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Making the New: Literary Periodicals and the Construction of Modernism
Making the New: Literary Periodicals and the Construction of Modernism Peter Marks University of Sydney We are told that we live in a postmodernworld, experiencing unprecedented innovations, delights, and anxieties. Rather than rehearse these here, I want initially to touch brieflyon one theoretical attempt to make sense of this condition, one that definesPostmodernism in relation to its presumed antecedent, Modernism. I want to use this as a way of questioning the "monumental" view of literary Modernism, in which a massive landscape abounds with canonical texts carved by mythical giants: Joyce, Eliot, Woolf, Pound, Stein-the usual suspects. I do this by considering the role of literary periodicals in the construction, production, and initial reception of those texts. The later part of this discussion focuses on transition, the Paris-based journal of the 1920s and 1930s whose aspirations, pretensions, vigor and perilous existence typify the complex forces in play. I emphasize the point that while indi vidual periodicals consciously adopted distinct identities, they need to be understood collectively forthe vital functionsthey performed: they printed avant-garde work as well as advanced criticism and theory; acted as nurseries for experimental young writers, and as platformsfor the already-established; forged and maintained interna tional links between writers and groups; provided avant-garde writers with sophisti cated readers, and vice versa; and maintained an ipteractiveplurality of cultural dis course. Alive with the energy of experimentation, they register the fertile, complex, yet intriguingly tentative development of modem literature. In his inquisitive and provocative work, ThePostmodern Turn, lhab Hassan moves towards a concept of postmodernism by constructing a table of "certain schematic differences from modernism" (91). -
Early Sources for Joyce and the New Physics: the “Wandering Rocks” Manuscript, Dora Marsden, and Magazine Culture
GENETIC JOYCE STUDIES – Issue 9 (Spring 2009) Early Sources for Joyce and the New Physics: the “Wandering Rocks” Manuscript, Dora Marsden, and Magazine Culture Jeff Drouin The bases of our physics seemed to have been put in permanently and for all time. But these bases dissolve! The hour accordingly has struck when our conceptions of physics must necessarily be overhauled. And not only these of physics. There must also ensue a reissuing of all the fundamental values. The entire question of knowledge, truth, and reality must come up for reassessment. Obviously, therefore, a new opportunity has been born for philosophy, for if there is a theory of knowledge which can support itself the effective time for its affirmation is now when all that dead weight of preconception, so overwhelming in Berkeley's time, is relieved by a transmuting sense of instability and self-mistrust appearing in those preconceptions themselves. — Dora Marsden, “Philosophy: The Science of Signs XV (continued)—Two Rival Formulas,” The Egoist (April 1918): 51. There is a substantial body of scholarship comparing James Joyce's later work with branches of contemporary physics such as the relativity theories, quantum mechanics, and wave-particle duality. Most of these studies focus on Finnegans Wake1, since it contains numerous references to Albert Einstein and also embodies the space and time debate of the mid-1920s between Joyce, Wyndham Lewis and Ezra Pound. There is also a fair amount of scholarship on Ulysses and physics2, which tends to compare the novel's metaphysics with those of Einstein's theories or to address the scientific content of the “Ithaca” episode. -
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Recording Artist Recording Title Price 1975 Notes On A Conditional Form - 12" White Vinyl 27.99 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 3108 3108 12" 9.99 50 Cent Best Of 50 Cent 12" 29.99 65daysofstatic Replicr 2019 12" 20.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 AC/DC Back In Black - 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adam & The Ants Kings Of The Wild Frontier 12" 15.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 14.99 Alan Marks Erik Satie - Vexations 12" 19.99 Alanis Morissette Jagged Little Pill 12" 18.99 Aldous Harding Party 12" 16.99 Aldous Harding Designer 12" 14.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Alex Lahey I Love You Like A Brother 12" Peach Vinyl 19.99 Alfie Templeman Happiness In Liquid Form 14.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry CooderTalking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
Nnar Eiilorailtil
