Maurice Hinson's Pedagogical Collections for Intermediate-Level Piano Students

Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 Maurice Hinson's Pedagogical Collections for Intermediate-Level Piano Students. Jonathan A. Brown Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Brown, Jonathan A., "Maurice Hinson's Pedagogical Collections for Intermediate-Level Piano Students." (1994). LSU Historical Dissertations and Theses. 5780. https://digitalcommons.lsu.edu/gradschool_disstheses/5780 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. 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Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9508553 Maurice Hinson’s pedagogical collections for intermediate-level piano students Brown, Jonathan A., D.M.A. The Louisiana State University and Agricultural and Mechanical Col., 1994 Copyright ©1994 by Brown, Jonathan A. All rights reserved. 300 N. ZeebRd. Ann Arbor, MI 48106 MAURICE HINSON'S PEDAGOGICAL COLLECTIONS FOR INTERMEDIATE-LEVEL PIANO STUDENTS A Monograph Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Jonathan A. Brown B.M., Samford University, 1977 M.M., Southern Illinois University-Edwardsvi11e , 1983 August 1994 Copyright 1994 Jonathan A. Brown All rights reserved ACKNOWLEDGMENTS I am deeply indebted to Dr. Kathleen Rountree for her patience, expert guidance, and encouragement throughout this project. I would also like to thank Alumni Professor Jack Guerry and Associate Dean Wallace McKenzie for their valuable suggestions in preparing the final manuscript. To Alumni Professor Guerry I wish to express my heartfelt gratitude for his inspiration and expert guidance during my piano studies at LSU. I am grateful also to Dr. Griffin Campbell, Dr. Herndon Spillman, and Dr. Kevin Mulcahy for their service on my committee. Four people outside the LSU School of Music have my special gratitude. First, Dr. Maurice Hinson, who contributed many hours of his valuable time, and without whose cooperation this monograph could not have been written. Second, Celia Conaway and David Ellis at Ellis Pianos in Birmingham, who kept me informed of recent publications and allowed me to use the store as a resource library. Finally, I wish to thank my wife Naomi for her technical assistance in preparing the final manuscript and for her constant encouragement during my doctoral studies. All musical examples have been reproduced with permission c the publishers: Alfred Publishing Co., Inc. Copyrights 1978, 1986, 1991, 1992 by Alfred Publishing Co., Inc. Used with Permission of the Publisher Barenreiter Verlag Neue Bach Ausqabe, Vol. V, Series V Copyright 1962 reprinted by permission of Barenreiter Verlag, Kassel CPP Belwin. Copyright 1946 (renewed 1974) by Musicord Publications, NY International Copyright Secured All rights reserved. Used with Permission of the Publisher G. Henle Verlag Beethoven Klaviersonaten, Vol. I Copyright 1970 Used with Permission of the Publisher Oxford University Press Copyright 1964 Reproduced by Permission of Oxford University Press Oxford University Press Copyright 1975 Reproduced by Permission of Oxford University Press G. Schirmer, Inc. Reprinted with Permission of G. Schirmer, Inc.(ASCAP) International Copyright Secured. All rights reserved. Willis Music Co. Copyright 1964 Used with Permission of the Publisher PREFACE The purpose of this study is to examine the editorial output of Dr. Maurice Hinson, noted authority on piano literature and presenter of workshops, master classes, and 1ecture-recitals throughout the United States and in many foreign countries. Hinson is the author of five extensive books that catalogue and annotate the repertoire for piano, including Guide to the Pianist’s Repertoire (1973, rev. 1987), The Piano in Chamber Ensemble (1978), Music for Piano and Orchestra (1981), Music for More than One Piano (1983), and Transcriptions, Paraphrases, and Arrangements (1990), all published by the Indiana University Press. In addition, he has written two piano music reference guides and over forty articles for various music journals. Hinson is co author with Wiley M. Hitchcock of the article,"Piano Music," for the New Grove Dictionary of American Music (1986, Macmillan Press Ltd.). He has also written "Pedaling the Piano Works of Chopin," a chapter in Joseph Banowetz's book, The Pianist's Guide to Pedaling (1985, Indiana University Press). Hinson's activities as editor of numerous single pieces and collections for Alfred, Hinshaw, Belwin Mills,and other music publishers are a natural extension of his v career. In addition to carefully edited scores, these editions include biographical, historical, pedagogical, and bibliographic information. This combination of careful editing and valuable textual information makes Hinson's editions invaluable to both teachers and students. This study will concentrate on Hinson's collections of intermediate-level piano literature. Hinson presents repertoire of a high quality that is accessible to the intermediate-level piano student, and is especially suited to teaching basic principles of technique and musicianship. In addition, an important orientation to a variety of styles and musical genres is provided. Besides their excellent pedagogical features, Hinson's collections provide a broad perspective of keyboard music, including early compositions of major composers, music of eighteenth- and nineteenth- century America, music of female composers, and music of the twentieth century. vi TABLE OF CONTENTS ACKNOWLEDGMENTS ............................................... iii PREFACE ........................................................... v LIST OF E X A M P L E S ................................................viii ABSTRACT ..........................................................xiii CHAPTER 1. BIOGRAPHY ................................................... 1 2. AN OVERVIEW OF PEDAGOGICAL EDITIONS 1893-1974 .................................. 13 3. THE EDITORIAL WORK OF MAURICE HINSON ................................................ 26 4. A COMPARISON OF REPRESENTATIVE SCORES .....................................................48 5. HINSON'S CHOPIN COLLECTIONS ....................... 79 6. S U M M A R Y ...................................................97 SELECTED BIBLIOGRAPHY ....................................... 102 APPENDIX I. MUSIC EDITED BY MAURICE HINSON - LISTED BY P U B L I S H E R ................................... 109 II. REPRESENTATIVE LIST OF HINSON'S PROFESSIONAL ACTIVITIES ........................... 114 VITA .............................................................. 117 vii LIST OF EXAMPLES Sonata Sampler, Vol. II, (Anson, 1964), Preface, p. 2 ............ ........................ 19 Style and Interpretation. Vol. IV, Romantic Piano Music, (Ferguson, 1964), Preface, p. 6 . 21 J. S. Bach: Inventions and Sinfonias, (Palmer), Preface, p. 2 ......................... 23 At the Piano with Mozart, (Hinson), Preface, p . 10 . .............................. 31 Masters of Impressionism, (Hinson), Preface, p. 7 ..................................... 34 Masters of Impressionism, (Hinson), Preface, p. 9 ..................................... 35 Pachelbel Gigue, mm. 1-4. Masters of Polyphonic Piano Music, (Hinson) ........................... 36 W. F. Bach, Fuga in D major, mm. 1-3. Masters of Polyphonic Piano Music, (Hinson) ............... 36 Beethoven Fuga, mm. 1-6. Masters of Polyphonic Piano Music, (Hinson) ............... 36 Dances of Brahms, (Hinson), Preface, p. 1 4 .......................................... 39 Dances of Debussy, (Hinson), Preface, P • 5 ........................................... 40 Bach Prelude

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