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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
Drug Action Program Starts
HAWAII MARINE Voluntary payment for delivery to MCAS housing /S I per four week period. VOL. I I NO. 3 'KANEOHE BAY, HAWAII, JAN. 20, 1982 EICHTEEN PAGES' Drug action program starts The first Navy Drug Safety in January and Jacksonville, Fla. estimated at $150. This figure is Dickerson said that most of the Action Program class at Marine in March. higher than the NASAP classes personnel in the NDSAP classes Corps Air Station, Kaneohe Bay The Navy Personnel Research due to start-up costs such as are referrals. "They are Marines started Jan. 11 in the Counseling and Development Center, San additional films, projectors, and sailors who were picked up for and Assistance Center. Diego conducted a study to printing, etc. one type of infraction or the other The aim of the NDSAP course is analyze the results of the NDSAP and the command had reason to Marine Reserve program to provide information to pilot program. Questionnaires NDSAP IS a 36-hour course believe the cause of the violation participants regarding the were distributed to the supervisors conducted by the University of was drugs other than alcohol," he HQMC, WASHINGTON - During the current fiscal year, specific effects of drugs and the of those who attended NDSAP Arizona. At the Air Station, it will said. , the Marine-Carps will pay out more than $2 million dollars in medical and legal consequences of classes and the results were be a four-week course. Initially bonus money to its reservists. use or abuse. "NDSAP is an evaluated in terms of program classes will be from 6:30 until 9:30 HE ADDED that there are four The bonuses will be paid for enlistments, reenlistments intervention and prevention strengths and weaknesses to p.m. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
LIBRARY OPENS CENTER for YOUNG READERS by Kimberly Rieken
September - December 2009 LIBRARY OPENS CENTER FOR YOUNG READERS By Kimberly Rieken The Library of Congress, for the first time in its history, has a space devoted to the reading interests of children and teens in its historic Thomas Jefferson Building. On Oct. 23, Librarian of Congress James H. Billington welcomed a group of young people, parents and others to the new Young Readers Center, in Room LJ G-31, ground floor of the Thomas Jefferson Building. “We want you and other young readers to have a place where you can gain an introduction to the wonders of your nation’s library,” Billington told the children gathered in the center. The Librarian, with the help of Mrs. Billington, introduced the book “Moomin Troll” by Tove Jansson, from which the Billingtons read to the children. Rep. Debbie Wasserman Schultz, D-Fla., and her children and Rep. Robert Aderholt, R-Ala., and his son helped open the new center. A mother of three, the congresswoman said she was honored to be at the opening. “There’s nothing like an event in Washington with children,” she said. Stressing the importance of Center for the Book the Library for readers of all ages, she said, “We need to be able to inspire the Newsletter next generation of readers in the greatest library in the world.” Children gathered The Center for the Book’s around and listened intently as the congresswoman and her children read one of networks of state centers their favorite books, “Pinkalicious” by Elizabeth Kann and Victoria Kann. and reading promotion part- M.T. -
Download Press Release As PDF File
JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
Der Kleine Horrorladen
DER KLEINE HORRORLADEN Buch und Liedtexte von Howard Ashman, Musik von Alan Menken Nach dem Film von Roger Corman, Drehbuch von Charles Griffith Inszenierung INGMAR OTTO 3 „Dann wächst mir Blatt um Blatt du pflegst mich spät und früh du düngst mich und du wässerst mich und freust dichwenn ich blüh‘ …“ FÖRDERVEREIN „FREUNDE DES KAMMERTHEATERS“ E.V. 5 DIE ERFOLGSMARKE ASHMAN & MENKEN Gerlinde Hämmerle Hannelore Kucich (Regierungspräsidentin a.D.) 1. Vorsitzende Schirmherrin v.l.n.r. colorierter Ausschnitt aus „Little Shop of Horrors“ von 1960, „Der kleine Horrorladen“ von 1986, „Arielle, die Meerjungfrau“ von 1989, FÖRDERVEREINAlan Menken (links) und Howard Ashman (rechts) nehmen den Oscar für „Under the Sea“ entgegen. FREUNDE DES KAMMERTHEATERS E.V. Der Texter Howard Ashman wurde als Howard Als