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Unlikely Identities
Unlikely Identities: In May of 1911 an Ottoman deputy from Thessaloniki, Dimitar Vlahov, interjected Abu Ibrahim and the himself in a parliamentary debate about Zionism in Palestine with a question: “Are Politics of Possibility in 2 Arab peasants opposed to the Jews?” 1 Late Ottoman Palestine Answering himself, he declared that there was no enmity between Arab and Samuel Dolbee & Shay Hazkani Jewish peasants since, in his estimation, “They are brothers [onlar kardeştir], and like brothers they are trying to live.” Noting that in the past few weeks “anti- Semitism” had appeared on the pages of newspapers, he reiterated his message of familial bonds: “Whatever happens, the truth is in the open. Among Jewish, Arab, and Turkish peasants, there is nothing that will cause conflict. They are brothers.” Vlahov Efendi’s somewhat simplistic message of coexistence was not popular, appearing as it did in the midst of a charged debate about Zionist land acquisitions in Palestine.3 Other deputies in parliament pressed him about the source of his information on these apparent familial ties between peasants. He had mentioned “Arab newspapers,” but ʿAbd al-Mehdi Bey of Karbala wanted to know which ones he had consulted to support his claims. “In Jaffa there is a newspaper that appears named ‘Palestine,’” Vlahov replied. Commotion in the hall interrupted his speech at this point, but Vlahov continued, explaining how the paper suggested Hadera [Khdeira], south of Haifa, had been “nothing but wild animals” thirty years before but had recently become economically prosperous through Zionist settlement. Rishon LeZion, one of the first Zionist colonies, was another engine of development, as its tax revenue had increased a hundred- fold in the previous three decades, he claimed. -
The Armenian Genocide
The Armenian Genocide During World War I, the Ottoman Empire carried out what most international experts and historians have concluded was one of the largest genocides in the world's history, slaughtering huge portions of its minority Armenian population. In all, over 1 million Armenians were put to death. To this day, Turkey denies the genocidal intent of these mass murders. My sense is that Armenians are suffering from what I would call incomplete mourning, and they can't complete that mourning process until their tragedy, their wounds are recognized by the descendants of the people who perpetrated it. People want to know what really happened. We are fed up with all these stories-- denial stories, and propaganda, and so on. Really the new generation want to know what happened 1915. How is it possible for a massacre of such epic proportions to take place? Why did it happen? And why has it remained one of the greatest untold stories of the 20th century? This film is made possible by contributions from John and Judy Bedrosian, the Avenessians Family Foundation, the Lincy Foundation, the Manoogian Simone Foundation, and the following. And others. A complete list is available from PBS. The Armenians. There are between six and seven million alive today, and less than half live in the Republic of Armenia, a small country south of Georgia and north of Iran. The rest live around the world in countries such as the US, Russia, France, Lebanon, and Syria. They're an ancient people who originally came from Anatolia some 2,500 years ago. -
Streampunkeři. Youtube a Mediální Rebelové
