffeta Peau de Soie : 94, 94-1 Plaid : 12-8, 27-2, 71-3, 107-1, 107-2, 189 Pongee : 1, 2, 3, 3-1, 3-2, 24, 24-1, 51, 51-1 Poplin : 82, Prints : 4000, 5000, 6000 Quilts : 191-1, 191-2 Ramie & Silk : 177, 177-2, 177-6, 196, 196- 1 Raw Silk : 12, 169 see Douppioni Rayon : RY002 Rayon & Silk : 157, 157-3, 157-4 Sandwashed Silk : 3-1, 19-1, 25-1, 51-1 Saree : 145-1 Satin : 13, 155, 155-1, 196, 196-1, 199, 203 Satin Organza : 115 Sueded Silk : see Sandwashed Silk Sateen Douppioni : 10-1 Shantung Silk : 10 see Douppioni, yarn dyed Shot Silk : see Iridescent Silk Spun Silk : 9, 90, 143, 179-1, 179-2, 179-3, 179-4, 179-5, 193, 194 see Fuji Stripes : 27-2, 63-1, 72, 111, 125, 126, 133-1, 133-2, 133-3, 155-1, 176 Tafetta : 71, 71-1, 71-3, 71-4, 71-5, 71-6, Thai Silk : 178 see Douppioni yarn dyed Tussah Douppioni : 70-1, 70-2, 70-6, Tussah Pongee : 19, 19-1, 31, 85, 99,107, 107-1, 107-2, 127, 127-1 Tussah Satin : 153- 1, 153-2, 153-3 Tussah Suiting : 42-3, 57, 59, 72, 189, 191-1, 191-2 Tweed : 61, 189 Twill : 6, 33, 184-1, 186, 220 Velvet : 142, 157, 157-3, 157-4 Viscoe : VI001, VI002, Viscoe & Silk Mixed : 197, 198 Wool : W001 to W014, P4026, 31, 32 Wool & Silk : 61, 213, 213-1 WEIGHT FABRIC # DESCRIPTIONS WIDTH PRICE C$ L 1 SILK PONGEE 5 MM (MM DENOTES MOMMIES) 36” 45” 55” FROM $4.00 L 2 SILK PONGEE 8 MM 36” 45” 55” FROM L 2 (C) SILK PONGEE 8 MM (IN HAUTE COUTURE COLORS) 36” 45” from L 3 SILK PONGEE 10 MM 36” 45” 55” from L 3- 1 (C) SILK PONGEE 10 MM (SAND WASHED) 45” L 3- 2 (C) SILK PONGEE 10 MM (WASHABLE SILK) 45” L 5 SILK TWILL 10 MM 36: 55” from L 5 (C) SILK TWILL 10 MM (MULTI COLORS) 36” L 6 SILK TWILL 12 MM 36” 45” 55” L 7 SILK CREPE DE CHINE 12 MM 36” 45” L 8 SILK CREPE DE CHINE 15 MM 36” 45” 55” L 8 (C) SILK CREPE DE CHINE 15 MM (MULTI COLORS) 36” 45” L 9 SPUN SILK TAFFETA 11 MM 36” 45” L 9 (C) SPUN SILK TAFFETA 11 MM (MULTI COLORS) 36” 45” L 9- 1 SPUN SILK TAFFETA 14 MM 45” L 9- 2 (C) SANDWASHED SPUN SILK TAFFETA 11 MM 36” LM 10 (C) YARN DYED DOUPPIONI SILK (SHANGTUNG) 40” 48” 55” M 10- 1 (C) YARN DYED DOUPPION) SILK (BLEACHED WHITE ONLY) 55” M 10- 4 (C) TUSSAH SILK DOUPPIONI 54” LM 11 (C) JACQUARD SILK HABOTAI (BROCADE) 15 MM (MULTI COLORS) 36” 45” M 12 NOIL SILK (RAW SILK) 35 MM 36” M 12 (C) NOIL SILK (RAW SILK) 35 MM (MULTI COLORS) 36” M 12- 1 (C) PRINTED NOIL SILK (MULTI-COLORS) 36” M 12- 5 (C) JACQUARD NOIL SILK 45” M 12- 6 (C) JACQUARD NOIL SILK 45” M 12- 7 (C) NOIL SILK SUITING WITH WOVEN HOUNDSTOOTH 45” M 12- 8 (C) NOIL SILK SUITING WITH HOUNDSTOOTH PLAID 45” LM 13 SILK SATIN 12 MM 45” FROM $12.25 LM 13 (C) SILK SATIN 12 MM (MULTI-COLORS) 45” L 19 VONSHAN PONGEE 10 MM 45” L 19- 1 (C) VONSHAN PONGEE 10 MM (SANDWASHED) 45” LM 20 SPUN SILK 7LB FUJI BROADCLOTH 36” LM 20 (C) SPUN SILK 7LB FUJI BROADCLOTH (MULTI-COLORS) 36” M 21 TUSSAH SILK BROADCLOTH 35 MM 36” M 21- 1 TUSSAH SILK