A Law Corrupted Makes Heroes of the Lawless. Justice Has Failed. in Crest
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Religious Terrorism
6 O Religious Terrorism errorism in the name of religion has become the predominant model for Tpolitical violence in the modern world. This is not to suggest that it is the only model because nationalism and ideology remain as potent catalysts for extremist behavior. However, religious extremism has become a central issue for the global community. In the modern era, religious terrorism has increased in its frequency, scale of violence, and global reach. At the same time, a relative decline has occurred in secular terrorism. The old ideologies of class conflict, anticolonial liberation, and secular nationalism have been challenged by a new and vigorous infusion of sec- tarian ideologies. Grassroots extremist support for religious violence has been most widespread among populations living in repressive societies that do not per- mit demands for reform or other expressions of dissent. What is religious terrorism? What are its fundamental attributes? Religious ter- rorism is a type of political violence motivated by an absolute belief that an other- worldly power has sanctioned—and commanded—terrorist violence for the greater glory of the faith. Acts committed in the name of the faith will be forgiven by the otherworldly power and perhaps rewarded in an afterlife. In essence, one’s religious faith legitimizes violence as long as such violence is an expression of the will of one’s deity. Table 6.1 presents a model that compares the fundamental characteristics of religious and secular terrorism. The discussion in this chapter will review the -
Martyrdom, Suicide, and the Islamic Law of War: a Short Legal History
\\server05\productn\F\FIN\27-1\FIN102.txt unknown Seq: 1 31-DEC-03 14:19 MARTYRDOM, SUICIDE, AND THE ISLAMIC LAW OF WAR: A SHORT LEGAL HISTORY Bernard K. Freamon* INTRODUCTION Religion is the mother of war. Conflicts involving religion are among the most intractable of human disputes. Yet, until recently, wars motivated or influenced by religious ideologies have been confined to small well-defined theaters. Europe’s Thirty Years War, which ended in 1648, appears to be the only exception in the modern history of warfare.1 Indeed, in the last three millennia the world has seen much war but it has not seen a full-scale religious war of global proportions since the end of the Crusades. There is reason to believe that this state of affairs is about to change. The horrific attacks on the World Trade Center and the Pentagon on September 11, 2001, as well as the Western military incursion in Afghanistan, the invasion and conquest of Iraq, and continuing Islamist guerilla attacks and terrorist violence against military and civilian targets in a variety of countries with signifi- cant Muslim populations makes one wonder whether the West2 * Professor of Law and Director, Program for the Study of Law in the Middle East, Seton Hall Law School. Professor Freamon is a Doctor in the Science of Law (JSD) candidate at Columbia Law School. Research support provided by the Seton Hall Law School Faculty Development Fund is gratefully acknowledged. Special gratitude is owed to George P. Fletcher for his vision in suggesting the pursuit of this topic and for his insightful comments on earlier drafts. -
The Watermark: a Journal of the Arts
University of Massachusetts Boston ScholarWorks at UMass Boston The aW termark: A Journal of the Arts Student Journals 1-1-2006 The aW termark: A Journal of the Arts - Vol. 14 - 2006 University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/watermark Part of the Fiction Commons, Nonfiction Commons, and the Poetry Commons Recommended Citation University of Massachusetts Boston, "The aW termark: A Journal of the Arts - Vol. 14 - 2006" (2006). The Watermark: A Journal of the Arts. Paper 15. http://scholarworks.umb.edu/watermark/15 This Journal Issue is brought to you for free and open access by the Student Journals at ScholarWorks at UMass Boston. It has been accepted for inclusion in The aW termark: A Journal of the Arts by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. • 1 1 ik it^^t^iiiMic I^B tlie watermark trolume xiv Digitized by the Internet Archive in 2015 https://archive.org/details/watermarkvolume114univ the watermark volume xiv editors Erica Amber Johns | Mena poetry editors Melissa