Streampunks © 2017 by RKapital, LLC Translation © Julie Tesla, 2018 Czech edition © Host — vydavatelství, s. r. o., 2018 (elektronické vydání) ISBN 978-80-7577-704-1 (PDF) ISBN 978-80-7577-705-8 (ePUB) ISBN 978-80-7577-706-5 (MobiPocket) Věnováno tomu rošťákovi, co teď někde natáčí video na svůj smartphone a ze kterého se jednou stane nejlepší bavič na světě. Obsah Úvod . 13 1 Vzestup streampunkerů . 17 Seznamte se s novou kategorií tvůrců 2 Přijde ||Superwoman|| do supermarketu . 27 Proč je rozmístění zboží v obchodech klíčem k pochopení dnešního mediálního průmyslu 3 Nerdové útočí . 43 Bratři Greenové a budování online komunity 4 Svůj až po konečky vlasů . 61 Tyler Oakley, autenticita a měnící se status celebrity 5 Pas klidně zahoďte . 79 Lilly Singhová, Mr. Bean, k‑pop a tavicí kotel globálních médií 6 Ukaž mi něco, co jsem ještě neviděl . 91 Satira, zastoupení a předsudky v internetových videích 7 Hleď si svého šití . 105 Přitažlivost úzkých mezer na trhu 8 Je to boj . 125 Proč musejí hvězdy v současném světě jet na sto deset procent 9 Zdroje příjmů . 145 Financování kreativity v digitální éře 10 „Toto právě nahrál . .“ . 165 Vice, Storyful a noví hráči ve zpravodajském byznysu 11 Omlouváme se Díky za přerušení . 189 Casey Neistat vrací slávu reklamám 12 Streampunk rock! . 211 Pád a zmrtvýchvstání hudebního průmyslu 13 Na co se dívat dál . 233 Zrovna když jste přišli na kloub mileniálům, přichází generace Z Závěr — Okno do světa . 245 Poděkování . 251 O autorech . 255 Úvod V televizi nic není. Ne, vážně — tam, kde jsem vyrůstal, v televizi opravdu nic nebylo. -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
The Power of You in Youtube
HA RNESSING THE POWER OF " YOU" IN YouTube How just one word - "YOU" - can double your YouTube viewership Writ t en and Researched by Dane Golden and Phil St arkovich a st udy by and .com HARNESSING THE POWER OF "YOU" IN YOUTUBE - A TUBEBUDDY/ HEY.COM STUDY - Published Feb. 7, 2017 EXECUTIVE SUMMARY HINT: IT'S NOT ME, IT'S "YOU" various ways during the first 30 platform. But it's more likely that "you" is seconds versus videos that did not say a measurable result of videos that are This study is all about YouTube and "YOU." "you" at all in that period. focused on engaging the audience rather than only talking about the subject of the After extensive research, we've found that saying These findings show a clear advantage videos. YouTube is a personal, social video the word "you" just once in the first 5 seconds of for videos that begin with a phrase platform, and the channels that recognize a YouTube video can increase overall views by such as: "Today I'm going to show you and utilize this factor tend to do better. 66%. And views can increase by 97% - essentially how to improve your XYZ." doubling the viewcount - if "you" is said twice in Importantly, this study shows video the first 5 seconds (see table on page 22). While the word "you" is not a silver creators and businesses how to make bullet to success on YouTube, when more money with YouTube. With the word And "you" affects more than YouTube views. We used in context as a part of otherwise "you," YouTubers can double their also learned that simply saying "you" just once in helpful or interesting videos, combined advertising revenue, ecommerce the first 5 seconds of a video is likely to increase with a channel optimization strategy, companies can drive more website clicks, likes per view by approximately 66%, and overall saying "you" has been proven to apps can drive more downloads, and B2B engagements per view by about 68%. -
They Made the NABC Run Smoothly