Mitglied des Fördervereins sind auch Ihre Gedanken und Ideen gefragt. Elliott Gershman am 3. Mai 1950 in Baltimore, Werden Sie hautnah zum kritischen Beobachter der Theaterarbeit und zum Maryland, geboren. Er ging 1974 nach New sich als Soul-Bariton und Mushnicks Duett mit engagierten Mitstreiter für die Zukunft dieses Theaters. York City und begann dort, neben seiner Arbeit Seymour klingt nach osteuropäischer Klezmer- in einem Verlagshaus, Schauspiele zu schrei- Musik. Auch bei dem vier Jahre später (1986) Als Freund und Förderer des Kammertheaters kommen Sie dazu in den Genuss ben. 1977 wurde er künstlerischer Leiter des produzierten gleichnamigen Musicalfilm, in der besonderer Angebote und Einladungen, wie z.B.: neu eröffneten WPA Theatre, wo er den US- Regie von Frank Oz (bekannt als Muppets-Mit amerikanischen Komponisten Alan Menken „FREUNDE DES KAMMERTHEATERS“ E.V. erfinder), zeichneten sich Menken und Ashman • Bevorzugte Kartenbestellung kennen lernte. -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
Vop #135 / 3 College
#135 Visions of Paradise #135 Contents The Passing Scene................................................................................................page 3 November 2008 Wondrous Stories................................................................................................page 5 Galactic Empires ... Farmer in the Sky ... Heinlein’s Children . Slick Willie’s Used Car World.............................................................…...........page 9 Part One On the Lighter Side............................................................................................page 16 Jokes by Bill Sabella _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©November, 2008, by Gradient Press Available for trade, letter of comment or request Artwork Sheryl Birkhead ………………. cover Brad Foster ………………….page 8 The Passing Scene November 2008 Jean and I ended October by staying home on Halloween instead of going shopping. However, we had our usual small total of about 10 trick or treaters, so it was a relaxing night. The next day, after going to the YMCA in the morning, we had a quick lunch at a diner (which used to be as prevalent in New Jersey as mushrooms in a field, but recently have diminished to one every few towns) followed by a ride to Newark Airport to pick up Mark and Kate who flew back from a week at Disney World. They had a good week there, climaxed by a huge Halloween party at the Magic Kingdom so that they came home with two huge bags filled with candy. November is the month of the Indian Culture Club’s annual Family Diwali Dinner, and it was very successful. The officers did a good job planning it, the families brought lots of food, and everybody enjoyed themselves. -
Steve Martin
Steve Martin Steve Martin has become one of the world's best-known comedic personalities. Oddly enough, he started out studying philosophy and wanted to become a college professor in the subject. He is a member of Mensa International (an organization for people with very high IQs). His studies, though, turned him in the exact opposite direction. He dropped out of college to pursue a career in comedy writing for numerous television shows before going solo as a stand-up comedian. His experience in philosophy taught him to try ridiculous twists that launched a great career and numerous world renowned catch phrases. Stephen Glenn Martin, born August 14, 1945, is an American comedian, writer, producer, actor, musician and composer. He was born in Waco, Texas and raised in Orange County, California, he worked at Knott’s Berry Farm and Disneyland in concessions. Steve credits this with the beginning of his love for entertainment. He developed his skills in playing the banjo, lassoing, juggling, making balloon animals and improvisational comedy. When he went to college at California State University, long Beach he majored in philosophy. His goal was to become a philosophy professor, but something in his studies changed his mind. “In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, ‘Hey, there is no cause and effect! There is no logic! There is no anything!" Then it gets real easy to write this stuff, because all you have to do is twist everything hard - you twist the punch line, you twist the non sequitur so hard away from the things that set I up, that it's easy.. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.