SUITING 34 MM 45” L 24 PONGEE 12 MM 36” 45” 55” L 24 (C) PONGEE 12 MM (BLACK ONLY) 45” LM 25 CREPE DE CHINE 16 MM 36” 45” 55” LM 25 (C) CREPE DE CHINE 16 MM (MULTI-COLORS) 45” LM 25- 1 (C) CREPE DE CHINE 16 MM (SANDWASHED) 45” L 26 CREPE GEORGETTE 12 MM 45” L 26 (C) CREPE GEORGETTE 12 MM (BLEACHED WHITE ONLY) 45” L 27 (C) SILK ORGANZA 6 MM (MULTI-COLORS) 42” 55” L 27- 2 (C) SILK ORGANZA 6 MM (WITH PLAID) 42” 45” L 27-11 (C) SILK ORGANZA 6 MM (MULTI-COLORS) 42” 45” L 27-12 (C) SILK JACQUARD ORGANZA 45” L 27-13 (C) SILK DOUBLED JACQUARD ORGANZA (OLIVE GREEN ONLY) 45” L 27-14 (C) SILK JACQUARD ORGANZA (IVORY ONLY, WOVEN PLAID) 45” L 27-15 (C) SILK LAME ORGANZA (GOLD & SILVER ONLY) 45” L 27-16 (C) SILK SHOT SATEEN ORGANZA (ORANGE ONLY) 45” LM 30 SILK DOUPPIONI 15 MM 54” LM 30 (C) SILK DOUPPIONI 15 MM (MULTI-COLORS) 54” LM 30- 2 (C) SILK DOUPPIONI 13 MM 45” LM 31 (C) HONAN SILK PONGEE 22 MM (HAND WOVEN, MULTI-COLORS) 36” LM 33 SILK TWILL 14 MM 36” 55” L 34 SILK CREPE GEORGETTE 8 MM 45” L 34 (C) SILK CREPE GEORGETTE 8 MM (MULTI-COLORS) 45” LM 35 SILK CREPE SATIN PLAIN 19 MM (CHARMEUSE WITH CREPE BACK) 45” 55” LM 35 (C) SILK CREPE SATIN PLAIN 19 MM (MULTI-COLORS) 45” 55” LM 35- 1 SILK CREPE SATIN 15 MM 45” LM 35- 2 SILK CREPE SATIN 12 MM 45” M 35- 4 SILK CREPE SATIN 30MM 45” M 35- 4 (C) SILK CREPE SATIN 30 MM (BLEACHED ONLY) 45” LM 35- 6 (C) SILK CRINKLE CREPE SATIN 45” M 35- 8 SILK CREPE SATIN 22 MM (95% SILK, 5% LYCRA, ELASTIC ALONG WEFT) 45” M 35- 9 SILK CREPE SATIN 19 MM (95% SILK, 5% LYCRA, ELASTIC ALONG WEFT) 45” LM 39 SPUN SILK (10 LB FUJI BROADCLOTH) 36” LM 39 (C) SPUN SILK (10 LB FUJI BROADCLOTH) 36” LM 40- 2 (C) WILLOW SILK CREPE 49” H 42- 3 (C) SILK PEARL PONGEE (LINEN WEAVE, HEAVY WEIGHT) 48” MH 42-11 SILK PEARL PONGEE (LINEN WEAVE WITH CHECKS) 48” LM 50 (C) SILK KNIT (ASSORTED COLORS) 32”-36” 37”-45” LM 50- 6 SILK KNIT (RIBBED TEXTURED) 26”-30” LM 50- 7 SILK KNIT 37” LM 50- 7 (C) SILK KNIT (BLACK ONLY) 37” LM 51 SILK PONGEE 16 MM 36” 45” LM 51- 1 (C) SILK PONGEE 16 MM (SANDWAHSED) 45” H 52 (C) SILK CORDUROY (65% SILK, 35% COTTON) 36” MH 57 (C) SILK HERRINGBONE (IVORY ONLY) 45” 48” H 59 SILK SUITING (BEIGE PLAIDS) 57” H 60 SILK PEARL PONGEE (HAND WOVEN TEXTURE) 36” H 61 (C) SILK TWEED (75% SILK, 25% WOOL) 48” MH 63- 1 TUSSAH SILK BOUCLE – STRIPED 48” MH 63- 2 TUSSAH SILK BOUCLE – CHECKED 48” LM 66 (C) TUSSAH SILK BROCADE (BLEACHED ONLY) 36” MH 70- 1 (C) TUSSAH SILK DOUPPIONI (GREY ONLY) 36” MH 70- 2 (C) TUSSAH SILK DOUPPIONI (MULTI-COLORS) 48” MH 70- 6 (C) TUSSAH SILK DOUPPIONI (RED ONLY) 51” LM 71 (C) SILK TAFFETA (PAPER TAFFETA, YARN DYED) 36” 48” LM 71- 1 (C) JACQUARD SILK TAFFETA 36” LM 71- 3 (C) PLAID SILK TAFFETA 36” LM 71- 4 (C) SHOT SILK TAFFETA (IRRIDESCENT EFFECT) 36” 45” LM 71- 5 (C) MOIRE SILK TAFFETA (BLEACHED WHITE ONLY) 36” 48” LM 71- 6 (C) SILK TAFFETA WITH