Editorial Antennae Issue 19
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Journal of American Studies, 52(3), 660-681
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Explore Bristol Research Savvas, T. (2018). The Other Religion of Isaac Bashevis Singer. Journal of American Studies, 52(3), 660-681. https://doi.org/10.1017/S0021875817000445 Peer reviewed version Link to published version (if available): 10.1017/S0021875817000445 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via CUP at https://www.cambridge.org/core/journals/journal-of-american-studies/article/other-religion-of-isaac- bashevis-singer/CD2A18F086FDF63F29F0884B520BE385. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/pure/about/ebr-terms 1 The Other Religion of Isaac Bashevis Singer Theophilus Savvas, University of Bristol This essay analyzes the later fiction of Nobel Prize-winning writer Isaac Bashevis Singer through the prism of his vegetarianism. Singer figured his adoption of a vegetarian diet in 1962 as a kind of conversion, pronouncing it a “religion” that was central to his being. Here I outline Singer’s vegetarian philosophy, and argue that it was the underlying ethical precept in the fiction written after the conversion. I demonstrate the way in which that ethic informs the presentation of both Judaism and women in Singer’s later writings. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
The Ethical Consistency of Animal Equality
1 The ethical consistency of animal equality Stijn Bruers, Sept 2013, DRAFT 2 Contents 0. INTRODUCTION........................................................................................................................................ 5 0.1 SUMMARY: TOWARDS A COHERENT THEORY OF ANIMAL EQUALITY ........................................................................ 9 1. PART ONE: ETHICAL CONSISTENCY ......................................................................................................... 18 1.1 THE BASIC ELEMENTS ................................................................................................................................. 18 a) The input data: moral intuitions .......................................................................................................... 18 b) The method: rule universalism............................................................................................................. 20 1.2 THE GOAL: CONSISTENCY AND COHERENCE ..................................................................................................... 27 1.3 THE PROBLEM: MORAL ILLUSIONS ................................................................................................................ 30 a) Optical illusions .................................................................................................................................... 30 b) Moral illusions .................................................................................................................................... -
SUE COE at James Fuentes Essex in Collaboration with Galerie St
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] SUE COE JAMES FUENTES ESSEX Paintings 81 Essex St, New York NY 10002 May 6–June 6, 2021 Wednesday–Sunday, 10am–6pm James Fuentes is pleased to present paintings by SUE COE at James Fuentes Essex in collaboration with Galerie St. Etienne. Sue Coe is a British-American artist and activist working across drawing, printmaking, and painting. Coe studied at the Royal College of Art in London and emigrated to the US in the early 1970s, where she lived in New York City until upstate New York in 2002. Coe is known for her striking, propaganda-like visual commentary on major events and figures in culture and politics, rendered in stark visual contrast through her highly recognizable palette of black, white, and red. Coe’s experience growing up in close proximity to a slaughterhouse informed her lifelong animal rights activism, which remains interconnected within both her wider political activism and her output as an artist. In the decades since, Coe’s work has focused on factory farming, sweat shops, reproductive rights, housing, the prison system, war, the AIDS crisis, and the South African apartheid, often through depictions of key events and dates as marked by their presence in mass media. As well as being presented in museum and gallery exhibitions internationally, Coe’s graphic work has also been regularly published in periodicals like The New York Times, The New Yorker, Time Magazine, Newsweek, and others, delivering her powerful commentary on as a broad a basis as possible. -
