Ancient Mysteries Revealed on Secrets of the Dead A

Total Page:16

File Type:pdf, Size:1020Kb

Ancient Mysteries Revealed on Secrets of the Dead A AUGUSTMAY 20192021 Explore the LifeAncient and Work Mysteries of a Local Step ABehind Heartwarming the Scenes at the Literary Icon in Amy Tan: Unintended Metropolitan Museum of Art Memoir fromRevealed American Masters on DuringNew the PandemicSeason of PAGE 7 Secrets of the Dead PAGECall 13 the Midwife PAGE XX PAGE X CONTENTS 2 3 4 5 6 8 VIRTUAL + NEWS + NOTES RADIO SCHEDULE RADIO SPECIALS + PASSPORT TV LISTINGS IN-PERSON EVENTS PODCASTS Your guide Meet up with us in What’s happening Your guide to What’s new and Watch more with to broadcast person and online. at KQED? radio shows. recommended? KQED Passport. television. VIRTUAL + IN-PERSON EVENTS Stronger, Higher, Faster: Big Wave Surfing and Climate Change Wednesday, May 19, at 6pm Surfers know exactly how the waves have grown more powerful as climate change accelerates. Meet Bianca Valenti, one of the top big wave surfers in the world, and Grant Washburn, who not only has competed in Mavericks competitions, but also has chronicled its wave patterns over the past 30 years. This event is hosted by KQED science reporter Kevin Stark. RSVP at kqed.org/events. PHOTO: BIANCA VALENTI PHOTOGRAPHED BY SACHI CUNNINGHAM. SACHI BY PHOTOGRAPHED VALENTI BIANCA PHOTO: Bay Area Book Festival Saturday, May 1, through Sunday, May 9 See and interact with literary stars — from your home. This year’s festival (May 1–9) features Nobel Laureate Kazuo Ishiguro with Yaa Gyasi; Booker Prize winner Douglas Stuart (Shuggie Bain); National Book awardee Charles Yu (Interior Chinatown) with LODGE 49’s Jim Gavin. Also, legendary psychiatrist Irvin Yalom with Joyce Carol Oates; MacArthur “genius” Yiyun Li with China expert Orville Schell; Jeff VanderMeer (Annihilation); and others. Free youth programs (Davey D!). KQED members receive 20 percent off passes at baybookfest.org with the code KQED20. CAAMFest Fort Mason Center in San Francisco and online CAAMFest, the nation’s largest festival of Asian American and KQED.ORG Asian film, food and music, is back for Asian American Pacific Islander Heritage month. Running May 13–21, the festival features virtual screenings, conversations and performances, including three evening drive-in programs at Fort Mason Center. • Highlights include Try Harder! about Lowell High School by MAY 2021 MAY local filmmaker Debbie Lum; Amy Tan: Unintended Memoir; and The Donut King, about a Cambodian refugee who built PERK a multimillion-dollar empire. For full listings and tickets, visit CAAMFest.com. L PHOTO FROM THE DONUT KING; COURTESY OF LOGAN INDUSTRY. OF LOGAN THE DONUT KING; COURTESY FROM L PHOTO 2 Cover: Amy Tan: Unintended Memoir on American Masters. Photo courtesy of KPJR Films. This still is from the documentary; John Behrens, director of photography. NEWS + NOTES Meet Luke Tsai, KQED’s New Food Editor PHOTO BY BERT JOHNSON. BERT BY PHOTO If you follow Bay Area food reviews and articles, you’ve probably read Luke Tsai’s writing. Most recently, it’s appeared in Eater SF, and also in San Francisco magazine, the East Bay Express, and in two Best Food Writing anthologies. The good news for us is that Luke is now contributing his considerable talent to KQED, where he’s the new food editor. A former high school English teacher, Luke has written about quesabirria (a kind of cheesy taco), appropriation in Bay Area “ethnic” cuisines, the last Black chefs in San Francisco and much more — including a recent piece for KQED: “In Praise of the Toum at Oakland’s Shawarmaji.” —Ellyn Hament What drew you to join KQED and what are you Sadly, many restaurants have been hard hit by the looking forward to working on here? pandemic and many have closed or are closing. Do