DOCSLIB.ORG

2010Brochurewithbleeds:200609/07

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­1 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­2 On behalf of his Majesty, King Puck, it is Fair. Just contact any of the committee if you my pleasant duty to welcome you all, would like to help. native citizens and world wide visitors, to Our thanks to all the state bodies, public and Puck Fair 2010. This unique festival has private companies, many many sponsors been happening in Killorglin for centuries, and all our volunteers and families, who maybe since pagan Celtic times, maybe work together to make this annual, since the Normans came in 1215 or maybe traditional, world renowned and unique when the local landlord, Jenkins Conway, event, such an important part of the got a Royal Charter in 1613. Who knows? business and social life of Killorglin and mid Who cares? The organising committee Kerry. With your help and co-operation have been working since the end of Puck will survive for many more centuries. August 2009, to ensure that all our visitors will have an extensive programme of free Go mbeidh am athasach, meidhreach, entertainment for all the family. agaibh go leir I rith an Aonaigh agus go mbeimid go leir beo an tam seo aris. A plea to the locals. It takes a lot of voluntary work to run a successful festival. Declan Mangan Please give a few hours of your time to help Chairman of the Organising Committee with the smooth and safe running of Puck 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­3 puck fair queen Hi. My name is Kathlynn Coffey. I am twelve years old. I have lived in Killorglin my whole life. I absolutely love my community. It would be a great honour to be chosen to be the Queen of Puck this year. I love Puck Fair. I have never missed Puck Fair. I love watching the parade and watching the Queen placing the crown on the goat’s head. It has always been a dream of mine to be the Queen of Puck. I always have looked up at the Queen of Puck when she’s passing. I hoped that would be me up there someday. My hobbies are horse-riding, rowing, football and singing. I row with the Killorglin Rowing Club. I also represented my county in the under 12 football last year. I was in the pantomine this year. It was great fun and a great experience. I loved every minute of it. I was also in a fashion show this year to raise money for the Killorglin Rowing Club. I also took part in the Scor na Paisti this year where I came second for singing. I attend my local primary school which is called Scoil Mhuire. I do altar serving in my parish church. I love animals and I have a dog called Charly. I love visiting my cousins farm where I help out with the animals. I have three older brothers. I am the youngest in my family and the only girl. My family and I never go away during Puck. My Mom and Dad always take their holidays during Puck to bring me and my brothers to see Puck Fair. My Dad also won a Puck Fair photography competition sponsored by Spectra. My two grandmothers and grandfathers love Puck and they tell me stories about Puck. My Nan and Grandad from Keel would take the ferry from Keel to Callinafercy and cycle into Puck. My grandad is from Killorglin and his brothers the Coffey family played in a band called The Rhythm Aces who always played in the Oisin ballroom during Puck Fair. Thank you for reading my essay. It would really be a great honour to be this years Queen of Puck. It would really be a dream come true. Kathlynn Coffey, Queen of Puck 2010 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­4 Horse Fair Paul Wheel Lonradh 7:00am “Rideabout” – Irish Music & Song Evan's Field Tralee Road Character Marion 5:00pm - 5:30pm & Hoopla - Stilt Walker 6:10pm - 6:40pm Irish Dance Workshop 1:00pm The Square Puck Fair Stand 11:00am - 1:00pm Chapel on the Hill Figo the Magician, Caint agus Ceoil Street Entertainer with Declan Mangan, Irish Pipes & Drum 12:30pm The Square featuring Jack Healy Workshop 4:40pm Town Plaza 5:30pm Puck Fair Stand 11:00am Council Offices - In association with Library Place Birds Amusements Coronation Parade 5:30pm The Bridge - Main Wobbly Circus, Marc Seymour, Street - The Square - Street Show Street Entertainer Upper Bridge Street 11:00am Town Plaza 2:30pm The Square in association with FEXCO In association with 5:00pm Town Plaza Birds Amusements Coronation Ceremony Puck Fair Stand Dr. Fox’s Old Timey Ce Samba?! String Band – Samba Band Kell – Trad Rock Band 11:00am - 12:00pm 1:30pm - 2:30pm 7:00pm - 8:00pm Puck Fair Stand The Square Town Plaza Stage 12:50pm - 1:50pm Town Plaza Stage Spraoi Ciarrai The Las Vegas Irish Music, Dance & Showband Scooby Circus Storytelling 9:30pm Street Entertainer 2:00pm - 3:00pm & The Stage Truck 11:40am Town Plaza 3:30pm - 4:30pm In association with Champs Eurospar 3:00pm The Square Town Plaza Stage JP Puppets, Pipe Band Recital Street Entertainer 4:00pm Throughout Town 12:00pm The Square 4:00pm Town Plaza 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­5 las vegas showband We are delighted to announce that The Las Vegas Showband will play Puck on the 10th of August. This wonderful group is fronted by Jason O’Callaghan of the Irish Rat Pack, who have sold out Dublin's Vicar Street six times and The Olympia Theatre eight times. The band cover all musical styles from The Rat Pack to Elvis and perform songs from The Galway Girl to New York, New York. Expect to hear some smooth numbers from Deano and Frank and more up to date songs from Michael Buble. The Las Vegas Showband will perform on The Stage Truck on Tuesday the 10th of August from 9:30 pm. TRAFFIC & CAR PARK ARRANGEMENTS Please follow traffic signs and instructions and refrain from parking in ‘No Parking Zones’. These areas are there to ensure the free flow of traffic during the festival. There is ample car parking available in the Annadale Car Park (opposite Bianconi Inn), Killarney Road (near Puck Goat Statue) and the Tralee Road. Admission to all car parks is ¤5. Please ensure that you lock all doors and windows when leaving your car and remove all valuables from view inside your car. A TOW TRUCK IS ON SITE TO DEAL WITH ILLEGAL PARKING. LIMITED DISABILITY PARKING AVAILABLE IN THE UNDERGROUND CARPARK, IVERAGH ROAD (BEHIND ALDI) 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­6 Irish Story-Telling Wobbly Circus, Meet King Puck Workshop Street Show 1:30pm - 2:30pm 11:00am - 1:00pm 11:45am Town Plaza Puck Fair Stand Council Offices - in Association with Library Place Birds Amusements Marc Seymour, JP Puppets, Street Entertainer Cross River Band – Street Entertainer 1:50pm & 6:30pm Celtic Folk Group 12:00 The Square The Square 11:00am - 11:30pm 7:00pm The Square Puck Fair Stand Spraoi Ciarrai 1:10pm - 1:40pm Lonradh Irish Music, Dance Town Plaza Stage – Irish Music & Song & Storytelling 12:00 -1:00pm 4:45pm - 5:30pm 2:00pm - 3:00pm & Town Plaza Stage Town Plaza Stage 3:30pm - 4:30pm Town Plaza Stage Scooby Circus, Bonny Baby Street Entertainer Competition Reverse in Concert 11:00am Town Plaza 12:15pm 7:30pm - 8:30pm 6:00pm The Square Puck Fair Stand The Stage Truck Figo The Magician, Dr. Fox’s Old Street Entertainer The Walls in Concert Timey String Band 1:10pm Town Plaza 9:30pm The Stage Truck 11:40am - 12:10pm 5:30pm The Square In association with Diageo Puck Fair Stand in Association with 5:45pm - 7:00pm Birds Amusements Town Plaza Stage Paul Wheel “Rideabout” Character Marion Hoopla - Stilt Walker 1:00pm The Square 2010­brochure­with­Bleeds:2006­­09/07/2010­­13:57­­Page­7 the walls Steve and Joe Wall write great songs, and over the years many of them have become embedded in the Irish psyche. Songs such as “Brewing up a Storm”, “Romeo’s on Fire” and “Half Past Two” - from their days in their previous band – The Stunning, are still heard regularly on air. "Brewing up a Storm", a massive hit in the nineties for The Stunning, is almost an unofficial Irish national to music.The Walls difficult third anthem. Every Irish person in the world album has been three years in the knows it and even the Irish International making and promises to deliver some of Rugby team walk onto the pitch to its their best music yet. The band have just rousing chorus. Songs such as “To the returned from the SXSW music Bright and Shining Sun” and “Bone convention in Austin Texas where they Deep” introduced The Walls to a whole showcased songs from the new album new audience. and they hope to secure a US release in the coming months. The band always lived for the music. No hype, no latest craze,no flavour of the The audience in Killorglin can expect to month...just great songs that withstand hear songs from the last two albums “Hi- the passing of the years. Lo” and “New Dawn Breaking” as well as some new tunes and the odd foray A string of platinum and gold-selling into The Stunning’s back catalogue.
Recommended publications
  • Download Brochure

