❷1757 ❸ paper, persimmon tannin❹ 20.7×42.4 ❺ Tokyo University of the Arts ❻染織 207-133 ❼ T, 1049 List of Works Tokyo University of the Arts ❻染織 207-5 ❼ T, K M Paper Stencil with Pattern of “Yuri-ni- － － Kawarishima”, Lilies on Stripes 1028 1039 ❷ before 1874 ❸ paper, persimmon tannin❹ Paper Stencil with Pattern of “Aoikarakusa”, Paper Stencil with Pattern of “Misujikôshi-ni- 55.5×41 ❺ Musée de l’Impression sur Etoffes, Arabesques Pattern of Mallows Ran”, Orchids on Lattices Mulhouse ❻ 874.6.15 ❼ T, K, M ❷1758 ❸ paper, persimmon tannin❹ 20.6×42.2 ❺ ❷1830 ❸ paper, persimmon tannin❹ 21.7×40.8 ❺ － Tokyo University of the Arts ❻染織 207-86 ❼ K, Tokyo University of the Arts ❻染織 207-154 ❼ T, 1050 Legend 1006 1017 M K Paper Stencil with Pattern of “Hagi-to-Ichô- • The data on each work are listed in the following Paper Stencil with Pattern of “Shimadori-ni- Paper Stencil with Pattern of “Tai”, Sea － － ni-Tsuyushiba”, Japanese Bush Clovers, order: catalogue number, name of the artist, title Matsuba-ni-Hana”, Stripes, Pine Needles and Breams 1029 1040 Ginkgos and Grasses with Dewdrops of the work, ❶ place of production, ❷ date of Flowers ❷1812 ❸ paper, persimmon tannin❹ 27.2×41.7 ❺ Paper Stencil with Pattern of “Unryû”, Paper Stencil with Pattern of “Hachirashi”, ❷ before 1874 ❸ paper, persimmon tannin❹ production, ❸ materials, ❹ dimensions (in ❷1727 ❸ paper, persimmon tannin❹ 26.3×40.7 ❺ Suzuka City ❻ O9 ❼ M Dragons and Clouds Scattered Leaves 30.5×41.5 ❺ Musée de l’Impression sur Etoffes, centimeters), ❺ owner, ❻ registration number＊ ❻ ❼ Suzuka City ❻ O83 ❼ M ❷ ❸ ❹ ❺ ❷1840 ❸ paper, persimmon tannin❹ 25.2×41.4 ❺ Mulhouse 874.6.32 T, K, M acquisition data and ❼ Initials (T. K. M.) － 1761 paper, persimmon tannin 20.6×41.9 ❻ ❼ Tokyo University of the Arts ❻染織 207-58 ❼ K, － indicate the sites at which the work will be － 1018 Tokyo University of the Arts 染織 207-69 T, 1007 M 1051 exhibited (Tokyo, Kyoto, Mie). Paper Stencil with Pattern of “Kawaridake”, M Paper Stencil with Pattern of “Sakura”, • The works included in each chapter are divided Paper Stencil with Pattern of “Mugura-Baika- Bamboos － － 1041 Cherry Blossoms into eight categories and presented in the Ôgi”, Tangled Weeds, Japanese Apricots and ❷1819 ❸ paper, persimmon tannin❹ 25.8×40.6 ❺ 1030 following order: katagami, woodworking, Folding Fans Suzuka City ❻ O3 ❼ T Paper Stencil with Pattern of “Inaho-ni- Paper Stencil with Pattern of ❸ paper, persimmon tannin❹ 23.8×44.8 ❺ Japan ❷1730 ❸ paper, persimmon tannin❹ 20.7×41.3 ❺ “Waritsukegara”, Geometric Patterns Women’s University ❻ 3 ❼ T, K, M metalworking, ceramics, glass, textiles, graphics, － Suzume”, Ears of Rice and Sparrows ❻ ❼ ❷1850 ❸ paper, persimmon tannin❹ 20.2×41 ❺ and reference materials. Suzuka City O80 T 1019 ❷1765 ❸ paper, persimmon tannin❹ 20.4×41.3 ❺ － Tokyo University of the Arts ❻染織 207-344 ❼ T, 1052 • Within each category, works are organized by － Paper Stencil with Pattern of “Toridasuki-ni- Tokyo University of the Arts ❻染織 207-218 ❼ T, date of production. M 1008 Daishôarare-to-Chô”, Butterflies and K Paper Stencil with Pattern of “Tsuzumi”, • The number in brackets [ ] after the title of a Paper Stencil with Pattern of “Kôrin’ume- Hailstones on a Wavy Lattice － Hand Drums book is the date of its accession by the － 1042 Uguisu”, Japanese Apricots in Kôrin Style and ❷1842 ❸ paper, persimmon tannin❹ 20.9×41 ❺ ❸ paper, persimmon tannin❹ 24.6×44.3 ❺ Japan Bibliothèque Nationale de France and not 1031 Japanese Bush Warblers Suzuka City ❻ O29 ❼ M Paper Stencil with Pattern of “Kikukarakusa”, Women’s University ❻ 8 ❼ T, K, M necessarily the publication date. Paper Stencil with Pattern of “Yuinawa”, Tied ❷1734 ❸ paper, persimmon tannin❹ 21.3×40.7 ❺ Chrysanthemun Arabesques • Katagami are organized by date of production, － Ropes － Suzuka City ❻ O81 ❼ K ❷1856 ❸ paper, persimmon tannin❹ 25.8×41.5 ❺ 1053 if known; undated katagami are organized 1020 ❷1767 ❸ paper, persimmon tannin❹ 24.8×41.4 ❺ Tokyo University of the Arts ❻染織 207-67 ❼ T, Paper Stencil with Pattern of “Shida”, Ferns alphabetically by the name of the institution in － Paper Stencil with Pattern of Tokyo University of the Arts ❻染織 207-15 ❼ K, 1009 K whose collection they are found and the “Waritsukegara”, Geometric Patterns M ❸ paper, persimmon tannin❹ 24.1×44.1 ❺ Japan registration number. Paper Stencil with Pattern of “Ryûsui- ❷1713 ❸ paper, persimmon tannin❹ 22×43 ❺ － Women’s University ❻ 9 ❼ T, K, M Chidori”, Streams and Plovers － 1043 • The date stated for a katagami is the date in the Tokyo University of the Arts ❻染織 207-1 ❼ T, M 1032 － inscription on it. ❷1737 ❸ paper, persimmon tannin❹ 20.5×41.3 ❺ Paper Stencil with Pattern of “Koi”, Carp 1054 － Paper Stencil with Pattern of “Kikukarakusa”, • The name of each work is given in English, Suzuka City ❻ O78 ❼ M ❷1864 ❸ paper, persimmon tannin❹ 30.6×41.1 ❺ 1021 Chrysanthemun Arabesques Paper Stencil with Pattern of “Shokkô”, except for posters and books, for which the titles ❻ ❼ － Paper Stencil with Pattern of Tokyo University of the Arts 染織 207-199 K, Linked Circles and Squares are given in the original language. ❷1778 ❸ paper, persimmon tannin❹ 26.7×42 ❺ 1010 “Kawarachidori”, Plovers and Streams M ❸ paper, persimmon tannin❹ 23.7×44.6 ❺ Japan • The place of production is given in the original Tokyo University of the Arts ❻染織 207-27❼ T, Paper Stencil with Pattern of － ❻ ❼ ❷1718 ❸ paper, persimmon tannin❹ 21.2×41.8 ❺ M Women’s University 19 T, K, M language. “Takarazukushi”, Treasures 1044 • The dimensions are given as length × width for Tokyo University of the Arts ❻染織 207-369 ❼ T, － ❷1738 ❸ paper, persimmon tannin❹ 20.8×41.2 ❺ － Paper Stencil with Pattern of “Hishikôshi-ni- two-dimensional works; for three-dimensional K 1033 1055 Suzuka City ❻ O77❼ T Nanamejû”, Rhombuses and Crosses works, they are usually given as depth × width × － Paper Stencil with Pattern of “En-no-Mijin”, Paper Stencil with Pattern of “Kikukarakusa”, ❷1812 ❸ paper, persimmon tannin❹ 25.5×43.5 ❺ height or height × diameter; for exceptions, the － 1022 Minute Circles Chrysanthemun Arabesques place measured is indicated in parentheses. 1011 Paper Stencil with Pattern of “Kôshiji-ni- Kunstgewerbemuseum, Staatliche ❸ paper, persimmon tannin❹ 24.7×43.5 ❺ Japan ❷1782 ❸ paper, persimmon tannin❹ 20.2×42 ❺ ❻ Paper Stencil with Pattern of “Saya”, Key Frets tsuta”, Vines on Lattices Kunstsammlungen Dresden Kasten 32, Nr. Women’s University ❻14 ❼ T, K, M Tokyo University of the Arts ❻染織 207-30 ❼ T, 153 ❼ T, K, M ❷1751 ❸ paper, persimmon tannin❹ 20.9×40.2 ❺ ❷ ❸ ❹ ❺ 1722 paper, persimmon tannin 22×42.8 K － Suzuka City ❻ O75 ❼ K Tokyo University of the Arts ❻染織 207-3 ❼ K, － 1056 Part 1. The World of Paper Stencils － 1045 － M 1034 Paper Stencil with Pattern of “Ume-ni- Their history and development in Japan 1012 Paper Stencil with Pattern of “Yabure- Matsuba”, Japanese Apricots and Pine Paper Stencil with Pattern of “Arareji-ni- Hishikôshi-ni-Takedabishi-ni-Yotsuhana”, 1023 Needles Paper Stencil with Pattern of “Hishi-ni- Kotori”, Birds on Hailstone Patterns Broken Rhombushes, Four Diamonds and 1001 Yotsuhana”, Diamonds Enclosing Four-Petal Paper Stencil with Pattern of “Tsuta”, Vines ❸ paper, persimmon tannin❹ 24.4×41.6 ❺ Japan ❷ ❸ ❹ ❺ Four-Petal Flowers Paper Stencil with Pattern of “Ichôtachibana”, Flowers 1788 paper, persimmon tannin 20.5×41.8 ❻ ❼ ❷1725 ❸ paper, persimmon tannin❹ 21.2×43.4 ❺ Women’s University 1 T, K, M Ginkgo Leaves and Mandarin Oranges Tokyo University of the Arts ❻染織 207-32 ❼ K, ❷1812 ❸ paper, persimmon tannin❹ 24.4×43.5 ❺ ❷1773 ❸ paper, persimmon tannin❹ 20.8×41.5 ❺ Tokyo University of the Arts ❻ 207-164 ❼ T, 染織 M Kunstgewerbemuseum, Staatliche － ❷1707 ❸ paper, persimmon tannin❹ 21.6×41.3 ❺ Suzuka City ❻ O36 ❼ M 1057 M Kunstsammlungen Dresden ❻ Kasten 72, Nr. Suzuka City ❻ O85 ❼ T － Paper Stencil with Pattern of － － 1035 54 ❼ T, K, M － 1013 1024 “Takarazukushi”, Treasures Paper Stencil with Pattern of “Ichô”, Ginkgo － 1002 Paper Stencil with Pattern of “Kôshi-ni- ❸ paper, persimmon tannin❹ 23.5×39.2 ❺ Japan Paper Stencil with Pattern of “Midaregôshi- Leaves 1046 Paper Stencil with Pattern of “Toritsunagi”, Karakusa”, Arabesque Patterns on Lattice ❻ ❼ ni-take”, Bamboos on Lattices Paper Stencil with Pattern of “Inaho”, Ears of Women’s University 25 T, K, M Connected Birds ❷1796 ❸ paper, persimmon tannin❹ 20.8×42.7 ❺ ❷1777❸ paper, persimmon tannin❹ 26×41 ❺ ❷ ❸ ❹ ❺ 1731 paper, persimmon tannin 20.5×43.1 ❻ ❼ Rice － ❷1710 ❸ paper, persimmon tannin❹ 20.5×40.6 ❺ Suzuka City ❻ O21 ❼ K Tokyo University of the Arts 染織 207-161 T, Tokyo University of the Arts ❻染織 207-115 ❼ T, ❷ before 1829 ❸ paper, persimmon tannin❹ 1058 Suzuka City ❻ O89 ❼ K M － K 20×41.6 ❺ Museum Volkenkunde, Leiden❻ Paper Stencil with Pattern of “Kawarisandô- － 1014 － ni-Sakura”, Cherry Blossoms on Mountain － 1036 1-3448＊bought from Ph.F.B. von Siebold in 1003 Paper Stencil with Pattern of “Tori-ni-Arare”, 1025 1837 ❼ T, K, M Paths Paper Stencil with Pattern of “Karigane”, Paper Stencil with Pattern of “Ichômatsuba”, Birds and Hailstones Paper Stencil with Pattern of “Tessen-ni- ❸ paper, persimmon tannin❹ 24.9×40.8 ❺ Japan Wild Geese － Ginkgo Leaves and Pine Needles ❷1792 ❸ paper, persimmon tannin❹ 20.8×41.6 ❺ Kikukarakusa”, Clematis with 1047 Women’s University ❻17 ❼ T, K, M ❷1807 ❸ paper, persimmon tannin❹ 20.2×42 ❺ ❷1715 ❸ paper, persimmon tannin❹ 21.5×40.8 ❺ Suzuka City ❻ Q48 ❼ K Chrysanthemun Arabesques Paper Stencil with Pattern of “Omodaka-ni- － ❻ ❼ Tokyo University of the Arts ❻染織 207-43 ❼ T, Suzuka City J38 M － ❷1747 ❸ paper, persimmon tannin❹ 27×43.2 ❺ Tsubushi”, Sagittaria Trifolias and Drops 1059 K － 1015 Tokyo University of the Arts ❻染織 207-221 ❼ K, ❷ before 1829 ❸ paper, persimmon tannin❹ Paper Stencil with Pattern of “Yatsufuji-ni- 1004 Paper Stencil with Pattern of M － 19×42.5 ❺ Museum Volkenkunde, Leiden❻ Sakura”, Wisteria Wreaths and Cherry 1037 Blossoms Paper Stencil with Pattern of “Hishikôshi-ni- “Koborematsuba”, Pine Needles － 1-3448-b＊bought from Ph.F.B. von Siebold in Jû”, Diamonds and Crosses ❷1794 ❸ paper, persimmon tannin❹ 20.7×41.3 ❺ 1026 Paper Stencil with Pattern of “Take-ni-Tora”, 1837 ❼ T, K, M ❸ paper, persimmon tannin❹ 25.1×40.8 ❺ Japan ❷ ❸ ❹ ❺ ❻ ❼ Tigers in Bamboo Women’s University ❻15 ❼ T, K, M 1715 paper, persimmon tannin 18.3×40.7 Suzuka City O33 T Paper Stencil with Pattern of “Tabanenoshi”, － ❻ ❼ ❷1808 ❸ paper, persimmon tannin❹ 26.5×41.8 ❺ Suzuka City O84 K － Bundles of Noshis (Folded Gift Papers) 1048 － ❻ ❼ － 1016 ❷1752 ❸ paper, persimmon tannin❹19.6×42 ❺ Tokyo University