Annual Report 2002-2003
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Melbourne Radio
EMBARGOED UNTIL 9:30AM (AEST) MELBOURNE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- SEN 1116 2.8 2.9 -0.1 1.6 0.9 0.7 0.5 0.1 0.4 3.1 1.4 1.7 3.2 2.6 0.6 3.3 6.0 -2.7 2.8 3.8 -1.0 3AW 15.5 15.6 -0.1 5.9 2.0 3.9 0.4 1.5 -1.1 3.6 3.2 0.4 13.1 11.2 1.9 17.6 22.4 -4.8 32.5 32.8 -0.3 RSN 927 0.3 0.4 -0.1 * * * * 0.1 * * * * 0.4 0.1 0.3 0.5 0.5 0.0 0.4 1.1 -0.7 Magic 1278 1.3 1.0 0.3 * 0.1 * 0.7 0.2 0.5 1.6 0.6 1.0 1.4 0.7 0.7 1.4 1.0 0.4 1.5 1.9 -0.4 3MP 1377 1.0 0.9 0.1 0.1 * * * 0.2 * 0.1 0.1 0.0 0.8 1.3 -0.5 2.5 0.7 1.8 1.7 1.8 -0.1 101.9 FOX FM 7.0 7.8 -0.8 14.8 16.4 -1.6 11.3 10.3 1.0 13.4 14.3 -0.9 7.1 10.4 -3.3 3.8 3.6 0.2 0.6 0.1 0.5 GOLD104.3 10.4 11.1 -0.7 5.8 8.6 -2.8 11.3 13.1 -1.8 10.7 9.2 1.5 15.0 14.9 0.1 15.7 15.1 0.6 3.8 6.5 -2.7 KIIS 101.1 FM 5.5 6.4 -0.9 15.4 18.1 -2.7 10.7 14.4 -3.7 9.8 10.4 -0.6 4.9 5.9 -1.0 2.5 3.5 -1.0 0.5 0.2 0.3 105.1 TRIPLE M 4.7 5.2 -0.5 2.8 2.0 0.8 8.0 6.6 1.4 7.0 5.8 1.2 6.2 8.0 -1.8 4.7 8.2 -3.5 0.9 0.8 0.1 NOVA 100 6.7 7.8 -1.1 21.2 22.4 -1.2 11.4 14.5 -3.1 8.4 12.6 -4.2 7.6 8.9 -1.3 4.8 3.1 1.7 0.4 0.3 0.1 smoothfm 91.5 7.8 7.6 0.2 6.9 8.7 -1.8 5.9 3.3 2.6 6.5 5.5 1.0 7.8 7.7 0.1 9.4 8.0 1.4 8.9 10.1 -1.2 ABC MEL 11.1 8.8 2.3 2.3 1.0 1.3 5.5 2.8 2.7 4.3 4.5 -0.2 6.3 4.3 2.0 13.8 6.4 7.4 23.2 21.6 1.6 3RN 2.7 2.1 0.6 0.6 0.4 0.2 * * * 0.7 0.2 0.5 2.2 1.2 1.0 2.6 2.7 -
Sydney Radio
EMBARGOED UNTIL 9:30AM (AEST) SYDNEY RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight Station People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- SEN 1170 0.6 0.5 0.1 * * * 0.2 0.1 0.1 0.4 0.5 -0.1 0.4 0.2 0.2 0.1 * * 1.4 1.4 0.0 2GB 11.8 11.7 0.1 5.0 5.5 -0.5 2.0 1.7 0.3 4.2 3.4 0.8 3.7 4.4 -0.7 12.5 12.1 0.4 28.9 29.8 -0.9 2UE 954 3.0 2.4 0.6 0.1 1.3 -1.2 * 0.3 * 0.4 0.2 0.2 1.6 0.7 0.9 2.1 4.5 -2.4 8.3 5.4 2.9 SKY Sports Radio 0.7 0.7 0.0 0.8 0.3 0.5 0.5 0.2 0.3 1.1 1.0 0.1 0.3 0.8 -0.5 0.2 0.4 -0.2 1.1 0.9 0.2 104.1 2DAY FM 3.3 3.5 -0.2 4.7 5.3 -0.6 4.7 4.5 0.2 5.4 5.5 -0.1 3.6 4.5 -0.9 3.7 3.2 0.5 0.4 0.4 0.0 KIIS1065 10.6 9.6 1.0 12.1 12.9 -0.8 15.5 15.7 -0.2 23.1 18.7 4.4 12.4 11.1 1.3 3.9 4.8 -0.9 0.9 0.7 0.2 104.9 TRIPLE M 5.0 4.9 0.1 5.1 6.5 -1.4 12.7 11.0 1.7 4.9 5.4 -0.5 6.8 7.3 -0.5 6.0 4.1 1.9 0.8 0.8 0.0 NOVA96.9 6.7 6.5 0.2 23.4 19.7 3.7 14.3 11.7 2.6 11.2 11.5 -0.3 6.3 5.3 1.0 2.0 2.3 -0.3 0.2 0.5 -0.3 smoothfm 95.3 10.0 10.8 -0.8 9.4 6.6 2.8 9.9 8.1 1.8 9.4 9.6 -0.2 10.0 14.0 -4.0 15.3 14.4 0.9 7.6 8.7 -1.1 WSFM 8.3 8.2 0.1 7.3 10.0 -2.7 4.3 8.2 -3.9 5.1 5.9 -0.8 10.6 10.7 -0.1 15.1 12.5 2.6 6.0 4.7 1.3 ABC SYD 9.6 10.1 -0.5 3.7 4.6 -0.9 2.4 2.7 -0.3 2.7 3.2 -0.5 9.0 7.4 1.6 12.0 13.5 -1.5 17.7 20.2 -2.5 2RN 2.1 1.7 0.4 0.1 0.5 -0.4 2.0 0.7 1.3 0.4 0.2 0.2 1.5 1.3 0.2 2.7 2.9 -0.2 4.3 3.4 0.9 ABC NEWSRADIO 1.6 1.8 -0.2 0.7 1.3 -0.6 0.7 0.5 0.2 1.1 1.4 -0.3 -
Munibung Musings
