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K. Lane the Sweet Trade Revived In: New West Indian Guide/ Nieuwe
K. Lane The sweet trade revived In: New West Indian Guide/ Nieuwe West-Indische Gids 74 (2000), no: 1/2, Leiden, 91-97 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/25/2021 03:46:52PM via free access KRIS LANE THE SWEET TRADE REVIVED Women Pirates and the Politics of the Jolly Roger. ULRIKE KLAUSMANN, MARION MEINZERIN & GABRIEL KUHN. New York: Black Rose Books, 1997. x + 280 pp. (Paper US$ 23.99) Pirates! Brigands, Buccaneers, and Privateers in Fact, Fiction, and Legend. JAN ROGOZINSKI. New York: Da Capo Press, 1996. xvi + 398 pp. (Paper US$ 19.95) Sir Francis Drake: The Queens Pirate. HARRY KELSEY. New Haven: Yale University Press, 1998, xviii + 566 pp. (Cloth US$ 35.00) A General History of the Robberies and Murders of the Most Notorious Pirates. CAPT. CHARLES JOHNSON (edited and with introduction by DAVID CORDINGLY). New York: Lyons Press. 1998 [Orig. 1724]. xiv + 370 pp. (Cloth US$ 29.95) The subject of piracy lends itself to giddy jokes about parrots and wooden legs, but also talk of politics, law, cultural relativism, and of course Hollywood. This selection of new books on piracy in the Caribbean and beyond touches on all these possibilities and more. They include a biogra- phy of the ever-controversial Elizabethan corsair, Francis Drake; an ency- clopedia of piracy in history, literature, and film; a reissued classic eigh- teenth-century pirate prosopography; and an anarchist-feminist political tract inspired by history and legend. If nothing else, this pot-pourri of approaches to piracy should serve as a reminder that the field of pirate stud- ies is not only alive and well, but gaining new ground. -
Piracy, Illicit Trade, and the Construction of Commercial
Navigating the Atlantic World: Piracy, Illicit Trade, and the Construction of Commercial Networks, 1650-1791 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University by Jamie LeAnne Goodall, M.A. Graduate Program in History The Ohio State University 2016 Dissertation Committee: Margaret Newell, Advisor John Brooke David Staley Copyright by Jamie LeAnne Goodall 2016 Abstract This dissertation seeks to move pirates and their economic relationships from the social and legal margins of the Atlantic world to the center of it and integrate them into the broader history of early modern colonization and commerce. In doing so, I examine piracy and illicit activities such as smuggling and shipwrecking through a new lens. They act as a form of economic engagement that could not only be used by empires and colonies as tools of competitive international trade, but also as activities that served to fuel the developing Caribbean-Atlantic economy, in many ways allowing the plantation economy of several Caribbean-Atlantic islands to flourish. Ultimately, in places like Jamaica and Barbados, the success of the plantation economy would eventually displace the opportunistic market of piracy and related activities. Plantations rarely eradicated these economies of opportunity, though, as these islands still served as important commercial hubs: ports loaded, unloaded, and repaired ships, taverns attracted a variety of visitors, and shipwrecking became a regulated form of employment. In places like Tortuga and the Bahamas where agricultural production was not as successful, illicit activities managed to maintain a foothold much longer. -
All-About-Pirate-Ships-Powerpoint
What Is a Pirate? Pirates are people from any country who steal from ships at sea. (Yes, this still happens now but not quite as often!) Pirates needed ships of their own (which they stole too) as they worked at sea, stealing loot from other ships. The Golden Age of Piracy The period between 1650 and 1730 is commonly known as the Golden Age of Piracy as this was a time when piracy was common. The age can be divided into three main sections: 1716-1726 1650-1680 1690 The Post-Spanish The Buccaneers The Pirate Round Succession Buccaneers were Pirates worked on After the war of pirates that the specific trade the Spanish worked specifically route that covered Succession, there in the Caribbean the Indian Ocean were many English (where a lot was and Red Sea. and American happening) unemployed sailors plundering Spanish who turned to ships. piracy and privateering. Part of a Pirate Ship mainmast yardarm mizzenmast rigging foremast quarterdeck jib deck ratlines Spanker boom bowsprit stern helm bow Types of Pirate Ships Pirates not only stole loot and treasure from other ships, they also stole the ships as well! So pirates used any ships they could get their hands on. However, they did tend to favour the following vessels… sloop brigantine schooner square-rigger Let’s look at these ships in more detail… Let’s Look… A Sloop The sloop was one of the quickest ships available and that’s why pirates liked them. Quick enough to out sail the enemy and good in shallow waters. One Mast A small boat, which meant it was easier to hide. -