of the Arts 染織 207-366 K, Paper Stencil with Pattern of “Tazunadori- 1060 1005 Paper Stencil with Pattern of “Shippô-ni- Tokyo University of the Arts ❻染織 207-103 ❼ T, M Ichimonji”, Geometric Patterns Paper Stencil with Pattern of “Tsuzumi-ni- Paper Stencil with Pattern of “Hanetsuki”, Yotsuhana”, Linked Circles Enclosing M － ❷ before 1829 ❸ paper, persimmon tannin❹ Sakura”, Hand Drums and Cherry Blossoms 1038 Shuttlecocks Four-Petal Flowers － 23.3×40.5 ❺ Museum Volkenkunde, Leiden❻ ❸ paper, persimmon tannin❹ 30×38.7 ❺ Japan ❷1725 ❸ paper, persimmon tannin❹ 25×41.1 ❺ ❷1796 ❸ paper, persimmon tannin❹ 25×41.1 ❺ 1027 Paper Stencil with Pattern of “Same”, 1-3448-c＊bought from Ph.F.B. von Siebold in Women’s University ❻ 30 ❼ T, K, M Suzuka City ❻ O82 ❼ M Suzuka City ❻ O31 ❼ T Paper Stencil with Pattern of Sharkskin 1837 ❼ T, K, M － － － “Waritsukegara”, Geometric Patterns ❷1813 ❸ paper, persimmon tannin ❹20.4×42.5 ❺ － 367 1061 ❷1854 ❸ paper ❹14.2×20 ❺ Private Collection ❼ persimmon tannin ❹ 57×42.2 ❺ Suntory Museum 1094 ❶ Kawaguchiya Uhei❷ c.1818-20 ❸ woodcut on angewandte Kunst/Gegenwartskunst, Wien❻ Paper Stencil with Pattern of “Sasa-ni-Ume- T, K, M of Art ❻染 63-33 ❼ T, M Yukata, Design of Pine, Bamboo and Plum paper ❹ 37.5×25 ❺ MAK - Österreichisches K.I.15053-b ❼ T, K, M to-Shima”, Bamboo Grasses and Japanese － － Trees on White Cotton Ground Museum für angewandte Kunst/Gegenwartskunst, － ❻ ❼ Apricots on Stripes 1074 1085 ❷19c., the Meiji period ❸ cotton ❹129×63.5 (width Wien K.I.07627-047 T, K, M 1112 ❸ paper, persimmon tannin❹ 24.4×40.6 ❺ Private Sample Book of Stencil Designs “Matsu”, Pine Kamishimo Vest and Trousers, Design of between center back to sleeve opening) ❺ Private － Utagawa Toyokuni III (Utagawa Kunisada) Collection ❼ T, K, M Tree Overlapping Rings on Dark Blue Ramie Collection ❼ K, M 1104 Shijyôgawara Yûsuzumi no zu, Bandô Ground － ❷1831-45, the Tempô era ❸ paper ❹ 26.8×18.2 － Utagawa Sadakage Hikosaburô V, Enjoying the Evening Cool on 1062 ❺ Suzuka City ❼ M ❷19c., the Edo period ❸ ramie ❹ sleeveless jacket: 1095 Yucha o Hakobu Onna, Woman Bringing Tea the River Side near Shijo Street, Bandô ❺ Hikosaburô V Paper Stencil with Pattern of “Iseebi-ni- － 67×78.7 trousers: 102.9×23.5 (width of waist) Yukata, Design of Chrysanthemum Branches ❶ Kawaguchiya Chôzô❷ c.1818-30 ❸ woodcut on Rokuyatagôshi”, Giant Shrimps on 1075 Kyoritsu Women’s University ❻Y1620626 ❼ T, K on White Cotton Ground paper ❹38×25 ❺MAK - Österreichisches Museum ❶ Sakanaya Eikichi ❷1858 ❸ woodcut on paper ❹ Interwoven Squares ❺ Sample Book of Stencil Designs “Fuku”, Good － ❷19c., the Meiji period ❸ cotton ❹133×63.3 (width für angewandte Kunst/Gegenwartskunst, Wien❻ 36×24.8 MAK - Österreichisches Museum für ❻ ❸ paper, persimmon tannin❹ 25.4×40.8 ❺ Private Fortunes 1086 between center back to sleeve opening)❺ Private HM 11486 -102 ❼ T, K, M angewandte Kunst/Gegenwartskunst, Wien Collection ❼ T, K, M K.I.15053-c ❼ T, K, M ❷1855-60, the Ansei era ❸ paper ❹ 25.7×17.8 ❺ Kamishimo Vest and Trousers, Design of Collection ❼ T, K － － Suzuka City ❼ T, K, M Linked Lozenges on Dark Brown Ramie 1105 Ground － 1063 － 1096 Utagawa Kunisada Paper Stencil with Pattern of “Nijû-shi-Kô”, 1076 ❷19c., the Edo period ❸ ramie ❹ sleeveless jacket: Part 2. Paper Stencils and the Arts and Under Wear, Design of Stencil Samples on Enmusubi Myouto Hyôban, Affinity Crafts Movement Twenty-Four Paragon of Filial Piety Sample Book of Stencil Designs “Take”, 64.8×67.7 trousers: 89×22.5 (width of waist) ❺ White Cotton Ground Judgement, Blacking Teeths (Element Metal) ❻ ❼ The response to paper stencils in Great ❸ paper, persimmon tannin❹ 22×39.5 ❺ Private Bamboo Kyoritsu Women’s University Y1620625 K, M and Gargling (Element Water) ❷19c., the Meiji period ❸ cotton ❹ 62×63.2 (width Britain and U.S.A. Collection ❼ T, K, M ❷1855-60, the Ansei era ❸ paper ❹ 24.6×17.5 ❺ － between center back to sleeve opening) ❺ Private ❶Yamamotoya Heikichi ❷ c.1821-23 ❸ woodcut 1087 － Suzuka City ❼ T, K, M Collection ❼ T, M on paper ❹ 37.3×26 ❺ MAK - Österreichisches Kamishimo Vest and Trousers, Design of 2001 1064 － Museum für angewandte Kunst/Gegenwartskunst, Repeated Lozenge Pattern on Blue Ramie － Paper Stencil with Pattern of “Kawarigiku”, Paper Stencil with Pattern of “Mimasumon- 1077 1097 Wien ❻ HM 11486-082 ❼ T, K, M Ground Chrysanthemums ni-Tsubushi”, Piles of Three Boxes and Drops Sample Book of Stencil Designs Bingata Robe, Design of Weeping Cherry － ❷19c., the Edo period ❸ ramie ❹ sleeveless jacket: ❸ paper, persimmon tannin❹ 26.5×41.5 ❺ ❸ paper, persimmon tannin❹ 25.3×41 ❺ Private ❷19c., the Edo to Meiji period ❸ paper ❹ Blossoms in Mist and Flying Birds with 1106 height 68×75 trousers: 176.7×25 (width of Brintons Carpets Ltd. Archive ❻ js429 ❼ T, K, M Collection ❼ T, K, M 24.4×15.7 ❺ Private Collection ❼ T, K, M Running Water and Plants on Yellow Cotton Keisai Eisen waist) ❺ Kyoritsu Women’s University ❻ － Ground Mutamagawa, Hagi no Tamagawa, Six Tama － － Y1620626 ❼ T, M 2002 1065 1078 ❷19c., the Ryûkyû Kingdom period ❸ cotton ❹ Rivers in Japan, Tama River in Hagi Paper Stencil with Pattern of “Kogiku”, Paper Stencil with Pattern of “Chô-ni-Nami”, － 134.5×60.7 (width between center back to sleeve ❶ ❷ ❸ ❹ Sample book of stencil designs including 1088 Etsuki c.1822-25 woodcut on paper Chrysanthemums Butterflies on Waves chūgata fabrics opening)❺ Joshibi Art Museum ❻ 2209-32 ❼ T, 37.5×26 ❺ MAK - Österreichisches Museum für Suo Kamishimo Vest and Trousers, Design of ❸ paper, persimmon tannin❹ 24.5×41.5 ❺ ❸ paper, persimmon tannin❹ 24.1×40.6 ❺ Private ❷ ❸ ❹ K, M angewandte Kunst/Gegenwartskunst, Wien❻ 19c., the Edo to Meiji period paper 27.9×18 Chrysanthemum Flowers on Black Ramie Brintons Carpets Ltd. Archive ❻ js706 ❼ T, K, M Collection ❼ T, K, M ❼ ❺ Private Collection ❼ T, K, M Ground － HM 11485- 049 T, K, M 1098 － － － ❷19c., the Edo period ❸ ramie ❹ jacket: height － 2003 1066 1079 Bingata Robe, Design of Wave Creasts and 1107 65.5×84 (width between center back to sleeve Paper Stencil with Pattern of “Ume-ni- Paper Stencil with Pattern of “Tori-ni- Small Flowers on Purple Cotton Ground Paper Stencil for Bingata with Large Pattern opening) long trousers: 163×24.5 (width of Utagawa Kuniyoshi Kawarishikanshima”, Japanese Apricots on Senbokashi”, Birds and Lines with Gradation and Edge Pattern of Phoenix and Clouds waist) ❺ Japan Art Counsil, National Noh ❷19c., the Ryûkyû Kingdom period ❸ cotton ❹ Hanaawase Tôsei Bijin Awase, Current Stripes ❸ paper, persimmon tannin❹ 25.2×41 ❺ Private ❷ ❸ 120×63 (width between center back to sleeve 19c., the Ryûkyû Kingdom period paper, Theater ❼ K, M Beauties, Woman with Brazier ❸ paper, persimmon tannin❹ 25×36 ❺ Liberty ❺ ❻ ❼ Collection ❼ T, K, M persimmon tannin ❹ 57×42.5 ❺ Suntory Museum opening) Joshibi Art Museum 2209-13 T, ❶ ❷ ❸ － Kawaguchiya Chôzô c.1830-34 woodcut on Ltd.❻ ar.A.592 ❼ T, K, M － of Art ❻染 63-38 ❼ T, K 1089 K, M paper ❹ 37.7×25.6 ❺ MAK - Österreichisches 1067 － － Suo Kamishimo Vest and Trousers, Design of － Museum für angewandte Kunst/Gegenwartskunst, 2004 Paper Stencil with Pattern of “Yokodan”, 1080 1099 ❻ ❼ Genji Wheels on Blue Ramie Ground Wien HM 11486-109 T, K, M Paper Stencil with Pattern of “Tori-ni-Hana”, Patterned Horizontal Stripes Bingata Robe, Design of Drying Fish Nets, Paper Stencil for Bingata with Large White ❷19c., the Edo period ❸ ramie ❹ jacquet: 81×100 － Birds and Flowers ❸ paper, persimmon tannin❹ 24.7×39.9 ❺ Private Ground Pattern of Flowing Water, Creels and Chrysanthemums on Blue Cotton 1108 (width between center back to sleeve opening) ❸ paper, persimmon tannin❹ 25×37 ❺ Liberty ❼ Miscanthus, Hemp, Arrowhead, Hollyhock, Ground Collection T, K, M long trousers: 165×25 (width of waist)❺ Japan Art Utagawa Kunisada I ❻ ❼ Shells, Waterweeds, and Flying Birds Ltd. ar.A.607 T, K, M － Counsil, National Noh Theater ❼ T, M ❷19c., the Ryûkyû Kingdom period ❸ cotton ❹ Edo Hashi Zukushi, Azuma Bashi, Bridges in 1068 ❷19c., the Ryûkyû Kingdom period ❸ paper, 130×57.8 (width between center back to sleeve － － Edo, Azuma Bridge 2005 Paper Stencil with Pattern of “Kakutsunagi- persimmon tannin ❹ 54.5×41.5 ❺ Suntory opening)❺ Joshibi Art Museum ❻ 2209-38 ❼ T, 1090 ❶ Takenouchi Magohachi ❷ c.1830-34 ❸ woodcut Paper Stencil with Pattern of “Hujiwa-ni- ni-Yosemoyô”, Combination of Angles with Museum of Art ❻染 63-35 ❼ K, M K, M Suo Kamishimo Vest and Trousers, Design of on paper ❹ 36.5×25.6 ❺ MAK - Österreichisches Chô”, Wearths of Japanese Wisteria and Motives － Jagged Diamonds and Leaves on Light Blue － Museum für angewandte Kunst/Gegenwartskunst, Butterflies ❸ paper, persimmon tannin❹ 26.2×40.9 ❺ Private 1081 1100 Ramie Ground Wien ❻ HM 11486 - 054 ❼ T, K, M ❸ paper, persimmon tannin❹ 24×40 ❺ Museum Collection ❼ T, K, M Paper Stencil for Bingata with Oversize White Bingata Robe, Design of Flying Geese, ❷19c., the Edo period ❸ ramie ❹ jacket: 67.5×86 of Domestic Design & Architecture (MoDA)❻ Ground Pattern of Pines and Japanese Flowing Water, and Cherry Blossoms and － － (width between center back to sleeve opening) 1109 K2.62 ❼ T, K, M 1069 Apricots Maple Leaves on White Cotton Ground long trousers: 159×24.8 (width of waist) ❺ Japan Utagawa Kunisada I ❷19c., the Ryûkyû Kingdom period ❸ paper, ❷19c., the Ryûkyû Kingdom period ❸ cotton ❹ － Paper Stencil with Pattern of “Chidori-ni- Art Counsil, National Noh Theater ❼ T, K Ukiyo Ninjyō Tengan Kyô Nakachô, 2006 Nami”, Plovers on Waves persimmon tannin ❹ 55.9×42.2 ❺ Suntory 131.8×69.3 (width between center back to sleeve － Temporary Genre Scenes, Courtesan in Paper Stencil with Pattern of “Yukiwabishi- Museum of Art ❻染 63-7 ❼ T, M opening)❺ Joshibi Art Museum ❻ 2209-28 ❼ T, ❸ paper, persimmon tannin❹ 31.6×42.1 ❺ Private 1091 Fukagawa - Nakamachi ni-Hana-to-Bashô”, Rombuses of Snow Collection ❼ T, K, M － Kimono, Design of Pine Needles on Black Silk K, M Grains, Flowers and Japanese Fiber Banana 1082 ❶ Moriya Jihei ❷ c.1830-44 ❸ woodcut on paper ❹ － Crepe Ground － 36.3×27 ❺ MAK - Österreichisches Museum für Plants Paper Stencil for Bingata with Large White 1101 1070 ❷19c., the Meiji period ❸ silk ❹158×59.6 (width angewandte Kunst/Gegenwartskunst, Wien ❻HM ❸ paper, persimmon tannin❹ 24×40 ❺ Museum Ground Pattern of Stripes, Chrysanthemums Paper Stencil with Pattern of “Yûkakuki”, between center back to sleeve opening)❺ Japan Kitagawa Utamaro ❼ ❻ and Flowing Water 11486-099 T, K, M of Domestic Design & Architecture (MoDA) Stories of Red-Light Districts Women’s University ❻染 -3827 ❼ T, M Futatsu Makura, A Beauty and a Young Man K2.93 ❼ T, K, M ❷19c., the Ryûkyû Kingdom period ❸ paper, － ❸ paper, persimmon tannin❹ 30.3×40.3 ❺ Private ❶ Unknown ❷ c.1793-94 ❸ woodcut on paper ❹ 1110 persimmon tannin ❹ 55.8×42 ❺ Suntory Museum － － Collection ❼ T, K, M 1092 37×25.5 ❺ MAK - Österreichisches Museum für 2007 of Art ❻染 63 -11 ❼ T, K Utagawa Kunisada I angewandte Kunst/Gegenwartskunst, Wien❻ － Kimono, Design of Interlocked Circles on Nisemurasaki-Inakagenji, Tasogare, Paper Stencil with Pattern of “Kikukarakusa”, 1071 － Dark Gray Silk Crepe Ground K.I.10672 ❼ T, K, M Chrysanthemum Arabesques 1083 Character from the Story Series Nisemurasaki Sample Book of Kimono Designs “Tôryû ❷19c., the Meiji period ❸ silk ❹158×59.5 (width － Inakagenji ❸ paper, persimmon tannin❹ 36.2×20.5❺ Musée Paper Stencil for Bingata with Large White Shippô Tokiwa Hiinakata” ❺ 1102 ❻ ❼ Ground Pattern of Pine-Bark Lozenges, Crane between center back to sleeve opening) Japan ❶ Tsuruya Kiemon ❷ c.1830-44 ❸ woodcut on des Arts décoratifs, Paris PR 2011.7.26 4 T, K, ❷1700 ❸ paper ❹ 26×19 ❺ & ❻ Tokyo University Roundels, Japanese Apricots, and Banana Women’s University ❻染 -3822 ❼ T, K Utagawa Toyokuni paper ❹ 37.7×25.5 ❺ MAK - Österreichisches M of the Arts, University Library 10/61-3, Plants － Bando Mitsugoro III no Yamazaki Yoshihei, Museum für angewandte Kunst/Gegenwartskunst, － Matsuzakaya Collection T-031❼ T, K, M Bando Mitsugoro III as Yamazaki Yoshibei ❻ ❼ 2008 ❷19c., the Ryûkyû Kingdom period ❸ paper, 1093 Wien K.I.07719-a035 T, K, M － persimmon tannin ❹ 53.3×41.5 ❺ Suntory Kimono, Design of Cherry Blossoms and ❶Yamamotoya Heikichi ❷1818 ❸ woodcut on － Paper Stencil with Pattern of “Mimasukôshi”, 1072 Museum of Art ❻染 63-9 ❼ K, M Maple Leaves on Purple Plain Woven Silk paper ❹ 28.7×27.3 ❺ MAK - Österreichisches 1111 Piles of Three Measures Sample Book of Stencil Designs “Matsu Ground Museum für angewandte Kunst/Gegenwartskunst, ❸ paper, persimmon tannin❹37.5×67.5 ❺Victoria － Utagawa Toyokuni III (Utagawa Kunisada) Jirushi Kata Mihon-cho” 1084 ❷19c., the Meiji period ❸ silk ❹145.8×62 (width Wien ❻ K.I.10500-009 ❼ T, K, M Shijyôgawara Yûsuzumi no zu, Arashi and Albert Museum ❻10248 ❼ T, K, M ❷1758 ❸ paper ❹ 30.8×21 ❺ Japan Women’s Paper Stencil for Bingata with Large Pattern between center back to sleeve opening)❺ Private － Kichisaburô III, Enjoying the Evening Cool － University ❼ T, K, M of Flowing Water with Scattered Camellia Collection ❼ K, M 1103 on the River Side near Shijo Street, Arashi 2009 － Flowers, Cherry Blossoms, Peonies, and Maple － Utagawa Kunisada Kichisaburô III Paper Stencil with Pattern of “Shôbu-ni- 1073 Leaves Oatsurae Tôsei gonomi Yanagi Nezumi, ❶ Sakanaya Eikichi ❷1858 ❸ woodcut on paper ❹ Tsubame”, Sweet Flags and Swallows Sample Book of Stencil Designs ❷19c., the Ryûkyû Kingdom period ❸ paper, Colours in Fashion 36×25.5 ❺ MAK - Österreichisches Museum für ❸ paper, persimmon tannin❹ 25.5×43.2 ❺ 369 Victoria and Albert Museum ❻ 3-19-1879 ❼ T, K, 2020 Museum of Domestic Design & Architecture 2042 Design for Wallpaper Manufactures ❻ ❼ M Thomas Jeckyll (MoDA) ST286A T, K, M Walter Crane ❶ Silver Studio ❷ c.1890 ❸ gouache, heavy ❶ Longmans, Green & Co., London ❷1882 ❸ － Fireplace Surround － Wallpaper: Almond Blossom and Swallow paper ❹ 57×45 ❺ Museum of Domestic Design & book ❹ 23.4×17.3×4.3 (t) ❺ Bunka Gakuen 2010 2031 ❻ ❼ University Library ❻ KC531/702.1/D ❼ T, K, M ❶ Bishop Barnard and Norwich Barnard❷ ❶ Jeffrey & Co.❷1878 ❸ woodcut on paper ❹ Architecture (MoDA) SD8496 T, K, M Paper Stencil with Pattern of “Kakitsubata- c.1876 ❸ cast iron ❹ 53×97 ❺ Michael & Mariko Arthur Silver 54.3×72.5 ❺Victoria and Albert Museum ❻ － － ni-Shima”, Irises on Stripes Whiteway ❼ T, K, M Textile Sample E .4037-1915 ❼ T, K, M 2054 2064 ❸ paper, persimmon tannin❹ 23.5×40.5 ❺ － ❶ Liberty & Co.❷1891 ❸ indigo discharge print, － Lewis Foreman Day The Liberty Product Catalogue Victoria and Albert Museum ❻ D.922-1891 ❼ T, 2021 cotton ❹ 32.5×34 ❺ Museum of Domestic Design 2043 Low-Price Wallpapers for Staircase Decoration ❶ Liberty & Co.❷1884 ❸ book ❹ 21.7×29×1.7 (t) K, M & Architecture (MoDA)❻ ST918 ❼ T, K, M « Memphis » closed ❺Victoria and Albert Museum ❻ Charles Robert Ashbee Walter Crane 38041800018368❼ T, K, M － Tray － Wallpaper Design: Blossom and Wallflower ❶ Jeffrey & Co.❷ c.1887-1900 ❸ machine print, 2011 2032 paper ❹ 57.7×41.3 ❺Victoria and Albert － ❶ Guild of Handicraft ❷1896-97 (manufactured) ❷1878 ❸ body colour on paper ❹ 37.8×53.3 ❺ Paper Stencil with Pattern of “Tori-ni-Hijiki”, Textile Museum ❻ E.23131-1957 ❼ T, K, M 2065 ❸ silver ❹ 32.3×20×1.6 ❺Victoria and Albert Victoria and Albert Museum ❻E.641-1952 ❼T, K, Birds on Hizikia Fusiforme Motives Katagami Design, Decorator and Furnisher, Museum ❻ CIRC.471-1962 ❼ T, K, M ❶ Liberty & Co.❷1894 ❸ cotton ❹ 81.5×92 ❺ The M － ❸ paper, persimmon tannin❹ 24.5×40.5 ❺ Whitworth Art Gallery ❻ T.1985.55 ❼ T, K, M 2055 vol. 6, No. 5, pp. 150-151 with Anotation by Victoria and Albert Museum ❻ D.954-1891 ❼ T, － － Lewis F. Day 2022 － 2044 Aubrey Vincent Beardsley K, M 2033 Illustration « The Climax » (Oscar Wilde, Salome) ❷1885 ❸ paper ❹ 38. 3×24.9 ❺ The Downing Charles Robert Ashbee Walter Crane Collection, The Manchester Metropolitan － ❶ John Lane, The Badley Head, London ❷1920 2012 Biscuit Barrel Charles Voysey (?) Wallpaper University ❼ T, K, M Decoration Fabric: Poppy Flower (1894 1st edition) ❸ ink on paper ❹ 26×20.2 ❺ ❶ Guild of Handicraft ❷1903 ❸ silver, brass ❹ ❶ Jeffrey & Co.❷ c.1878 ❸ color woodblock print Paper Stencil with Pattern of “Futabaaoi” Bunka Gakuen University Library ❻ 726.5/B ❼ T, － Asarum Caulescens 20×14.2 ❺ Cheltenham Art Gallery & Museum ❻ ❶ The Rendlesham Great Britain ❷ c.1894 ❸ on paper ❹ 46.6×53.5 ❺Victoria and Albert 2066 woodblock print, cotton ❹183×82.5 ❺ Museum Museum ❻ E .4021-1915 ❼ T, K, M K, M ❸ paper, persimmon tannin❹ 32.5×41 ❺Victoria 1982.1123 ❼ T, K, M Sigfried Bing (ed.) für Kunst und Gewerbe Hamburg ❻1895.303 ❼ － and Albert Museum ❻ E.2669-1916 ❼ T, K, M － － 2056 Artistic Japan 2023 T, K, M 2045 － Charles Rennie Mackintosh ❷1888-91❸ books (36 issues, 3 vols.)❹ 33.5× 2013 － Bruce James Talbert (?) ❺ ❼ Ernest Gimson 2034 Meister der Innen Kunst: Haus eines 25.5×4 (t) each Private Collection T, K, M Paper Stencil with Pattern of “Sakura-ni- Candle Sconce Decorator’s Wallpaper Specimen Panel Silver Studio Kunstfreundes II － Kôshi”, Cherry Blossoms on Lattices ❶ Alfred Bucknell ❷ c.1917 ❸ brass ❹ 9×18×25.4 ❺ ❶ Jeffrey & Co.❷ c.1875-78 ❸ woodcut on a. Perspective of the Reception and Music Room 2067 Cover Design, Rottmann’s Catalogue paper ❹181×52.7 ❺Victoria and Albert ❸ paper, persimmon tannin❹ 31.5×40.8 ❺ Cheltenham Art Gallery & Museum ❻1952.106 b. Perspective of the Dining Room Andrew W. Tuer ❻ ❼ ❶ Rottmann’s❷1895 ❸ distemper on woven Museum ❻ E.662-1953 ❼ T, K, M Victoria and Albert Museum E.2672-1916 T, ❼ T, K, M ❶ Alexander Koch Verlag ❷1901 ❸ lithograph on The Book of Delightful and Strange Design jute ❹ 30×12 ❺ Museum of Domestic Design & K, M － paper ❹ 54.6×40.4 (each)❺ Toyota Municipal Being One Hundred Facsimile Illustrations － Architecture (MoDA)❻ SE602 ❼ T, K, M － 2024 2046 Museum of Art ❼ T, K, M of the Art of the Japanese Stencil-Cutter 2014 － Wallpaper ❶ The Leadenhall Press Ltd., London; F. A. Christopher Dresser 2035 － Paper Stencil with Pattern of “Saya”, Key Frets Vase ❶ Jeffrey & Co.❷ c.1877-80 ❸ colour print on 2057 Brockhaus, Leipzig; Liberty & Co., London, ❸ paper, persimmon tannin❹ 24.6×40.5 ❺ Silver Studio paper ❹ 269×52.5 ❺Victoria and Albert Paris, Yokohama; Simpkin, Marchall, Hamilton, ❶ Minton & Co.❷1861-62 ❸ porcelain ❹14.3× Charles Rennie Mackintosh Victoria and Albert Museum ❻ E.3672-1916 ❼ T, Textile: Water Iris Museum ❻ E.661-1953 ❼ T, K, M Kent & Co. Ltd, London; Charles Scribner’s Sons, 9.2 ❺Victoria and Albert Museum ❻ 8089-1863 ❼ Stencil for Hous’hill, Nitshill, Glasgow K, M ❶ Liberty & Co.❷ c.1895 ❸ cotton ❹ 29×18.5 ❺ New York; Baudry et Cie, Paris.❷[1892] ❸ book T, K, M － ❷1904 ❸ paper, dark pink paint, white paint ❹ Liberty Ltd.❻ ar.T.2664 ❼ T, K, M 2047 ❹20×22 ❺Mitsubishi Ichigokan Museum, Tokyo － 48.3×60.7 ❺ The Hunterian, The University of 2015 － ❼ T, K, M 2025 － T.W. Sha rp Glasgow ❼ T, K, M Paper Stencil with Pattern of “Ume-ni-Sasa”, 2036 Wallpaper « Albion » － William Frend De Morgan (Joe Juster, painter) － 2068 Japanese Apricots and Bamboo Grasses Textile ❶ ❷ ❸ ❹ Vase Jeffrey & Co. c.1882 woodcut on paper 2058 ❸ paper, persimmon tannin❹ 43×63 ❺Victoria ❶ Liberty & Co.❷ c.1890-07 ❸ cotton ❹ 76×79 ❺ 53.8×48 ❺Victoria and Albert Museum ❻ Mrs. Ernest Hart ❶ Fulham Factory (manufacture)❷ c.1895 ❸ Charles Rennie Mackintosh and Albert Museum ❻ E.620-1899 ❼ T, K, M The Whitworth Art Gallery ❻T16.1986 ❼T, K, M E.1852-1934 ❼ T, K, M “Some Japanese Industrial Art-Workers (Crepe earthenware and slip with lustre decoration ❹ Stencil Design for Vestibule, Hous’hill, Printers)”, Transactions and Proceedings of － 19.4×18.7 ❺Victoria and Albert Museum ❻ － － Nitshill, Glasgow the Japan Society, vol. 1, 1892 2016 2037 2048 C.417-1919 ❼ T, K, M ❷1904 ❸ pencil, watercolour, paper ❹ 60.2×67.5 ❺ ❶ Kegan Paul, Trench, Trübner and Co., Ltd., Edward William Godwin Liberty & Co. Arthur Mackmurdo ❼ － The Hunterian, The University of Glasgow T, London ❷1893 ❸ book ❹ 25.3×17×4.8 (t) ❺ Sideboard Sirang Silk Sample Book Cover Design (Wren’s City Churches) 2026 K, M International Research Center for Japanese ❶ Art Furniture Company, London (?)❷1867 ❶ ❷ ❸ ❶ Hazell, Watson and Viney Limited, London ❷ Walter Crane Liberty & Co. c.1900-05 cardboard, － Studies ❻ 001424142 ❼ T, K, M (manufactured 1869)❸ pine, black lackered, textile ❹ 31×21.5×2 (t)❺ Liberty Ltd.❻ Sb.03 1883 ❸ book ❹ 30.5×24 ❺ Michael & Mariko 2059 Tile － painted gold linear decor, silver plated, hardware ❼ ❼ T2003.622 T, K, M Whiteway T, K, M Charles Rennie Mackintosh 2069 ❹ 48×153×171 ❺ Die Neue Sammlung, - The ❶ Maw & Co.❷ Second half of 19c.❸ lead-glazed － － Design, Order Desk Chair for the Willow Tea Internatinal Design Museum Munich ❻ 470/93 ❼ earthenware ❹15.3×15.3 ❺Victoria and Albert E.F. Strange 2038 2049 Rooms, Glasgow T, K, M Museum ❻ C.67-1980 ❼ T, K, M “Stenciling as an Art”, The Studio, vol. 3 William Morris Design Paper, Chrysanthemum Flowers ❷1904 ❸ pencil and watercolour on paper ❹ － ❶ C.Holm, London ❷1894 ❸ magazine ❹ － Wallpaper « Trellis » ❷1889 ❸ watercolour on paper ❹ 41.5×44 ❺ ❺ 2017 2027 57.9×39.6 (The 1/12 scale of a chair) Hida 29.2×21.5×2.3 (t) ❺ Bunka Gakuen University ❻ ❼ ❶ Morris & Co.