you see any silver linings in this – new ways of I’ve long admired the KQED Arts & Culture team’s operating, perhaps, or something else? diverse, inclusive coverage — the way writers such as Nastia Voynovskaya and Pendarvis Harshaw tap into It has been such a brutal year for the restaurant industry, communities that have historically been overlooked but one small silver lining is that a large number of laid- by the mainstream media. That’s always been my off chefs have used this time to launch new pop-ups and approach toward writing about food as well — to give the Instagram-based food businesses, selling, say, arepas or neighborhood taco truck or pho shop the same respect laksa directly to customers online. Many of these cooks and depth of coverage that you’d give to a Michelin- are immigrants or children of immigrants who are serving starred fine-dining restaurant. So it feels great to be the cuisine of their own cultural heritage for the first among like-minded folks. time after spending years working in somebody else’s kitchen, cooking somebody else’s food. Some of the most I’m also excited that the job will give me the time and delicious meals I’ve eaten in recent months have been at space to think big and put together some cool packages these pop-ups. If they’re able to morph into permanent, of stories built around a specific theme or cuisine. sustainable businesses, the Bay Area food scene will be Keep your eyes out for the first one, which should drop much stronger for it. sometime in the coming month. Is there anything else you’d like people to know Which cuisines, foods or food trends do you think about you or your new role at KQED? will become popular in the near future? I’m always thinking ahead to my next meal, and I would I’m always wary of talking about cuisines that have be grateful if readers would send along their most been around for hundreds, if not thousands, of years passionate food recommendations. You can email me at as “trends.” That said, Malaysian, Singaporean and [email protected] or contact me on Twitter @theluketsai. MAY 2021 MAY Venezuelan food businesses have been some of the most • exciting newcomers of the past year. I’d be delighted if they got a little bit more mainstream recognition in the Bay Area. There’s also a new generation of hip — and quite delicious — vegan restaurants that are transforming the public’s perception of meat-free eating. KQED.ORG 3 Please note: Coronavirus and late-breaking AUDIO news may affect the schedule below. MON TUES WED THURS FRI SAT SUN Mid BBC World Service Mid World City Arts Evening Commonwealth Science Friday Evening 1:00 Reveal 1:00 Council & Lectures Specials Club (Hour 2) Specials World Affairs Freakonomics 2:00 Council 2:00 3:00 Inside Europe Radiolab 3:00 Morning Edition 2-9am Marketplace Morning Report 4:51 & 7:51am KQED Newsroom 4:00 Hidden Brain 4:00 The California Report 5:51, 6:51 & 8:51am Washington Week KQED News 6:04, 6:21, 7:04, 7:31, 8:04 & 8:31am 5:00 KQED Science, 6:21 & 8:21am Weekend Edition 5:00 The Do List Fridays, 6:21 & 8:21am Perspectives 7:36 & 8:36am (Sat. & Sun.) 6:00 Perspectives 6:42am & 8:42am Rightnowish 7:35 & 9:35am (Sun.) 6:00 KQED News: (Sat.) 7:04am, 7:35am, 8:04am, 8:35am, 7:00 7:00 9:04am, 9:35am, 10:04am, 11:04am, 1:04pm, 2:04pm, 4:04pm, 5:04pm 8:00 (Sun.) 7:04am, 8:04am, 9:04am, 10:04am, 8:00 11:04am, 12:04pm, 1:04pm, 2:04pm, 3:04pm, 9:00 4:04pm, 5:04pm 9:00 Forum (Live call-in line: 866.733.6786) KQED News 9:04 & 10:04am It’s Been a Wait Wait... 10:00 10:00 Minute Don’t Tell Me Science Friday Wait Wait... 11:00 11:00 Don’t Tell Me The Moth Here & Now (Hour 1) KQED News: 11:04am & 12:04pm The New Yorker Noon This Noon American Life Radio Hour The Takeaway Snap City Arts 1:00 1:00 KQED News: 1:04pm Judgment & Lectures The World 2:00 Radiolab On