Guinea Pigs 79 Group Housing of Males 79 Proper Diet to Prevent Obesity 81 Straw Bedding 83
Caring DiscussionsHands by the Laboratory Animal Refinement & Enrichment Forum Volume II Edited by Viktor Reinhardt Animal Welfare Institute Animal Welfare Institute 900 Pennsylvania Avenue, SE Washington, DC 20003 www.awionline.org Caring Hands Discussions by the Laboratory Animal Refinement & Enrichment Forum, Volume 2 Edited by Viktor Reinhardt Copyright ©2010 Animal Welfare Institute Printed in the United States of America ISBN 978-0-938414-88-9 LCCN 2010910475 Cover photo: Jakub Hlavaty Design: Ava Rinehart and Cameron Creinin Copy editing: Beth Herman, Cathy Liss, Annie Reinhardt and Dave Tilford All papers used in this publication are Acid Free and Elemental Chlorine Free. They also contain 50% recycled content including 30% post consumer waste. All raw materials originate in forests run according to correct principles in full respect for high environmental, social and economic standards at all stages of production. I am dedicating this book to the innocent animal behind bars who has to endure loneliness, boredom and unnecessary distress. Table of Contents Introduction and Acknowledgements i Chapter 1: Basic Issues 2 Annual Usage of Animals in Biomedical Research 4 Cage Space 10 Inanimate Enrichment 16 Enrichment versus Enhancement 17 Behavioral Problems 22 Mood Swings 24 Radio Music/Talk 29 Construction Noise and Vibration Chapter 2: Refinement and Enrichment for Rodents and Rabbits Environmental Enrichment 34 Institutional Standards 35 Foraging Enrichment 36 Investigators’ Permission 38 Rats 40 Amazing Social Creatures 40 Are -
Animal Welfare: Measuring Strategies for Improving Lives
University of Southern Maine USM Digital Commons All Theses & Dissertations Student Scholarship 2017 Animal Welfare: Measuring Strategies for Improving Lives Elsbeth Paige-Jeffers MA University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/etd Part of the Animal Studies Commons, and the Leadership Studies Commons Recommended Citation Paige-Jeffers, Elsbeth MA, "Animal Welfare: Measuring Strategies for Improving Lives" (2017). All Theses & Dissertations. 310. https://digitalcommons.usm.maine.edu/etd/310 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in All Theses & Dissertations by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Animal Welfare: Measuring Strategies for Improving Lives A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LEADERSHIP STUDIES UNIVERSITY OF SOUTHERN MAINE BY ELSBETH K. PAIGE-JEFFERS 2017 iii This work is dedicated to all the animals I love and have loved, with special thanks to Watson, Nigel, Molly, and Alice, for their love and companionship. iv Abstract Animals are sentient creatures entitled to humane treatment and lives of dignity. There are many fields which address this notion, including animal welfare science, ethics, law, policy, and veterinary science. Such a multi-disciplinary approach to animal welfare reveals numerous best practices which can be used to improve the way animals are conceived of and treated by both specialists and the public. However, despite this faceted consideration of animal welfare, there is a dearth of quantitative means to assess entities’ adherence to best practices. -
Investigating & Prosecuting Animal Abuse
Photo credits: Animal photos compliments of Four Foot Photography (except dog and cat on back cover and goat); photo of Allie Phillips by Michael Carpenter and photo of Randall Lockwood from ASPCA. All rights reserved. National District Attorneys Association National Center for Prosecution of Animal Abuse 99 Canal Center Plaza, Suite 330 Alexandria,VA 22314 www.ndaa.org Scott Burns Executive Director Allie Phillips Director, National Center for Prosecution of Animal Abuse Deputy Director, National Center for Prosecution of Child Abuse © 2013 by the National District Attorneys Association. This project was supported by a grant from the Animal Welfare Trust. This information is offered for educational purposes only and is not legal advice. Points of view or opinions in this publication are those of the authors and do not represent the official position or policies of the National District Attorneys Association or the Animal Welfare Trust. Investigating & Prosecuting Animal Abuse ABOUT THE AUTHORS Allie Phillips is a former prosecuting attorney and author who is nationally recognized for her work on behalf of animals. She