From the Study of Rabbi Kaye: “No Easy Answers.”»PAGE 3
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TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
The John C. Hench Division of Animation & Digital Arts Students; and Emmy Award Nomination
cinema.usc.edu STATISTICS AT A GLANCE Programs and Degrees Granted Undergraduate Student Body: 912 The mission of the Male: 54 percent Female: 46 percent The Bryan Singer Division of Critical Studies Ethnicity: Bachelor of Arts, Master of Arts, Ph.D. USC School of Cinematic Arts Asian/Pacific Islander: 19 percent Black/African American: 4 percent Film & Television Production Hispanic: 12 percent Bachelor of Fine Arts, Bachelor of Arts, is to develop and articulate Native American/Alaskan: 1 percent Master of Fine Arts Non-Resident Alien: 1 percent John C. Hench Division of Animation & Digital Arts White/Caucasian: 58 percent the creative, scholarly and Bachelor of Arts, Master of Fine Arts Unknown/Other: 4 percent Interactive Media & Games Division Graduate Student Body: 693 entrepreneurial principles and Bachelor of Arts, Master of Fine Arts Male: 54 percent Female: 46 percent Media Arts + Practice Bachelor of Arts, Ph.D. practices of film, television Ethnicity: Asian/Pacific Islander: 10 percent Peter Stark Producing Program Black/African American: 9 percent Master of Fine Arts and interactive media, and in Hispanic: 10 percent Native American/Alaskan: 1 percent Writing for Screen & Television Non-Resident Alien: 23 percent Bachelor of Fine Arts, Master of Fine Arts doing so, inspire and prepare White/Caucasian: 43 percent Unknown/Other: 6 percent Undergraduate Minors the women and men who will Faculty: Animation & Digital Arts Full-time: 96 Cinematic Arts Part-time: 219 Cinema-Television for Health Professionals becomes leaders in the field. Staff: Digital Studies Full-time employees: 144 Game Studies Student workers: 499 Game Animation Living Alumni: over 12,000 Game Audio (Number rounded to the nearest 100) Game Design cinema.usc.edu Game Entrepreneurism Game User Research Science Visualization Screenwriting SCA PHILOSOPHY SCA LOCATION SCA LOcatION SCA FacULTY The School of Cinematic Arts is in the heart of Los Angeles, Each SCA faculty member has worked, or is currently SCA PHILOSOPHY considered the entertainment capital of the world. -
Women and Work in Mad Men Maria Korhon
“You can’t be a man. Be a woman, it’s a powerful business when done correctly:” Women and Work in Mad Men Maria Korhonen Master’s Thesis English Philology Faculty of Humanities University of Oulu Spring 2016 Contents 1. Introduction ................................................................................................................................................... 3 1.1. History of Working Women .................................................................................................................... 5 2. Appearance .................................................................................................................................................. 10 2.1. Appearance bias ................................................................................................................................... 10 2.1.1 Weight ................................................................................................................................................ 12 2.1.2. Beauty ideals ..................................................................................................................................... 15 2.1.3. 1960s Work Attire ............................................................................................................................. 18 2.1.4. Clothing and external image in the workplace .................................................................................. 20 2.1.5. Gender and clothing ......................................................................................................................... -
Universidade Federal Fluminense Programa De Pós-Graduação Em Comunicação Mídia, Cultura E Produção De Sentido Gabriel C