Pirates Playbill.Indd
Essgee’s Based on the operetta by W.S. Gilbert and Arthur Sullivan The 65th Anniversary Revival of De La Salle’s First-Ever Musical! April 27-29, 2017 De La Salle College Auditorium 131 Farnham Ave. Theatre De La Salle’s Based on the operetta by W.S. Gilbert and Arthur Sullivan Additional lyrics by Melvyn Morrow New Orchestrations by Kevin Hocking Original Production Director and Choreographer Craig Shaefer Conceived and Produced by Simon Gallaher Presented in cooperation with David Spicer Productions, Australia www.davidspicer.com.au Music Director Choreographer CHRIS TSUJIUCHI MELISSA RAMOLO Technical Director Set Designer CARLA RITCHIE MICHAEL BAILEY Directed by GLENN CHERNY and MARC LABRIOLA Produced by MICHAEL LUCHKA Essgee’s The Pirates of Penzance, Gilbert and Sullivan for the 21st Century, presented by arrangement with David Spicer Productions www.davidspicer.com.au representing Simon Gallaher and Essgee Entertainment Performance rights for Essgee’s The Pirates of Penzance are handled exclusively in North America by Steele Spring Stage Rights (323) 739-0413, www.stagerights.com I wish to extend to the Cast and Crew my sincerest congratulations on your very wonderful and successful 2017 production of e Pirates of Penzance! William W. Markle, Q.C. Cast Member, 1952 production of Th e Pirates of Penzance De La Salle College “Oaklands” Class of 1956 THE CAST The Pirate King ............................................... CALUM SLAPNICAR Frederic ............................................................. NICHOLAS DE SOUZA Samuel.................................................................... -
Sophie and the Pirates a Buccaneering Story by Gay H
Were there real pirates? Why do pirates wear eye patches and gold earrings? How do designers use math to get a boat in the theatre and pirate clothes that fit? Find out in this Study Guide For All Patrons About the Story and the Play’s Author/Director 1-2 Going from Page to Stage 2-4 Themes to Discuss & Write About 5-6 Did you know??? 6 Theatre Etiquette 11 Performance Evaluation 12 Especially for K-5 Patrons Land HO! Mapping Skills 7 Three GOLD Teeth MATH 8 For Middle School Patrons The Pirate Code (writing) 9 Deep Sea Math 10 Information to Grow Students’ Understanding & Appreciation of Sophie and the Pirates a buccaneering story by Gay H. Hammond A Pirates Life for me? People are fascinated with pirates. There are and built it up to over 1,000 ships and over LOTS of books and movies about pirates, and 80,000 men who terrorized the South China Sea. you probably know people who have dressed While she didn’t follow the laws of the land, she up like pirates for Halloween -- or maybe it was created strict rules for her ships, and anyone who YOU who donned a sword and eyepatch? broke her law was decapitated. (yikes!) In truth, pirates In the early 1880s, Scotish writer Robert Louis were REAL Stevenson used his imagination to write a bad guys who fictional adventure story about pirates: Treasure were violent Island. His book became VERY popular and robbers; they created lots of the ideas about pirates that are didn’t abide not based in truth (like treasure maps, peg legs by the law and and parrots!). -
A Pirate's Life for Me
A Pirate’s Life for Me 1| Page April 13th Kutztown University of Pennsylvania Table of Contents Staff Introductions…………………………………………………………………………………..……....3-4 Crisis Overview………………………………………………………………………………………......…...5 Pirate History………………………………..……………………………………………….…………....….6-10 Features of the Caribbean……………...…………………………………………….……………....….11-13 Dangers of the Sea………………………………………………………………………………….………..13-14 Character List…………………….…………………………………………………………….…...…….......14-24 Citations/Resources………..…………………………………………………………………..…………...25-26 Disclaimers…………….…………………………………………………………...