    Download Brochure

    Spring/Summer 2020 www.limetreetheatre.ie BOX OFFICE: 061 953 400 FLIP FOR BELLTABLE BOOK ONLINE: www.limetreetheatre.ieEVENTS MIC A5 generic advert.qxp_Memeber year Book advert 13/11/2018 09:16 Page 1 #HelloMIC Mary Immaculate College Cyclone Rep presents Shakespeare Sessions MON 13TH - FRI 17TH JANUARY Date Title Times Mon 13th Hamlet 9.45am & 1pm Tue 14th King Lear 9.45am & 1pm SEE WHAT MIC HAS TO OFFER YOU Wed 15th Romeo & Juliet 9.45am & 1pm SOLD OUT MIC is a university level College of Education and the Liberal Arts, serving the Thu 16th Merchant of Venice 9.45am SOLD OUT needs of a growing and diverse student population of just over 5,000 students. Thu 16th Romeo & Juliet 1pm MIC’s flourishing learning community is distinguished by highly responsive Duration: 120 minutes. To make a booking or for more information, contact student supports and excellence in learning and research. Cyclone Rep directly by email: [email protected] or call 021 2355356. MIC CAMPUS, LIMERICK MIC, ST PATRICK’S CAMPUS, THURLES • BA in Contemporary and Applied • BA in Education, Business Studies and Theatre Studies: (MI001) Accounting: (MI009) • Bachelor of Arts: (MI002) (now with • BA in Education, Business Studies and expanded subject offering) Religious Studies: (MI010) • Bachelor of Education – Primary • BA in Education, Irish and Religious Kristyn Fontanella Dance presents Teaching: (MI005/006) Studies: (MI011) • BA in Early Childhood Care and • BA in Education, Irish and Business Education: (MI007) Studies: (MI012) IN LiMBO • B.Ed. in Education and Psychology: ** New for entry 2019: BA in Education, ST (MI008) Mathematics and Gaeilge: (MI013) SAT 1 FEBRUARY | 8pm Tickets: €18/€15 Mature Learner Programmes: Postgraduate Programmes: • Foundation Certificate for MIC also offers a wide range of Mature Learners postgraduate qualifications up to and • Teacher Education Access Course including Masters and Doctoral degrees in for Mature Learners the Liberal Arts and Education.
  • Tradition and Innovation in Irish Instrumental Folk Music

