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161Booklet 12/3/09 09:38 Page 1 ALSO AVAILABLE on signumclassics Peter Warlock: Some Little Joy I Love All Beauteous Things: Choral and Organ Music SIGDVD002 by Herbert Howells The Choir of Christ Church Cathedral, Dublin A film drama about a man who, by his SIGCD151 death at thirty six, had composed some of the most perfect gems of English Herbert Howells has an assured place in the annals of English songwriting and elevated hedonism to an church music, however his popular reputation is founded largely on art form. the frequent performance of a small body of core works. This recording redresses the balance in exploring some much less well- known pieces, with impassioned performances from the Choir of Christ Church Cathedral, Dublin. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 161Booklet 12/3/09 09:38 Page 3 THE frostbound wood 16. When the Dew is Falling Herbert Howells [3.36] 17. Full Moon Herbert Howells [2.59] 1. My Little Sweet Darling Peter Warlock [1.59] Noble Numbers Betty Roe 18. To His Saviour, a Child; a Present, by a Child [1.35] 2. Take, O Take Those Lips Away Peter Warlock [1.35] 19. To God; An anthem sung before the King in 3. And Wilt Thou Leave Me Thus? Peter Warlock [1.59] the chapel at Whitehall [2.43] 4. Sleep Peter Warlock [2.10] 20. To God [0.53] 21. To His Angrie God [1.41] 5. The Droll Lover Peter Warlock [0.57] 22. -
Jantar Mantar Strike Seeks a Sustainable Earth
STUDENT PAPER OF TIMES SCHOOL OF MEDIA GREATER NOiDA | MONDAY, OCTOBER 14, 2019 | VOL 3 , ISSUE 8 | PAGES 8 THE TIMESOF BENNETT Exploring a slice of Tibet in Delhi Trophy from the hunt Hip-hop: culture over trends The ISAC Walk 1.0 : Glimpses of Geeta Bisht, BU’s front desk executive, on Rapper’s take on today’s the photowalk to Majnu-ka-tilla winning the Super Model Hunt 2019 hip-hop industry | Page 5 | Page 4 | Page 6 BU hosts 1st inter-college sports fest, Expedite 2019 Silent walks to By ASHIMA CHOUDHARY were soul-stirring. As the the yum eateries. Even Zardicate came together was one to remember. took trophies, cash mon- Bennett University con- audience and athletes Mrs. Pratima was thrilled to mellow down the stress The crowd lit up the night ey and hampers home! fight harassment ducted its first-ever came together, the event to see the level of enthu- from the tournaments. with grooving students The stir caused by sports fest from 27th to electrified the atmosphere. siasm shown by students. The first night ended with and radium accessories. the fest was palpable as 29th of September. It Food stalls, to source In her words, “I expect- a bonfire, relaxing every- The DJ night lasted well Yashraj Saxena, former welcomed 400 students everyone’s energy, were ed it to be chaotic, but one, but it was the 28th, into the hours. Everyone head of the committee, from 16 universities from voiced his words, “We’ve the Delhi NCR region, been trying to host this Jaipur, Gwalior and a for the past two years. -
Henry Moore Grants Awarded 2016-17
Grants awarded 2016-17 Funding given by Henry Moore Grants 1 April 2016 – 31 March 2017 New projects Pallant House Gallery, Chichester, Exhibition: The Mythic Method: Classicism in British Art 1920-1950, 22 October 2016-19 February 2017 - £5,000 Fundação Bienal de São Paulo, Exhibition: Heather Phillipson and Ruth Ewan's participation in 32nd Bienal de São Paulo - Live Uncertainty, 7 September-11 December 2016 - £10,000 Serpentine Gallery, London, Exhibition: Helen Marten: Drunk Brown House, 29 September-20 November 2016 - £7,000 Auto Italia South East, London, Exhibition: Feral Kin, 2 March-9 April 2017- £2,000 Art House Foundation, London, Exhibition: Alison Wilding Arena Redux, 10 June-9 July 2016 - £5,000 Parasol Unit Foundation for Contemporary Art, London, Exhibition: Robert Therrien: Works 1975- 1995, 2 October-11 December 2016 - £5,000 South London Gallery, Exhibition: Roman Ondak: The Source of Art is in the Life of a People, 29 September 2016-6 January 2017 - £7,000 York Art Gallery (York Museums Trust), Exhibition: Flesh, 23 September 2016-19 March 2017 - £6,000 Foreground, Frome, Commissions: Primary Capital Programme: Phase 1, 8 September 2016-31 January 2017 - £6,000 Barbican Centre Trust, London, Exhibition at The Curve: Bedwyr Williams: The Gulch, 29 September 2016-8 January 2017- £10,000 Glasgow Sculpture Studios, Exhibition: Zofia Kulik: Instead of Sculpture, 1 October-3 December 2016 - £5,000 Tramway, Glasgow: Exhibition/Commission: Claire Barclay: Yield Point, 10 February-9 April 2017 - £3,000 Nasher Sculpture Center, -
Doors Open Block Party See Inside Cover for Information
