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Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Highway Patrol Dragnet Popeye and Pals the Tom And
Daniel Boone EFFECTIVE 3/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie Columbo 8:30p 9:00p Gomer Pyle, U.S.M.C. -
Metv Nat Sch 1Q14 Eff 12-28-13
NATIONAL PROGRAM SCHEDULE EFFECTIVE 12/28/2013 ALL TIMES CENTRAL - MOUNTAIN MONDAY - FRIDAY SATURDAY SUNDAY 5:00a Petticoat Junction Make Room for Daddy 5:00a Combat! 5:30a The Beverly Hillbillies Make Room for Daddy 5:30a 6:00a The Donna Reed Show H.R. Pufnstuf Family Affair 6:00a 6:30a I Love Lucy Land of the Lost Family Affair 6:30a 7:00a Leave It to Beaver GSA* E/I Green Hornet GSA* E/I Gomer Pyle 7:00a 7:30a Leave It to Beaver GSA* E/I Guns of Will Sonnett GSA* E/I Gomer Pyle 7:30a 8:00a Travel Thru History E/I Guns of Will Sonnett Travel Thru History E/I Petticoat Junction 8:00a Daniel Boone 8:30a Mystery Hunters E/I Branded Mystery Hunters E/I Petticoat Junction 8:30a 9:00a Safari E/I Branded Safari E/I Beverly Hillbillies 9:00a Perry Mason 9:30a Edgemont E/I The Rebel Edgemont E/I Beverly Hillbillies 9:30a 10:00a The Rebel Gilligan's Island 10:00a Ironside 10:30a Gilligan's Island 10:30a 11:00a Wagon Train 11:00a Hawaii Five-0 11:30a 11:30a The Brady Bunch Brunch 12:00p 12:00p Gunsmoke Gunsmoke 12:30p 12:30p 1:00p 1:00p Bonanza Bonanza The Love Boat 1:30p 1:30p 2:00p 2:00p The Big Valley Rawhide Remington Steele 2:30p 2:30p 3:00p Dragnet Wanted: Dead or Alive 3:00p The Streets of San Francisco 3:30p Adam-12 Wanted: Dead or Alive 3:30p 4:00p The Rifleman 4:00p Emergency! Cannon 4:30p The Rifleman 4:30p 5:00p The Rifleman 5:00p Emergency! The Rockford Files 5:30p The Rifleman 5:30p 6:00p M*A*S*H Batman 6:00p Kojak 6:30p M*A*S*H Batman 6:30p 7:00p 7:00p Wonder Woman 7:30p 7:30p Columbo 8:00p 8:00p See Primetime Breakout Below Star Trek: Original 8:30p 8:30p 9:00p 9:00p Thriller 9:30p Svengoolie 9:30p 10:00p The Twilight Zone Classic Horror & Sci-Fi Movie 10:00p The Alfred Hitchcock Hour 10:30p 10:30p Perry Mason 11:00p 11:00p Lost in Space The Fugitive 11:30p 11:30p The Untouchables 12:00a Get Smart Naked City 12:00a 12:30a Night Gallery Get Smart Naked City 12:30a 1:00a The Honeymooners Peter Gunn 1:00a The Alfred Hitchcock Hour 1:30a The Honeymooners Mr. -
LUCY GETS the BALL ROLLING By
PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE (Under the Direction of Dwight Brooks) ABSTRACT The 1950’s was an era that welcomed Lucy Ricardo into their homes. The comedy I Love Lucy premiered on Oct. 15, 1951, on CBS. This study seeks to demonstrate and illustrate how Lucy Ricardo battled patriarchy, which was common among TV sitcoms of the era. Primarily, this study aims to analyze Lucy Ricardo’s role as a woman who pushes the limits of patriarchy in I Love Lucy, by examining her dual roles of someone who defies patriarchy, yet show’s allegiance to it as well. A textual analysis of 14 I Love Lucy episodes will address the established mode of domesticity in I Love Lucy, as well as opportunities for challenges that Lucy takes advantage of. This study reveals a woman who denied her husband’s wishes to control her. Lucy stepped outside of the typical portrayal of married women who were supposed to submit to their husbands and follow their every wish. INDEX WORDS: I Love Lucy, Feminist theory, Patriarchy, Masculinity, Femininity, Sitcom, The 1950s, Housewifery, Ethnicity, American culture. PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. OGLICE B.S., The University of Tennessee, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 ©2004 Eunice A. Oglice All Rights Reserved PUSHING THE BOUNDARIES OF HOUSEWIFERY: LUCY GETS THE BALL ROLLING by EUNICE A. -
