Government Response to the Report, Local Voices
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Final Evaluation Report
Final Evaluation Report Aceh Youth Radio Project A project implemented by Search for Common Ground Indonesia Funded by DFID and administered by the World Bank From April 2008 to February 2009 Contact Information: Stefano D’Errico Search for Common Ground Nepal Dir: (+977) 9849052815 [email protected] Evaluators: Stefano D’Errico – Representative, SFCG Nepal Alif Imam – Local Consultant Supported by SFCGI Staff: Dylan Fagan, Dede Riyadi, Alfin Iskandar, Andre Taufan, Evy Meryzawanti, Yunita Mardiani, Alexandra Stuart, Martini Morris, Bahrul Wijaksana, Brian Hanley 1 Executive Summary In February 2009, Search for Common Ground (SFCG) Indonesia concluded the implementation of a pilot project entitled Aceh Youth Radio for Peacebuilding. The project, funded by DFID and administered by the World Bank, had the overall objective of ―transforming the way in which Acehnese youth deal with conflict, away from adversarial approaches towards cooperative solutions‖. It lasted 10 months and included four main activity components: trainings on media production and conflict management; outreach events in each of nine working districts; Aceh Youth View Report presenting youth issues to local decision makers, and; production and broadcasting of two youth radio programs (see Annex III, for more details). Some of the positive impacts of the AYRP pilot include: All participants and radio presenters acquired knowledge in media production and conflict resolution; most of the participants now use expertise learned from AYRP for other jobs; AYRP enhanced -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Benbella Spring 2020 Titles
Letter from the publisher HELLO THERE! DEAR READER, 1 We’ve all heard the same advice when it comes to dieting: no late-night food. It’s one of the few pieces of con- ventional wisdom that most diets have in common. But as it turns out, science doesn’t actually support that claim. In Always Eat After 7 PM, nutritionist and bestselling author Joel Marion comes bearing good news for nighttime indulgers: eating big in the evening when we’re naturally hungriest can actually help us lose weight and keep it off for good. He’s one of the most divisive figures in journalism today, hailed as “the Walter Cronkite of his era” by some and deemed “the country’s reigning mischief-maker” by others, credited with everything from Bill Clinton’s impeachment to the election of Donald Trump. But beyond the splashy headlines, little is known about Matt Drudge, the notoriously reclusive journalist behind The Drudge Report, nor has anyone really stopped to analyze the outlet’s far-reaching influence on society and mainstream journalism—until now. In The Drudge Revolution, investigative journalist Matthew Lysiak offers never-reported insights in this definitive portrait of one of the most powerful men in media. We know that worldwide, we are sick. And we’re largely sick with ailments once considered rare, including cancer, diabetes, and Alzheimer’s disease. What we’re just beginning to understand is that one common root cause links all of these issues: insulin resistance. Over half of all adults in the United States are insulin resistant, with other countries either worse or not far behind. -
Federal Communications Commission FCC 99-327 Before the Federal
Federal Communications Commission FCC 99-327 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Digital Audio Broadcasting Systems ) And Their Impact On the Terrestrial Radio ) MM Docket No. 99-325 Broadcast Service. ) NOTICE OF PROPOSED RULE MAKING Adopted: November 1, 1999 Released: November 1, 1999 Comment Date: [75 days from the date of publication in the Federal Register] Reply Date: [105 days from the date of publication in the Federal Register] By the Commission: Table of Contents: Paragraph I. Introduction 1 II. Background A. The Current Radio Broadcast Service and the Commission’s Commitment to Enabling Broadcasters to Convert to Digital Transmissions. 4 B. The Present Development of In-Band On-Channel (“IBOC”) and Other Digital Audio Broadcasting (“DAB”) Systems. 7 C. The USA Digital Radio Petition and Comments. 12 III. Discussion A. DAB Policy Goals. 15 B. Tentative Selection Criteria for a DAB System. 20 C. IBOC DAB Model. 36 D. DAB Model Utilizing New Spectrum. 40 E. Standards and Testing. 1. DAB Transmission Standard. 50 2. Decision-Making Models for DAB System Testing, Evaluation and Transmission Standard Selection. 54 IV. Administrative Matters 59 Appendix A: Initial Regulatory Flexibility Analysis Federal Communications Commission FCC 99-327 I. INTRODUCTION 1. Digital audio broadcasting (“DAB”) technology is in various stages of development and implementation throughout the world. Its proponents claim that it has the capacity to move the American radio broadcast service “to the next plateau of audio performance by providing listeners with enhanced sound quality more closely resembling original source material and digital recordings.”1 DAB technology utilizes new and efficient audio compression techniques that reduce the amount of bandwidth required to transmit a high-quality audio signal. -