Frcn 8. T.t - 90 v n Sierra, Mcb. 30. - s.r.r , 7 rrMatioa, Mcb. 31. Froa TftiteosTcrt .Ml 1 . Mikara, Apr. 22. For TuteoiTcri Niagara, Apr. 21. 5 Evening BulleUn. Est. 1882, Na 581S. 22 PAGES. HOKOLULU, TERRITORY OF HAWAII, SATURDAY, MAIICII 2S, 1914. 22 PAGES. PRICtt FIVE CE2iT3 Hawaiian Star. VoL XXI. No. 855. 11 nnar m T7' flF;R!'"f',, John V. Francis, CAP. PENHALLOW Governor of Texas ( 'I. Civil Yar Veteran, Yould Send Rangers Answers Last Call DIES AS RESULT Across Rio Grande --7 J OF BROKEN HIP - - Lsktil UUuy iicnei t mmmi m, ay $ Well-kno- wn Prom- Con- Promice Hade That Souza of Kohala Willi be Master and i Rebel General Telegraphs That Fighting Dismissed is Believed by Pacheco to'be Error inent Mason Suffered Acci-- tinues to be Heavy and That He Exp2ct3 to dent on March 9 V Inspired by His Opponent for the Post-- ; Occupy Torreon Sometime Tonight mastership of Honolulu Resigna- - REMAINS COMING HERE 240 Creusot Cannon and 10,000,000 ; IN THE S. S. MANOA March 1 2 ! Rounds Ammunition Purchased tion Took Effect ! Htnr-BuUft- ! ' ln Cable . - (Special VVas in Best: of Health Up to I . AMOoiated Irs3 Catll 2S-IroiI- sIonal arp WASHINGTON, D. March 28. M. C. Pacheco is out -- .PARIS France, March lrcsUrnt Haerta's arrnU ; C, of Suffering - Fall , Time busily engaged in this city porrhaslng a run and amnianltloo. That fur of the running in the fight for the postmastership of Honolu- : 10,(;CO,()00 ammunition been pur on. Inspection Tour , 210 lYeasot cannon and ronnd.4 of hate chased for delhery next week. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Imagism and Te Hulme
I BETWEEN POSITIVISM AND Several critics have been intrigued by the gap between late AND MAGISM Victorian poetry and the more »modern« poetry of the 1920s. This book attempts to get to grips with the watershed by BETWEEN analysing one school of poetry and criticism written in the first decade of the 20th century until the end of the First World War. T To many readers and critics, T.E. Hulme and the Imagists . E POSITIVISM represent little more than a footnote. But they are more HULME . than mere stepping-stones in the transition. Besides being experimenting poets, most of them are acute critics of art and literature, and they made the poetic picture the focus of their attention. They are opposed not only to the monopoly FLEMMING OLSEN T AND T.S. ELIOT: of science, which claimed to be able to decide what truth and . S reality »really« are, but also to the predictability and insipidity of . E much of the poetry of the late Tennyson and his successors. LIOT: Behind the discussions and experiments lay the great question IMAGISM AND What Is Reality? What are its characteristics? How can we describe it? Can we ever get to an understanding of it? Hulme and the Imagists deserve to be taken seriously because T.E. HULME of their untiring efforts, and because they contributed to bringing about the reorientation that took place within the poetical and critical traditions. FLEMMING OLSEN UNIVERSITY PRESS OF ISBN 978-87-7674-283-6 SOUTHERN DENMARK Between Positivism and T.S. Eliot: Imagism and T.E. -
Wallop 10.99
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Com Stampa RIR 2019 James Blake
PRESS RELEASE N.19 JAMES BLAKE IL 2 LUGLIO >> L’IMPERDIBILE SHOW DI UNO DEI PIÙ IMPORTANTI E INIMITABILI MUSICISTI, PRODUTTORI E COMPOSITORI AL MONDO << ROCK IN ROMA – TEATRO ROMANO DI OSTIA ANTICA JAMES BLAKE 2 LUGLIO 2019 ROCK IN ROMA – TEATRO ROMANO DI OSTIA ANTICA - ROMA Prezzo biglietti Gradinata non numerata: € 40,00 + 6,00 d.p. Apertura porte: h 19.30 Inizio concerto: h 21.00 Prevendite: Rockinroma.com, Ticketone, Ticketmaster.it, Box Office Lazio JAMES BLAKE, uno dei più importanti musicisti, produttori e compositori al mondo, va ad impreziosire il cartellone del ROCK IN ROMA 2019 con uno show da non perdere, martedì 2 luglio 2019 presso il Teatro Romano di Ostia Antica, nell’ambito dell’“Ostia Antica Festival – Il Mito e il Sogno”. I biglietti saranno disponibili su www.rockinroma.com, www.ticketone.it e www.ticketmaster.it a partire dalle ore 11.00 di mercoledì 17 aprile, e nei punti vendita autorizzati Ticketone e Box Office Lazio dalle ore 11.00 di sabato 20 aprile. Nel 2011 JAMES BLAKE pubblica l’omonimo album di debutto, che gli è valsa una nomination ai Mercury Prize 2011 e una nomination ai BRIT Awards nella categoria “Critic’s Choice”, seguita da una nomination nel 2012 come “Miglior Artista Maschile Britannico”. Nel 2013 esce il secondo album “Overgrown”, che vanta una collaborazione con il produttore Brian Eno. L’album gli è valsa la vittoria ai Mercury Prize e una nomination ai Grammy Awards nella categoria “Best New Artist”. JAMES BLASKE annuncia nel 2016 il terzo album “The Colour in Anything”, subito alla Top40 della Billboard200 e ai vertici della U.S. -
Pimp C Greatest Hits Zip 15