is the Director of the National Center for Prosecution of Animal Abuse and Deputy Director of the National Center for Prosecution of Child Abuse at the National District Attorneys Association. She was an Assistant Prosecuting Attorney in Michigan and subsequently the Vice President of Public Policy and Human-Animal Strategic Initiatives for American Humane Association. She has been training criminal justice profes- sionals since 1997 and has dedicated her career to helping our most vulnerable victims. She specializes in the co-occurrence between violence to animals and people and animal protec- tion, and is the founder of Sheltering Animals & Families Together (SAF-T) Program, the first and only global initiative working with domestic violence shelters to welcome families with pets. -
April 5, 2021 Sen. Jeff Golden, Chair Committee Members Senate
April 5, 2021 Sen. Jeff Golden, Chair Committee Members Senate Committee on Natural Resources and Wildfire Recovery RE: SUPPORT SB 832 TO PHASE OUT MINK FARMING AND PROTECT PUBLIC HEALTH I am an Animal Liberation Activist and Civil Rights Activist. I care about the health and well being of our citizens and Animals. Fur farming is not only unnecessary cruelty to the animals, but also a health risk to our citizen's, because fur farming has been linked to COVID-19. According to the World Animal Protection in the United States, there are 245 fur farms across 22 states, with over 7,000 minks dying from COVID-19, https://www.worldanimalprotection.us/blogs/mutated-strain-covid-19-linked-mink-farming Additionally fur farming is causing a new variant of the virus and it has a possibility of lowering the efficiency of COVID-19 vaccines. According to the Humane Society, confining mink in small wire cages for fur production not only causes severe suffering for the animals, it causes the conditions of the animals to spread pathogens causing covid-19. white paper According to Newsweek, three minks escaped from a covid-19 infested mink farm and since been trapped ,two of which have tested positive for covid-19 and to make matters more dangerous it's open season for mink trapping which means more people could be exposed to the virus. https://www.wweek.com/news/2021/01/14/two-escaped-farm-mink-test-positive-for-covid-19-during-mink-trapping-season/ Also according to OPB Center of Biological Diversity, an environmental group, states, mink that escape from fur farms could potentially spread the virus to other wildlife, and the escaped mink, on mink farms could also infect animals that eat an infected mink or its feces. -
UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Animal People: Freaks, Elitists, Fanatics, and Haters in U.S. Discourses about Veganism (1995-2019) Permalink https://escholarship.org/uc/item/4hb8n962 Author Skinazi, Samantha Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ ANIMAL PEOPLE: FREAKS, ELITISTS, FANATICS, AND HATERS IN U.S. DISCOURSES ABOUT VEGANISM (1995-2019) A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Samantha Skinazi June 2019 The Dissertation of Samantha Skinazi is approved: ________________________________ Professor Sean Keilen, Chair ________________________________ Professor Carla Freccero ________________________________ Professor Wlad Godzich ______________________________ Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Samantha Skinazi 2019 Table of Contents LIST OF FIGURES IV ABSTRACT V DEDICATION AND ACKNOWLEDGEMENT VII INTRODUCTION: LOVING SPECIES 1 NOTES 21 FREAKS 22 RIDICULE: THAT JOKE ISN'T FUNNY ANYMORE 28 EMPATHY AND SHAME: OMNIVORE DILEMMAS IN THE VEGAN UTOPIA 41 TERRORS: HOW DO YOU KNOW IF SOMEONE'S VEGAN? 64 CONCLUSION: FROM TEARS TO TERRORISM 76 LIST OF FIGURES 79 NOTES 80 ELITISTS 88 LIFESTYLE VEGANISM: GOOP AND THE WHITE WELLNESS VEGAN BRAND 100 BLINDSPOTTING VEGANISM: RACE, GENTRIFICATION, AND GREEN JUICE 112 DEMOCRATIC VEGANISM: OF BURGERS AND PRESIDENTS -
Freaks, Elitists, Fanatics, and Haters in Us