GOLD PAISLEY PRINTS 36” H 72 TUSSAH SILK SUITING (CREAM – BEIGE STRIPES) 48” LM 80- 5 (C) SILK CREPE JACQUARD 45” LM 81 SILK CREPE DE CHINE 18 MM 45” 55” MH 82 (C) FANCY SILK NOIL POPLIN 36” LM 84 (C) TUSSAH SILK DOUPPIONI 45” M 85 (C) TUSSAH SILK LINEN (MULTI-COLORS) 45” LM 88- 3 SILK CREPE GEORGETTE 18.5 MM 45” LM 88- 3 (C) SILK CREPE GEORGETTE 18.5 MM (MULTI-COLORS) 45” LM 88- 4 SILK CREPE GEORGETTE 15.5 MM 55” LM 88- 7 SILK CREPE GEORGETTE 18 MM (95% SILK, 5% LYCRA ALONG WEFT) 45” M 94 (C) SILK PEAU DE SOIE (DUCHESS SATIN IN MULTI-COLORS & WHITE) 45” M 94- 1 (C) SILK PEAU DE SOIE (DUCHESS SATIN IN MULTI-COLORS) 45” LM 99 TUSSAH SILK PONGEE (MULTI-COLORS) 36” L 101 SILK CHIFFON 4 MM 36” 45” L 101- 1 (C) OMBRE SILK CHIFFON 6.5 MM (MADE IN FRANCE) 36” L 102 SILK CREPE DE CHINE 10 MM 36” M 104 (C) SILK DOUPPIONI 23 MM (MULTI-COLORS) 54” L 105 (C) SILK LAME (75% SILK, 25% POLYESTER, MADE IN FRANCE) 45” L 105- 3 (C) SILK STRIPED
Recommended publications
  • C U R R I C U L U M G U I
    C U R R I C U L U M G U I D E NOV. 20, 2018–MARCH 3, 2019 GRADES 9 – 12 Inside cover: From left to right: Jenny Beavan design for Drew Barrymore in Ever After, 1998; Costume design by Jenny Beavan for Anjelica Huston in Ever After, 1998. See pages 14–15 for image credits. ABOUT THE EXHIBITION SCAD FASH Museum of Fashion + Film presents Cinematic The garments in this exhibition come from the more than Couture, an exhibition focusing on the art of costume 100,000 costumes and accessories created by the British design through the lens of movies and popular culture. costumer Cosprop. Founded in 1965 by award-winning More than 50 costumes created by the world-renowned costume designer John Bright, the company specializes London firm Cosprop deliver an intimate look at garments in costumes for film, television and theater, and employs a and millinery that set the scene, provide personality to staff of 40 experts in designing, tailoring, cutting, fitting, characters and establish authenticity in period pictures. millinery, jewelry-making and repair, dyeing and printing. Cosprop maintains an extensive library of original garments The films represented in the exhibition depict five centuries used as source material, ensuring that all productions are of history, drama, comedy and adventure through period historically accurate. costumes worn by stars such as Meryl Streep, Colin Firth, Drew Barrymore, Keira Knightley, Nicole Kidman and Kate Since 1987, when the Academy Award for Best Costume Winslet. Cinematic Couture showcases costumes from 24 Design was awarded to Bright and fellow costume designer acclaimed motion pictures, including Academy Award winners Jenny Beavan for A Room with a View, the company has and nominees Titanic, Sense and Sensibility, Out of Africa, The supplied costumes for 61 nominated films.