UNIVERSIDADE FEDERAL FLUMINENSE PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO MÍDIA, CULTURA E PRODUÇÃO DE SENTIDO GABRIEL C. R. FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Niterói 2020 GABRIEL FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Dissertação apresentada ao Programa de Pós- graduação em Comunicação da Universidade Federal Fluminense como requisito parcial para obtenção do Título de Mestre em Comunicação. Área de Concentração: Mídia, Cultura e Produção de Sentido. Orientadora: Profa. Dra. Mayka Castellano Niterói 2020 GABRIEL FERREIRINHO Sobre gênero, prestígio e premiação: legitimidade masculina no debate sobre qualidade televisiva Dissertação apresentada ao Programa de Pós- graduação em Comunicação da Universidade Federal Fluminense como requisito parcial para obtenção do Título de Mestre em Comunicação. Área de Concentração: Mídia, Cultura e Produção de Sentido. BANCA EXAMINADORA Profa. Dra. Mayka Castellano Universidade Federal Fluminense - PPGCOM Profa. Dra. Ariane Holzbach Universidade Federal Fluminense - PPGCOM Profa. Dra. Juliana Gutmann Universidade Federal da Bahia - PósCom Niterói 2020 Para todas as pessoas que não se conformam com as ordens de gênero e buscam em suas individualidades e coletividades modos de abalar as estruturas do mundo e liberdade para existir. Agradecimentos Nada disso (e de todo o resto) seria possível sem a existência de uma das mulheres mais incríveis das quais já tive a oportunidade de dialogar, por isso, agradeço primeiramente à Viviane Canecchio, minha mãe. Por me ensinar tudo o que sei, meus diversos modos de olhar para o mundo, por ter instigado e continuar instigando em mim diversos debates e reflexões, por ter me permitido enquanto criança explorar o mundo dos gêneros sem tanto da dicotomia na qual as pessoas não cansam de insistir. -
SIGHTS of RACIAL VIOLENCE: New Media Technologies and Acts of Watching, Memory, and Legitimation
SIGHTS OF RACIAL VIOLENCE: New Media Technologies and Acts of Watching, Memory, and Legitimation by Wendy Sung A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2016 Doctoral Committee: Professor Lisa A. Nakamura, Chair Associate Professor Colin Gunckel Professor Yeidy M. Rivero Associate Professor Sarita E. See, University of California, Riverside DEDICATION For my mother and my grandmother— for us. ii ACKNOWLEDGEMENTS Temporality has been crucial for this project in many ways: the interplay of memory and image, the tenuous writing of history and its inevitable rewriting, but also in the difficulties of thinking deeply about a subject that inspires rage, fatigue, and hopelessness. These feelings delayed the completion of the project in unforeseen ways. If the project had been completed in the ideal time allotted by initial funding possibilities, it would look very different and would be far less rich. Thus, I want to acknowledge the many non-starts, refusals, and reluctancies that inevitably were overcome by the immediacy of the project and many Internet-deprived hours of coffee shop work. This was made possible by the generous support of the American Culture department, without which I might never have been able to see the Black Lives Matter movement make a constitutive mark on this dissertation. It goes without saying but still must be said that I am eternally indebted to my committee. Colin, thank you for being a crucial part of bringing Ann Arbor to our favorite city and for offering many invaluable insights that have made this dissertation better. -
2010 Primetime Press Release FINAL
FOR IMMEDIATE RELEASE August 29, 2010 8:00PM PST The Academy of Television Arts & Sciences tonight (Sunday, August 29, 2010) awarded the 2009-2010 Primetime Emmys for programs and individual achievements on the “62nd Primetime Emmy Awards” originating on the NBC Television Network from the Nokia Theatre L.A. Live in Los Angeles. The Academy’s Chairman & CEO John Shaffner participated in the awards ceremony. Don Mischer was Executive Producer of the telecast. In addition to Emmys in 26 categories announced tonight, Emmys in 74 other categories and areas for programs and individual achievements were presented at the