UNIVERSITY OF CALIFORNIA SANTA CRUZ ANIMAL PEOPLE: FREAKS, ELITISTS, FANATICS, AND HATERS IN U.S. DISCOURSES ABOUT VEGANISM (1995-2019) A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Samantha Skinazi June 2019 The Dissertation of Samantha Skinazi is approved: ________________________________ Professor Sean Keilen, Chair ________________________________ Professor Carla Freccero ________________________________ Professor Wlad Godzich ______________________________ Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Samantha Skinazi 2019 Table of Contents LIST OF FIGURES IV ABSTRACT V DEDICATION AND ACKNOWLEDGEMENT VII INTRODUCTION: LOVING SPECIES 1 NOTES 21 FREAKS 22 RIDICULE: THAT JOKE ISN'T FUNNY ANYMORE 28 EMPATHY AND SHAME: OMNIVORE DILEMMAS IN THE VEGAN UTOPIA 41 TERRORS: HOW DO YOU KNOW IF SOMEONE'S VEGAN? 64 CONCLUSION: FROM TEARS TO TERRORISM 76 LIST OF FIGURES 79 NOTES 80 ELITISTS 88 LIFESTYLE VEGANISM: GOOP AND THE WHITE WELLNESS VEGAN BRAND 100 BLINDSPOTTING VEGANISM: RACE, GENTRIFICATION, AND GREEN JUICE 112 DEMOCRATIC VEGANISM: OF BURGERS AND PRESIDENTS 131 CONCLUSION: THE SPECTER OF NATIONAL MANDATORY VEGANISM 153 NOTES 156 FANATICS 162 WHY GIVE UP MEAT IN THE FIRST PLACE? 170 MUST IT BE ALL THE TIME? 184 WHY TELL OTHERS HOW TO LIVE? 198 CONCLUSION: MAY ALL BEINGS BE FREE FROM SUFFERING? 210 NOTES 223 CONCLUSION: HATERS 233 NOTES 239 REFERENCES 240 iii List of Figures Figure 1.1: Save a cow eat a vegetarian, bumper sticker 79 Figure 1.2: When you see a vegan choking on something, meme 79 Figure 1.3: Fun prank to play on a passed out vegan, meme 79 Figure 1.4: How do you know if someone's vegan? 79 Don't worry they'll fucking tell you, meme iv Abstract Samantha Skinazi Animal People: Freaks, Elitists, Fanatics, and Haters in U.S. -
Sue Coe: I Am an Animal Rights Activist Artist
S UE COE: I AM AN A NIMAL RIGHTS A CTIVIST ARTIST Sue Coe, one of the most committed activist artists in America, has during her thirty-five-year career charted an idiosyncratic course through an environment that is at best ambivalent toward art with overt socio-political content. In this issue of Antennae, the artist presents a new portfolio of images on the subject of animal welfare. Questions by Giovanni Aloi and Rod Bennison Giovanni Aloi and Rod Bennison: Your work murder. I am an animal rights activist artist. 50 seems to have more recently focused on a billion non human animals are slaughtered every wider range of subject than ever before. Are year. This number does not include oceanic life. there specific reasons for this? They bleed red, same us. The predictable answer is I grew up a block away from a slaughterhouse and Sue Coe: Don't think so. I have never seen wide lived in front of an intensive hog farm, so was range as being particularly desirable. I could draw accustomed to being around slaughter. My a tree for the rest of my life, and that tree could childhood was dripping in blood, but I would hope incorporate the entire history of culture. My that, personal psychology aside, the apology we preference is to choose a topic, or have it choose owe non-human animals for their suffering, at our me, and research it and do it well over a decade. hands, is more of a motivator. Aloi and Bennison: Your graphic portrayal of Aloi and Bennison: You have been producing hammer head sharks being de-finned and animal welfare oriented work for many years. -
Born Free and Equal? on the Ethical Consistency of Animal Equality
Born free and equal? On the ethical consistency of animal equality Stijn Bruers Proefschrift voorgelegd tot het bekomen van de graad van Doctor in de Moraalwetenschappen Promotor: Prof. dr. Johan Braeckman Promotor Prof. dr. Johan Braeckman Vakgroep Wijsbegeerte en Moraalwetenschap Decaan Prof. dr. Marc Boone Rector Prof. dr. Anne De Paepe Nederlandse vertaling: Vrij en gelijk geboren? Over ethische consistentie en dierenrechten Faculteit Letteren & Wijsbegeerte Stijn Bruers Born free and equal? On the ethical consistency of animal equality Proefschrift voorgelegd tot het behalen van de graad van Doctor in de moraalwetenschappen 2014 Acknowledgements First of all, I would like to thank my supervisor Prof. Dr. Johan Braeckman. He allowed me to explore many new paths in ethics and philosophy and he took time to guide me through the research. His assistance and advice were precious. Second, I owe gratitude to Prof. Dr. Tom Claes and Tim De Smet for comments and Dianne Scatrine and Scott Bell for proofreading. Thanks to Gitte for helping me with the lay-out and cover. Thanks to the University of Ghent for giving opportunities, knowledge and assistance. From all philosophers I know, perhaps Floris van den Berg has ethical ideas closest to mine. I enjoyed our collaboration and meetings with him. Also the many discussions with animal rights activists of Bite Back, with the participants at the International Animal Rights Conferences and Gatherings and with the many meat eaters I encountered during the years allowed me to refine my theories. Furthermore, I am grateful to anonymous reviewers for some useful comments on my research papers.