    [Show full text]
  • Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020
    Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub
    [Show full text]
  • Dr.PRICE's 1 Day
    win t Him ! iiuufeawimiafciaMit ii m - i iii ;n v."11"- - 1 IWkYV amm TV.S , "49&rmf-- - l. :, . y mj it, pj w jiid . i vj J Yti f I f - VOLUME XXXII. RED CLOUD, NEJill ASK A. APRIL 8, 1901, NUMBER 15 Lincoln Letter. prosecutod. Tho stato law give tho Lincoln. Nkh., April 0. board a groat deal of discretion iu inside a Governor Mickey has commuted tho donliug with such companies nud man's head is no WHAT'S ? Miner Bros. Bros. sontonco of throo years imposed upon thoro appeal from its decision, if Miner John Patterson of Hall county to 2 Its officers correctly understand tho shows by what's years, i months nnd 0 days, nnd Pat- stntuto. outside. terson has been roloased. Tho Gover- i 1 nor took this action bocauso tho wlfo Commissioner of Labor Hush is LADIES' OXFORDS. of tho prisoner was in feeble honlth mniling out lottors of inquiry to To wear a Gordon Hat is not a and dostltuto circumstances and Pat- county nssessors requesting statistics Dainty, stylish, designed on porfoct linos, which gives a slender, terson, who has boon a model prisoner aud 'information coucoruimr tho guarantee of cleverness, but it indi- pretty look to tho foot, without nuy mcrlflco of comfort. and ono of tho best workers in tho amount of land sold iu thoir respec- to penitentiary, promisod solemnly to tive counties nnd tho total value of cates that the mind inside the hat Fits Perfection at the Hollow of the root. care for his family nnd keep oat of land sold with the nvorago prico por trouble He was sent up for a small aero.
    [Show full text]
  • Ennett Tin, Hollow and Sheet Iron Ware. 'Aromatic Sm/Jf
    PiT6 rs*r^ ksesss* W'i ~ " ':k:> -'" -.V;: '^"\ • >1: 66 vol.. XIII. TUESDAV, FEBfJ i830» NEW SERIFS—NO HO. PUBLISHED WEEKIA AT NORWALK, CONN. S. V^KEDICT, EDITOR AND PROPRIETOR Important to School Commit- Vieady ,M<\de CAotWiwg- THE LOT, LEVlER STORE. CHEAP, CHEAP CHEAP I tees, Teachers, «nd others. HE Subscriber lias on hand an assortment At ELY occupied by Dr. J. Mjhias HviVbeW, HE subscriber has just received from New J Hollow iVare. T1of Ready Made Clothing, manufactured is* ^#§8 JU KNIGHT, deceased. For WHOLLHe & RETAIL DEALER T York per Sloop Citizen, a large and pen I RON Pots from half Gallon to 5 Gallons the country which will 'ie sold 25 per cent less ' ?-3^I«SBS terms apply to C BISSE.1.1., Esq. or era' assortment of GROCERIES, which heoffrs OLN iOY'S in leatfyvkall articles in that line, S Dish Kettles from 1 quart to 4 Galtons han the shop work New-York ELI RKED. to the subscriber in New-Haven. to his Customers and the public at his stoic a Bake Pans Large and small J. KNIGHT. NFORiA'Jtftubijtk that he has constantly few rods East of the Bridge on die most reason­ Spiders with covers, SCHOOL GEOGRAPHY. on hanjav. Ware-house, about half a very convenient Cotton Yarn, Candlewick, &i\ Norwalk Oct. 21. 1820- t>6tf I able terms, the following comprises a part of Spiders without covers, "small and lar°-e PRACTICAL Sysl'.m of Modern Geo- mile Nortfc |tb\.*1(ige on (|le [),anbury road, a his assortment: graphy; or a view of the present State general aWra^f Sole Leather, of tlie first Fire Dogs, Fancy and plain.