the Media 2:00 KQED News: 2:04pm PBS NewsHour Freakonomics The TED 3:00 3:00 KQED News: 3:57pm Radio Radio Hour Marketplace 4:00 Reveal Says You 4:00 The California Report Magazine 5:00 All Things Considered All Things Considered 5:00 KQED News: 4:32 (except Fri.), 5:04, 5:30, & 6:04pm 6:00 Radio Specials Latino USA 6:00 Political The California Marketplace Breakdown Report Magazine Fresh Air The Splendid 7:00 Live Wire 7:00 KQED News: 7:04pm Table KQED.ORG World Affairs City Arts Evening Commonwealth Science Friday 8:00 Hidden Brain 8:00 Council & Lectures Specials Club (Hour 2) Selected Shorts Planet Money/ • 9:00 1A The Moth 9:00 How I Built This MAY 2021 MAY This 10:00 Forum (a repeat of one hour of the morning broadcast) Tech Nation 10:00 American Life BBC World 11:00 BBC World Service Snap Judgment 11:00 4 Service RADIO Shows We Love: The Moth Radio Hour There’s a reason radio remains a beloved broadcasting medium: It offers listeners opportunities to hear powerful storytelling and introduces them to new people, places and ideas. This type of storytelling is exemplified by The Moth Radio Hour, a staple of KQED weekend programming. The Moth promotes the art and craft of storytelling and honors and celebrates the diversity and commonality of human experience. Its founder, George Dawes Green, "wanted to recreate, in New York, the feeling of sultry summer evenings in his native Georgia, when moths were attracted to the light on the porch where he and his friends would gather to spin spellbinding tales.” That’s exactly what listening to these stories feels like.
Recommended publications
  • Diana Davies Photograph Collection Finding Aid
    Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
    [Show full text]
  • Joni Mitchell," 1966-74
    "All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options.
    [Show full text]
  • 4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’S Comedy About the First Broadcast on BBC Radio 4 in May 1999
    Radio 7 Listings for 29 March – 4 April 2008 Page 1 of 6 SATURDAY 29 MARCH 2008 Dan Freedman and Nick Romero’s comedy about the First broadcast on BBC Radio 4 in May 1999. swashbuckling exploits of Lord Zimbabwe, occultist and SAT 13:30 The Men from the Ministry (b007jqfn) SAT 00:00 Simon Bovey - Slipstream (b009mbjn) adventurer. Not on Your Telly Fight for the Future Lord Zimbabwe ...... Nick Romero The bungling bureaucrats spark bedlam during a BBC Jurgen and Kate are desperate to get the weapon away before all Dr Lilac ...... Dan Freedman 'Panorama' probe. is lost... Cletus ...... Owen Oakeshott Stars Richard Murdoch and Deryck Guyler. Conclusion of Simon Bovey's sci-fi adventure series set during Marylou Coyotecock ...... Sophie Aldred With Norma Ronald, Ronald Baddiley and John Graham. the Second World War. Vicar ...... Colin Guthrie Written by Edward Taylor and John Graham. Stars Rory Kinnear as Jurgen Rall, Tim McMullan as Major Theremin ...... Peter Donaldson 'The Men from the Ministry' ran for 14 series between 1962 Barton, Joannah Tincey as Kate Richey, Ben Crowe as Other parts played by the cast. and 1977. Deryck Guyler replaced Wilfrid Hyde-White from Lieutenant Dundas, Rachel Atkins as Trudi Schenk, Peter Producer: Helen Williams 1966. Sadly many episodes didn't survive in the archive, Marinker as Brigadier Erskine and Laura Molyneux as First broadcast on BBC Radio 4 in August 2000. however the BBC's Transcription Service re-recorded 14 shows Slipstream. SAT 05:00 The Barchester Chronicles (b007jpr1) in 1980 - never broadcast in the UK, until the arrival of BBC Other parts played by Simon Treves, Sam Pamphilon, Alex Framley Parsonage Radio 4 Extra.
    [Show full text]
  • Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
    Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders.