Sunday, December 4, 2011 Volume 84, Number 10 Daily Bulletin 84th North American Bridge Championships Editors: Brent Manley and Sue Munday They made the NABC Cayne team rides run smoothly monster session to Reisinger lead The team captained by James Cayne posted a huge score of 22 in the first semifinal session of the Reisinger Board-a-Match Teams to take the lead into today’s two final sets. Their carryover advantage is 4.34. Cayne is playing with Michael Seamon, Alfredo Versace, Lorenzo Lauria, Giorgio Duboin and Antonio Sementa. Not far off the pace in second place with a carryover of 3.09 are Roy Welland, Bart Bramley, Josef Piekarek and Alexander Smirnov. Wolpert ahead in N.A. Swiss Teams With two final sessions to play, the Gavin Wolpert team will take a carryover of 40 victory points, nearly double that of second place, into today’s play in the Keohane North American Swiss Teams. Wolpert’s squad is Paul Fireman, John Hurd, A successful NABC doesn’t happen by accident. It takes a lot of hard work by a lot Joel Wooldridge, Krzysztof Buras and Grzegorz of people. In this photo are most of the hard-working committee heads who planned Narkiewicz. the tournament and made sure players had fun. Near the end, they raised their arms Trailing by 19.58 VPs are Geeske Joel and in triumph for a job well done. If you see any of them today, say thanks. teammates Tobi Sokolow, Jill Levin, Debbie Back: Mark Jindra, Ann Romeo, Terry Randles, Janice Randles, Dave Grubbs, Carl Rosenberg, Jill Meyers and Janice Seamon-Molson. -
Alien Boy Invades Nickelodeon in New out of This World Comedy, Marvin Marvin, Starring Lucas Cruikshank, Premiering Saturday, Nov
Alien Boy Invades Nickelodeon in New Out of This World Comedy, Marvin Marvin, Starring Lucas Cruikshank, Premiering Saturday, Nov. 24, at 8:30 Pm (ET/PT) SANTA MONICA, Calif., Nov. 9, 2012 /PRNewswire/ -- Nickelodeon premieres a brand-new out of this world live-action comedy series, Marvin Marvin, on Saturday, Nov. 24, at 8:30 p.m. (ET/PT). Starring internet sensation Lucas Cruikshank in his first lead role since the beloved Fred Figglehorn, the half-hour multi-camera series follows the adventures of Marvin, an intergalactic alien teenager who clumsily tries to adapt to his new life on Earth. Marvin Marvin will air regularly on Saturdays at 8:30 p.m. (ET/PT) on Nickelodeon. (Photo: http://photos.prnewswire.com/prnh/20121109/NY09637 ) "Lucas' impressive comedic talents and creativity put him in a class of his own," said Paula Kaplan, Executive Vice President of Current Series, Nickelodeon. "We're incredibly excited to continue our relationship with him and know his fans will enjoy seeing this quirky new character and the rest of this talented cast in this fun new comedy." Marvin Marvin follows the adventures of a teenage alien with special powers named Marvin (Cruikshank) who was sent to Earth by his parents in order to protect him from evil invaders on his home planet, Klooton. Under the supervision of his new human parents, Bob (Pat Finn, The Middle) and Liz (Mim Drew, The Practice), Marvin tries to adjust to life on Earth as a typical American teenager. Helping him navigate Earth's unfamiliar social customs are Marvin's human siblings Teri (Victory Van Tuyl, Supah Ninjas) and Henry (Jacob Bertrand, ParaNorman) and his mischievous grandfather, Pop-Pop (Casey Sander, The Big Bang Theory). -
Think Gaming Content Is Niche? Think Again
THINK GAMING CONTENT IS NICHE? THINK AGAIN WRITTEN BY Gautam Ramdurai THE RUNDOWN PUBLISHED December 2014 Gaming has woven its way into all areas of pop culture—sports, music, television, and more. Its appeal goes far beyond teenage boys (women are now the largest video game–playing demographic!). So it’s no surprise that gaming content has taken off on YouTube. Why? As one gaming creator put it, “You don’t have to play soccer to enjoy it on TV.” From an advertiser’s perspective, gaming content is a rare breed—one that delivers engagement and reach. Even if your brand isn’t part of the gaming industry, you can get in on the action. Gautam Ramdurai, Insights Lead, Pop Culture & Gaming at Google, explains how. Take a broad look at pop culture, and you’ll see that “gaming” is tightly woven into its fabric. It’s everywhere—in music, television, movies, sports, and even your favorite cooking shows. And as gaming content takes off on YouTube, gaming