Jeltsen David | Johnson poetry readers Boroff Craig Carroll Paula Tanya | Kolek-Maconi | Lessard Derek | Ruth Meteer fiction editors Cole Molina Jay | Brennan fiction readers Marjorie Delaney | Josh DeMaio RosieHealy AndyMetzger | non-fiction editors Ian Tarter Rachel Tisdale | non-fiction readers Burger Jen | Gintautas Dumcius Lucienne Kate Mahoney | Pierre art editor Skyela Heitz art jurors Erika Breen | Cohen Amanda Bach | Samuel Bonnie Gerpka | Michael Gray Theodora Kamenidis | Andrea Lynn Souza layout &? design Erica Amber Johns | Mena copy editing Erica Rosie Healy | | Amber Johns Mena editors' note Looking back at the time we've spent working as editors for The Watermark, we reaUze how important this job has become in our lives. -
Assassin's Creed: a Multi-Cultural Read
Assassin’s Creed: A Multi-Cultural Read Magy Seif El-Nasr Maha Al-Saati Simon Niedenthal David Milam School of Interactive School of Interactive Associate Professor School of Interactive Arts and Technology Arts and Technology Malmö University Arts and Technology Simon Fraser Simon Fraser Center for Game Simon Fraser University University Studies University [email protected] [email protected] [email protected] [email protected] “Walking towards the city of Jerusalem evoked much emotion; my heart beats as I approach. As I hear the chanting of the monks, the sounds of the church bells, I know I am closer to this magical city—this place of conflict. As I reach Jerusalem, I listen carefully; perhaps I can hear the sound of an Athaani piercing through the skies. To many people of the Monotheistic religions, Jerusalem is a holy land. To go there, is a journey of a lifetime, a dream, perhaps they would want to fulfill at one point in time. For a Middle- Easterner, wandering through the Assassins’ Creed game world might be purely driven by nostalgia, in the hope of identifying with the elements of the past. I was in it to explore a heritage many, like me, have deemed lost.” ─Maha Al-Saati, of Middle-Eastern origin. “I spent a fair amount of time during December 2007—a month during which my town in Sweden got a sum total of 6 hours of direct sunlight—in hot, sunny and dry conditions. Unlike the thousands of Swedes who fled the gloom to places like Thailand aboard chartered jets, I was bathing in the simulated radiance of medieval Jerusalem, Acre, and Damascus in the game Assassin’s Creed, climbing towers and mosques, leaping along rooftops, knocking off a few conspirators.” ─Simon Niedenthal, of Western origin. -
The Assassins of Alamut
THE ASSASSINS OF ALAMUT THE ASSASSINS OF ALAMUT Anthony Campbell 1 Copyright © Iran Chamber Society THE ASSASSINS OF ALAMUT CONTENTS • Chapter 1: Prologue The background to the story and an account of a personal visit to the site of the castle at Alamut. • Chapter 2: Hasan-i-Sabbah Hasan-i-Sabbah captured the castle at Alamut and inaugurated the sect which became known in the West as the Assassins. • Chapter 3: The Resurrection at Alamut In 1164 the Grand Master of Alamut called his followers together and announced that the Muslim law was at an end; all his followers were now living in the Time of the Resurrection. • Chapter 4: The Assassins in Syria The Syrian offshoot of the Assassins was to some extent independent of Alamut under its talented and remarkable ruler, Sinan, who became known to the Crusaders as the "Old Man of the Mountains". • Chapter 5: Decline and Fall The Assassins gradually declined in power and influence and were finally destroyed by the Mongols. • Chapter 6: Epilogue The Assassins disappeared in Iran but continued in India as the Khojas. The Agha Khan is the lineal descendant of the Grand Masters of Alamut. • Appendix 1: Ismaili Theosophy A fuller account of the nature of the complex ideas that underlay Ismailism. • Appendix 2: Cyclical Time in Ismailism The Ismailis had an elaborate cosmological scheme based on numerical correspondences and the Platonic Great Year. This Appendix traces the origins of these ideas. • Appendix 3: The Nature and Role of the Ismaili Imam The role of the Imam was central in Ismailism. -
The Body Marks the Soul