    [Show full text]
  • The War and Fashion
    F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.
    [Show full text]
  • Torrance Herald
    THURSDAY TORRANCE HERALD J. W. BARNES CO. J. W. BARNES CO. NEW CUSTOMER SALE 36-Inch PETER PAN PRINTS QUILTING CHALLIES Also Plain Colors Jo Celebrate the Opening of the In Peter Pan A Good Assortment ,A11 First Quality Not short lengths 45c Yard Columbia Sheet Steel Mill or seconds We, indeed, welcome the officers and employes of the Columbia Steel Mills. 16c Yard 36-Inch Past Color It is our endeavor to make our store merchandise, its service and our prices so PRINTS and PERCALES 27-Inch Vf.«W« attractive that it will result in many new customers. 1921 OUTING FLANNEL Values to 35c Every Item in our big stock of up-to-the-minute merchandise has been reduced Big Assortment during this big festival week. Our aim is to make this week the greatest in All First Quality our history, and considering these prices and the class of goods offered, IT 24c Yard SHOULD ' 19c Yard 27-Inch Plain and Fancy - All First Quality i WHITE DAISY CLOTH 24c Yard TWO OUTING FLANNEL First Quality seconds 36-Inch Not CHIFFON TAFFETAS LIVING 19c Yard Checks in Green, Light Blue and ' Dark Blue $1.98 Yard MODELS $3.95, $4.95 36-Inch Heavy Will Be at Barnes ...... and $6.95 ALL SILK FLAT CREPE Buy Here and Save 50c to $1.50 You.Pay $2.25 THURSDAY, MAY 19 Elsewhere 48-Inch Our Price From 10 to 12 A. M. Yard and PATTERN OIL CLOTH $1.85 2 to 5 P. M. : TABLE COVERS 32-Inch PURE SILK 35c Each FANCY CHECK PONGEE And Also 3 for $1.00 From Fabrics CURTAIN NETS To Model Dresses Made CRETONNES and 39-Inch DRAPERY MATERIALS HEAVY BLACK COAT We Carry in Our Piece Goods SATIN All at Department Greatly Reduced Prices $4.69 Yard This is a BIG PIECE GOODS EVENT, Exhibiting; During This Event 25 to 40 Different Style Dresses showing how attrac­ 27-Inch t tively the many styles in Piece Goods can be made up.