Munibung Musings No.2 - Autumn 2019 Stop Press Proposed conservation park has been placed on the market The Newcastle Herald (9.3.2019) carried the story in the Commercial Property section of Domain, under the The pitch to headline: Munibung Hill being sold developers by Renee Valentine ‘A superb development “A Speers Point property of around 80 hectares of land at 1A opportunity now and Raymond Street is being marketed by Barry Price, Ray White into the future.’ Newcastle and Lake Macquarie, and John Parnham, of Ray White Commercial. That can only mean a challenge to the current area- It has development application approval for 115 residential lots on a small part of the site, which is bordered by Boolaroo, Zoned E2 to allow for more Warners Bay and Macquarie Hills. streets and housing. That would be another case of Is this what we can look forward to on The landmark property has been held by its current owners for Munibung Hill in the future as the around 80 years and enjoys extensive views of Lake Macquarie “mission creep” and that result of this 80 ha sell off? and Mount Sugarloaf. would mean in addition to the approved 115 lots on 11 ha, another 721 residential “It’s a very large piece of land and twice the size of most of the lots on 69 ha, in place of this important conservation suburbs around it," Mr Price said. “It’s got some outstanding lake views from many many places and is 800 metres from the and wildlife area. Urban forest destroyed. -
A Report on the Erosion of Press Freedom in Australia
BREAKING: A report on the erosion of press freedom in Australia REPORT WRITTEN BY: SCOTT LUDLAM AND DAVID PARIS Press Freedom in Australia 2 Our Right to a Free Press 3 Law Enforcement and Intelligence Powers 4 Surveillance 7 Detention of Australian Journalists and Publishers 10 Freedom of Information 11 CONTENTS Defamation Law 12 The Australian Media Market 13 ABC at Risk 14 Fair and Balanced Legislation Proposal 15 How Does Australia Compare Internationally? 16 What Can We Do? 17 A Media Freedom Act 18 About the Authors: David Paris and Scott Ludlam 19 References 20 1 PRESS FREEDOM IN AUSTRALIA “Freedom of information journalists working on national is the freedom that allows security issues, and the privacy of the Australian public. Australians you to verify the existence are now among the most heavily of all the other freedoms.” surveilled populations in the world. - Win Tin, Burmese journalist. Law enforcement agencies can access extraordinary amounts In June 2019, the Australian of information with scant Federal Police raided the ABC and judicial oversight, and additional the home of a journalist from the safeguards for journalists within Daily Telegraph. These alarming these regimes are narrowly raids were undertaken because framed and routinely bypassed. of journalists doing their jobs reporting on national security Australia already lagged behind issues in the public interest, in when it comes to press freedom. part enabled by whistleblowers We are the only democracy on inside government agencies. the planet that has not enshrined the right to a free press in our This was just the latest step in constitution or a charter or bill what has been a steady erosion of rights. -
Entry Form Must Be Submitted