1 / 5 Pimp C Greatest Hits Zip 15 CD Albums with the greatest sales gains this week. •Recording Industry Assn. Of America (RIM) certification for net shipment of 500,000 album units (Gold). ... State, Zip E-mail Please note: Orders are payable in U.S. funds drawn on a U.S. ... 50 44 15 B.G. • CASH MONEY 860909/UNIVERSAL (11.98/17.98) CHECKMATE 5 .... Aug 7, 2007 — [Intro: Pimp C (screwed)] Know what I'm ... I keep a whole zip (Whole zip), a whole clip (A whole clip) In case these ... Swinging big-bodies. Swishers and ... This is UGK, get it? Bun and ... Trill Niggaz Don't Die. 14. How Long Can It Last. 15. Still Ridin' Dirty. 16. ... Underground Kingz [Tracklist + Album Art].. DOWNLOAD ALBUM: UGK - Ridin' Dirty Zip & Mp3 | HIPHOPDE. Xay The DJ - Best Of UGK-2020 : Free Download, Borrow, and ... Bun B & Talib Kweli playing .... Aug 13, 2020 — Z r0 z ro greatest hits chopped n screwed hosted by dj killa tex ... by Z-Ro on Napster Download full album Z-Ro - Sadism (2018) . pimp c .. Autoblog brings you car news; expert reviews of cars, trucks, crossovers and SUVs; and pictures and video. Research and compare vehicles, find local dealers, .... Preview the embedded widget. First off, the tracks I picked were some of my favorite tracks from UGK. P!nk – Raise Your Glass. Pimp C Greatest Hits Zip 15 -- .... Jun 4, 2019 — The second track off James Blake's feature-heavy Assume Form hits you ... the biggest pop star on the planet, and they're beautifully devastating. -
The Egoist Vol. 2, No. 10 (October 1, 1915)
Published on the 1st of each month AN INDIVIDUALIST REVIEW Formerly the NEW FREE WO MAN No. 10.—VOL. II, FRIDAY, OCTOBER 1st, 1915. SIXPENCE. Editor : HARRIET SHAW WEAVER. Contributing Editor : Assistant Editor : RICHARD ALDINGTON. , DORA MARSDEN, B.A. CONTENTS. PACE PAGE VIEWS AND COMMENTS. ....... 149 Two POEMS. By Marianne Moore ..... 158 PASSING PARIS. By Madame Ciolkowska .... 151 WOODCUT OF RICHARD ALDINGTON. By Raoul Kristian . 159 FRENCH POEMS. By Charles Grolleau .... 152 "DER STURM." By Alec W. G. Randall . .159 TRANSLATIONS OF RUSSIAN FICTION. By M. Montagu-Nathan 152 LAURENT TAILHADE. By Richard Aldington, with woodcut by POEMS AND FRAGMENTS OF SAPPHO. Translated by Edward Raoul Kristian ........ 159 Storer 153 INCONSIDERABLE IMBECILITIES ...... 161 CUBIMPRESSION AND AFTER. By Huntly Carter . 155 A PLAYNTYVE BALLADE. By Richard Aldington . 161 UNE FEMME EST UN ÉTAT DE NOTRE ÂME . 156 To ALEXANDER BERKMAN. By Alice Groff . 162 THE GHOSTS OF AN OLD HOUSE. By John Gould Fletcher . 157 CORRESPONDENCE ........ 162 VIEWS AND COMMENTS BY DORA MARSDEN IT is probable that Mr. Lloyd George's mind was fixed The presence of a controversy of such a nature at such more upon the "racket and clatter" than the a time allows of one, and only one explanation : a conscription-controversy itself, when he supported his government has been faced with responsibilities which plea for less of the former by a picture of the Govern it is too timorous to shoulder. They dare swear by ment intent upon the nice numerical calculation which, the desired ends but tremble to adopt the necessary presumably, was to settle its fate. -
Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre
Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Brian Reed, Chair Leroy Searle Jeanne Heuving Program Authorized to Offer Degree: English © Copyright 2017 Raymond Tyler Babbie University of Washington Abstract Issues of Modernism: Editorial Authority in Little Magazines of the Avant Guerre Raymond Tyler Babbie Chair of the Supervisory Committee: Dr. Brian Reed, Professor Department of English Issues of Modernism draws from the rich archive of little magazines of the avant guerre in order to examine the editorial intervention that shaped the emergence of modernism in their pages. Beatrice Hastings of The New Age deployed modernist techniques both in her fiction and in her editorial practices, blurring the line between text and context in order to intervene forcefully in the aesthetic and political debates of her age, crucially in the ongoing debates over women’s suffrage. The first chapter follows her emergence as an experimental modernist writer and editor, showing how she intervened in the public sphere via pseudonyms and anonymous writing. When Roger Fry’s exhibition, Manet and the Post-Impressionists, became the scandal of the London art world in late 1910, she used the debate over its value as an impetus to write experimental fiction that self-consciously drew from post-impressionist techniques. She continued to develop and use these techniques through the following years. The second examines her career in 1913, during which she continued to develop her modernist fiction in counterpoint to her political interventions and satires.