    [Show full text]
  • The Folk Club Of
    The Folk Club of Reston - Herndon Volume 21, Issue 10 Preserving the traditions of October 2004 Folk Music, Folklore and Gentle Folk Ways October 18 Showcase – T.M Hanna By T.M. I would like to take this opportunity to thank everybody at the Folk Club for all the support, friendship, and music that you have shared over the years. When I first started attending the Club, I believe about sixteen years ago, I had very limited experience performing in public. Since then I have performed in over a hundred smoky bars, three dozen coffeehouses, seven festivals, and four churches. I’m told I hold the record for showcase performances, although I am uncertain exactly how many I have done (I probably hold a similar record for accompanying other showcase performers, too). My first one really didn’t go all that well, but, as always, the Club members were very encouraging. Fortunately, that was in the days before recording devices. While attending the Folk Club, I have heard musicians and instruments from all over the country, and many parts of the world as well. I’ve seen performers gain confidence and improve their musical abilities by leaps and bounds. I have seen Club members who have moved on to Nashville, or to touring the country with songs that we first heard here. I've heard some of the best live music ever, as well as some of the worst, sometimes in the same night! I have seen nights when the room was packed and chairs were at a premium, and nights when the place was nearly deserted, but I’ve never seen a night when there wasn’t at least one person willing to listen to a song or two.
    [Show full text]
  • Barry's Sign Language
    Barry Nickelsberg Sign Language Artist 7435 Princeton Trace NE Atlanta, Georgia 30328 (770) 809-4058 [email protected] Barry Nickelsberg has worked as a sign language artist for the deaf and hard of hearing for more than 30 years, and is well known in the Washington, D.C. area for his interpreting at such popular festivals as the Kennedy Center Open House, the Alexandria Red Cross Waterfront Festival, the Smithsonian Folk Life Festival, the Adams Morgan Festival, the Washington Irish Festival, the Washington Folk Arts Festival, the Texas Festival and the Junteenth Festival at the Kennedy Center. Nickelsberg has also performed in a variety of venues in New York City, Philadelphia, Pittsburgh, Boston, Ft. Lauderdale, Chicago, Los Angeles, San Francisco, Atlanta and Oklahoma City. As a sign language artist, Nickelsberg incorporates dance, mime, gesture and facial expression to convey the rhythm and emotion of the music. He is the subject of the 1988 award-winning documentary, "When Sound is Silent," produced by Ray and Judy Schmitt as well as their 1992 follow-up, "Sounds Like." Nickelsberg's work has been featured in The Associated Press, The Washington Post, Mid-Atlantic Country, Canadian Television, ABC News and National Public Radio. Over the years, Nickelsberg has interpreted over 1,900 performances for a wide variety of musicals, including "Heart Strings", "American Jukebox", "Cabaret", "Sweeney Todd", "42nd Street", and "Jesus Christ Superstar." He has also worked with such legends as B.B. King, Etta James, Chuck Berry, Pete Seeger, Peter, Paul and Mary, Chubby Checker and Leslie Gore. Nickelsberg has also interpreted rap artists, gospel choirs, and Irish musicians.
    [Show full text]
  • 1 April 2016 Page 1 of 10 SATURDAY 26 MARCH 2016 Affairs of the Heart Bards of the Back Straight Hattie Morahan Reads Claire Harman's New and Intimate 4 Extra Debut
    Radio 4 Extra Listings for 26 March – 1 April 2016 Page 1 of 10 SATURDAY 26 MARCH 2016 Affairs of the Heart Bards of the Back Straight Hattie Morahan reads Claire Harman's new and intimate 4 Extra Debut. Poet Paul Farley explores how the language of SAT 00:00 I Am Legend by Richard Matheson (b007k125) biography of Charlotte Bronte. This vivid and complex portrait poetry and sports commentary compare. With Sir Peter 7. Suspicion of one of our greatest novelists looks ahead to the two O'Sullevan. From June 2012. *** THIS EPISODE WAS ORIGINALLY DUE TO BE hundredth anniversary of her birth in April 2016. Today, SAT 09:00 Ross Noble's Newcastle (b0755pvx) BROADCAST ON BBC RADIO 4 EXTRA LAST FRIDAY, Charlotte grieves for her brother Branwell and her sisters Emily From the bistro bar of Newcastle's Tyne Theatre, where he BUT WAS POSTPONED FOLLOWING THE DEATH OF and Anne who died in quick succession. Affairs of the heart are performed his very first hometown gig – Ross Noble explores THE DUKE OF EDINBURGH ** also on her mind. Geordie comedy past and present. Earth's last living man's shock discovery leaves him feeling Abridged by Julian Wilkinson Featuring a candid interview with Sarah Millican, an deeply suspicious. Produced by Elizabeth Allard. exploration of happiness with Jason Cook and a trip back in Richard Matheson's 1954 cult classic set in 1976 USA. One of SAT 03:00 Home Front (b06kvdtc) time to the humour of old with Percy Douglas and Bobby the 20th century's most significant vampire novels, combining 4 January 1916 - Dorothea Winwood Thompson.