    Tradition and Innovation in Irish Instrumental Folk Music

    TRADITION AND INNOVATION IN IRISH INSTRUMENTAL FOLK MUSIC by ANDREW NEIL fflLLHOUSE B.Mus., The University of British Columbia, 1990 B.Ed., The University of British Columbia, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA August 2005 © Andrew Neil Hillhouse, 2005 11 ABSTRACT In the late twentieth century, many new melodies were composed in the genre of traditional Irish instrumental music. In the oral tradition of this music, these new tunes go through a selection process, ultimately decided on by a large, transnational, and loosely connected community of musicians, before entering the common-practice repertoire. This thesis examines a representative group of tunes that are being accepted into the common- practice repertoire, and through analysis of motivic structure, harmony, mode and other elements, identifies the shifting boundaries of traditional music. Through an identification of these boundaries, observations can be made on the changing tastes of the people playing Irish music today. Chapter One both establishes the historical and contemporary context for the study of Irish traditional music, and reviews literature on the melodic analysis of Irish traditional music, particularly regarding the concept of "tune-families". Chapter Two offers an analysis of traditional tunes in the common-practice repertoire, in order to establish an analytical means for identifying traditional tune structure. Chapter Three is an analysis of five tunes that have entered the common-practice repertoire since 1980. This analysis utilizes the techniques introduced in Chapter Two, and discusses the idea of the melodic "hook", the memorable element that is necessary for a tune to become popular.
  • Music & Dance Workshops

    Music & Dance Workshops

    Kilcar Fleadh, Co. Donegal CEARDLANNA CEOIL AGUS DAMHSA MUSIC & DANCE WORKSHOPS TH st Monday 28 July – Friday 1 August 2014 Fidil / Fiddle, Bosca Ceoil / Accordion, Feadóg / Tin Whistle, Giotár / Guitar, Damhsa / Dancing, Fiddle Stephen & Claire Gallagher–Kilcar: having played together for many years in sessions, on stage and in various projects, have developed a repertoire and form that respects both their styles. Both are well respected fiddlers among their peers. Both Stephen and Claire teach annually at the Cairdeas na bhFidileírí fiddle summer school in Glencolmcille and they show huge respect for passing on the music of the area to ensure it continues and remains a strong focus in the locality Peter Carr – Kilcar. A fine fiddle player, and a musician of great ability. Peter is the Grandson of world famous fiddle player Francie Dearg Byrne. Peter has taught fiddle at the Kilcar Fleadh workshops and the Cairdeas na bhFidileírí fiddle summer school in Glencolmcille in the past. We are delighted to have him join us for the Kilcar Fleadh 2014. http://youtu.be/9bQpPEq6R8Q Tin Whistle Teresa Lavin hails from Carrowmore-Lacken, a small musical area in Mayo. Her grandfather Philip Lavin, a renowned flute player, introduced her to traditional Irish music at the age of 4. Since then Treasa has won numerous titles at provincial and All Ireland levels.She has performed Irish music worldwide at numerous concerts and festivals and has worked with many recording musicians including her brother Padraic Lavin (Osna). Treasa is highly regarded by her fellow traditional musicians for her distinctive lilting style. Guitar Derek Williamson with an in-depth understanding of both Scottish and Irish Trad style.
  • [Title of the Collection]

    [Title of the Collection]

    Archives of Irish America, Tamiment Library, New York University Mick Moloney Collection of Irish American Music and Popular Culture AIA31.2 Series A: Interviews & Private Performances (including practice & recording sessions) Folder Date Baker, Duck (guitar). Recording session and interview in Philadelphia, PA for the Jul 23, 1978 1979 Kicking Mule release, ―Irish Reels, Jigs, Hornpipes and Airs.‖ (Two CDs – Total length: 00:13:57) Brittingham, Frank (pub owner). Interview recorded in Brittingham’s Irish Pub and May 15, 1991 Restaurant, Lafayette Hill, PA. Brittingham discusses his personal history and his pub, a venue for Irish music in the Philadelphia area. (Two CDs – Total length: 01:04:17) Britton, Tim (uilleann pipes). Recording session at Mick Moloney’s home, 5321 Jan 29, 1977 Germantown Ave., Philadelphia, PA. for the 1979 Rounder release, ―Light Through the Leaves‖. (One CD – Length: 00:18:36) Britton, Tim (uilleann pipes). Recording session and interview in Philadelphia, PA. Jan 3, 1980 (Four CDs – Total length: 00:42:28) Burke, Joe ―Banjo‖ (banjo and voice, b. 1946, Johnstown, Co. Kilkenny, d. Dec, Feb 18, 1977 2003, Albany, New York). Interview at the Bunratty Pub, Bronx, NY. Burke provides biographical and musical information for the sleeve notes of his 1977 Shanachie recording with fiddler Johnny Cronin. (One CD – Length: 00:19:53) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo). Interview in Cleveland, OH. Byrne Apr 27, 1980 discusses his personal and musical experiences in Ireland and Cleveland. (One CD – Length: 00:52:10) Byrne, Tom (flute, b. May 28, 1920, Co.Sligo), McCaffrey, Tom (fiddle, b.
  • Boston Irish March 2020