DOORS OPEN BLOCK PARTY SEE INSIDE COVER FOR INFORMATION Free access to 170+ buildings and 35+ tours across Milwaukee over 2 days. EXPLORE YOUR CITY! We have a new website— visit doorsopenmilwaukee.org to build your itinerary. Tripoli Shrine Center, photo by Jon Mattrisch, JMKE Photography A SPECIAL THANK YOU TO OUR PRESENTING SPONSOR, WELLS FARGO AND TO THE NATIONAL ENDOWMENT OF THE ARTS, FOR RECOGNIZING DOORS OPEN WITH AN ART WORKS DESIGN GRANT. DOORS OPEN IS GRATEFUL FOR THE GENEROUS SUPPORT FROM OUR SPONSORS IN-KIND SPONSORS DOORS OPEN MILWAUKEE BLOCK PARTY & EVENT HEADQUARTERS East Michigan Street, between Water and Broadway (the E Michigan St bridge at the Milwaukee River is closed for construction) Saturday, September 28 and Sunday, September 29 PICK UP AN EVENT GUIDE ANY TIME BETWEEN 10 AM AND 5 PM BOTH DAYS ENJOY MUSIC WITH WMSE, FOOD VENDORS, AND ART ACTIVITIES FROM 11 AM TO 3 PM BOTH DAYS While you are at the block party, visit the Before I Die wall on Broadway just south of Michigan St. We invite the public to add their hopes and dreams to this art installation. Created by the artist Candy Chang, Before I Die is a global art project that invites people to contemplate mortality and share their personal aspirations in public. The Before I Die project reimagines how walls of our cities can help us grapple with death and meaning as a community. 2 VOLUNTEER Join hundreds of volunteers to help make this year’s Doors Open a success. Volunteers sign up for at least one, four-hour shift to help greet and count visitors at each featured Doors Open site throughout the weekend. -
Painting Music: Rhythm and Movement in Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 2007 Painting Music: Rhythm And Movement In Art Sharon L. Kennedy Curator at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Part of the Art and Design Commons Kennedy, Sharon L., "Painting Music: Rhythm And Movement In Art" (2007). Sheldon Museum of Art Catalogues and Publications. 56. https://digitalcommons.unl.edu/sheldonpubs/56 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. painting music: rhythm and movement in art 2006-2007 20th Annual Sheldon Statewide Exhibition Sheldon Memorial Art Gallery University of Nebraska-lincoln painting music: rhythm and movement in art In the past 100 years music has played a tremendously important role in the stylistic development of visual art. It has created impetus and inspiration for those artists wishing to produce a pure and transcendental art form. Music has also been used as an analogy or metaphor in artistic expression. By listening to music and emulating it in their work, artists have discovered unconventional techniques in their art-making approach. Painting Music: Rhythm and Movement in Art explores the influence of music on the visual arts beginning in the early 20 th century with the Russian artist Wassily Kandinsky and continuing with the work of contemporary artists. -
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ON YOUR MARKS A Nomadic Season of Events ON YOUR MARKS A Nomadic Season of Events Written by Marsha Bradfield Edited by Lucy Tomlins and Marsha Bradfield hink sculpture is the stuff you trip over while angling for a better simply called Art. We at PSC are unapologetic for our belief in sculpture as view of the paintings?1 Wrong. If the six events featured in this 1 This is a variation on multidimensional technique.5 For us this goes beyond both craft skills (i.e. 5 For a good discussion publication are any indication, it’s sculpture that’s tripping – the quote attributed to carving, casting, constructing) and life skills (including everyday activities on ‘technique’ as an American painter Ad alternative to ‘skill’ tripping out of its three-dimensional form as it wrestles with Reinhart, ‘Sculpture is like articulating ideas and networking). It also includes the values, principles in art education the conditions of its own possibility. What are the realities something you bump and commitments of sculpture as a specific sensibility preoccupied with see Dave Beech, Tof sculptural practice today? What does it take to not only survive but into when you back up the phenomenological experience of materiality and space. Gaining a better ‘Teaching the to look at a painting’. Unteachable,’ Art also thrive as sculptors? What are sculptural resources and what do we sense of sculptural technique within the broader context of contemporary Monthly 377 (June mean when we speak about ‘material,’ ‘skill,’ ‘ambition,’ ‘space to work’ and art and design is one of PSC’s main concerns as it aims to meet the needs 2014): 8-10. -
Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis
Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION zur Erlangung des akademischen Grades Doktor der technischen Wissenschaften eingereicht von Alexander Schindler Matrikelnummer 9926045 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Ao.univ.Prof. Dr. Andreas Rauber Diese Dissertation haben begutachtet: arXiv:2002.00251v1 [cs.MM] 1 Feb 2020 (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Multi-Modal Music Information Retrieval: Augmenting Audio-Analysis with Visual Computing for Improved Music Video Analysis DISSERTATION submitted in partial fulfillment of the requirements for the degree of Doktor der technischen Wissenschaften by Alexander Schindler Registration Number 9926045 to the Faculty of Informatics at the Vienna University of Technology Advisor: Ao.univ.Prof. Dr. Andreas Rauber The dissertation has been reviewed by: (Univ. Prof. Mag. Dipl.-Ing. Dr. (Univ. Prof. Dr. Allan Hanbury) Markus Schedl) Wien, 01.10.2019 (Alexander Schindler) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklaerung zur Verfassung der Arbeit Alexander Schindler Beckmanngasse 4/12, 1140 Wien Hiermit erklaere ich, dass ich diese Arbeit selbstqendig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollstaendig angegeben habe und dass ich die Stellen der Arbeit - einschliesslich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. -
Pangea United 22.03–9.06.2019
Pangea United 22.03–9.06.2019 Muzeum Sztuki w Łodzi Więckowskiego 36 msl.org.pl It is more than likely […] that we are no longer the citizens of any one particular state. Deep down, we carry within us the countries that we were born in: this means their chaotic diversity, rivers and mountain ranges, forests and savannahs, the changing seasons, birdsong, insects, air, sweat and humidity, grime and city noises, laughter, disorder, and confusion. Achille Mbembe, Politiques de l’inimitié, 2016 [forthcoming in English, 2019, as Necropolitics] The history of Pangaea, or ‘Pangaia’, is the tale of a mega-continent that existed about 200-250 million years ago, combining all the currently separated continental blocks. The fragmented pieces of what was once Pangaea still bear the traces of that oneness. By making use of this geological metaphor, the Pangea United exhibition invites viewers to imagine our earthly community as one household, one home. Artists taking part in the exhibition ask a number of questions in order to spark our ecological imagination. How can prototypes created within the art world teach us responsibility for the often-unnoticed suffering inflicted on other bodies? Can the logic of industrial live- -stock production lead to a similarly objectifying production of human life? What is the environmental potential of humble actions, such as scrubbing floors with recycled fabric, seeding cress in public spaces, or organizing meetings where women can collectively discover the burdensome legacy of patriarchy? What can we learn from people who live in communities under threat of extinction, many of whom belong to so-called indigenous and folk cultures? What would be the value of goods, money and labour in a future devoid of all prospect of economic growth? Why will the borders, zones, and territories that divide the Earth forever remain fictitious and porous? The artworks presented in this exhibition form a kind of essay, a meditation on the matter of human attentiveness and the interdependence of life in all its forms. -
Bird Flight Patterns and Music Online Curriculum with Lessons, Activities, Games, Extra Musical Performances and Composer Interviews
Bird Flight Patterns and Music Online Curriculum with Lessons, Activities, Games, Extra Musical Performances and Composer Interviews Full Concert Video Table of Contents with Time Markers for each flight pattern segment Additional Music Performance Videos Moth-like Flight Pattern with Brahms Waltz Op. 39 No. 6 for Two Pianos: Listen as Music Director, Yaniv Dinur and Education Director, Terry Wolkowicz explore moth-like flight with a performance of a Brahms waltz for 4 hands. The Nightingale Concerto 7th movement with introduction from composer, Jamie Allen: Recorder Soloist, Heloise Degrugillier performs the 7th moment of Jamie Allen’s Nightingale Concerto with the NBSO Explore the soprano, alto, tenor and bass recorder in this video from Nightingale Concerto composer, Jamie Allen Composer Interviews Jamie Allen introduces the 2nd and 4th movement of the Nightingale Concerto Listening Maps and Musical Timbre Lesson Print out the listening maps for the Nightingale Concerto and follow along to see how various instruments combine and rhythmic motion is varied throughout each movement. Create your own listening map that shows the sequence of flaps and glides in Strauss’ Acceleration Waltz In a lesson on musical timbre, children learn to distinguish, both physically and sonically, between the different instruments heard in the concert program. Bird-Watching Observation Log Students can download and customize their own bird observation log entitled “Guess What I Saw?” where they can journal their outdoor bird observations with specific descriptive -