is becoming not only something people do but also something they watch. A generation (18–34-year-old millennials) has grown up on gaming. For them, having a gaming console was as ordinary as having a TV. They can probably still recall blowing into game cartridges and wondering if it made a difference. And if they grew up on gaming, they came of age in the YouTube era. Many now consider it the best platform to explore their passions. (Platforms surveyed include AOL, ComedyCentral.com, ESPN.com, Facebook, Hulu, Instagram, MTV.com, Tumblr, Vimeo, and YouTube.) This convergence has resulted in an abundance of gaming content, and brands interested in connecting with this interested and engaged audience should take note. -
Ghosts Gameplay
Call of Duty® Kicks Off Electronic Entertainment Expo 2013 with World Premier Livestream of Call of Duty®: Ghosts Gameplay Activision Brings E3 to Fans First with "Call of Duty: Ghosts All Access" — Global Telecast of Live Next Generation Gameplay Levels "No Man's Land" and "Into the Deep" Live Broadcast aired on DIRECTV, CallofDuty.com, on Consoles and Global Online Destinations across the Web Fans also had Sneak Peek of Massive, Unprecedented Video Wall Set to Blow Attendees Away On-site at E3 this Week; Call of Duty's "Show Mode" Features State-of-the-Art Visual/Sound Effects, Pyrotechnics, Wind, Smoke/Fog to Highlight Original Call of Duty Content, Set to be THE Event of the Show LOS ANGELES--(BUSINESS WIRE)-- Let the games begin. Activision Publishing, Inc., a wholly owned subsidiary of Activision Blizzard (Nasdaq: ATVI), kicked-off E3 early this year with an unprecedented live telecast to fans around the world, showcasing a first look at new gameplay from the upcoming Call of Duty®: Ghosts. Featuring an all-new world, new story, new characters and new experiences, all powered by a new, next-gen engine, Call of Duty: Ghosts is not only a stunning leap forward for the mega-hit franchise, but also showcases what's possible on next generation consoles. Hosted by Spike TV's Geoff Keighley and Internet personality iJustine, the live 30-minute broadcast titled "Call of Duty: Ghosts All Access" gave fans of the worldwide phenomenon the first chance to go behind the scenes with Activision's acclaimed studio Infinity Ward, for a look at the upcoming title two days before the start of 2013 Electronic Entertainment Expo (E3 Expo). -
Michael Balfry
MIKE MICKENS Director of Photography www.mikemickens.com 100 THINGS TO DO BEFORE HIGH SCHOOL (single-cam series) – Nickelodeon; Prods: Scott Fellows, Meg A. Schave, Steve Burgess; Dirs: Jonathan Judge, Carlos Gonzalez, Savage Steve Holland; w/ Owen Joyner, Isabela Moner, Jaheem Toombs RICHIE RICH (multi-cam series) – Netflix/ Awesomeness TV; Prods: Jeff Hodsden, Shauna Phelan, Brian Robbins, Tim Pollock, Joe Davola, Daniel R. Suhart; Dirs: Phil Lewis, Adam Weissman, Joel Zwick, Sean K. Lambert; w/ Jake Brennan, Joshua Carlon, Jenna Ortega, Lauren Taylor SWITCHED AT BIRTH (single-cam series; Camera Operator) - ABC Family/ABC Studios; Prods: Paul Stupin, Lizzy Weiss, John Ziffren, Sean Reycraft; Dirs: Steve Miner, Ron Lagomarsino, Melanie Mayron, David Paymer, Zetna Fuentes, Michael Lange, Norman Buckley, Bethany Rooney, Lea Thompson, Fred Gerber, Joanna Kerns, Allan Arkush; w/ Vanessa Marano, Sean Berdy, Lucas Grabeel, Katie Leclerc, D.W. Moffett, Constance Marie, Lea Thompson BIG TIME RUSH (single-cam series) – Nickelodeon; Prods: Scott Fellows, Margie Cohn, Jed Spingarn, Lazar Saric, Joanne Toll; Dirs: Savage Steve Holland, Jonathan Judge, Stewart Schill, Joe Menendez, David Kendall, Jonathan Rosenbaum, Paul Lazarus, Scott Fellows, Carlos Gonzalez, Kerry Asmussen, Henry Chan, Fred Savage, Mort Nathan, Nisha Ganatra, Julian Petrillo, Carlos PenaVega; w/ Kendall Schmidt, James Maslow, Carlos PenaVega, Logan Henderson SUPAH NINJAS (single-cam series) – Nickelodeon; Prods: Leo Chu, Eric Garcia, Sharla S. Bridgett, Brian Robbins, Nat Bernstein, Mitchel Katlin, Shauna Phelan; Dirs: Clark Mathis, Alex Winter, Dave Payne, Jonathan Judge, Hiro Koda, David Barrett, Lev Spiro, David Jackson, Brian Robbins, Kevin Fair, Jonathan A Rosenbaum, Paul Shapiro, Tim Story, Logan Henderson THE NEW NORMAL (single-cam series) – Fox/ 20th; Prods: Dante Di Loreto, Ryan Murphy, Bradley Buecker, Mark J. -