    Boston Irish March 2020

    Vol. 1, Issue 1 March 2020 BostonIrish.com Parade-goers enjoyed the sights and sounds of the St. Patrick’s Day Parade along Broadway in South Boston in 2019. This year’s parade in Southie starts at 1 p.m. on Sunday, March 15. See more on Page 2. Photo by Steven Senne/AP * Annual Percentage Yield (APY) of WINcentive Savings is .10% APY and is accurate as of 1/1/19. APY is subject to change without notice. Must be a member in good standing of City of Boston Credit Union to open WINcentive Savings. Only one WINcentive Savings account Now you can build your savings allowed per member. Business and trust accounts or other non-consumer accounts are not eligible. Unlimited deposits allowed, but per calendar year prize pool entries are earned by month-over-month balance increases with each $25 deposit increase equal to one (1) entry with the following maximum entries per drawing period - maximum number of entries per and have a chance to WIN! month equals 4, maximum number of entries per quarter equals 12 and maximum number of entries per year equals 48. Account holder is only eligible to win once per drawing pool period. ® At least one account holder must be 18 years or older. Account must be open and active to With WINcentive Savings*, a prize-linked savings account offered by win any prize during drawing period. Early withdrawal penalites apply; first withdrawal $10 fee, City of Boston Credit Union you can watch your savings grow and have the second withdrawal $25 fee, third withdrawal account closure is required with no penalty.
  • Blas International Summer School of Irish Traditional Music and Dance

    Blas International Summer School of Irish Traditional Music and Dance

    Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick FIDDLE TUTORS JOHN CARTY John Carty is one of Ireland’s finest traditional musicians having been awarded the Irish Television station, TG4’s Traditional Musician of the Year in 2003. He joins previous acclaimed winners Matt Molloy (Chieftains flautist), Tommy Peoples (Master Fiddler), Mary Bergin (whistle player, Dordan), Máire Ní Chathasaigh (Harpist) and Paddy Keenan (Uilleann Piper), all of whom are considered to be the leading exponents of their instruments within the Irish tradition. Carty already has three solo fiddle albums, two banjo albums, two group albums and a sprinkling of recorded tenor guitar and flute music recordings under his belt so it’s little wonder he should have joined such elusive ranks. John is a tutor at the Irish World Academy. www.johncartymusic.com Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick EILEEN O’BRIEN Eileen is the bearer of a musical dynasty which can be traced back through generations on both sides of her family, the legendary, O’Brien family from Newtown, Nenagh and her mother’s family, the Seerys from Dublin who were founder members of C.C.E. Eileen’s father, Paddy O’Brien established the B/C accordion-playing style in the 1950’s. His innovative style both as a musician and a prolific composer continues to have a profound influence on Irish traditional music. Eileen carries this musical tradition forward through performance, teaching and composition.
  • Philadelphia Ceili Group Seanachie ~ January 2011