    [Show full text]
  • CAMELLIA RETICULATA • SHOT SILK Courtesy Camellias in America Revised Edition, by H, Harold Hume 2 Tbe Camellia Bulletin
    Volume g, Number 2 )anuary,lgS6 © CAMELLIA RETICULATA • SHOT SILK Courtesy Camellias in America Revised Edition, by H, Harold Hume 2 Tbe Camellia Bulletin Published by NORTHERN CALIFORNIA CAMELLIA SOCIETY, INC. OFFICERS PRESIDENT TREASURER Clement A. Roberts (LAkehurst 3-2465) Walter N. Powell (OLympic 3-1586) 2851 Johnson Avenue, Alameda 423 - 60th Street. Oakland 9 VICE-PRESIDENT OTHER DIRECTORS Wallace H. Brown (OLympic 2-5404) John Beers (YEllowstone 4-9545) 201 The Uplands, Berkeley 5 1588 Geary Road, Walnut Creek Albert E. Evers (ATlantic 3-3367) SECRETARY 3676 Happy Valley Road, Lafayette David B. Grigsby (THornwall 3-4192) Mrs. G. Myron Grismore (KEllog 2-3449) 2218 Jefferson Street. Berkeley 3618 Victor Avenue, Oakland COMMITTEE CHAIRMEN PROGRAM BLOOM DISPLA Y Wallace H. Bro-dn, Berkeley Mrs. Lenore Broze, Oakland MEMBERSHIP PUBLIC ADDRESS SYSTEM Haig S. Ashuckian, Lafayette Louis J. Giomi, Redwood City LAKESIDE CAMELLIA GARDEN CULTURAL EXPERIMENTATION Albert E. Evers, Lafayette Harold L. Paige, Lafayette QUESTION PERIOD SERGEANT-AT-ARMS Rcy W. Tess, Orinda Louis J. Macchia, San Carlos AWARDS RECEPTION David B. Grigsby, Berkeley Mrs. G. Myron Grismore, Oakland HOSTESS BOOK SALES Mrs. Judson K. iCirby, Concord James G. Brady, Oakland BULLETIN EDITORIAL STAFF BULLETIN ADVISORY BOARD EDITOR Woodford F. Harrison David L. Feathers (Clifford 4-2171) 910 Oxford Street, Berkeley I Camellia Lane, Lafayette, Calif. Harold L. Paige ASSOCIATE EDITORS 1212 Monticello Road, Lafayette John D. Lawson, M.D. 2920 Capitol Avenue, Sacramento, Calif. Roy T. Thompson 2723 Hermosita Drive Glendale 8, Calif. PACIFIC CAMELLIA SOC1ETY OFFICERS PRESIDENT SECRETARY R. F. Dickson (SYcamore 7-2159) Mrs. Sidney Harris (NOrmandy 1-5104) 1494 Casa Grande, Pasadena 7 3871 Franklin Ave.
    [Show full text]
  • Textile Arts and Aesthetics in and Beyond the Medieval Islamic World
    Perspective Actualité en histoire de l’art 1 | 2016 Textiles Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World Aux carrefours des étoffes : les arts et l’esthétique textiles dans le monde islamique médiéval et au-delà Vera-Simone Schulz Electronic version URL: http://journals.openedition.org/perspective/6309 DOI: 10.4000/perspective.6309 ISSN: 2269-7721 Publisher Institut national d'histoire de l'art Printed version Date of publication: 30 June 2016 Number of pages: 93-108 ISBN: 978-2-917902-31-8 ISSN: 1777-7852 Electronic reference Vera-Simone Schulz, « Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World », Perspective [Online], 1 | 2016, Online since 15 June 2017, connection on 01 October 2020. URL : http://journals.openedition.org/perspective/6309 ; DOI : https://doi.org/10.4000/ perspective.6309 Vera-Simone Schulz Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World A piece of woven silk preserved in the Cooper-Hewitt National Design Museum in New York (fig. 1) shows medallions with pearl borders in which various animals appear. The elephants, winged horses, and composite creatures with dog heads and peacock tails are positioned alternately face-to-face and back-to-back. The fabric is designed to be viewed both from a distance and more closely. From a distance, the overall structure with its repeating pattern forms a grid in which geometrical roundels oscillate between contact and isolation. They are so close they seem almost to touch both each other and the complicated vegetal patterns in the spaces between, although in fact each roundel remains separate from every other visual element in the textile.
    [Show full text]
  • Seritechnics
    Seri­Technics Historical Silk Technologies Edition Open Access Series Editors Ian T. Baldwin, Gerd Graßhoff, Jürgen Renn, Dagmar Schäfer, Robert Schlögl, Bernard F. Schutz Edition Open Access Development Team Lindy Divarci, Samuel Gfrörer, Klaus Thoden, Malte Vogl The Edition Open Access (EOA) platform was founded to bring together publication ini­ tiatives seeking to disseminate the results of scholarly work in a format that combines tra­ ditional publications with the digital medium. It currently hosts the open­access publica­ tions of the “Max Planck Research Library for the History and Development of Knowledge” (MPRL) and “Edition Open Sources” (EOS). EOA is open to host other open access initia­ tives similar in conception and spirit, in accordance with the Berlin Declaration on Open Access to Knowledge in the sciences and humanities, which was launched by the Max Planck Society in 2003. By combining the advantages of traditional publications and the digital medium, the platform offers a new way of publishing research and of studying historical topics or current issues in relation to primary materials that are otherwise not easily available. The volumes are available both as printed books and as online open access publications. They are directed at scholars and students of various disciplines, and at a broader public interested in how science shapes our world. Seri­Technics Historical Silk Technologies Dagmar Schäfer, Giorgio Riello, and Luca Molà (eds.) Studies 13 Max Planck Research Library for the History and Development of Knowledge Studies 13 Editorial Team: Gina Partridge­Grzimek with Melanie Glienke and Wiebke Weitzmann Cover Image: © The British Library Board. (Yongle da dian 永樂大典 vol.