❷1862 (1864 manufactured)❸ Brintons Carpets Ltd. Archive m5200 T, K, Takayama Museum of Art ❼ T, K, M ❻ ❼ Ernest Gimson Christopher Dresser Library KC421/705/S/3 T, K, M block-printed in distemper colours on paper ❹ M Cabinet on Stand Textile Sample « Mooltan » － － 61.8×57.8 ❺Victoria and Albert Museum ❻ － 2060 2070 ❶ Daneway House Workshops ❷1902 (manu­ ❶ Liberty & Co.❷ c.1880 ❸ cotton ❹ 25.4×80.5 ❺ CIRC.247-1964 ❼ T, K, M 2050 Margaret Macdonald Mackintosh factured)❸ veneered walnut, ebony with gilt gesso Museum of Domestic Design & Architecture Liberty & Co. Design Paper, Chrysanthemum Flowers Menu Card for Miss Cranston’s “White ❹ Overall: 47.2×118.8×188 Upper: 34.8×91.3× (MoDA) ❻ ST3600 ❼ T, K, M － Yule-Tide Gifts (Mail Order Catalogue) 2039 ❷1889 ❸ watercolour on paper ❹ 23.5×46 ❺ Cockade Restaurant” 127.5 Lower: 47.2×118.8×60.5❺Victoria and ❶ Liberty & Co.❷1903‐04 ❸ book ❹18×25 ❺ － Walter Crane Brintons Carpets Ltd. Archive ❻ M5217 ❼ T, K, ❷ ❸ ❹ Albert Museum ❻W.27-1977 ❼ T, K, M 2028 1911 lithograph and postercolour, paper Liberty Ltd.❻ L.Cat.34 ❼ T, K, M Wallpaper: Iris and Kingfisher M 21.2×31.5 ❺ Hida Takayama Museum of Art ❼ T, － William Morris － ❶ Jeffrey & Co.❷1877 ❸ woodcut on paper ❹ － K, M 2018 Decoration Fabric « Kennet » 2071 43.5×53.4 ❺Victoria and Albert Museum ❻ 2051 Charles Rennie Mackintosh － Aubrey Vincent Beardsley ❶ Morris & Co.❷1883 ❸ woodblock print, E .4035-1915 ❼ T, K, M Arthur Silver 2061 Chair for the Writing Desk of the Hill House cotton ❹138×97 ❺ Museum für Kunst und Cover Design (Oscar Wilde, Salome) － Design for Printed Textile Design Paper, Chrysanthemum Flowers ❷1904 ❸ oak, silk ❹ 40.6×43.2×101.9 ❺ Toyota Gewerbe Hamburg ❻1973.15 ❼ T, K, M ❶ John Lane, The Badley Head, London ❷1907 2040 ❶ Silver Studio ❷ c.1890 ❸ gouache, heavy ❷ ❸ ❹ Municipal Museum of Art ❼ T, K, M 1908 watercolour on paper 18.5×61 (above) (1894 1st edition) ❸ book ❹ 22×17.9×1.5 (t) ❺ － paper ❹ 53.5×67 ❺ Museum of Domestic Design ❺ Edward William Godwin 19.5×75 (below) Brintons Carpets Ltd. Bunka Gakuen University Library (Kodaira)❻ － 2029 & Architecture (MoDA)❻ SD1262 ❼ T, K, M Archive ❻ L7691 ❼ T, K, M 2019 Sketchbook 726.5/B ❼ T, K, M Liberty & Co. ❷ ❸ － － Charles Rennie Mackintosh 1876-78 pencil, pen, ink, watercolour and － Pattern Book ❹ ❺ 2052 2062 Writing Cabinet, for 120 Mains Street, gouache on paper 10.8×15.9 closed Victoria 2072 ❶ Liberty & Co.❷ Before 1889 (Sample)❸ paper, ❻ ❼ Arthur Silver Stencil Proof Glasgow, or 6 Florentine Terrace (78 and Albert Museum E.241-1963 T, K, M Henry T. Wyse cardboard, textile ❹ 46×34×9 ❺ Liberty Ltd.❻ Bordered Design ❶ ❷ ❸ ❹ Southpark Avenue), Glasgow － Silver Studio c.1890 ink, cartridge paper Fifty Japanese Stencils with Descriptive ar.B.048 ❼ T, K, M ❶ ❷ ❸ 30×50 ❺ Museum of Domestic Design & ❷ reproduced in 1909-10 ❸ mahogany and 2041 Silver Studio c.1890 gouache, cartridge Letterpress ❹ ❺ Architecture (MoDA)❻ K02.62 ❼ T, K, M sycamore, ebonised with peartree, mother-of- － The Morning Room of H.R.H. The Prince of paper 36.1×37.9 Museum of Domestic Design ❶ Henry T. Wyse, Edinburgh ❷1911 ❸ book ❹ 2030 ❻ ❼ pearl, ivory, glass inlays, metal fittings ❹ Wales pavilion & Architecture (MoDA) SD2588 T, K, M － 21.1×14.1×1.1 (t) ❺ International Research Center 45.8×120.1×94 ❺ Hida Takayama Museum of Christopher Dresser ❷1878 ❸ photography ❹ 24×22 ❺ Michael & － 2063 for Japanese Studies ❻ NH/8665/Wy 000365841 Art ❼ T, K, M Textile Sample Mariko Whiteway ❼ T, K, M 2053 Christopher Dresser ❼ T, K, M － ❶ Liberty & Co.❷ c.1890 ❸ cotton ❹ 31×32 ❺ － Arthur Silver Japan: It’s Architecture, Art, and Art － 371 2073 2083 3006 3017 3029 ❷ c.1910 ❸ glass ❹ 32.5×11 ❺ Kurokabe Museum Katagami Sample Album Associated Artists Paper Stencil with Pattern of “Ôgi-ni-Nami-ni- Paper Stencil with Pattern of “Hatô”, Waves René Lalique of Art ❼ T, K, M ❷ c.1885-1900 ❸ gelatine silver photographic Textile: Nets-and-bubbles Seseragi”, Folding Fans on Waves and Streams ❸ paper, persimmon tannin❹ 30.2×40.3 ❺ Musée Pendant: Female Profile and Sycamore － prints mounted on card ❹ 37.7×22.8×2.4 (t) (24 ❷1883-1900 ❸ silk, cotton ❹ 41.6×22.9 ❺ The ❸ paper, persimmon tannin❹ 31×41 ❺ Musée de Lorrain, Nancy ❻ 2006-0-3501＊Former Wiener ❷ c.1901-02 ❸ gold, enamel ❹ 9.6×3.2 ❺ Lalique 3041 sheets 90 pieces)❺ The Downing Collection, The Metropolitan Museum of Art ❻ 28.70.9＊Gift of l’Impression sur Etoffes, Mulhouse ❻ 874.6.34 ❼ Collection ❼ T, K, M Museum, Hakone ❻ 370 ❼ T, K, M René Lalique Manchester Metropolitan University ❼ T, K, M ❼ T, K, M Mrs. B. Keith, 1928 (28.70.9) T, K － － Vase: Grasshoppers － － － 3018 3030 ❷1912 ❸ glass ❹ 26.5×25.8 ❺ Lalique Museum, 2074 3007 2084 Paper Stencil with Pattern of “Sawarabi-ni- René Lalique Hakone ❻ 359 ❼ T, K, M Paper Stencil with Pattern of “Hatô”, Waves Paper Stencil with Pattern of “Take-ni- Kasumi”, Fresh Bracken Sprouts in Haze Cheney Brothers/Associated Artists Powder Case « Fleurs d’amour » (Roger & Gallet) － Gamajima”, Bamboos on Stripes of Cattails ❸ ❹ ❺ ❸ paper, persimmon tannin❹ 52×42 ❺ Collection Textile: Pinecones-and-needles paper, persimmon tannin 30×41.2 Nancy, ❷1922 ❸ aluminium❹ 2.8×7.5 ❺ Lalique 3042 ❼ ❸ ❹ ❺ musée des beaux-arts ❻ 204.0.208＊Former Blanche & Bertrand Bellon, Paris T, K, M ❷1883-1900 ❸ silk ❹ 76.2×62.2 ❺ Metropolitan paper, persimmon tannin 30×41 Musée de Museum, Hakone ❻ 505 ❼ T, K, M René Lalique l’Impression sur Etoffes, Mulhouse ❻ 874.6.142 ❼ Cartier-Bresson Collection ❼ T, K, M － Museum of Art ❻ 28.70.6＊Gift of Mrs.Boudinot － Vase: Marguerites 2075 T, K, M Keith, 1928 (28.70.6)❼ T, K － 3031 ❷1923 ❸ opalecent glass ❹ 20.8×16.5 ❺ Lalique 3019 Herter Brothers － － Unknown Museum, Hakone ❻ 602 ❼ T, K, M Ottoman 2085 3008 Emile Gallé Brooch － Paper Stencil with Pattern of “Nami-ni- Card Table ❷ c.1881-82 ❸ rosewood, cedar, brass, leather, William H. Bradley ❷ c.1925 ❸ white gold, diamond, enamel ❹2.5×4.4 3043 ❹ ❺ Chidori”, Plovers on Waves ❷1880’s ❸ wood ❹ 40.8×70.5×75.8 ❺ Hida upholstery not original 41.9×48.2×42.2 The Poster « The Chap-Book » ❺ Musée des Arts décoratifs, Paris ❻ 2001.126.1 ❼ René Lalique ❻ ❸ paper, persimmon tannin❹ 31×42.5 ❺ Musée Takayama Museum of Art ❼ T, K, M Museum of Fine Arts, Houston 89.III＊Museum ❷1894 ❸ lithograph on paper ❹ 50.5×35.5 ❺ T, K, M Vase: Berries purchase with funds provided by the Agnes Cullen de l’Impression sur Etoffes, Mulhouse ❻ Musée de la Publicité, Paris ❻ 21319 ❼ T, K － ❷ ❸ ❹ ❺ Arnold Endowment Fund ❼ T, K, M 979.204.1 ❼ T, K, M 3020 － 1924 glass, black enamel 26.6×25.8 － 3032 Lalique Museum, Hakone ❻ 378 ❼ T, K, M － － 2086 Emile Gallé Hector Guimard 2076 3009 Decoration Shelf － William H. Bradley Paper Stencil with Pattern of “Shidarezakura- Decoration for Balcony 3044 Adler & Sullivan ❷1896-98 ❸ wood ❹ 47×66×151 ❺ Matsue Poster « Springfield Bicycle Club Tournament » ni-Kawarijima”, Weeping Cherries on Stripes ❶ Fonderie de Saint-Dizier ❷1905-07 ❸ cast René Lalique Friese for the Chicago Stock Exchange Building ❼ Kitahori Museum T, K, M ❹ ❺ ❻ ❷1895 ❸ lithograph on paper ❹ 53×35.5 ❺ Musée ❸ paper, persimmon tannin❹ 35.7×37.5 ❺ Musée iron 35×93.5 Musée d’Orsay, Paris OAO Flacon « Red Coral » (FORVIL) ❷ c.1893 ❸ iron ❹ 45×169.5×5.1 (t) ❺ Toyota ❼ de la Publicité, Paris ❻ 9735 ❼ T, K ❻ ❼ － 636 T, K, M Municipal Museum of Art ❼ T, K, M des Arts décoratifs, Paris PR 2011.7.262 T, K, 3021 ❷1925 ❸ glass, enamel ❹10.8 (h) ❺ Hida － M － Takayama Museum of Art ❼ T, K, M － 2087 Emile Gallé 3033 2077 － Work Table － William H. Bradley 3010 Round Iron Table 3045 Louis Comfort Tiffany and Tiffany Studio ❷1899-1900 ❸ wood ❹ 41×73×76 ❺ Matsue ❶ ❷ ❸ ❹ ❺ Poster « The Ault & Wiborg Company, Paper Stencil with Pattern of “Sawarabisuji” Sabino 1920’s glass, iron 40×70 René Lalique Picture Frame of ‹ Etched Metal and Glass › Kitahori Museum ❼ T, K, M Printing Inks » Stripes of Young Bracken Sprouts Museum and Archive of the Kyoto Institute of Vase: Aigrettes Design in Pine-Bough Pattern ❻ ❼ ❷ c.1895 ❸ lithograph on paper ❹ 31.5×24 ❺ ❸ paper, persimmon tannin❹ 26.6×42.3 ❺ Musée － Technolog y A N. 1909 T, K, M ❷ c.1905-20 ❸ gilt bronze, favrile glass❹ 3022 ❷1926 ❸ glass ❹ 25.5×20 ❺ Lalique Museum, Musée de la Publicité, Paris ❻10381 ❼ K, M ❻ ❼ － ❺ ❻ des Arts décoratifs, Paris CD9099 T, K, M Hakone ❻ 218 ❼ T, K, M 25.4×20.3 The Metropolitan Museum of Art Eugène Grasset, Henri Vever 3034 Gift of Estate of John F. Schaffenberger. 1900 － － 2088 Comb « Naiad » Frédéric Boucheron － (1900.314.8) ❼ T, K 3011 3046 William H. Bradley Paper Stencil with Pattern of “Kiku-ni-Susuki”, ❷ c.1900 ❸ tortoiseshell, gold, enamel ❹16×8 ❺ Flacon － Suzanne Lalique 2078 Poster « March Issue Ready. The Inland Chrysanthemums and Japanese Plume Grasses Petit Palais, Musée des Beaux-Arts de la Ville de ❶ Rodolph Dinée (Metal), M.Berquin-Varangoz Paris ❻ OGAL00496 ❼ T, K, M Vase « Lagamar » Pr i nt e r » ❸ paper, persimmon tannin❹ 21×36 ❺ Musée des (Cristal)❷ c.1886-88 ❸ cristal glass, gilt silver ❹ Louis Comfort Tiffany and Tiffany Studio ❷1926 ❸ glass, black enamel ❹18.8 x18 ❺ Lalique ❷1896 ❸ lithograph on paper ❹ 32×25.5 ❺ Musée Arts décoratifs, Paris ❻ PR 2011.7.263 ❼ T, K, M － 14.5×7.5 ❺ Musée des Arts décoratifs, Paris ❻ Covered Box of ‹ Etched Metal and Glass › 3023 7843 ❼ T, K, M Museum, Hakone ❻ 357 ❼ T, K, M Design in Grapevine Pattern de la Publicité, Paris ❻10219 ❼ K, M － 3012 Lucien Gaillard － － ❷ c.1905-20 ❸ gilt metal, favrile glass ❹10.2× Comb 3035 3047 16.4×5.4 ❺ The Metropolitan Museum of Art ❻ Paper Stencil with Pattern of “Yanagi-ni- Part 3. Paper Stencils and Art Nouveau ❷ ❸ ❹ ❺ Emile Gallé Unknown 1900.314.1a, b/1900.314.1a Body/1900.314.1b Lid Kemari”, Willows and Kemari (Japanese c.1904 horn, opale, gold 20.8×7.4×1.4 (t) The response to paper stencils in Traditional Balls to Kicking) Musée d’Orsay, Paris ❻ OAO 43 ❼ T, K, M Small Bowl: Arabesque Textile Pattern: Bamboo ＊Gift of Estate of John F. Schaffenberger. 