    Philadelphia Ceili Group Seanachie ~ January 2011

    Philadelphia Ceili Group Seanachie ~ January 2011 The Philadelphia Ceili Group is looking forward festival report are available at meetings or can be to an exciting year with a new Board in place and emailed to you at your request. exciting concerts and events coming up for the spring. The Ceili Group is governed by a 9 member This part of the meeting can also be used to bring Board of Directors interested in the support of Irish up any other questions, comments or suggestions culture through a variety of activities. We hope that on ideas that you as our members would like to 2011 will prove to be an exceptional year with the see the Philadelphia Ceili Group address. You various events being offered. The current board is can also email your idea or comment to the Board composed of Frank Dalton, Lori Lander Murphy, at [email protected] or attend one of Courtney Malley, Jimmy McGill, Rosaleen McGill, our board meetings and speak during the member Mary Lou McGurk, Anne McNiff, Beth Ann Moran input part of the agenda. Bailey and Tom O‟Malley. The PCG Board meetings are normally held the 3rd A Message from the President Sunday of the Month at 2:00 p.m. at the Commodore Barry Club aka “The Irish Center.” Happy New Year everyone and may good fortune find you this year! We are really looking forward The Board Meetings dates for 2011 are as follows: to this coming year. We have some great concerts on our schedule. Isaac Alderson and Jonas February 20, 2011 August no meeting Fromseier will be here in February.
  • January / February 2001

    January / February 2001

    FREE Volume 1 Number 1 January / February 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers Dancing in the Subway MUSIC & DANCE IN UNDERGROUND LA by TERRY SQUIRE STONE ere we are at the birth of a new adventure: were here for a trade show a new newspaper for an old tradition. A downtown and were look- newspaper for those of us who have been ing to kill a few hours around the folk music scene for a while, between seminars. Did as well as one for those who are new to I think they should go this community. And, it is a community in to NoHo or City H the realist sense of the word. Walk? Could I help Which brings me to the LA subway… them? They wanted Bear with me… to know my opinion! I recently had reason to use the Los Angeles Metro Then, there was Link system for the first time. The Metro Link is the LA the Orthodox Jewish version of Paris Metro, the London Tube. And, just like teenager from Woodland Hills LA, it is glitzy and expensive, without much “there,” who was out for his first adventure there. It goes only a short distance with a lot of fanfair, but alone. Everything from the pur- it suited my purposes; to get downtown from the San chasing of a ticket to the art on Fernando Valley while avoiding the traffic and the hassle the walls was a wonder to him.
  • BRT Past Schedule 2004

    BRT Past Schedule 2004

    Join Our Mailing List! 2004 Past Schedule current schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule 2008 past schedule 2007 past schedule 2006 past schedule Partial programming support provided by the John H. Chafee Blackstone River Valley National Heritage Corridor Commission JANUARY Saturday, January 10, 8 PM, $12.00 Atwater-Donnelly Aubrey Atwater and Elwood Donnelly return to present an enthralling concert of traditional American and Celtic American folk songs, a cappella pieces, hymns, dance tunes, and original works. Elwood and Aubrey blend unusual harmonies and play guitar, Appalachian mountain dulcimer, Irish tin whistle, harmonica, banjo, bones, spoons and other musical surprises. Their performance is appealing to all ages, and with humor, audience participation, and a highly relaxed stage presence, Aubrey and Elwood explain song origins to give more relevance to the material. Aubrey and Elwood met as volunteers at the Stone Soup Coffeehouse in Providence and formed a duo in the fall of 1987. They perform widely in the Northeast and other parts of the United States and Great Britain and their recordings receive international airplay. Atwater and Donnelly have performed and researched folk music extensively in New England, Ireland, England, Prince Edward Island, the Ozarks, and Appalachia. They recently released a new recording called "And Then I'm Going Home: Atwater- Donnelly Live," which was recorded at the Blackstone River Theatre and other R.I. coffeehouses in 2000. Sunday, January 11, 2-5 PM, $6.00 Irish Ceili and Set Dance Partial support provided by the Rhode Island State Council on the Arts.
  • The Album and the Musical Work in Irish Folk and Traditional Music, Ca