E N T R Y K I T ALL TRACKS ENTERED MUST BE THE ORIGINAL WORK OF THE ARTIST / BAND WHO ENTERS THEM. A MAXIMUM OF 3 TRACKS PER ARTIST / BAND MAY BE ENTERED. TRACKS MAY BE ENTERED INTO THE SAME CATEGORY OR DIFFERENT CATEGORIES; HOWEVER, THE SAME TRACK MUST NOT BE ENTERED IN TO MORE THAN ONE CATEGORY. AN INDIVIDUAL MAY ENTER AS A SOLO ARTIST AND MAY ALSO BE A MEMBER OF ONE OTHER ENTERED BAND. FOR EACH TRACK ENTERED, A SEPARATE AND COMPLETE ENTRY FORM MUST BE SUBMITTED. ALL SECTIONS OF THE ENTRY FORM MUST BE FILLED IN! INCOMPLETE FORMS WILL NOT BE ACCEPTED OR PROCESSED. IF AN ARTIST / MEMBER OF A BAND IS UNDER 18 YEARS OF AGE, A PARENT OR GUARDIAN MUST AUTHORISE THE ENTRY FORM. THE ARTIST / BAND (MAJORITY OF BAND MEMBERS) MUST BE LOCAL TO THE NEWCASTLE, LAKE MACQUARIE, UPPER AND LOWER HUNTER, PORT STEPHENS AND CENTRAL COAST AREA; LIVING HERE NOW (FOR AT LEAST 6 MONTHS) OR HAVING LIVED HERE FOR AT LEAST 5 OF THE LAST 7 YEARS OR LIVE AND WORK HERE AT LEAST 6 MONTHS OF THE YEAR. RD ENTRIES CLOSE 5PM ON FRIDAY 3 of JULY 1233 ABC Newcastle Music Awards 2009 W E L C O M E Thank you for entering the 1233 ABC Newcastle Music Awards in 2009, for sharing your music with us and for supporting this project that takes our great local talent to a wider audience on air and online. What are these Awards all about? It‟s true that when you enter a competition, a big motivator is the idea of winning something, and there are certainly awards and prizes for the winners of the categories and specialist areas. -
Katina Michael
Section I. CV ‐ Katina Michael 1. Qualifications & Employment EDUCATION Masters of Transnational Crime Prevention with Distinction Faculty of Law (2007‐2009) University of Wollongong Doctor of Philosophy School of Information Technology & Computer Science (1997‐2003) “Technological Trajectory of the Automatic Identification Industry” University of Wollongong Bachelor of Information Technology with Credit Cooperative Scholarship $30,000 School of Mathematical and Computer Science (1994‐1996) University of Technology Sydney ACADEMIC POSITIONS HELD Professor (August 2018 – to present) School for the Future of Innovation in Society School of Computing, Informatics & Decision Science Engineering Director of the Center for Engineering, Policy & Society Professor (since November 2015 – to present) School of Computing and Information Technology University of Wollongong Associate Dean International (2013‐ 2017) A member of the executive team Faculty of Engineering and Information Sciences University of Wollongong Originally hired as a Lecturer (2002‐2005), then promoted to a Senior Lecturer (2006‐2009), and Associate Professor (2010‐2015) Faculty of Informatics University of Wollongong Katina Michael ‐ 1 ACADEMIC POSITIONS CONT. Faculty Fellow (2017 – Present) Centre for Law, Science & Innovation Sandra Day O'Connor College of Law Arizona State University Visiting Academic (2016 – 2017) Web Science Institute (WSI) University of Southampton Visiting Professor (2016‐2017) Foreign Expert Scholarship (Jiangsu Province) Department of Electronic Commerce Nanjing University INDUSTRY POSITIONS HELD Senior Network and Business Planner (1999‐2001) Engineer (1998‐1999), Network and Systems Solutions Graduate Engineer (1996‐1997), Systems Engineering Department Nortel Networks Nortel Networks (previously Nortel/Northern Telecom) was one of the world’s leading telecommunications vendors, specialising in digital switching equipment and later broadband networks.