1900 ❶ ❷ ❸ ❹ ❺ (1900.314.1a, b)❼ T, K France and Belgium ❸ paper, persimmon tannin❹ 22.9×42.4 ❺ Musée － ❷1890-97 ❸ glass ❹ 8.5×12.5 ❺ Kurokabe Unknown 1879-80 cotton 11×15 Musée des Arts décoratifs, Paris ❻ CD9100 ❼ T, K, M 3024 Museum of Art ❼ T, K, M de l’Impression sur Etoffes, Mulhouse ❻ 783.56 ❼ － 3001 T, K, M 2079 － Louis Majorelle － Paper Stencil with Pattern of “Yosemoyô”, 3013 Buffet: Wheat 3036 － Frank Lloyd Wright Combination of Geometric Motives 3048 Sconce for the Avery Coonley House, Paper Stencil with Pattern of “Kumonosu-to- ❷ c.1904 ❸ wood, bronze ❹ 56×123×151 ❺ Emile Gallé Riverside, Illinois ❸ paper, persimmon tannin ❹29.5×41❺ Collection Sakura-ni-Takegaki”, Spider Webs, Cherry Kurokabe Museum of Art ❼ T, K, M Vase with Two Handles: Flowers and Unknown Blanche & Bertrand Bellon, Paris ❼ T, K, M Blossoms and Bamboo Fences Butterflies Textile Pattern ❷ c.1908 ❸ glass, bronze ❹ 22.9×27.9×18.3 ❺ － Toyota Municipal Museum of Art ❼ T, K, M － ❸ paper, persimmon tannin❹ 31.5×41.5 ❺ Musée 3025 ❷ c.1895 ❸ glass ❹ 28.5×17.6 ❺ Kurokabe Museum ❶ Unknown ❷1896-1900 ❸ wool ❹17.5×22 ❺ 3002 des Arts décoratifs, Paris ❻ CD9049＊Former S. of Art ❼ T, K, M Musée de l'Impression sur Etoffes, Mulhouse ❻ － René Lalique Paper Stencil with Pattern of “Ryûsui”, Bing Collection ❼ T, K, M ❼ 2080 Choker Plaque: Woman with Flowing Hair － 1546.57 T, K, M Streams 3037 Louis Comfort Tiffany and Tiffany Studio － ❷ c.1898-1900 ❸ gold, diamond, chrysoprase,❹ － ❸ paper, persimmon tannin❹ 50×40 ❺ Collection 3014 3049 Pen Tray, Calendar Frame, Paper Rack 5.5×7.2 ❺Lalique Museum, Hakone ❻1171 ❼T, K, Emile Gallé Blanche & Bertrand Bellon, Paris ❼ T, K, M Paper Stencil with Pattern of “Sawarabi-ni- M Vase: Chrysanthemum Unknown ❷ c.1910-20 ❸ bronze, favrile glass ❹ Pen Tray: 7.1× Genjikô”, Fresh Bracken Sprouts and Symbols － ❷ c.1900 ❸ glass ❹ 72.5×24.7❺ Kurokabe Textile Pattern 23.3×1.9 Calendar Frame: 16.5×19.4 Paper Rack: 3003 for Incenses － 8.9×31.8×21.9 ❺ The Metropolitan Museum of 3026 Museum of Art ❼ T, K, M ❶ Unknown ❷1886-90 ❸ cotton ❹14×14 ❺ Musée Paper Stencil with Pattern of “Taki”, ❸ paper, persimmon tannin❹ 42.5×56.5 ❺ Musée Art ❻ Pen Tray: 62.233.3/Calendar: 62.233.9/ René Lalique － de l’Impression sur Etoffes, Mulhouse ❻1549.52 ❼ Waterfalls des Arts décoratifs, Paris ❻ CD9015＊Former S. Paper Rack: 62.233.14＊Gift of Mrs. H.S. Mesick, 3038 T, K, M ❼ Choker Plaque « Véronique » ❼ ❸ paper, persimmon tannin❹31.2×40.2 ❺ Collec­ Bing Collection T, K, M 1962 (62.233.3) / (62.233.9) / (62.233.14) T, K ❷ c.1899 ❸ gold, bronze, enamel, artificial pearl ❹ René Lalique － tion Blanche & Bertrand Bellon, Paris ❼ T, K, M － ❺ ❻ Chalice: Pinecones 3050 － 3015 5.7×23.5×2.1 (t) Musée d’Orsay, Paris OAO 2081 － 47 ❼ T, K, M ❷ ❸ ❹ René Lalique 3004 Paper Stencil with Pattern of “Kiku-ni- c.1900-02 opalecent glass, silver Louis Comfort Tiffany and Tiffany Studio 18.8×10.6 ❺ Lalique Museum, Hakone ❻ 562 ❼ T, Stole « Field of Daisies » Paper Stencil with Pattern of “Sasa”, Bamboo Kasumi”, Chrysanthemums and Haze － Table Lamp: Poppy 3027 K, M ❶ Bianchini-Férier et Cie.❷1906-07 ❸ silk ❹ 305× Grasses ❸ paper, persimmon tannin❹ 26.6×42 ❺ Musée ❷ c.1900-10 ❸ glass, bronze ❹ 62×51 ❺ Kurokabe René Lalique 55.5 ❺ Lalique Museum, Hakone ❻158 ❼ T, K, M ❸ paper, persimmon tannin❹ 32.4×42 ❺ Musée Lorrain, Nancy ❻ 2006-0-3555＊Former Wiener － Museum of Art ❼ T, K, M Choker Plaque: Chrysanthemums 3039 de l’Ecole de Nancy ❻ 005- 4 -116＊Former Prouvé Collection ❼ T, K, M － ❷ ❸ ❹ ❺ Daum Frères, Louis Majorelle 3051 － Collection ❼ T, K, M － c.1900 gold, enamel 6.3×9.8×3.2 (t) 2082 Lalique Museum, Hakone ❻ 667 ❼ T, K, M Lamp « Dandelions » Suzanne Lalique － 3016 Louis Comfort Tiffany 3005 Paper Stencil with Pattern of “Nagare-ni-Ayu”, － ❷ c.1902 ❸ glass, wrought iron ❹ 62×28 ❺ Textile: Plum Blossoms ❼ Lamp: Dragonfly Paper Stencil with Pattern of “Nami-ni- Ayu Fish in Running Water 3028 Kitazawa Museum of Art T, K, M ❶ Prelle ❷1920 (reproduction)❸ silk ❹111×96.5 ❺ ❷ c.1900-10 ❸ glass, bronze ❹ 49×38 ❺ Kurokabe Itogiku”, Chrysanthemums on Waves ❸ paper, persimmon tannin❹ 25.8×41.2 ❺ Musée Eugène Feuillâtre － Japan Women’s University ❼ T, K, M ❼ 3040 Museum of Art M ❸ paper, persimmon tannin❹ 63.5×43.5 ❺ Musée Lorrain, Nancy ❻ 2006-0-3554＊Former Wiener Bonbonière: Cherries － － de l’Ecole de Nancy ❻ 005-4-94＊Former Prouvé Collection ❼ T, K, M ❷ c.1901 ❸ gold, enamel ❹ 2.2×4.8 ❺ Musée Daum Frères 3052 Collection ❼ T, K, M － d’Orsay, Paris ❻ OAO189 ❼ T, K, M Vase: Trees Georges de Feure － － Textile: Butterflies 373 ❶ Prelle ❷ c.1920 (reproduction)❸ silk ❹ l’architecture et du patrimoine/ Archives ❶ F. Champenois, Paris ❷1898 ❸ lithograph on 3085 Carpet Pascal & Louise de Sadeleer (former Henry van 111×131 ❺ Japan Women’s University ❼ T, K, M d’architecture du XXe siècle ❻ 035 Ifa I8. paper ❹141×94 ❺ Mie Prefectural Art Museum❼ Maurice P. Verneuil ❷ c.1902-03 ❸ wool ❹166×166 ❺ Design museum de Velde collection)❼ T, K, M ❼ － BONLO-C-1895-2, 35-035-018 T, K, M T, K, M Etude de la plante: son application aux Gent ❻ 76/245 ❼ T, K, M － 3053 － － industries d’art － 3106 3065 Mariano Fortuny 3075 ❶ Librairie centrale des beaux-arts, Paris ❷ 3096 Adolphe Crespin Coat Frank Brangwyn Alphonse Mucha [1908] ❸ book ❹ 34×28.3×4.8 (t) ❺ Kyoto Institute Georges Lemmen Poster « Paul Hankar, architecte » ❷ c.1920 ❸ silk ❹ 92.4 (l)❺ Kyoritsu Women’s Stencil for the Exterior of “Salon de l’Art « Da nc e » of Technology Library ❻ 9853032384 ❼ T, K, M Frontispiece Design (L’Ar t mod e r n e) ❶ Ad. Mertens, Bruxelles ❷ c.1895 ❸ relief print nouveau” University ❻Y1631082 ❼ T, K, M ❶ F. Champenois, Paris ❷1898 ❸ lithograph on － ❷1892 ❸ ink on paper ❹28×24 ❺ Musée d'Ixelles/ on paper ❹ 54×40.3 ❺ Takeo Poster Collection ❻ ❷ c.1895 ❸ carton ❹ 49×76 ❺ SIAF/ Cité de ❹ ❺ 3086 ❼ － paper 56.5×35 Hida Takayama Museum of Museum van Elsene, Brussels ❻ OM 122＊Gift Inv. No.500 T, K, M 3054 l’architecture et du patrimoine/ Archives Art ❻ 229 ❼ T, K, M Maurice P. Verneuil Madeleine Maus ❼ T, K, M － d’architecture du XXe siècle ❻ 035 Ifa I8. Mariano Fortuny － L’ornementation par le pochoir － 3107 BONLO-C-1895-2, 35-035-017❼ T, K, M Jacket 3076 ❶ Schmid, Paris ❷[1898] ❸ book ❹ 47.6×35.1×1.9 3097 Jan Toorop － Hector Guimard (t) ❺ Bunka Gakuen University Library ❻ Henry van de Velde Poster « Delftsche Slaolie » ❷ c.1930 ❸ silk ❹100.7 (l) ❺ Kyoritsu Women’s 3066 University ❻Y2010802 ❼ T, K, M Design for Grid of Canalisation for Concert KB033/757.7/V ❼ T, K, M Cover Design (Max Elskamp, Salutations, ❶ S. Lankhout ❷ c.1895 ❸ lithograph on paper ❹ Félix Vallotton Room Humbert et Romans, 1st plan － dont d’angéliques) 100×62 ❺ Crafts Gallery, The National Museum － Poster « L’Art nouveau, Permanent ❷ c.1901 ❸ pencil, watercolour, white chalk, 3087 ❶ Paul Lacombe, Bruxelles ❷1893 ❸ book ❹ of Modern Art, Tokyo ❻ Gb0188 ❼ K, M 3055 Exhibition » « L’Art nouveau » ❹ ❺ 23×18.5 ❺ Bibliothèque Royale de Belgique/ Mariano Fortuny tracing paper 54.5×104.5 Musée d’Orsay, Théodore Lambert － ❶ Impies. Lemercier, Paris ❷1895/96 ❸ lithograph ❻ ❼ Koninklijke Bibliotheek van België, Brussels ❻ Cape Paris GP 807 T, K Pochoirs Japonais: Motifs Décoratifs 3108 on paper ❹ 62×45 ❺ & ❻ Musée de la Publicité, ❼ － ❶ CH. Massin, Paris ❷[1909] ❸ portfolio (50 LP2919A T, K, M ❷ c.1930 ❸ silk ❹117 (l) ❺ Kyoritsu Women’s Paris, 14548; Museum für Kunst und Gewerbe T. Privat Livemont 3077 leaves with reproductions of stencils)❹ － University ❻Y1600440 ❼ T, K, M Hamburg, EP2008.308 ❼ T, K, M Poster « Absinthe Robette » ❺ 3098 Hector Guimard 42.8×32.9×2 (t) International Research Center ❶ J. L. Goffart, Bruxelles ❷1896 ❸ lithograph on － － for Japanese Studies ❻ 001257468 ❼ T, K, M Henry van de Velde 3056 3067 Design for Grid of Canalisation for Concert paper ❹108×79 ❺ Crafts Gallery, The National Room Humbert et Romans, 2nd plan － Illustration (Van Nu en Straks) No. 2 Museum of Modern Art, Tokyo ❻ Gb0106 ❼T, K, Mariano Fortuny Félix Vallotton ❷ c.1901 ❸ pencil, watercolour, white chalk, 3088 ❷1893 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque M Coat « L a z i ne s s » tracing paper ❹ 52.5×57.8 ❺ Musée d’Orsay, Paper Stencil with Pattern of “Yatsuhashi”, Royale de Belgique/ Koninklijke Bibliotheek van ❷ c.1920 ❸ silk ❹116 (l) ❺ Kyoritsu Women’s ❷ ❸ ❹ ❺ － 1896 woodcut on paper 17.7×22.2 Paris ❻ GP 810 ❼ K, M Irises and Bridges (Motif from “Tale of Ise”) België, Brussels ❻ II/84.366A ❼ T, K, M 3109 ❻ ❼ University Y1620617 T, K, M Bibliothèque Nationale de France, départment ❸ ❹ ❺ － paper, persimmon tannin 24×41.5 MAK - － Gisbert Combaz － des Estampes et de la photographie ❼ T, K, M 3099 3078 Österreichisches Museum für angewandte Kunst/ Poster « La Libre Esthétique » 3057 － Gegenwartskunst, Wien ❻ Handel 16806/2789 ❼ Maurice Denis Jan (Johan) Thorn-Prikker ❶ ❷ ❸ Mariano Fortuny 3068 T, K, M J. L. Goffart, Bruxelles 1898 lithograph on « Family Portrait » Illustration (Van Nu en Straks) No. 3 paper ❹ 74×43.5 ❺ Musée d’Ixelles/Museum van Delphos Dress Alphonse Mucha － ❷1902 ❸ oil on canvas ❹ 82×94 ❺ Private ❷1893 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque Elsene, Brussels ❻ B163＊Gift Joseph Botte ❼ T, ❷ c.1920 ❸ silk ❹141.2 (l) ❺ Kyoritsu Women’s Poster « En l’honneur de Sarah Bernhardt » 3089 Collection ❼ T, K, M Royale de Belgique/ Koninklijke Bibliotheek van K, M University ❻Y2012048 ❼ T, K, M ❶ F. Champenois, Paris ❷1896 ❸ lithograph on Victor Horta België, Brussels ❻ II/84.366A ❼ T, K, M paper ❹ 70.5×50.1❺ & ❻ Crafts Gallery, The － Chair － － 3079 － 3110 3058 National Museum of Modern Art, Tokyo, ❷1898 ❸ mahogany, silk ❹ 44×45.5×79.5 ❺ Musée 3100 ❼ Francis Jourdain Henry van de Velde Mariano Fortuny Gd0405/Sakai City Cultrual Hall, 178 T, K, M Horta, Brussels ❻ CH18 ❼ T, K, M Textile Design Adolphe Crespin « Tr opon » Delphos Dress － － Poster « Gebrande Koffies De Gulden Bie » 3069 ❷ c.1910-40 ❸ gouache on paper ❹ 40×50 ❺ ❷ c.1898 ❸ lithograph on paper ❹ 46.3×34.9 ❺ ❷ c.1920 ❸ silk ❹152 (l) ❺ Kyoritsu Women’s 3090 ❷ ❸ ❹ ❺ Private Collection ❼ T, K, M 1893 lithograph on paper 106×83.4 Victoria Crafts Gallery, The National Museum of Modern ❻ ❼ Francis Jourdain University Y1630396 T, K, M Gustave Serrurier-Bovy and Albert Museum ❻ CIRC.602-1962 ❼ T, K, M A rt, Tok yo ❼ T, K, M Design: Fish － Wardrobe ‹ Silex › － 3080 － ❷1896-1910 ❸ ink on paper ❹13×25.2 ❺ musée － 3059 ❷1905 ❸ wood, iron, stencil paintings ❹ 3101 3111 d’art et d’histoire - Saint-Denis ❻ 77 06 203 ❼ T, Georges Lepape 45×96×225 ❺ Musées royaux d’Art et d’Histoire/ Mariano Fortuny Henry van de Velde Henry van de Velde K, M Poster « Vogue » Koninklijke Musea voor Kunst en Delphos Dress Cover Design (Van Nu en Straks) No. 5 Poster « L.Vandevelde & Cie. » － ❶ Unknown ❷ c.1920 ❸ relief print on paper ❹ Geschiedenis ❻ M104 ❼ T, K, M ❷ c.1920 ❸ silk ❹150.8 (l) ❺ Kyoritsu Women’s ❷ ❸ ❹ ❺ 3070 49×32.5 ❺ Takeo Poster Collection ❻1146 ❼ T, K, 1894 magazine 28×22 Bibliothèque ❷ n.d.