II. Remembrance Representation
II. Remembrance & Representation Figure 1. Benson Fong, Beulah Quo, and George Takei on the set of My Three Sons. 2016 Amerasia Journal Amerasia 96 Amerasia Journal 42:2 (2016): 96-117 10.17953/aj.42.1.96 The Asian American Next Door Enfiguring the Model Minority on the Domestic Melodrama Melissa Phruksachart In the years between the mass incarceration of Japanese Americans (1942-1946) and the 1965 Immigration Act, what prepared the Ameri- can public to recognize and validate the term “model minority?” This essay proposes a televisual genealogy of the model minority as dis- tinct from the 1966 formulation published by The New York Times in William Petersen’s feature “Success Story, Japanese-American Style.”1 Building upon prior scholarship, I inquire into the early Cold War log- ics that precipitated the popular rise of the model minority figure in 1966. In particular, I point to network television as an archive that circulated the structures of feeling necessary for the model minority to take hold. By doing so, I place recent histories of Asian American do- mesticity during the Cold War era into closer conversation with U.S. popular culture, particularly television. While popular media histories lament the rarity of Asian Ameri- cans on television, I identify the trope of the Asian American neigh- bor as increasingly common on television in the late 1950s and early 1960s. Both the television industry and Asian American communities found themselves rapidly growing in size in mid-1950s California. At stake for both the television industry and Asian American commu- nities was the chance to be “domesticated” into the American home. -
Richard Butsch a HALF CENTURY of CLASS and GENDER In
Butsch, Richard. « A Half Century of Class and Gender in American TV Domestic Sitcoms », Cercles 8 (2003) : 16-34 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est interdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Richard Butsch Rider University, Lawrenceville A HALF CENTURY OF CLASS AND GENDER in American TV Domestic Sitcoms Over a half-century of television, domestic situation comedies have reinforced images of the middle class as better than the working class. Similar inequalities have been portrayed for men versus women, black versus white, old versus young, and for other status hierarchies. Already embedded in the larger culture, these stereotypes are used to signify character types that advance dramatic goals. Nevertheless, the pervasiveness of network tele- vision and the persistence over five decades have contributed immeasurably to reproducing these same stereotypes. Women, for example, have been cast as main characters only where the subjects of romance or family are salient; they have been absent from rational discussions in scripts [Gerbner, 1972]. Women’s presence thus signals certain themes. Similarly, traits culturally associated with a lower status, applied to a person of higher status devalues that person. Men are devalued by characte- rizing them as feminine. Such status inversion can then effectively confirm other lower statuses held by the person. Female, black and lower-class adults have been devalued by characterizing them as child-like. Child-like attribu- tions undercut their adult status, confirming their lower status as female, black or lower-class. -
ABC Television Center Studios (Name Circa 1960)
ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P. -
Program Schedule, Effective 1/1/2020