090617-Session-2-Keynote-John-Zuern Safra
Page 1 of 20 090617-Session-2-Keynote-John-Zuern_Safra Speaker Key: MS: Max Saunders MS: Monica Soeting ID: Isabel Duran JZ: John Zuern F: Female M: Female H: Hannah R: Rosanna J: Julia 00:00:00 MS: Good morning ladies and gentlemen, if we can start this session please, welcome back for the last day of the conference and our final keynote talk. Before we move on to that I just want to invite Monica Soeting and Isabel Duran to say a little bit about the European Journal, so over to Monica. MS: Right, thank you very much, Max. Actually just three things we want to talk about really briefly. Firstly, at the European Journal we’re firefighting, we’d really like to invite you to send us articles based on your papers of this conference, so would you please think about that and contact me if you want to. Thank you very much for that. Now, Isabel’s going to very shortly say something about her next conference. ID: Good morning everyone, I said it on the first day but some of you were not here yet, so just we should announce that IABE 2019 will be hosted by the Complutense University of Madrid, the Department of English Studies where I teach and where I belong. And, well, you know, Madrid is a very nice place to visit, the university has a tube station right in the middle of the campus so it’s approachable and reachable. The hotels are reasonably inexpensive, so it’s, I think, a good place to have a conference. -
The Youtubers Phenomenon: What Makes Youtube Stars So Popular for Young People?
ISSN electrónico: 2172-9077 https://doi.org/10.14201/fjc201817107123 THE YOUTUBERS PHENOMENON: WHAT MAKES YOUTUBE STARS SO POPULAR FOR YOUNG PEOPLE? El fenómeno de los YouTubers: ¿qué hace que las estrellas de YouTube sean tan populares entre los jóvenes? Sara PEREIRA Associate Professor at the Department of Communication Sciences and researcher at the Communication and Society Research Centre, University of Minho, Portugal E-mail: [email protected] https://orcid.org/0000-0002-9978-3847 Pedro MOURA PhD Student in Communication Sciences at the University of Minho, Portugal E-mail: [email protected] http://orcid.org/0000-0003-1807-7447 Joana FILLOL PhD Student in Communication Sciences at the University of Minho, Portugal E-mail: mailto:[email protected] https://orcid.org/0000-0002-8577-7809 Fecha de recepción del artículo: 08/08/2018 Fecha de aceptación definitiva: 21/10/2018 ABSTRACT This paper aims to explore and to analyse the channels and the five most viewed videos published in May 2017 by two YouTubers – the Portuguese Wuant and the Swede PewDiePie. These YouTube stars were highlighted by a sample of Portuguese teenagers during the fieldwork of the European research project Transmedia Literacy. Based on these two cases, the article intends to identify the main distinctive traits of their productions, focusing on con- tents, performances and aesthetics, seeking to understand what characteristics make these YouTubers so popular among the young generation. The video analysis reveals complex, hybrid characters whose merit of attracting mil- lions of fans cannot be denied. Their eccentric body language, the preference for easy jokes, the recurrence of slang, and a certain civic apathy are some of the very distinguishing features of these YouTubers.