❸ lithograph on paper ❹ 37.5×47 ❺ Musée University ❻Y2040937❼ T, K, M － M Royale de Belgique/ Koninklijke Bibliotheek van d’Ixelles/ Museum van Elsene, Brussels ❻ Aff. Alphonse Mucha 3091 ❻ ❼ － België, Brussels II/84.366A T, K, M CC432 ❼ T, K, M 3060 Poster « Job » － Philippe Wolfers 3081 － ❶F. Champenois, Paris ❷[1896/1897] ❸lithograph Vase « Magnolia » 3102 Mariano Fortuny Stencil Proof: Fresh Brackens Sprouts and on paper ❹ 65.8×46 ❺ & ❻ Suntory Poster ❷ c.1899 (before 1907)❸ silver, enamel ❹ Delphos Dress Incenses Henry van de Velde Collection (deposited in Osaka City Museum of 12.5×10.9 ❺ Design museum Gent ❻1451 ❼ T, K, ❷ c.1920 ❸ silk ❹151.5 (l) ❺ Kyoritsu Women’s Illustration (“Rythmus”, Van Nu en Straks) Part 4. Paper Stencils and Jugendstil Modern Art, Planning Office) /Sakai City Cultrual ❷19c. ❸ paper ❹14.2×35.5 ❺ Musée des Arts M ❻ ❼ Nos. 8-10 The response to paper stencils in University Y2032047 T, K, M Hall, 179 ❼ T, K, M décoratifs, Paris ❻ PR 2011.7.261＊Former S. Bing － ❷1894 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque Germany and Austria － － Collection ❼ T, K, M 3092 3061 3071 Royale de Belgique/ Koninklijke Bibliotheek van － Philippe Wolfers België, Brussels ❻ II/84.366A‑ ❼ T, K, M 4001 Maurice Denis Alphonse Mucha 3082 Chalice with cover « Honesty (Monnaie du Paper Stencil with Pattern of “Uzumaki-ni- « Regattas at Perros-Guilec » Byzantine Head, Blonde － Charles Bellon pape) » 3103 Hitode”, Whirlpools and Starfishes ❷ ❸ ❹ ❺ 1892 oil on canvas 41×32 Musée d’Orsay, ❶ F. Champenois, Paris ❷1897 ❸ lithograph on Textile Design: Stream ❷ ❸ ❹ c.1899 (before 1907) silver, enamel 20.7× Georges Lemmen ❸ paper, persimmon tannin❹ 25×42 ❺ Kunstge­ Paris (deposit in Le musée des Beaux-Arts de paper ❹ 60.4×44 ❺ Sakai City Cultrual Hall❻ ❷ First half of 20c.❸ gouache on paper ❹ 11.3 ❺ Design museum Gent ❻1452 ❼ T, K, M ❻ ❼ Cover, Endpaper (Georges Rodenbach, Musée werbemuseum, Staatliche Kunstsammlungen Quimper) R F2001 9 K, M 224 ❼ T, K, M ❺ 28×44 Collection Blanche & Bertrand Bellon, － de Béguines) Dresden ❻ 21940 ❼ T, K, M － Paris ❼ T, K, M － 3093 ❶ Charpentier, Paris ❷1894 (published)❸ book ❹ 3062 3072 － － Philippe Wolfers 19x 12.5 ❺ Collection Pascal & Louise de Sadeleer 4002 Maurice Denis 3083 Alphonse Mucha Box for Makeup ❼ T, K, M Paper Stencil with Pattern of “Ajisai”, Wall Paper « Rose Boats » Byzantine Head, Brunette Charles Bellon ❷1916 ❸ silver, gold, wood ❹16.3×18.2×6.8 ❺ － Japanese Hydrangeas ❷1893 ❸ lithograph on paper ❹ 95×65 ❺ ❶ F. Champenois, Paris ❷1897 ❸ lithograph on Textile Design: Waterfall Musées royaux d’Art et d’Histoire/Koninklijke 3104 ❸ paper, persimmon tannin❹ 41.8×41.8 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M ❹ ❺ ❻ paper 60.4×44 Sakai City Cultural Hall ❷ First half of 20c.❸ gouache on paper ❹ Musea voor Kunst en Geschiedenis ❻7758 ❼T, K, Henry van de Velde Kupferstich-Kabinett, Staatliche Kunstsamm­ ❼ － 223 T, K, M 29×43.7 ❺ Collection Blanche & Bertrand Bellon, M Cover Design (Max Elskamp, En symbole vers lungen Dresden ❻ KC4141 ❼ T, K, M 3063 Paris ❼ T, K, M － － l’apostolat) － 3073 Maurice Denis － 3094 ❶ Paul Lacombe, Bruxelles ❷1895 ❸ book ❹ 4003 Project for Wallpaper: Trains Alphonse Mucha 3084 Victor Horta 15.5×23.8 ❺ Bibliothèque Royale de Belgique/ Paper Stencil with Pattern of “Hyôtan”, Bottle ❷1893 ❸ gouache on paper ❹109.5×63 ❺ Private « Rêverie » Siegfried Bing (ed.) Stained Glass of the Dopchie House Koninklijke Bibliotheek van België, Brussels ❻ Gourds ❻ ❼ Collection 893-1204 T, K, M ❶ F. Champenois, Paris ❷1898 ❸ lithograph on Le Japon Artistique ❷1899 ❸ wood, lead and stained glass ❹ LP2920A ❼ T, K, M ❸ paper, persimmon tannin❹ 30×41 ❺ － paper ❹ 71.5×53.8 ❺ Sakai City Cultural Hall❻ ❷1888-91❸ books (36 issues, 3 vols.)❹ 33×26×4.5 86×358×3 (t) ❺Musées royaux d’Art et d’Histoire/ － Landesmuseum Württemberg, Stuttgart ❻ 3064 227❼ T, K, M (t) each ❺ Bunka Gakuen University Library ❻ Koninklijke Musea voor Kunst en 3105 3966-29 ❼ T, K, M Geschiedenis ❻ M.141 ❼ K, M Frank Brangwyn － KC414/702.1/J/1 KC414/702.1/J/2 KC414/ Henry van de Velde － Stencil for the Exterior of “Salon de l’Art 3074 702.1/J/3 ❼ T, K, M － Portfolio Covered with Decoration Paper 4004 nouveau” Alphonse Mucha － 3095 ‹ Bellflower › Paper Stencil with Pattern of “Midaregiku”, ❷ c.1895 ❸ carton ❹ 37.5×58 ❺ SIAF/ Cité de Poster « Job » Henry van de Velde ❷ c.late 1895 ❸ portfolio ❹ 43.7×34.1 ❺ Collection Chrysanthemums 375 ❸ paper, persimmon tannin❹ 49.5×41 ❺ (t) ❺ Kunstgewerbemuseum, Staatliche Kunst­ 12.5×14.5×11.5 Samovar: 20×20×32.5 (Warmer: 2.4×19.5 ❺ Landesmuseum Württemberg, cotton ❹ 36×21 ❺ Landesmuseum Württemberg, ❶ Lith. Dr. C. Wolf & Sohn, München ❷1898 ❸ Linden-Museum Stuttgart, Staatliches Museum sammlungen Dresden ❻ 37565 ❼ T, K, M 8×16.5×6.5) ❺ Landesmuseum Württemberg, Stuttgart ❻10,443 ❼ T, K, M Stuttgart ❻ G 60,411 ❼ T, K, M lithograph on paper ❹105×67 ❺ Takeo Poster ❻ ❼ ❻ für Völkerkunde LGM7.187 T, K, M － Stuttgart Coffee service set: 1971-2 a, b, c, － － Collection ❻ 2203 ❼ T, K, M ❼ － 4016 Samovar: 1975-129 T, K, M 4034 4044 － 4005 Richard Riemerschmid － Paul Voigt Unknown 4054 Paper Stencil with Pattern of “Kanzemizu”, Chair, Model ‹ (196) 5a › (from the Dining 4025 Small Octagonal Plate: Flying Parrot Textile Otto Eckmann Running Water in Kanze Style Room of Karl Schmidt) Peter Behrens ❶ Königliche Porzellan-Manufaktur Meißen❷ ❶ Audiger & Meyer, Krefeld ❷1908 ❸ silk ❹ Typography (Friedrich Bendixen, Briefe an ❸ paper, persimmon tannin ❹ 23.5×40.2 ❺ MAK - ❶ Deutsche Werkstätten, Hellrau ❷1909/10 ❸ Fireplace Screen c.1909 ❸ porcelain, glaze, gold ❹13.3×13.3 ❺ 71.5×51.5 ❺ Landesmuseum Württemberg, Momme Nissen) Österreichisches Museum für angewandte Kunst/ polished solid mahogany, leather ❹ 44×61×92 ❺ ❶ Louis Hermann, Dresden ❷ c.1910-12 ❸ lead, Landesmuseum Württemberg, Stuttgart ❻ Stuttgart ❻ G 8,602 ❼ T, K, M ❷1899 ❸ book cover ❹ 23.3×18 ❺ Museum für Gegenwartskunst, Wien ❻16806/6098 ❼ T, K, M Kunstgewerbemuseum, Staatliche Kunstsamm­ wood ❹ 69.4×108.3 ❺ Toyota Municipal Museum 1978-176/43 ❼ T, K, M － Kunst und Gewerbe Hamburg ❻ EG lungen Dresden ❻ 51218 ❼ T, K, M ❼ － of Art T, K, M － 4045 2008.3.280 ❼ T, K, M 4006 － － 4035 Unknown － Paper Stencil with Pattern of “Ryûsui-to- 4017 4026 Max Laeuger Textile 4055 Kaede-ni-Hiziki”, Streams, Maple Leaves and Adelbert Niemeyer Vase ❶ ❷ ❸ ❹ Hizikia Fusiformes Max Laeuger Audiger & Meyer, Krefeld 1908 silk Heinrich Vogeler Sideboard for Dining Room Vase ❷1912/13 ❸ stoneware, glaze ❹ 26×23.2 ❺ 71.5×51.5 ❺ Landesmuseum Württemberg, Cover (An den Frühling. Radierungen von ❸ paper, persimmon tannin❹ 25.8×41.5 ❺ Musée ❶ Deutsche Werkstätten, Hellrau ❷1910 (design), ❶ ❷ ❸ Museum für Kunst und Gewerbe Hamburg ❻ Stuttgart ❻ G 8,604 ❼ T, K, M Heinrich. Vogeler Wolpswede) des Arts décoratifs, Paris ❻ PR 2011.7.260 ❼ T, K, Tonwerke, Kandern 1897 stoneware, 1928/29 (manufactured)❸ cherrywood ❹ 57×115× glaze ❹ 32.5×8.6 ❺ Landesmuseum Württemberg, 1965.069 ❼ T, K, M － ❶ Insel Verlag, Leipzig ❷1899-1901 ❸ etching on M 99 ❺ Kunstgewerbemuseum, Staatliche Kunst­ Stuttgart ❻ G 4101 ❼ T, K, M － 4046 paper ❹ 35.9×27.3 ❺ Museum für Kunst und － sammlungen Dresden ❻ 53936 ❼ T, K, M ❻ ❼ 4007 － 4036 Bruno Paul Gewerbe Hamburg B.Z.V. 1902.280 T, K, M － 4027 Unknown Cover Cloth － Paper Stencil with Pattern of “Shôbu”, 4018 Japanese Iris Hermann Gradl Tea Service Set ❶Vereinigte Werkstätte, München ❷ c.1908 ❸ 4056 Adelbert Niemeyer cotton, silk ❹ 70×127 ❺ Die Neue Sammlung - ❸ paper, persimmon tannin❹ 57×40 ❺ Museum Wall Fountain ❶Villeroy & Boch, Dresden ❷ c.1920/30 ❸ Brynolf Wennerberg Mirror for Dining Room The International Design Museum Munich ❻MB für Kunst und Gewerbe Hamburg ❻1989.26n ❶ Stoneware: Villeroy & Boch, Mettlach, Tin: stoneware, glaze ❹ Tea pot: 16.5×13 Milk pot: Poster « Braunschweigische Kohlen-Bergwerke ❶ ❷ 1637❼ T, K, M 8 ❼ T, K, M Deutsche Werkstätten, Hellrau 1910 (design), Rheinische Bronzegießerei Ferdinand Hubert 10×8.5 Cup: 6.2×8.2 Saucer: 2×14.8 Dessert Helmstedt » ❸ ❹ 1914 (manufactured) cherrywood, mirror Schmitz, Köln (Orivit-AG) ❷ c.1899-1900 ❸ plate: 2×19.5 ❺ Kunstgewerbemuseum, Staatliche － ❶ Kunstanstalt Grimme&Hempel, Act-Ges., － 73×110×4 (t) ❺ Kunstgewerbemuseum, Staatliche 4047 4008 stoneware, tin, wood ❹32×61×85.2 ❺Museum für Kunstsammlungen Dresden ❻ 49616, 49617, Leipzig-Schleussig ❷ c.1900 ❸ lithograph on Kunstsammlungen Dresden ❻ 53938 ❼ T, K, M 49620, 49622, 49623 ❼ T, K, M Paper Stencil with Pattern of “Mujinagiku”, Kunst und Gewerbe Hamburg ❻1900.43 ❼ T, K, Kgl. Kunstschule der Textilindustrie Plauen/ paper ❹ 83.7×56 ❺ Suntory Poster Collection Chrysanthemums － M － Vogtland (deposited in Osaka City Museum of Modern 4019 4037 Machine Lace ❼ ❸ paper, persimmon tannin❹ 31.5×45 ❺ Museum － Art, Planning Office) K, M für Kunst und Gewerbe Hamburg ❻1989.15b31 ❼ Heinrich Vogeler 4028 Unknown ❶Wilhelm Weindler, Spitzenfabrik, Plauen, i. － T, K, M Cutlery Set ‹ Marguerite › Peter Behrens Plate: Form ‹ Dresden ›, Decoration ‹ Concord › Vogtland ❷1910 ❸ cotton ❹ 95×47 ❺ Kunst­ 4057 ❶ M.H. Wilkens & Söhne, Solingen ❷1895- Dinner Plate and Dessert Plate (for the Behrens ❶Villeroy & Boch, Dresden ❷1927-36 ❸ gewerbemuseum, Staatliche Kunstsammlungen Franz Hein － ❻ ❼ 4009 1905 ❸ silver ❹ Serving Spoon: 23.8×5.3 Serving House, Mathildenhöhe, Darmstadt) stoneware, glaze ❹15×15×2 (t) ❺ Museum für Dresden 29814 T, K, M Endpaper (Maximilian I, Holy Roman Paper Stencil with Pattern of “Ryûsui-ni-Koi”, Fork: 23.9×5.29 Dessert Spoon: 18.1×4 ❶ Porzellanfabrik Gebr. Bauscher, Weiden/ Kunst und Gewerbe Hamburg ❻1997.1591 ❼T, K, － Emperor, Teuerdank) 4048 Carp in Running Water Powdersugar Scattering Spoon: 15.9×4.5 Fruit Oberpfalz ❷1901 ❸ porcelain, glaze ❹ Dinner M ❶ Fischer und Franke, Berlin ❷ c.1902 ❸ book ❹ Knife: 17.6×1.5 Fruit Fork: 14.5×1.7 Sugar Tongs: ❸ paper, persimmon tannin❹ 39.5×31.4 ❺ Plate: 24.9×2.2 Dessert Plate: 16.2×1.6 ❺ Toyota － Kgl. Kunstschule der Textilindustrie Plauen/ 33.4×29×2.5 (t) ❺ Museum für Kunst und 11.5×3.9 ❺ Museum für Kunst und Gewerbe Museum für Kunst und Gewerbe Hamburg ❻ Municipal Museum of Art ❼ T, K, M 4038 Vogtland Gewerbe Hamburg ❻ B.Z.V. 1903.0198 ❼ T, K, M Hamburg ❻1990.427. A B ❼ T, K, M Machine Lace 1989.61 ❼ T, K, M － Bruno Mauder － － － 4029 Bowl ❶Wilhelm Weindler, Spitzenfabrik, Plauen, i. 4058 4020 ❷ ❸ ❹ ❺ 4010 Henry van de Velde ❶ Fachschule fur Glasindustrie, Zweisel/ Vogtland 1910 cotton 20×102 Kunstge­ Kurt Hoppe Otto Eckmann Paper Stencil with Pattern of “Tsunatsunagi”, Big Dish and Sauce Boat ‹ Peitschenhieb › Beyern ❷1912 ❸ glass ❹12×16.2 ❺ Landesmuseum werbemuseum, Staatliche Kunstsammlungen Poster « Baden Baden, Renn Jubiläums Fest » ❻ ❼ Combination of Ropes Candle Stand « Narcissus » ❻ ❼ Dresden 29818 T, K, M ❶ Königliche Porzellan-Manufaktur, Meißen❷ Württemberg, Stuttgart G 12,424 T, K, M ❶ Heinrich Hohlmann, Darmstadt ❷1908 ❸ ❶ Josef Zimmermann & Co., München❷ ❸ paper, persimmon tannin❹ 25×42 ❺ Museum 1903/04 ❸ porcelain, glaze ❹ Dish: 5×37.5 Sauce － － lithograph on paper ❹ 65.5×47 ❺ Crafts Gallery, 1896-97 ❸ wrought iron ❹ 39.5×32.7 ❺ Museum 4049 für Kunst und Gewerbe Hamburg ❻1989.52 ❼ T, Boat: 12×29.5×13 ❺ Die Neue Sammlung - The 4039 The National Museum of Modern Art, Tokyo ❻ für Kunst und Gewerbe Hamburg ❻1912.22 ❼ T, K, M International Design Museum Munich ❻1423/84 Adelbert Niemeyer Gd0174 ❼ T, K, M K, M Otto Eckmann ❼ Decoration Cloth － (dish), 1185/89 (sauce boat) T, K, M Tapestry « Flock of Gulls » － 4011 － ❶ Deutsche Werkstätten, Hellrau ❷ c.1911 ❸ half － ❶ Scherrebeker Kunstwebschule, Scherebek ❷ 4059 4021 linen ❹ 52×55 ❺ Die Neue Sammlung - The Paper Stencil with Pattern of “Hatô”, Waves 4030 1896 ❸Warp: hemp, Weft: wool ❹ 45×148 ❺ Hugo Leven International Design Museum Munich ❻ Alexander Baranowsky ❸ paper, persimmon tannin❹ 31.5×42 ❺ Museum Adelbert Niemeyer Museum für Kunst und Gewerbe Hamburg ❻ Dinner Plate for Fish 719/85 ❼ T, K, M Poster « Grosse Kunstausstellung Dresden » für Kunst und Gewerbe Hamburg ❻ 2011.31 ❼ T, 1962.192 ❼ T, K, M Vase ❶ Oswald Enterlein, Kunstanstalt, Niedersedlitz K, M ❶ Kaiser Sohn, J.P.K., Krefeld ❷1896-1900 ❸ － tin❹ 28×62.4×3.8 ❺ Museum für Kunst und ❶ Königlich-Bayerische Porzellan-Manufaktur － 4050 i. Sa.