Me-TV, Channel 12.4 Program Schedule, Effective 1/1/2020 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 4:00am Highway Patrol Petticoat Junction Planet of 4:00am 4:30am Dragnet Petticoat Junction the Apes 4:30am 5:00am Dragnet Beverly Hillbillies ALF 5:00am 5:30am I Love Lucy Beverly Hillbillies ALF 5:30am 6:00am The Beverly Hillbillies Bat Masterson Saved By The Bell E/I 6:00am 6:30am My Three Sons Bat Masterson Saved By The Bell E/I 6:30am 7:00am Leave it to Beaver Trackdown Saved By The Bell E/I 7:00am 7:30am Leave it to Beaver Trackdown Saved By The Bell E/I 7:30am Have Gun, Will Travel Saved By The Bell E/I 8:00am Perry Mason 8:00am 8:30am Have Gun, Will Travel Saved By The Bell E/I 8:30am 9:00am The Flintstones 9:00am Matlock Maverick 9:30am The Flintstones 9:30am 10:00am The Flintstones 10:00am In The Heat of the Night Wagon Train 10:30am The Flintstones 10:30am 11:00am The Brady Bunch 11:00am The Waltons The Big Valley 11:30am The Brady Bunch 11:30am 12:00pm The Brady Bunch 12:00pm Gunsmoke Gunsmoke 12:30pm The Brady Bunch 12:30pm 1:00pm Gilligan's Island 1:00pm Bonanza Bonanza 1:30pm Gilligan's Island 1:30pm 2:00pm The Rifleman Gilligan's Island 2:00pm Rawhide 2:30pm The Rifleman Gilligan's Island 2:30pm 3:00pm Wanted: Dead/Alive Gilligan's Island 3:00pm Wagon Train 3:30pm Wanted: Dead/Alive Gilligan's Island 3:30pm 4:00pm Adam-12 The Rifleman The Monkees 4:00pm 4:30pm Adam-12 The Rifleman The Monkees 4:30pm 5:00pm The Flintstones The Three The 5:00pm 5:30pm The Flintstones Stooges Love Boat 5:30pm 6:00pm M*A*S*H M*A*S*H 6:00pm Wonder Woman 6:30pm M*A*S*H M*A*S*H 6:30pm 7:00pm The Andy Griffith Show Svengoolie 7:00pm 7:30pm The Andy Griffith Show Classic Horror Columbo 7:30pm 8:00pm Gomer Pyle, U.S.M.C. -
The History of CBS Hollywood Television Studios
1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project. -
Metv Nat Sch 2Q14 Eff 4-14-14
NATIONAL PROGRAM SCHEDULE EFFECTIVE 4/14/2014 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 5:00a Wanted: Dead or Alive Dobie Gillis 5:00a 12 O'Clock High 5:30a My Three Sons Dobie Gillis 5:30a 6:00a Petticoat Junction Make Room for Daddy 6:00a Combat! 6:30a The Beverly Hillbillies Make Room for Daddy 6:30a 7:00a The Donna Reed Show H.R. Pufnstuf Family Affair 7:00a 7:30a I Love Lucy Land of the Lost Family Affair 7:30a 8:00a Leave It to Beaver GSA* E/I Green Hornet GSA* E/I Gomer Pyle 8:00a 8:30a Leave It to Beaver GSA* E/I Guns of Will Sonnett GSA* E/I Gomer Pyle 8:30a 9:00a Travel Thru History E/I Guns of Will Sonnett Travel Thru History E/I Petticoat Junction 9:00a Daniel Boone 9:30a Mystery Hunters E/I Branded Mystery Hunters E/I Petticoat Junction 9:30a 10:00a Safari E/I Branded Safari E/I Beverly Hillbillies 10:00a Perry Mason 10:30a Edgemont E/I The Rebel Edgemont E/I Beverly Hillbillies 10:30a 11:00a The Rebel Gilligan's Island 11:00a Ironside 11:30a Gilligan's Island 11:30a 12:00p Wagon Train 12:00p Hawaii Five-0 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza The Love Boat 2:30p 2:30p 3:00p 3:00p The Big Valley Rawhide Remington Steele 3:30p 3:30p 4:00p Dragnet Wanted: Dead or Alive 4:00p The Streets of San Francisco 4:30p Adam-12 Wanted: Dead or Alive 4:30p 5:00p The Rifleman 5:00p Emergency! Cannon 5:30p The Rifleman 5:30p 6:00p The Rifleman Adam-12 6:00p The Rockford Files 6:30p The Rifleman Adam-12 6:30p 7:00p M*A*S*H Batman 7:00p Kojak 7:30p M*A*S*H Batman 7:30p 8:00p 8:00p Wonder Woman 8:30p Columbo 8:30p 9:00p 9:00p See Primetime Breakout Below Star Trek: Original 9:30p M*A*S*H 9:30p 10:00p 10:00p Thriller 10:30p Svengoolie 10:30p 11:00p The Twilight Zone Classic Horror & Sci-Fi Movie 11:00p The Alfred Hitchcock Hour 11:30p 11:30p Perry Mason 12:00a 12:00a Lost in Space The Fugitive 12:30a 12:30a The Untouchables 1:00a Get Smart 1:00a Naked City 1:30a Night Gallery Get Smart 1:30a 2:00a The Honeymooners Peter Gunn 2:00a The Alfred Hitchcock Hour 2:30a The Honeymooners Mr. -