Creative Arts Awards on August 21, 2010 from the Nokia Theatre. The awards were tabulated by the independent accounting firm of Ernst & Young LLP. The primetime awards announced on tonight’s telecast were distributed as follows: (Note: The figures in parenthesis represent the grand total of Emmys awarded, including those announced tonight and those announced August 21, 2010). ACADEMY OF TELEVISION ARTS & SCIENCES 62nd PRIMETIME EMMY AWARDS Programs Individuals Total HBO 2 (3) 6 (22) 8 (25) ABC 1 (3) 2 (15) 3 (18) FOX - (-) 2 (11) 2 (11) CBS - (2) 3 (8) 3 (10) NBC - (-) 1 (8) 1 (8) PBS - (1) - (6) - (7) Showtime - (-) 2 (7) 2 (7) AMC 1 (1) 3 (5) 4 (6) Cartoon Network - (1) - (3) - (4) Comedy Central 1 (1) - (1) 1 (2) Discovery Channel - (-) - (2) - (2) A&E - (-) - (1) - (1) Bravo 1 (1) - (-) 1 (1) Disney Channel - (1) - (-) - (1) History - (-) - (1) - (1) NBC.com - (-) - (1) - (1) Nickelodeon - (1) - (-) - (1) StarWarsUncut.com - (-) - (1) - (1) TNT - (-) 1 (1) 1 (1) USA - (-) - (1) - (1) VEVO.com - (-) - (1) - (1) A complete list of all awards presented tonight is attached. -
Body Curves and Story Arcs
Body Curves and Story Arcs: Weight Loss in Contemporary Television Narratives ! ! ! Thesis submitted to Jawaharlal Nehru University and Università degli Studi di Bergamo, as part of Erasmus Mundus Joint Doctorate Program “Cultural Studies in Literary Interzones,” in partial fulfilment of the requirements for the degree of ! Doctor of Philosophy ! ! by ! ! Margaret Hass ! ! ! Centre for English Studies School of Language, Literature and Culture Studies Jawaharlal Nehru University New Delhi - 110067, India 2016 ! Table of Contents !Acknowledgements !Foreword iii Introduction: Body Curves and Story Arcs Between Fat Shame and Fat Studies 1 Liquid Modernity, Consumer Culture, and Weight Loss 5 Temporality and Makeover Culture in Liquid Modernity 10 The Teleology of Weight Loss, or What Jones and Bauman Miss 13 Fat Studies and the Transformation of Discourse 17 Alternative Paradigms 23 Lessons from Feminism: Pleasure and Danger in Viewing Fat 26 Mediatization and Medicalization 29 Fictional Roles, Real Bodies 33 Weight and Television Narratology 36 Addressing Media Texts 39 Selection of Corpus 43 ! Description of Chapters 45 Part One: Reality! TV Change in “Real” Time: The Teleologies and Temporalities of the Weight Loss Makeover 48 I. Theorizing the Weight Loss Makeover: Means and Ends Paradoxes 52 Labor Revealed: Exercise and Affect 57 ! Health and the Tyranny of Numbers 65 II. The Temporality of Transformation 74 Before/After and During 81 Temporality and Mortality 89 Weight Loss and Becoming an Adult 96 I Used to Be Fat 97 ! Jung und Dick! Eine Generation im Kampf gegen Kilos 102 III. Competition and Bodily Meritocracy 111 The Biggest Loser: Competition, Social Difference, and Redemption 111 Redemption and Difference 117 Gender and Competition 120 Beyond the Telos: Rachel 129 Another Aesthetics of Competition: Dance Your Ass Off 133 ! IV. -
Nomination Press Release
Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros. -
Spring 2021 Magazine (PDF)
Syracuse SPRING 2021 | VOL. 10 | NO. 1 ManuscriptSYRACUSE UNIVERSITY’S BLACK AND LATINO/A ALUMNI MAGAZINE An Uncommon Man Celebrating the Legacy of Floyd Little ’67 Abigail Joy Covington ’19, G’20 CONTENTS ManuscriptSyracuse Rachel Vassel ’91 Associate Vice President Multicultural Advancement Angela Morales-Patterson 11 12 Director of Operations and Partnerships Multicultural Advancement Miko Horn ’95 Director of Alumni Events Multicultural Advancement Maria J. Lopez ’05, G’12 Assistant Director of Scholarship Programs Multicultural Advancement Ariel Maciulewicz Administrative Specialist Multicultural Advancement Angela Morales-Patterson Editor-in-Chief Renée Gearhart Levy Writer 7 Kiefer Creative Design Office of Multicultural Advancement Syracuse University 640 Skytop Rd., Second Floor Syracuse, NY 13244-5160 315.443.4556 22 syracuse.edu/alumniofcolor [email protected] Opinions expressed in Syracuse Manuscript are those of the authors and do not necessarily represent the opinions of its editors or the policies of Syracuse University. © 2020 Syracuse University Office of Multicultural Advancement. All rights reserved. 18 42 Coming Back, Giving Back ...........................................3 A Seat at the Table .................................................. 10 An Uncommon Man ........................................... 12 Alumni Profiles ..................................................... 14 Student Spotlights .................................................. 20 Our Time Has Come Scholarship Donors .......................... 26 On -