    The Album and the Musical Work in Irish Folk and Traditional Music, Ca

    The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70 Adrian Scahill Éire-Ireland, Volume 54, Numbers 1 & 2, Spring/Summer 2019, pp. 17-45 (Article) Published by Irish-American Cultural Institute DOI: https://doi.org/10.1353/eir.2019.0005 For additional information about this article https://muse.jhu.edu/article/725523 [ Access provided at 3 Nov 2020 16:25 GMT from Maynooth University ] Adrian Scahill The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70 In this article I explore the interrelationship between the introduc- tion of the long-playing record (or LP) into Ireland, the impact of the traditional and folk revival, and the emergence of the concept of a musical work within traditional music. The invention of long- playing records in the 1950s affected how record labels, musicians, and consumers conceptualized different musical styles, and it shaped the structure of recorded music (Montgomery 3; Keightley, “Long Play” 380). The LP came to be associated with serious music of ar- tistic worth that was aimed at an adult market. In the same decade the first long-playing records of Irish traditional or folk music were issued during the first phase of the revival. Irish revivalist musicians and activists of the 1950s and 1960s had a number of broad aims that included, but were not limited to, ensuring that this music was appre- ciated as serious and artistic by a wider audience in Ireland, making high-quality recordings of the music, and presenting the music in a professional and more artistic manner.
  • Frankie-Gavin.Pdf

    Frankie-Gavin.Pdf

    Frankie Gavin “…All I want to do is make a difference, a big difference…” by Simon Haines e Dannan are McDonagh and Charlie Piggott. undisputedly one of Dolores Keane joined for their Dthe most famous Irish debut album to become the first of traditional groups of recent many lead singers. Between then years, who since their inception and 2003, the band underwent in the 70s have been extremely many line-up changes, but always influential the world over. From included Frankie Gavin on fiddle the outset, at their heart has and flute, Alec Finn on bouzouki, been the redoubtable Frankie an accordion player (Jackie Daly, Gavin, who has earned a Mairtin O’Connor and Aidan reputation for himself as a Coffey to name but three) and mighty fiddler, flautist and all an amazing singer (like Mary round musical genius. Black, Dolores Keane and Maura O’Connell among others). Known to many as “the prince of Irish fiddlers”, even amongst his During their time together, De Photo - Tom Collins contemporaries he is considered Dannan became stars of Irish De Dannan c.1974 - Alec Finn, Johnny McDonagh, Charlie Piggott, Dolores Keane and Frankie as one of the greats. Frankie music, not just in Ireland and can’t recall where “the prince” title Britain, but in the USA, and other countries where there were Irish originated from, but he does seem and in collaboration with famous the interplay between them and communities. The band played to like it. And rather than being names in the wider world of music, its resulting arrangements being for the American bicentennial “the king” he feels that, “there’s including Stefane Grappelli, The quite unique.
  • Blas International Summer School of Irish Traditional Music and Dance Irish World Academy of Music and Dance University of Limerick

    Blas International Summer School of Irish Traditional Music and Dance Irish World Academy of Music and Dance University of Limerick

    Blas International Summer School of Irish Traditional Music and Dance Irish World Academy of Music and Dance University of Limerick DANCE TUTORS COLIN DUNNE Colin Dunne is a leading figure in the world of traditional Irish dance, who has made the cross over into contemporary dance and theatre. Best known internationally for his performances and choreography in Riverdance and Dancing on Dangerous Ground, he has been forging a new creative path since his time as artist in residence at University of Limerick where he completed an MA in contemporary dance in 2002. In 2007 he was nominated for a UK Critics Circle National Dance Award (best male: modern dance) for performances at The Barbican in Fabulous Beast’s production of The Bull. His first solo show Out of Time premiered in January 2008. Colin Dunne was born in 1968 in Birmingham, England to Irish parents. He took his first lesson in Irish step dance at the age of three with the locally based Comerford School. At the age of 9, he won his first World Championship title and was the first dancer to win the World, All England and All Ireland titles in the same year. From the age of 12 he was taught by Marion Turley in Coventry and when he retired from competition at the age of 22, he had won a total of nine World, eleven Great Britain, nine All Ireland and eight All England titles. He was influenced from an early age by tap dance – Gregory Hynes in particular – which contributed to his often complex approach to rhythm within the structures of traditional Irish music.