❷1908 ❸ lithograph on paper ❹ 90×57.7 ❺ － Nymphenburg ❷1905 ❸ porcelain, glaze ❹ 27 4040 Crafts Gallery, The National Museum of Modern 4012 Gewerbe Hamburg ❻1959.16 ❼ T, K, M Richard Riemerschmid (h) ❺ Porzellan Manufaktur Nymphenburg ❻ Henry van de Velde A rt, Tok yo ❻ Gd0107 ❼ T, K, M － Table Cloth Paper Stencil with Pattern of “Ume-ni- 816/1679 ❼ T, K, M Textile Ichimatsu”, Japanese Apricots on Checked 4022 ❶ Deutsche Werkstätten, Hellrau ❷1912 ❸ － ❶ Deuss & Oetker, Krefeld ❷1901 ❸ viscose ❹ 4060 Patterns Unknown － cotton, rayon ❹138×133 ❺Kunstgewerbemuseum, 4031 15.5×52.6 ❺ Design museum Gent ❻ 81/11 ❼ T, K, ❸ paper, persimmon tannin❹ 31.2×40.8 ❺ Tea and Coffee Service Set: Ivy Staatliche Kunstsammlungen Dresden ❻ 50389 ❼ Ludwig Hohlwein Adelbert Niemeyer M Poster « Gebr. Rosehthal AG, Künstler Decken Museum für Kunst und Gewerbe Hamburg ❻ ❶Württembergisches Metallfabrik (WMF), T, K, M Vase － W ie n » 1989.18g ❼ T, K, M Geislingen ❷1902 ❸ semi-precious metal ❹ Coffee － ❶ 4041 ❶ － Pot: 28×23.5 Tea Pot: 22×21.5 Milk Pot: Königlich-Bayerische Porzellan-Manufaktur 4051 Graph. Kunstanstalt Ed. Strache, Warnsdorf u. 4013 11.5×13.5 Sugar Pot: 10.5×16.5 Tray: 38×64×6 ❺ Nymphenburg ❷1907-08 ❸ porcelain, glaze ❹18 Alfred Mohrbutter Otto Eckmann Haida ❷1908 ❸ lithograph on paper ❹ Paper Stencil with Pattern of “Shôbu”, Sweet Landesmuseum Württemberg, Stuttgart ❻ (h) ❺ Porzellan Manufaktur Nymphenburg ❻ Decoration Fabric: Running Wave Iris (Pan, 1895, vol. 3) 106.5×73.5 ❺ Die Neue Sammlung - The ❼ 874/826 ❼ T, K, M ❶ ❷ ❸ ❹ International Design Museum Munich ❻ Flags 1982-6 a-e T, K, M Deuss & Oetker, Krefeld 1902 silk ❶ Gieseck und Devrient, Leipzig (Insel Verlag, ❺ 5777/82❼ T, K, M ❸ paper, persimmon tannin❹26.3x41.2 ❺ Suzuka － － 158×55.7 Museum für Kunst und Gewerbe Berlin) ❷1895 ❸ woodcut on paper ❹ 21.5×12.4 ❺ ❻ ❼ City ❼ T 4023 4032 Hamburg 1966.9 T, K, M The National Museum of Modern Art, Kyoto ❼T, － 4061 － Hugo Leven Albin Müller － K, M 4042 4014 Bread Basket Cup and Sauser ‹ Weimar › － Julius Gipkens (?) Paper Stencil with Pattern of “Tokusa-Sandô”, ❶ Kaiser Sohn, J.P.K., Krefeld ❷1904 ❸ tin❹ ❶ Porzellanmanufaktur Burgau, Burgau an der Margarete von Brauchtisch 4052 Poster « Die Woche, Heute neues Heft » Stripes of Scouring Rushes 17.7×34×4.5 ❺ Museum für Kunst und Gewerbe Saale ❷ c.1908 ❸ porcelain, glaze, gold ❹ Cup: Table Runner Peter Behrens ❶ Hollerbaum & Schmidt, Berlin ❷ c.1912 ❸ ❷1822 ❸ paper, persimmon tannin❹ 20.8×41.7 ❺ Hamburg ❻1977.24 ❼ T, K, M 6.2×8.7 Saucer: 2.5×15.5❺ Landesmuseum ❷ c.1902 ❸ linen, silk ❹162×46.5 ❺ « K i s s » lithograph on paper ❹ 71.2×93.7 ❺ Takeo Poster ❻ ❼ ❻ ❼ Suzuka City ❻ R29 ❼ K, M － Württemberg, Stuttgart G 10,442 T, K, M Landesmuseum Württemberg, Stuttgart ❻ GT ❷1898 ❸ lithograph on paper ❹19.7×15.2 ❺ Collection 66 T, K, M ❼ － 4024 － 6879 T, K, M Toyota Municipal Museum of Art ❼ T, K, M － 4015 4033 4062 Albin Müller － － Richard Riemerschmid Coffee Service Set and Samovar Albin Müller 4043 4053 Heinrich Dolmetsch Overdoor Decoration ❶ Firma Koch & Bergfeld, Bremen ❷1909 Dessert Plate Unknown Emil Rudolf Weiss Japanische Vorbilder: Ein Sammelwerk zur ❶ Deutsche Werkstätten, Hellrau ❷1909/10 ❸ (Samovar: 1910)❸ silver, ivory ❹ Coffee Pot: ❶ Porzellanmanufaktur Burgau, Burgau an der Textile Poster « Erste Internationale Ausstellung von Veranschaulichung Japanischer Formenschatz carved limewood, white varnished ❹ 56×172×4.5 13×17.5×24 Milk Pot: 8.5×11.5×10.5 Sugar Pot: Saale ❷ c.1908 ❸ porcelain, glaze, gold ❹ ❶ Färberei Rudolf Martin, Göppingen ❷ c.1904 ❸ Kunst Photographien in der Secession » ❶Verlag von Julius Hoffmann, Stuttgart ❷ 377 1896 ❸ book ❹ 34.5×25.5×2 (t)❺ Private 4072 für Kunst und Gewerbe Hamburg ❻1894.21 ❼ T, 4093 black moire-lining ❹ 21.5×14.5 ❺ MAK - Österrei­ ❶ K.u.K. Hofl. J. Weiner, Wien ❷1908 ❸ Collection ❼ T, K, M Paper Stencil with Pattern of “Koi-no- K, M Josef Hoffmann chisches Museum für angewandte Kunst/ lithograph on paper ❹125.7×94 ❺ Takeo Poster ❻ ❼ ❻ ❼ － Takinobori”, Carp Climbing a Waterfall － Jardinière ‹ Braun-Bronzit Var. D › Gegenwartskunst, Wien Le 542-1/1932 T, K, Collection 730 T, K, M 4083 M 4063 ❸ paper, persimmon tannin❹ 67×46 ❺ ❶ J. & L. Lobmeyr, Wien ❷1911 ❸ glass, enamel, － 4112 Sigfried Bing (ed.) Backhausen Interior Textiles GmbH - Archiv Paper Stencil with Pattern of “Tatamidori­ gold ❹13×18.2×8.5 ❺ MAK - Österreichisches － 4103 Japanischer Formenschatz Backhausen, Vienna ❻ DESS 4500b ❼ T, K, M giku-ni-Shima”, Chrysanthemums on Vertical Museum für angewandte Kunst/Gegenwarts­ Josef Hoffmann Checks with Stripes ❶Verlag von E.A. Seemann, Leipzig ❷1888-91❸ － kunst, Wien ❻W I 1679/1915 ❼ T, K, M Koloman Moser Textile Design « Waterfall » ❸ paper, persimmon tannin ❹23.2×39.8 ❺ Suzuka Poster « Secession V. Kunstausstellung der books (36 issues, 6 vols.)❹ 34.5×26×2.5 each ❺ 4073 － ❷ c.1910 -15 ❸ woodcut on paper ❹ 44.5×48 ❺ Deutsches Institut für Japanstudien, Tokyo ❼ T, Paper Stencil with Pattern of “Hagi”, Japanese City ❻ H 5 ❼ K 4094 Vereinigung bildender Künstler Österreichs » MAK - Österreichisches Museum für K, M Bush Clovers － Josef Hoffmann ❶ Albert Berger, Wien ❷1899 ❸ lithograph on angewandte Kunst/Gegenwartskunst, Wien❻ Kl 4084 paper ❹ 97.6×65.5 ❺ Museum and Archive of the ❼ － ❸ paper, persimmon tannin❹ 25.2×39.7❺ Vase: Campanula 11899/i T, K, M Kyoto Institute of Technology ❻ AN. 3333 4064 Kunstgewerbemuseum,­ Staatliche Kunstsamm­ Koloman Moser ❶ Glasfabrik Johann Lötz Witwe, － ❻ ❼ (AG-52) ❼ T, K, M 4113 Justus Brinckmann lungen Dresden 21940 T, K, M Chair Klostermühle ❷1912 ❸ glass ❹ 20.5×8 ❺ Kurokabe Fernschau - Jahrbuch der Mittelschweizerischen － ❶ Prag-Rudnike, Wien ❷1902/03 ❸ oak, rush ❹ Museum of Art ❼ T, K, M － Max Snischek Geographisch-Kommerziellen Gesellschaft in 4074 42.5×53×122 ❺ Toyota Municipal Museum of 4104 Textile Design « Niagara Arch » － Aarau, 5. Bd. (Japanische Flächemotive) Paper Stencil with Pattern of “Kogiku”, Art ❼ T, K, M 4095 Koloman Moser ❷1915-32 ❸ guache on paper ❹ 40×41 ❺ MAK - Chrysanthemums Poster « Lesen Sie Österreichische Illustrierte ❶ Druck und Verlag von Emil Wirz, Aarau ❷ － Urban Janke & Ludwig Heinrich Jungnickel Österreichisches Museum für angewandte Kunst/ ❸ ❹ 4085 Z e it u n g » ❻ ❼ 1892 book (48 reproduction of stencils) ❸ paper, persimmon tannin❹ 25×41.5 ❺ Jardinière, Part of the Oval Flower Decoration Gegenwartskunst, Wien K I 13.112/2 T, K, M ❺ ❼ ❶ Gesellschaft für Graphische Industrie Wien 24×16.5×1.7 (t) Private Collection T, K, M Kunstgewerbemuseum,­ Staatliche Kunstsamm­ Koloman Moser Set － ❻ ❼ (vorm. Philipp & Kramer, Wien) ❷1900 ❸ － lungen Dresden 21940 T, K, M Armchair ❶ ❷ ❸ 4114 J. & L. Lobmeyr, Wien 1912 glass, lithograph on paper ❹ 80×108.7 ❺ Suntory Poster 4065 － ❶ Prag-Rudniker, Wien ❷ c.1903 ❸ beech, cane ❹ enamel ❹ 8 (h) ❺ MAK - Österreichisches Maria Likarz Collection (deposited in Osaka City Museum of Friedrich Deneken 4075 67.3×65.7×71.3 ❺ Toyota Municipal Museum of Design for Paper Stencil Museum für angewandte Kunst/Gegenwarts­ Modern Art, Planning Office) ❼ K, M Japanische Motive für Flächenverzierung - Paper Stencil with Pattern of “Ichimatsu”, Art ❼ K, M kunst, Wien ❻W I 1647-1/1916 ❼ T, K, M ❷1922 ❸ pencil and watercolour on paper ❹ Ein Formenschatz für das Kunstgewerbe Checks － － － 4105 43.5×62.8 ❺ MAK - Österreichisches Museum ❶ Becker, Berlin ❷1897 ❸ portofolio ❹ 39×30x3.5 ❸ paper, persimmon tannin❹ 23×41 ❺ MAK - 4086 4096 für angewandte Kunst/Gegenwartskunst, Wien❻ Koloman Moser (t) ❺ Museum für Kunst und Gewerbe Österreichisches Museum für angewandte Kunst/ Otto Wagner Hans Bolek (?) KI 12.306/9 ❼ T, K, M ❻ ❼ Textile Design « Silence of Evening » for Hamburg ❻ B.Z.V.1926.120 ❼ T, K, M Gegenwartskunst, Wien Handel 16806/571 T, Cupboard with Four Shelves Bowl － K, M Backhausen － ❷1903 ❸ beech, cut glass ❹ 45.5×73×202 ❺ Osaka ❶ 4115 Glasfabrik Johann Lötz Witwe, ❷1900 ❸ woodcut on paper ❹ 26×22 ❺ 4066 － City Museum of Modern Art, Planning Office ❼ ❷ ❸ ❹ ❺ Vereinigung der Bildender Künstler Österreichs Klostermühle 1916 glass 12.5×17.9×8.6 Backhausen Interior Textiles GmbH - Archiv 4076 ❼ Artur Seemann T, K, M Hida Takayama Museum of Art T, K, M ❻ ❼ (ed.) Paper Stencil with Pattern of “Ryûsui-ni- Backhausen, Vienna Dess. 4016 VINETA T, Japanische Färbeschablonen － Ver Sacrum Kiku”, Chrysanthemums in Running Water － K, M ❶Verlag von E.A. Seemann, Leipzig/Berlin ❷ 4087 4097 ❷1898-1903 ❸ Magazine (1. Jg., Heft 9/2. Jg., ❸ paper, persimmon tannin❹ 30×40.5 ❺ MAK - － 1899 ❸ portfolio (100 reproduction of stencils)❹ Josef Hoffmann Koloman Moser 4106 Heft 9/4. Jg., Heft 9) ❹ 23×23.5 each ❺ MAK - Portfolio: 43.2×28.3×2.4 (t) ❺ Bunka Gakuen Österreichisches Museum für angewandte Kunst/ Umbrella Stand Österreichisches Museum für angewandte Kunst/ Textile « Silence of Evening » Koloman Moser University Library ❻ KE01/753.8/J/ ❼ T, K, M Gegenwartskunst, Wien ❻16806/8590 ❼ T, K, M Gegenwartskunst, Wien ❻ KI 14.309 ❼ T, K, M ❶Wiener Werkstätte, Wien ❷1905 ❸ Bottom/ ❶ Johann Backhausen und Söhne, Wien ❷1898 ❸ Textile Design « Oracle Flower » for Backhausen － － Edge: Iron Plate, Side: Tin Plate ❹31.2×31.2×60 ❺ ❹ ❺ 4077 cotton, silk 24.5×16.5 MAK - Österreichisches ❷1901 ❸ watercolour on paper ❹ 26.5×32 ❺ 4067 Museum für Kunst und Gewerbe Hamburg ❻ Museum für angewandte Kunst/Gegenwarts­ Paper Stencil with Pattern of “Kusarijima”, Backhausen Interior Textiles GmbH - Archiv Bertha Bake 1975.015t ❼ T, K, M kunst, Wien ❻ AWW 5/1 WWW 32❼ T, K, M Part 5. Katagami Style Today Stripes of Chains Backhausen, Vienna ❻ Dess. 4110 VINETA ❼ T, Examples of contemporary design Envelope Handbag － － ❸ paper, persimmon tannin❹ 30.5×40 ❺ MAK K, M incorporating motifs from paper ❷1910-19 ❸ silk, batik ❹15.5×33 ❺ Audax Textile 4088 4098 - Österreichisches Museum für angewandte － stencils Museum, Tilburg ❻ 6761 ❼ T, K, M Josef Hoffmann Kunst/Gegenwartskunst, Wien❻16806/1060 ❼ Koloman Moser 4107 Jardinière Textile « Oracle Flower » － T, K, M Koloman Moser 5001 4068 ❶Wiener Werkstätte, Wien ❷1908 ❸ silver, ❶ Johann Backhausen und Söhne, Wien ❷1901 ❸ － Textile Design « Fish » for Backhausen Paper Stencil with Pattern of “Bashô”, glass ❹11.5×11.7×8.8 ❺ Private Collection ❼ T, K, ❹ ❺ Cornelis van der Sluys 4078 historic fabric, silk 57.5×64 Backhausen ❷1902 ❸ watercolour on paper ❹ 68×63.5 ❺ Japanese Fiber Banana Plants Interior Textil ‹ Opbouw, design No. 740 › M Interior Textiles GmbH - Archiv Backhausen, Paper Stencil with Pattern of “Senmen-ni- Backhausen Interior Textiles GmbH - Archiv ❸ paper, persimmon tannin❹ 26×41.5 ❺ Brintons Vienna ❻ DE SS 4110/3 ❼ T, K, M ❶ Eindhovensche Trijpfabrieken Schellens & Karakusa”, Folding Fans and Arabesque － Backhausen, Vienna ❻ Dess. 4500 Ver Sacrum ❼ Carpets Ltd. Archive ❻ js485 ❼ T, K, M Marto ❷1919 ❸ cotton, velvet ❹ 250×119.5 ❺ Patterns 4089 － T, K, M ❻ ❼ 4099 － Audax Textile Museum, Tilburg 11509 T, K, ❸ paper, persimmon tannin❹ 30×40.5 ❺ MAK - Eduard Joseph Wimmer-Wisgrill － 5002 M Vase Österreichisches Museum für angewandte Kunst/ Koloman Moser 4108 Paper Stencil with Pattern of “Kikukarakusa”, － Gegenwartskunst, Wien ❻16806/7847 ❼ T, K, M ❶Wiener Werkstätte, Wien ❷1909 ❸ brass, silver- Textile « Playing Wave » Alfred Roller Chrysanthemum Arabesques 4069 plate ❹ 45.5 (h) ❺ Landesmuseum Württemberg, ❶ ❷ － Johann Backhausen und Söhne, Wien Poster « XIV Ausstellung der Bildender ❸ paper, persimmon tannin❹ 25.5×41.5 ❺ Stuttgart ❻ G 10,402 ❼ T, K, M ❸ ❹ ❺ Jan (Johan) Thorn-Prikker 4079 c.1902 historic fabric 30×37 Backhausen Künstler Österreichs, Secession, Wien » Brintons Carpets Ltd. Archive ❻ js15 ❼ T, K, M Poster « Holländische Kunstausstellung in Paper Stencil with Pattern of “Matsuba”, Pine － Interior Textiles GmbH - Archiv Backhausen, ❶ Albert Berger, Wien ❷1902 ❸ lithograph on 4090 ❻ ❼ － K r e f e ld » Needles Vienna DESS 4500 T, K, M paper ❹ 91.5×60 ❺ Museum and Archive of the 5003 ❶ S. Lankhout & C., Haag ❷1903 ❸ lithograph ❸ paper, persimmon tannin❹ 23.5×41 ❺ MAK Koloman Moser － Kyoto Institute of Technology ❻ AN. 3337 Paper Stencil with Pattern of “Kikukarakusa”, on paper ❹ 85.7×121.1 ❺ Suntory Poster Collection - Österreichisches Museum für angewandte Bread Basket 4100 (AG-56) ❼ T, K, M Chrysanthemum Arabesques (deposited in Osaka City Museum of Modern Kunst/Gegenwartskunst, Wien ❻16896/5556 ❼T, ❶Wiener Werkstätte, Wien ❷1910 ❸ silver ❹ Maria Likarz － ❸ paper, persimmon tannin❹ 25.5×41 ❺ Brintons Art, Planning Office)❼ K, M K, M 22×22×4.7❺ Asenbaum Collection ❼ T, K, M Textile « Portepee » 4109 Carpets Ltd. Archive ❻ js49 ❼ T, K, M － － － ❶Wiener Werkstätte, Wien ❷1923 ❸ silk ❹ Koloman Moser 4070 － 4080 4091 25.8×31.2 ❺ MAK - Österreichisches Museum für Flyleaf: Floral Ornament 5004 Jan (Johan) Thorn-Prikker Paper Stencil with Pattern of “Itogiku”, Michael Powolny angewandte Kunst/Gegenwartskunst, Wien❻ ❷ c.1903 ❸ lithograph on paper ❹ 26.5×18.5 ❺ Paper Stencil with Pattern of “Kutsuwa-to- Poster « Niederrheinisches Künstlerfest, Chrysanthemums Table Center Piece with Three Cupids W WS 585 ❼ T, K, M MAK - Österreichisches Museum für Sakurabokashi-ni-Matsuba”, Bits, Cherry Krefeld 1905 » ❸ paper, persimmon tannin❹ 31.2×40.8 ❺ ❶Wiener Keramik ❷1901-25 ❸ ceramic, glaze ❹ － angewandte Kunst/Gegenwartskunst, Wien ❻B.I. Blossoms with Gradation and Pine Needles ❶ Klein’sche Druckerei, Krefeld ❷ c.1905 ❸ Museum für Kunst und Gewerbe Hamburg ❻ 23.8 (h) ❺ MAK - Österreichisches Museum für 4101 13.135 ❼ T, K, M ❸ paper, persimmon tannin❹ 26×41.5 ❺ Brintons ❹ ❺ lithograph on paper 75.4×90.2 Museum and 1989.15b 28 ❼ T, K, M angewandte Kunst/Gegenwartskunst, Wien❻ Josef Hoffmann (form) /Dagobert Peche (pattern) － Carpets Ltd. Archive ❻ js7 ❼ T, K, M Archive of the Kyoto Institute of Technology ❻ ❼ 4110 － W I 1130 T, K, M Writing Case － AN. 3297 (AG-28) ❼ T, K, M 4081 － ❶Wiener Werkstätte, Wien ❷ c.1919 ❸ black Josef Hoffmann or Koloman Moser 5005 － Paper Stencil with Pattern of “Kôshi-ni- 4092 goatskin, gilded by hand, black moire-lining ❹ Paper for the Wiener Werkstätte Paper Stencil with Pattern of “Kawaribana”, 4071 Maru”, Dots in Lattices Jutta Sika 30×23.5 ❺ MAK - Österreichisches Museum für ❷ af ter 1903 ❸ lithograph on paper ❹17.5×22 ❺ Fancy Flowers Jacob Jongert ❸ paper, persimmon tannin ❹29×42.2 ❺Museum Service Set angewandte Kunst/Gegenwartskunst, Wien❻ Le MAK - Österreichisches Museum für ❸ paper, persimmon tannin❹ 25×40.5 ❺ Brintons Bookcover (Vanden Bergh van Eisinga, Tot ❻ ❼ 540-1/1932 ❼ T, K, M für Kunst und Gewerbe Hamburg 1898.5262 ❶ Porzellanmanufaktur Jos. Böck, Wien ❷1901/ angewandte Kunst/Gegenwartskunst, Wien❻KL Carpets Ltd. Archive ❻ js459 ❼ T, K, M het eeuwig zelf) ❼ T, K, M 02 ❸ porcelain, glaze ❹ Tea Pot: 17.2 (h) Milk Pot － 13743-21 T, K, M － ❶ ❷ ❸ ❹ 4102 Ploegsma, Zeist 1918 book 21×15.5×1.8 － Jug: 8.6 (h) Cup: 5.6×8.5 Saucer: 16 ❺ MAK - － 5006 (t) ❺ Collection Marjan Groot ❼ T, K, M 4082 Österreichisches Museum für angewandte Kunst/ Josef Hoffmann (form) /Dagobert Peche (pattern) 4111 Paper Stencil with Pattern of “Kiku-Koban”, － Paper Stencil with Pattern of “Matsu-ni- Gegenwartskunst, Wien ❻ 9655/1-2, 6-8 ❼T, K, M Wallet Ludwig Ferdinand Graf Chrysanthemums and Oval Japanese Gold Ryûsui”, Pine Trees on Running Water － ❶Wiener Werkstätte, Wien ❷1928 (form: 1917, Poster « Kaiser-Jubiläums Hundigungs Coins ❸ paper, persimmon tannin❹ 27×44.5 ❺ Museum pattern: 1922) ❸ black goatskin, gilded by hand, Festzug Wien » 379 ❸ paper, persimmon tannin❹ 25.5×42 ❺ Brintons 5019 ❶ Liberty LTD.❷ ND (produced 2011)❸ Carpets Ltd. Archive ❻ js27❼ T, K, M Tea service set ‹ Black Felicity › cotton ❹ 250×136 ❺ Mitsubishi Ichigokan ❼ － ❶ Burleigh ❷1930’s (produced 2011)❸ Museum, Tok yo T, K, M 5007 earthenware ❹ Tea Cup: 9.2×10.7×6.6 Saucer: － Paper Stencil with Pattern of “Yosemoyô”, 14.6 Tea Pot: 11.5×18.8×11.5 Sugar Bowl: 5.2×9.7 5030 Combination of Geometric Motives Cow Shape Creamer: 6×18.1×8.8 ❺ Burgess Paper Blanks Note Book ‹ Ukiyo-e Kimono ❸ paper, persimmon tannin❹ 25.5×42 ❺ Brintons Dorling & Leigh LTD ❼ T, K, M Patterns: Hinagiku › Carpets Ltd. Archive ❻ js19 ❼ T, K, M － ❶ Hartley&Marks Publishers Inc.❷ 21c. ❸ paper, textile ❹ 9.3×7.2×1.6 (t) ❺ Private Collection ❼ T, － 5020 5008 Tea Service Set ‹ Blue Calico › K, M Paper Stencil with Pattern of “Hanmarutsu­ ❶ Burleigh ❷ designed 1968’s (produced 2011)❸ nagi”, Combination of Half Circles earthenware ❹ Breakfast Cup: 11.2×13.8×8.3 ❸ paper, persimmon tannin❹ 29.5×42 ❺ Brintons Saucer: 16.3 Tea Pot: 13.5×23.8×14 Creamer: Carpets Ltd. Archive ❻ js83 ❼ T, K, M 9×12.5×10.5 Plate: 19 Biscuit Tray: 13×21 ❺ Private Collection ❼ T, K, M － 5009 － Paper Stencil with Pattern of “Kawarigôshi”, 5021 Fancy Lattices Tea Service Set ‹ Modern Grace Grey › ❸ paper, persimmon tannin❹ 26×42 ❺ Brintons ❶Villeroy & Boch AG ❷ designed 2010 (produced Carpets Ltd. Archive ❻ js55 ❼ T, K, M 2011) ❸ bone porcelain ❹ Tea Cup: 9.2×12.1×5 － Saucer: 13.6×17.5 Tea Pot: 12×28.2×14 Creamer: 5010 5.3×8.2×10.6 Sugar Pot with Cover: 8.2×10.5×6.6 ❺ Paper Stencil with Pattern of Plate: 23 Serving Plate: 18×35 Villeroy & Boch “Waritsukegara”, Geometric Pattern Table Ware Japan K.K.❼ T, K, M ❸ paper, persimmon tannin❹ 30.5×42.5 ❺ － 5022 Brintons Carpets Ltd. Archive ❻ js192 ❼ T, K, M Koloman Moser － 5011 Textile « Oracle Flower » Paper Stencil with Pattern of “Kawarigôshi”, ❶ Backhausen interior textiles GmbH❷1901 Fancy Lattices (produced 21c.)❸ viscose, cotton ❹ Sofa: ❺ ❸ paper, persimmon tannin❹ 25.5×42 ❺ Brintons 77.3×79.3×71.7 Cussion: 45×45 each ❼ Carpets Ltd. Archive ❻ js303 ❼ T, K, M Backhausen interior textiles GmbH T, K, M － － 5012 5023 Paper Stencil with Pattern of “Matsu-ni- Josef Hoffmann Gamajima”, Pine Trees on Stripes of Cattails Textile ❸ paper, persimmon tannin❹ 30.5×41.5 ❺ ❶ Backhausen interior textiles GmbH❷1901 Brintons Carpets Ltd. Archive ❻ js475 ❼ T, K, M (produced 2011)❸ viscose, cotton ❹ a. Paradise : 45×45 b. Rosenbogen : 45×45 ❺ Backhausen － 5013 interior textiles GmbH ❼ T, K, M Paper Stencil with Pattern of “Uzumaki-ni- － Kikkô”, Spirals and Hexagons 5024 ❸ paper, persimmon tannin❹ 25×41 ❺ Brintons Mariano Fortuny Carpets Ltd. Archive ❻ js560 ❼ T, K, M Textile ‹ Papiro › ❶ ❷ ❸ － Fortuny, Inc. early 20c. (produced 2011) a. 5014 cotton, leather b. cotton, raw silk, glass beads ❹ Paper Stencil with Pattern of “Ran-ni-Shima”, a. 40.6×51 b. 58.4×58.4 ❺ Mitsubishi Ichigokan Orchids on Stripes Museum, Tok yo ❼ T, K, M ❸ paper, persimmon tannin❹ 29.5×41 ❺ Brintons － Carpets Ltd. Archive ❻ js402 ❼ T, K, M 5025 Carpet ‹ Brintons Katagami Collection › － 5015 ❶ Brintons Carpets LTD.❷ 2007 (produced Paper Stencil with Pattern of “Yorokejima”, 2007/2008)❸ wool, nylon ❹ 206×400 ❺ Brintons Stripes with Fluctuation Carpets LTD ❼ T, K, M ❸ paper, persimmon tannin❹ 25.5×41.5 ❺ － Brintons Carpets Ltd. Archive ❻ js536 ❼ T, K, M 5026 Gillian Farr － 5016 Textile ‹ Liberty Art Fabrics « Mitsi » › Paper Stencil with Pattern of “Sasayoroke”, ❶ Liberty LTD.❷1950’s (produced 2008)❸ Stripes of Bamboo Grasses with Fluctuation cotton ❹ 250×136 ❺ Mitsubishi Ichigokan ❼ ❸ paper, persimmon tannin❹ 30×41 ❺ Brintons Museum, Tok yo T, K, M Carpets Ltd. Archive ❻ js547 ❼ T, K, M － 5027 － 5017 Textile ‹ Liberty Art Fabrics « Millie » › Paper Stencil with Pattern of “Yanagisuji”, ❶ Liberty LTD.❷ ND (produced 2002)❸ Willow Stripes cotton ❹ 250×136 ❺ Mitsubishi Ichigokan ❸ paper, persimmon tannin❹ 24×42 ❺ Brintons Museum, Tok yo ❼ T, K, M Carpets Ltd. Archive ❻ js711 ❼ T, K, M － 5028 － 5018 Liberty design studio Paper Stencil with Pattern of “Nanamedori- Textile ‹ Liberty Art Fabrics « Tomary » › Kawarikobana”, Small Flowers in Diagonal ❶ Liberty LTD.❷ ND (produced 2011)❸ Lattices cotton ❹ 250×136 ❺ Mitsubishi Ichigokan ❸ paper, persimmon tannin❹ 25.5×41 ❺ Brintons Museum, Tok yo ❼ T, K, M Carpets Ltd. Archive ❻ js675 ❼ T, K, M － － 5029 Textile ‹ Liberty Art Fabrics « Stefan » 381