    [Show full text]
  • TX300P-1800 Product Guide
    Wide Format Inkjet Printer for Textiles & Apparel Direct Textile Inkjet Printer for Production Product Guide To the Ultimate On-demand Production TA Marketing Group 2017/07/24 Ver1.2 Note : The information in this document is subject to change without notice. Features Mid-range Direct Textile Printer for High-mix Low-volume Production ■ Hybrid Print Capability (Supports Two Types of Inks) ① Allows to load textile pigment ink and sublimation dye ink (direct sublimation ink) on single printer*1 ② Allows direct printing on both cotton and polyester fabrics with single printer*2 ■ Selectable from various type of inks depending on customer needs ① Sublimation dye ink:Sb420(4C/6C) For printing on polyester directly without transfer paper ② Disperse dye ink :Dd400(8C) Excellent light fastness and durability on polyester ③ Textile pigment ink:TP400(4C/7C) Simple process. No steaming, washing and drying processes required ④ Reactive dye ink:Rc400(8C)For digital printing on cotton ⑤ Acid dye ink:Ac400(8C)For direct printing on leather and nylon ■Printing on variety of textile ① Straight ink injection allows high quality print even in high gap setting thanks to new print head*3 ② Stable web feeding achieves high quality print thanks to precise tension control system ③ Achieves doubled high productivity as conventional TX2 DS Series ( 37㎡2/h with sublimation ink, 4 colors, standard mode) ■Variety of advanced technologies for unattended, uninterrupted operation ① 2L ink supply by MBIS3 supports continuous unattended printing ② NCU achieves stable continuous printing by maintaining optimum nozzle condition automatically ③ Ethernet connection allows printing on multiple printer from a RIP PC Effective operation by RIP specialized for textile printing ■Software RIP “TxLink3 Lite” supports digital textile production*4 ① Versatile color tools streamline smart color management ② Function that is essential for textile printing, such as Step&Repeat, is supported ③ Supports color profile creation *1 Sublimation transfer ink is not supported.
    [Show full text]
  • Textile-Dictionary-Full.Pdf
    TEXTILE DICTONARY A ABNORMAL CRIMP- A relative term for crimp that is either too low or too high in frequency and/or amplitude or that has been put into the fiber with improper angular characteristics. ABRADED YARN- A filament yarn in which filaments have been cut or broken to create hairiness (fibrillation) to simulate the surface character of spun yarns. Abraded yarns are usually plied or twisted with other yarns before use. ABRASION MARK- An area where a fabric has been damaged by friction. ABRASION RESISTANCE- The ability of a fiber or fabric to withstand surface wear and rubbing. ABSORBANCE- The ability of a substance to transform radiant energy into a different form, usually with a resulting rise in temperature. Mathematically, absorbance is the negative logarithm to the base 10 of transmittance. ABSORBENCY- The ability of one material to take up another material. ABSORPTION- The process of gases or liquids being taken up into the pores of a fiber, yarn, or fabric. ACETIC ACID- An organic acid (CH3COOH) widely used in textile applications. It is used in textile wet processing, dyeing and printing, and in the manufacture of cellulose acetate and cellulose triacetate. ACETIC ANHYDRIDE- Anhydrous acetic acid [(CH3CO)2O]. It is used in the acetylation process in the manufacture of cellulose acetate. ACETONE- Dimethyl ketone (CH3COCH3). One of the most powerful organic solvents. Acetone dissolves secondary cellulose acetate and other derivatives of cellulose. It is miscible with water and has a low boiling point (55-56°). ACID-DYEABLE VARIANTS- Polymers modified chemically to make them receptive to acid dyes.
    [Show full text]
  • Textiles and Clothing the Macmillan Company
    Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text.
    [Show full text]