………………………......26-27 2| Page Staff Introductions Head Crisis Staff - Sarah Hlay Dear Delegates, Hello and welcome to the “It’s A Pirate’s Life For Me” Committee! I am very excited to have all of you as a part of my committee to learn and explore the era that is the Golden Era of Piracy. My name is Sarah Hlay and I will be your Crisis Director for this committee. I am a junior at Kutztown University and this is my fourth semester as a part of Kutztown Model UN. This is my second Kumunc but first time running my own crisis. I am excited for you all to be part of my first crisis and to use creative problem solving together over the course of our committee. Pirate history is something that has always fascinated me and is a topic I enjoy learning more about each day. I’m excited to share my love and knowledge of this topic within one of the best eras that have existed. I hope to learn as much from me as I will from you. At Kutztown, I am studying Art Education and although I am not part of the Political Science department does not mean that debating and creative thinking is something I’m passionate about. -
The Pirates' Who's
THE PIRATES’ WHO’S WHO VOLUME 4: PHILLIPS – ZEKERMAN Dancing Lights Press Join our community at DancingLightsPress.com Follow us on Twitter @LightsPress SampleThe bearer of this document has the express file written permission of the publisher to make copies for personal use. The Pirates’ Who’s Who by Phillip Gosse is based upon works in the public domain. Introduction and commentary copyright 2021 Berin Kinsman. All rights reserved. This is version 1.0 of this document. Special Thanks Denise Webster, Josephine Lawson, Agnes Foster, Homer Taylor, Jean Watson, Benjamin Silva, Roger Franklin, Dave Thompson, Keith Ferguson, Sidney Becker, Hugo Turner, Louis Williams, Lorene Alexander, Julio Meyer, Marguerite Townsend, Cameron Price, Kathleen Drake, Eunice Cobb, Roy Gray, Rachael Buchanan, Ignacio Ross, Santos McCormick, Javier Moss, Winston McKinney, Estelle Wolfe, Rudolph Hoffman, Grace Frank, Yolanda Burgess, Elias Barber, Hannah Cooper, Michelle Campbell, Ernesto Perry, Marco Lane, Nicholas Simmons, Melissa Joseph, Vicky Gibbs, Kara Walton, Dewey Hogan, Casey Carter, Bobby Cook, Shawn Reed, Nichole Sutton, Edgar Gardner, Jason Herrera, Kristopher Stephens, Armando Steele, Joshua Ortega, Ginger Hines, Jacob Jensen, Oliver Maldonado. They know why, and that’s what matters. Sample file CONTENTS P........................................................................1 Q........................................................................8 R........................................................................9 S.......................................................................30 -
PIRATES Ssfix.Qxd
E IFF RE D N 52 T DISCOVERDISCOVER FAMOUS PIRATES B P LAC P A KBEARD A IIRRAATT Edward Teach, E E ♠ E F R better known as Top Quality PlayingPlaying CardsCards IF E ♠ SS N Plastic Coated D Blackbeard, was T one of the most feared and famous 52 pirates that operated Superior Print along the Caribbean and A Quality PIR Atlantic coasts from ATE TR 1717-18. Blackbeard ♦ EAS was most infamous for U RE his frightening appear- ance. He was huge man with wild bloodshot eyes, and a mass of tangled A hair and beard that was twisted into dreadlocks, black ribbons. In battle, he made himself andeven thenmore boundfearsome with by ♦ wearing smoldering cannon fuses stuffed under his hat, creating black smoke wafting about his head. During raids, Blackbeard car- ried his cutlass between his teeth as he scaled the side of a The lure of treasure was the driving force behind all the ship. He was hunted down by a British Navy crew risks taken by Pirates. It was ♠ at Ocracoke Inlet in 1718. possible to acquire more booty Blackbeard fought a furious battle, and was slain ♠ in a single raid than a man or jewelry. It was small, light, only after receiving over 20 cutlass wounds, and could earn in a lifetime of regu- and easy to carry and was A five pistol shots. lar work. In 1693, Thomas widely accepted as currency. A Tew once plundered a ship in Other spoils were more WALKING THE PLANK the Indian Ocean where each practical: tobacco, weapons, food, alco- member received 3000 hol, and the all important doc- K K ♦ English pounds, equal to tor’s medical chest. -
Stories of the Severn Sea