    [Show full text]
  • 1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
    Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll.
    [Show full text]
  • Print Version (Pdf)
    Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • Adorbs Bacon Tetris Stoplight Stagger Grass Ceiling Ifatigue E-Mail Roulette Niteflix Soul Patch Driving the Bronco Society See Who Was out and About
    INSIDE WEEK OF AUGUST 8-14, 2013 www.FloridaWeekly.com Vol. III, No. 44 • FREE Sit of shame OMG Designated imbiber Dogs on the Porch DIGITAL IMMIGRANT Dinner badge McLetdown A new book features photographs SMH A crapella of Southern dogs. A29 w Coffee face HMFL Illegal gymigrant Illegal Toilet mummy Verbal Darwinism Verbal WTF Adorbs Bacon Tetris Stoplight stagger Grass ceiling iFatigue E-mail roulette Niteflix Soul patch Driving the Bronco Society See who was out and about. A20- TEXTRETARY Wordphanage WORDS 21, 36, 37 w smartphone face Truthiness Sexting HML SIYF Soccerhate-watch sad Wallet Photo-bomb threat Doing double duty Destinesia ROFLMAO ROFL Antique furniture with a dual purpose sells high. A25 w Said no one ever LOLE-mail promotion The ongoing reinvention of the English language A10 ERIC RADDATZ / FLORIDA WEEKLY ERIC RADDATZ Kravis offers a mix for 2013-2014 season _________________________STAFF REPORT See details of the season, Page A35 w Other returning favorites include Colors of Christmas with Peabo Bryson, Melissa Judy Mitchell boasts that this year’s Celtic Thunder rolls into town in Manchester, Ruben Studdard and CeCe Kravis Center schedule has something for November, and the Radio City Christmas Winans, Pink Martini and Joshua Bell, In the kitchen everyone. Spectacular kicks off the holiday season at who makes his debut as music director of Jim Leiken cooks modern French And she should know. the end of November. the Academy of St. Martin in the Fields. fare at Café Boulud. A39 w Ms. Mitchell has headed the performing The acts are varied. Country legend And speaking of Broadway, the Kravis arts center for more than 20 years, and Merle Haggard will be there, as will Joan will whet appetites in December with has seen a variety of shows.
    [Show full text]
  • DN Master Doc COMMISSIONING GUIDELINES SPRING 2011
    COMMISSIONING GUIDELINES SPRING 2012 1: THE COMMISSIONING PROCESS..............................................................................2 1:1 TIMETABLE.........................................................................................................2 1:2 HOW TO SUBMIT AN IDEA TO RADIO 4...........................................................3 1:3 RESPONSES TO PROPOSALS.........................................................................5 1:4 HOW THE COMMISSIONING BRIEFS WORK...................................................7 1:5 FAQ ABOUT THE COMMISSIONING PROCESS & PROTEUS.........................9 1:6 BBC GUIDELINES & COMPLIANCE.................................................................11 1:7 CHECKLIST FOR DRAMA AND SCRIPTED COMEDY....................................12 1:8 SUPPORTING MATERIALS FOR DRAMA AND COMEDY..............................13 2: THE BBC RADIO 4 AUDIENCE.................................................................................15 3: DRAMA COMMISSIONING BRIEFS..........................................................................17 4: COMEDY & ENTERTAINMENT COMMISSIONING BRIEFS.....................................46 5: SPECIALIST FACTUAL BRIEFS...............................................................................60 6: GENERAL FACTUAL BRIEFS...................................................................................79 7: SPECIAL EVENTS AND SEASONS...........................................................................96 8: WORKING WITH BBC RADIO 4................................................................................98
    [Show full text]