BETWEEN THE COVERS COMPILED BY J. L. HERRERA BETWEEN THE COVERS To the Memory of TONY BAULD With Special Thanks to Madge Portwin, Rose Brown, Brenda Dudkowiak, Cheryl Perriman, Marie Cameron, Hobart Toastmasters Club, Ken Clarke, Patrick Herrera, Margaret Clarke INTRODUCTION Another Writer’s Calendar type book? Just one more? It is a bit like being tempted by chocolate cake or asparagus puffs. We-e-ll, just one more. Just a wee bit. Just a taste. And so here it is. I justified it to myself using much the same argument I use when there’s a little bit of something nice left on a plate. It doesn’t seem worth putting away. Also I had a few little bits and pieces, ideas, things I thought I would like to follow up, still sitting around. Of course this is a specious argument. Give me a few months and I will have collected piles of new things to add to my leftovers. And although I sometimes feel I am wasting time, all those wonderful things I could be doing and am not, I am increasingly inclined to think that, like family history, ‘writers’ calendars’ constantly press out the boundaries of my life and knowledge and imagination. I won’t claim that they make me a better person, there is absolutely no evidence for that, but they make me a more ‘satisfied’ person and in a curious way I think that is valuable. The world is full of dissatisfied people, I don’t mean dissatisfied with the political and social status of a suffering world, but dissatisfied with what they’ve got, they want a bigger share, something different, someone else’s life (all those programs asking people who they would like to be) … but just give me a good book and enough light to read by and I ‘wudn’t call the quane me cousin’. -
Greenberg Washington 0250E
© Copyright 2012 Nathaniel Greenberg Secrecy, Secularism, and the Coming Revolution in Naguib Mahfouz’s Postwar Masterpieces (1952-1967) Nathaniel Greenberg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Terri DeYoung, Chair Cynthia Steele Willis Konick Program Authorized to Offer Degree: Comparative Literature University of Washington Abstract Secrecy, Secularism, and the Coming Revolution in Naguib Mahfouz’s Postwar Masterpieces Nathaniel Greenberg Chair of the Supervisory Committee: Associate Professor Terri DeYoung Near Eastern Languages and Civilizations In the wake of the Egyptian revolution of 1952, Egypt’s Nobel laureate Naguib Mahfouz turned to stories of corruption and alienation, initiatory underworlds of the revolution’s political detractors drawn from an unlikely aesthetic combination of Hollywood Westerns, local mythology, and Nasserism. Today, his literature appears prophetic, providing a window onto the metaphysical connotations of democratization which, in Egypt, have long been haunted by the moral vacuousness of western style secularism and what Jürgen Habermas has described as the global “revitalization of religion” in the public sphere. Drawing on research conducted before and during the 2011 uprising in Egypt, this dissertation explores how one of the twentieth century’s greatest writers aestheticized— both through novels and through film— the political transformations of his day and how his work might contribute -
Introduction to the Assassin Legends Farhad Daftary*
The Institute of Ismaili Studies Introduction to The Assassin Legends Farhad Daftary* Reference Daftary, Farhad. “Introduction,” The Assassin Legends: Myths of the Isma‘ilis. (London: I. B. Tauris, 1994; reprinted 2001), pp. 1-7. Abstract This article traces the origin and evolution of the Assassin legends with the aim of invalidating the scholarly and popular legitimacy they have acquired over the centuries. The creation and widespread promulgation of these stories detailing the Nizari Ismailis’ use of hashish, the earthly paradise created by the ‘Old Man of the Mountain’ and the deadly missions Ismaili devotees were ready to undertake were the result of several factors. Western The ‘Old Man of the Mountain and his Paradise’, as depicted Orientalists indulged their European audiences with in a manuscript of the travels of Odoric of Pordenone (d. 1331) contained in the Livre des Merveilles (Bibliothèque fabricated tales of passion, mystery and murder. The Nationale, Paris, Ms. fr. 2810). The manuscript was produced th perpetuation of misinformation regarding the in the 15 century for John the Fearless, Duke of Burgundy. community by their Sunni contemporaries reinforced the existing European fictions as the Crusaders took these damaging accounts home with them. In addition, persecution of Ismailis necessitated intense secrecy regarding their own practices, beliefs and literature. In more recent times, European scholars have contributed to the currency of the legends. Keywords Assassin legends, Ismaili studies, Nizaris, Ismailis, Alamut, Hassan Sabbah, Crusades, Old Man of the Mountain, history, Persia, Hashishin. * Educated in Iran, Europe and the United States, Dr Farhad Daftary received his doctorate from the University of California at Berkeley in 1971. -
Adventurer Conqueror King System © 2011–2012 Autarch
TM Game Design by ALEXANDER MACRIS with TAVIS ALLISON and GREG TITO RULES FOR ROLEPLAYING IN A WORLD OF SWORDS, SORCERY, AND STRONGHOLDS FIRST EDITION Adventurer Conqueror King System © 2011–2012 Autarch. The Auran Empire™ and all proper names, dialogue, plots, storylines, locations, and characters relating thereto are copyright 2011 by Alexander Macris and used by Autarch™ under license. This material is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the written permission of the copyright owners. Autarch™, Adventure Conqueror King™, Adventurer Conqueror King System™, and ACKS™ are trademarks of Autarch™. Auran Empire™ is a trademark of Alexander Macris and used by Autarch™ under license. Adventurer Conqueror King System is distributed to the hobby, toy, and comic trade in the United States by Game Salute LLC. This product is a work of fiction. Any similarity to actual people, organizations, places, or events is purely coincidental. Printed in the USA. ISBN 978-0-9849832-0-9 AUT1003.20120131.431 www.autarch.co CREDITS Lead Designer: Alexander Macris Graphic Design: Carrie Keymel Greg Lincoln Additional Design: Tavis Allison Greg Tito Intern: Chris Newman Development: Alexander Macris Kickstarter Support: Chris Hagerty Tavis Allison Timothy Hutchings Greg Tito Event Support: Tavis Allison Editing: Tshilaba Verite Ryan Browning Jonathan Steinhauer Ezra Claverie Paul Vermeren Chris Hagerty Paul Hughes Art: Ryan Browning -
Durham E-Theses
Durham E-Theses Percy Bysshe Shelley's Poetic Conversations with Islam (1814-1818): Theological and Philosophical Contemplations ABICHOU, ALEXANDER How to cite: ABICHOU, ALEXANDER (2020) Percy Bysshe Shelley's Poetic Conversations with Islam (1814-1818): Theological and Philosophical Contemplations, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13544/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Percy Bysshe Shelley’s Poetic Conversations with Islam (1814-1818): Theological and Philosophical Contemplations Alexander Abichou Submitted in Requirement for the Degree of Doctor of Philosophy Department of English Studies Durham University 2020 Table of Contents STATEMENT OF COPYRIGHT ........................................................................................... i ACKNOWLEDGEMENTS ................................................................................................... -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
Methodology in the Uncovering of White-Collar Crime
Notes Introduction This is taken from the title of Gilbert Geis’s seminal explication on the state of white-collar crime today. See Geis (1992). 1 . This is according to the Heritage Foundation’s Index of Economic Freedom. For details, go to: http://www.heritage.org/index/explore 2 . See Hong Kong government’s Brand Hong Kong campaign leaflet entitled ‘Safe City’ published August 2013. Available online at: http://www.brandhk. gov.hk/en/facts/factsheets/pdf/12_safe_city_En.pdf 3 . Anon, ‘HK Among World’s Safest Cities – UN Survey.’ China Daily , 2006, October 7. 4 . Liu, ‘Rents for City’s Cage Homes Rising.’ South China Morning Post , 2010, April 28. 5 . Leung, ‘Stifling Heat Piles on Misery in Cage Homes.’ South China Morning Post , 2010, August 2. 6 . Ng, ‘Cage Homes Fuel Tuberculosis in Sham Shui Po.’ South China Morning Post , 2011, August 8. 7 . Poon (2011: 29–44). 8 . Tirole (1988, ch. 6). 9 . Chiu, Karen. 2014. ‘HK Homes Still Least Affordable.’ The Standard, January 22. http://www.thestandard.com.hk/news_detail.asp?pp_cat=1&art_ id=141777&sid=41377698&con_type=1 (Accessed July 25, 2014). 10 . The poor consumer welfare is demonstrated in Chapter 4. ‘Asia’s world city’ is the government’s Brand Hong Kong slogan. 11 . Messner and Rosenfeld (2007: x–xi). 12 . Goodstadt (2009, Introduction, para. 8). 13 . Pontell and Geis (2007: 118). Pontell and Geis explain that a structural cloak is a bias in the social structure that diverts attention away from white-collar crimes and turns them into non-issues. 1 No Smoking Gun: Methodology in the Uncovering of White-Collar Crime 1 .