Musical Instruments Indigenous to Each
MUSIC TRADITIONAL ARTISTIC PROCESSES ® CLASSICAL 1. CREATING (Cr) Artsource CONTEMPORARY 2. PERFORMING, PRESENTING, PRODUCING (Pr) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL 3. RESPONDING (Re) MULTI-MEDIA 4. CONNECTING (Cn) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: Bolivia. Their sound is unique because they com- Peace Pipes and Soaring Over the High Plains bine traditional music of different ethnic cultures Creators: from the Americas with contemporary elements of Company: Arco Iris jazz and pop. Sometimes they play ethnic instru- Founder, composer, percussionist: Danais Tokatlian ments, such as the bombo lugüero - a hollowed out (1939 - 2003) Composer, woodwinds, voice, synthesizer: Ara Tokatlian log drum from Argentina, caja challera - Argentine (b. 1951) drums, siku - bamboo panpipes, moxenio - a lower Percussionist: Hartt Stearns register version of the pincullo which is an end- Strings: Bill Fowler and Julio Ledezma blown flute with a fipple, pincullo - a bamboo flute Background Information: and quena - an Andean notched flute. This blending Arco Iris, an instrumental group, founded in the late of instruments, rhythms and melodies, along with 1960s by Danais and Ara Tokatlian, originated in contemporary elements, gives the music of Arco Buenos Aires, Argentina. When they moved to Los Iris its particular character and color. Angeles many years ago, they began performing over Creative Process of the Artist or Culture: 200 times yearly in the greater Los Angeles area. The In the time they’ve been together, several world Tokatlians based their personal and professional lives on class percussionists have joined Arco Iris. They the principles of universal acceptance, understanding of brought to the group the percussion instruments different cultural values and free artistic expression. -
T. S. Eliot's Four Quartets: Their Pattern and Meaning
T. S. ELIOT'S FOUR QUARTETS: THEIR PATTERN AND MEANING by ERIC E. ERICKSON B.A., University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard The University of British Columbia October 1975 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date /97^ ABSTRACT This thesis is an attempt to describe T. S. Eliot's Four Quartets as a work that is highly dependent upon pattern. This is in keeping with the views of those critics (e. g. Helen Gardner, Harry Blamires, Elizabeth Drew) who feel that the Quartets, throughout all four books, are the drawing out of a continuous thread of meaning. The under• pinnings of the poem are religious and sacramental and its purpose is to bring a sense of the eternal to the temporal world. Throughout, one is guided by the notion that Eliot is describing the way to religious vision. Chapter one, therefore, is a discussion of Eliot's attempts to establish a fundamental point of view, the point at which vision begins. -
Jantar Mantar.Pdf
J M 2 J M GROUP 07 Iswen Vellu U024101H [email protected] Lim Tiong Yeow U014082R [email protected] Chen Youlin, Felicia U010804A [email protected] Tan Miao Nong U022231E [email protected] 3 J M CONTENTS INTRODUCTION SECTION I: P OLITICAL S TAGE IN 18TH C ENTURY I NDIA M AHARAJA S AWAI J AI S INGH II J AI S INGH’ S P OLITICAL C AREER SECTION II: T HE D ELHI O BSERVATORY B LUEPRINTS OF AN A STRONOMICAL O BSERVATORY T HE S AWAI’ S M AGNUM O PUS C ONCEPTION OF A N EW C ITY T HE V ASTU S HILPA S HASTRA F UNDAMENTAL A RCHITECTURAL T ENETS M YSTICAL C OMPONENT OF THE S HILPA S HASTRA I NTEGRATION INTO THE T OWN P LAN OF J AIPUR J AI S INGH’ S A SSISTANTS C OMPLETION OF J AIPUR AND THE J ANTAR M ANTAR 4 J M I NSTRUMENT N OMENCLATURE AND THE M ANDALA C ORRELATION R ITUALS AND C EREMONIES OF THE S OLAR K ING SECTION III: T HE I NSTRUMENTS OF THE J ANTAR M ANTAR T HE S AMRAT Y ANTRA I NSTRUMENT I NACCURACIES: T HE C ONUNDRUM OF S HADE D IFFRACTION T HE M ERIT OF S IZE R ATIOCINATION OF THE M AHARAJA SECTION IV: T HE O THER O BSERVATORIES C ONCLUSION E NDNOTE P HOTOGRAPHIC C REDITS B IBLIOGRAPHY 5 J M Introduction Clearly visible from afar, the structures of the Jantar Mantar in Jaipur are striking to behold.