Stories of the Severn Sea A Maritime Heritage Education Resource Pack for Teachers and Pupils of Key Stage 3 History Contents Page Foreword 3 Introduction 4 1. Smuggling 9 2. Piracy 15 3. Port Development 22 4. Immigration and Emigration 34 5. Shipwrecks and Preservation 41 6. Life and Work 49 7. Further Reading 56 3 Foreword The Bristol Channel was for many centuries one of the most important waterways of the World. Its ports had important trading connections with areas on every continent. Bristol, a well-established medieval port, grew rich on the expansion of the British Empire from the seventeenth century onwards, including the profits of the slave trade. The insatiable demand for Welsh steam coal in the late nineteenth and early twentieth centuries gave the ports of south Wales an importance in global energy supplies comparable to that of the Persian Gulf ports today. There was also much maritime activity within the confines of the Channel itself, with small sailing vessels coming to south Wales from Devon and Somerset to load coal and limestone, pilot cutters sailing out to meet incoming vessels and paddle steamers taking Bristolians and Cardiffians alike for a day out in the bracing breezes of the Severn Sea. By today, most of this activity has disappeared, and the sea and its trade no longer play such an integral part in the commercial activity of places such as Bristol and Cardiff. Indeed, it is likely that more people now go out on the Severn Sea for pleasure rather than for profit. We cannot and must not forget, however, that the sea has shaped our past, and knowing about, and understanding that process should be the birthright of every child who lives along the Bristol Channel today – on whichever side! That is why I welcome this pioneering resource pack, and I hope that it will find widespread use in schools throughout the area. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular. -
The Pirates' Who's Who, by Philip Gosse 1
The Pirates' Who's Who, by Philip Gosse 1 The Pirates' Who's Who, by Philip Gosse The Project Gutenberg EBook of The Pirates' Who's Who, by Philip Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pirates' Who's Who Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers Author: Philip Gosse Release Date: October 17, 2006 [EBook #19564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PIRATES' WHO'S WHO *** Produced by Suzanne Shell, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note. Many of the names in this book (even outside quoted passages) are inconsistently spelt. I have chosen to retain the original spelling treating these as author error rather than typographical carelessness. THE PIRATES' The Pirates' Who's Who, by Philip Gosse 2 WHO'S WHO Giving Particulars of the Lives & Deaths of the Pirates & Buccaneers BY PHILIP GOSSE ILLUSTRATED BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 119 Essays in History, Economics & Social Science 51 BURT FRANKLIN NEW YORK Published by BURT FRANKLIN 235 East 44th St., New York 10017 Originally Published: 1924 Printed in the U.S.A. Library of Congress Catalog Card No.: 68-56594 Burt Franklin: Research & Source Works Series 119 Essays in History, Economics & Social Science -
Personnages Marins Historiques Importants
PERSONNAGES MARINS HISTORIQUES IMPORTANTS Années Pays Nom Vie Commentaires d'activité d'origine Nicholas Alvel Début 1603 Angleterre Actif dans la mer Ionienne. XVIIe siècle Pedro Menéndez de 1519-1574 1565 Espagne Amiral espagnol et chasseur de pirates, de Avilés est connu Avilés pour la destruction de l'établissement français de Fort Caroline en 1565. Samuel Axe Début 1629-1645 Angleterre Corsaire anglais au service des Hollandais, Axe a servi les XVIIe siècle Anglais pendant la révolte des gueux contre les Habsbourgs. Sir Andrew Barton 1466-1511 Jusqu'en Écosse Bien que servant sous une lettre de marque écossaise, il est 1511 souvent considéré comme un pirate par les Anglais et les Portugais. Abraham Blauvelt Mort en 1663 1640-1663 Pays-Bas Un des derniers corsaires hollandais du milieu du XVIIe siècle, Blauvelt a cartographié une grande partie de l'Amérique du Sud. Nathaniel Butler Né en 1578 1639 Angleterre Malgré une infructueuse carrière de corsaire, Butler devint gouverneur colonial des Bermudes. Jan de Bouff Début 1602 Pays-Bas Corsaire dunkerquois au service des Habsbourgs durant la XVIIe siècle révolte des gueux. John Callis (Calles) 1558-1587? 1574-1587 Angleterre Pirate gallois actif la long des côtes Sud du Pays de Galles. Hendrik (Enrique) 1581-1643 1600, Pays-Bas Corsaire qui combattit les Habsbourgs durant la révolte des Brower 1643 gueux, il captura la ville de Castro au Chili et l'a conserva pendant deux mois[3]. Thomas Cavendish 1560-1592 1587-1592 Angleterre Pirate ayant attaqué de nombreuses villes et navires espagnols du Nouveau Monde[4],[5],[6],[7],[8].