Paramount Selects Allied Vaughn MOD-Warner September Releases
The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 9 Issue 17 Great news for our retailers and consumers alike as Paramount Home Entertainment opens its vaults to Allied Vaughn and our AVMOD distribution services. We have the titles and they're 100% ready to ship, just in time for Holiday sales! Just as cool is the 3D Blu-ray release of the hit film "Divergent" series, "Insurgent" now on preorder. Just just a few examples of the hundreds of new 2019 films and television programs on Blu-ray and DVD coming to you from Allied Vaughn, the source and the exploding platform for physical retail. Ask us how we can help you expand your business this Fall! Richard Skillman Vice President Allied Vaughn Entertainment [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog Allied Vaughn Entertainment Archives Paramount Home Entertainment Joins the AV Entertainment Catalog Join Allied Vaughn in welcoming Paramount Pictures Entertainment and their collection of top films on DVD and Blu-ray to the AV MOD Entertainment catalog available now for exclusive retailing by our partner retailers and wholesalers. 9/27/2019 032429311542 Gung Ho 1986 When Michael Keaton persuades a Japanese auto firm to reopen his hometown's defunct auto factory, he's a hero. But when the Japanese hire him to enforce their policies among his American co-workers, he goes from hero to zero in seconds flat. Michael Keaton; Gedde Watanabe; George Wendt; Mimi Rogers; John Turturro; Rick Overton Comedy; Drama 9/27/2019 032429311566 Dead Man on Campus 1998 Tom Everett Scott and Mark- Paul Gosselaar are new roommates Josh and Cooper in this outrageous comedy that makes the grade. -
TV RECORD for COLOMA-HARTFORD- WATERVLIET TRI-CITY RECORD 25C VOL.103 • No
00 0 522 190 02- liBR,bV colow^ pblC Hartford woman is instant Police Coloma and Watervliet folks Local sports For cable & TV listings, see the friend of 'hearing ear dog* News meet 'Down Under' & Outdoors See page 5 See page 2 See page 13 See pages 15 & 16 TV RECORD FOR COLOMA-HARTFORD- WATERVLIET TRI-CITY RECORD 25C VOL.103 • No. 9 RED ARROW EDITION OF THE WATERVLIET RECORD March 4,1987 WATERVLIET H.S. VALEDICTORIAN Adult foster home ordinance adopted by Watervliet City Lawsuit filed against City for denying building permit within sixty days of Its effective sioners that an appeal of the & SALUTATORIAN date." state's decision to license an Watervliet High School Is Mayor Ed Campbell said the adult foster care facility on Van- Watervliet City Commis- proud to announce the selection care and day care facilities. It ordinance could become effec- nater Court is proceeding. Jones sioners voted unanimously In further requires inspection of of the valedictorian and tive thirty days after it Is publish- also Indicated that litigation favor of a recently-drafted or- such properties by the City salutatorlan for the 1987 ed for the public. The ordinance protesting the City's repeal of a dinance requiring registration building Inspector and the is- graduating class. provides for fines and jail building permit for the site Is and permitting regulation of suance of a certificate of com- Mike Grear, son of Mr. and sentences not to exceed $500.00 also pending. adult foster care and day care pliance with regard to all Mrs. James Grear, Is named and ninety days for the first In other business.