Escribe Agenda Package
TOWN OF ERIN Regular Council Meeting AGENDA December 1, 2015 1:00 PM Municipal Council Chamber Pages 1. Call to Order 1.1 Service Award Presentation 2. Approval of Agenda 3. Public Question Period The 15 minute Public Question Period is an opportunity for members of the public to ask questions through the Chair. Questions and comments regarding an ongoing planning application are not permitted during this item. Public comments and questions are submitted through the planning process as presribed under the Planning Act. • Once invited to address Council, the person(s) will be asked to stand at the podium or sit at the table to pose their question, and to state their name for the record. • When addressing Council, you may make two statements sufficient to establish the context of the question, and then pose the question. • Each individual may ask one question, and will be given a time limit of 5 minutes, so that there is opportunity for 3 members of the public to address Council. 4. Declaration Pecuniary Interest 5. Community Announcements 5.1 Headwaters Tourism Awards 1 6. Adoption of Minutes 6.1 November 17, 2015 Regular Meeting 2 - 9 7. Business Arising from the Minutes 8. Accounts 9. Delegations/Petitions/Presentations 9.1 Linda Dickson, Emergency Manager - Emergency Management 10 - 14 Program Report for 2015 9.2 Deborah Martin-Downs - Credit Valley Conservation 2016 Proposed 15 - 36 Budget 9.3 Kari Simpson and Stephanie Cardway, EWCS - Updating Council on 37 the programs and services offered to residents 10. Reports 10.1 Water 10.1.1 -
Are You Prepared for the Elder Years?
JULY/AUGUST 2011 VOL. 83 | NO. 6 JournalNEW YORK STATE BAR ASSOCIATION Are You Prepared for the Elder Years? A special issue for attorneys, their loved ones and their clients Robert Abrams, Editor T rust The Easiest Way to Get Paid! your transactions Accept all payments in a professional manner. to the only Increase business by accepting cards for retainers. merchant account Control cash flow and reduce collections. recommended by over Separate earned and unearned fees. 60 Reduce fees on credit card processing by 25%. bar associations! The process is simple. Begin accepting payments today. LawPay now offers a secure online payment web link, Call 866.376.0950 or visit www.LawPay.com and a new iPhone option! LawPay.com 866.376.0950 credit card processing AffiniPay is a registered ISO/MSP of Harris, N.A., Chicago, IL BESTSELLERS FROM THE NYSBA BOOKSTORE July/August 2011 Attorney Escrow Accounts – Rules, Consumer Bankruptcy, 2nd Edition Insurance Law Practice, 2nd Ed. (2010) Regulations and Related Topics, 3rd Ed. This new edition covers consumer bankruptcy from both Completely updated in 2010, Insurance Law Practice is an exhaustive and invaluable reference for attorneys This new edition provides useful guidance on escrow debtor and creditor perspectives. It provides official and who practice insurance law in New York State. funds and agreements, IOLA accounts and the Lawyers’ procedural forms, as well as the local bankruptcy rules PN: 41256 / Member $110 / List $140 / 2 vols. Fund for Client Protection. The greatly expanded for New York’s federal districts. appendix features statutes, regulations and forms. PN: 40456 / Member $125 / List $170 / 770 pages New York Lawyer’s Deskbook PN: 40269 / Member $45 / List $55 / 330 pages and Formbook (2010–2011) With CD of forms, regulations and statutes. -
Embargoed Until 8:35Am Pt on July 16, 2015
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and UnBreakaBle Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination.