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Page 1 FLOATING STAGE CONCERTS THURSDAY 9TH
FLOATING STAGE CONCERTS WEDNESDAY 8TH JULY THURSDAY 9TH JULY FRIDAY 10TH JULY Sponsored by Westcoast 20.45 20.45 20.35 22.15 S O P H I E SARA COX MADNESS JAMES BLUNT PRESENTS ELLIS-BEXTOR JUST CAN’T GET ENOUGH 80s Sophie Ellis-Bextor shot to fame as a vocalist on If you’ve got fond memories of legwarmers and Spiller’s huge number one single Groovejet, followed spandex, ‘Just Can’t Get Enough 80s’ is a new show by Take Me Home and her worldwide smash hit, set to send you into a retro frenzy. Murder on the Dancefloor. Join Sara Cox for all the hits from the best decade, Her solo debut album, Read My Lips was released in delivered with a stunning stage set and amazing visuals. 2001 and reached number two in the UK Albums Chart Huge anthems for monumental crowd participation and was certified double platinum by the BPI. moments making epic memories to take home. Her subsequent album releases include Shoot from the Hip (2003), Trip the Light Fantastic (2007) and Make a Scene (2011). In 2014, in a departure from her previous dance pop Madness is a band that retains a strong sense of who and what it is. Ticket prices The five-time Grammy nominated and multiple BRIT award winning Ticket prices Ticket prices albums, Sophie embarked on her debut singer/songwriter Many of the same influences are still present in their sound – ska, Grandstand A £140 artist James Blunt is no stranger to festival spotlight and will the Grandstand A £140 Grandstand A £135 album Wanderlust with Ed Harcourt as co-writer and reggae, Motown, rock’n’roll, rockabilly, classic pop, and the pin-sharp Grandstand B £120 wow crowds at Henley Festival. -
DJ Skills the Rise of the Hip-Hop DJ 3
The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Daniel Gilbert & Anton Kristiansson
xand • Ale er Dur en efe kin lt as • M T Nummer 10 • 2009 Sveriges största musiktidning i l • d n e o h i s H i j V e l s m i h • T O • a s k u w i o c o u L d • • I k s a Daniel GIlBert & AntoN KristianssoN Det gamla och det nya – samma Göteborg Joel Alme Pascal Fuck Buttons Bästa musiken 2009 Bibio Nile Dälek Up North Tildeh Hjelm This Is Head Riddarna 5 Årets album 7 Årets låtar Är trovärdighet på 8 Om autotunen må ni berätta väg ut? 8 Skivbolaget som blev ett fanzine Jag måste erkänna att jag vacklat i min tro illa om Henrik Berggren om han levt ett glas- på sistone. En tro som säger mig att trovär- sigt stekarliv. Att leva som man lär har sin ledare dighet i musiken är lika viktigt som i livet. Är poäng. Tycker jag. 10 Blågult guld det då så eller är jag bara en verklighetsfrån- I hiphopvärlden har trovärdighet å vänd drömmare? andra sidan varit A och O från dag ett. Där innehåll Riddarna Tankarna kring den vacklande trovärdig- förväntas man rappa om det man varit med hetssträvan kom till mig på en cykeltur till om. Att ha langat knark med ena handen på This Is Head kontoret. Jag tänkte på hårdrockare som pistolkolven är standard. Kulhålen ska finnas sjunger om Satan, döden, krig och annat där som bevis, liksom. Men det är lätt att Tildeh Hjelm hemskt. Kan det verkligen vara sant att så stelna i en form, och inte vilja utvecklas. -
TRONDHEIM, MARINEN 21.-22. AUGUST Årets Nykommer 2008 Norsk Rockforbund
- FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FES TRONDHEIM, MARINEN 21.-22. AUGUST Årets nykommer 2008 Norsk Rockforbund 24 band på 3 scener i 2 dager. Tenk deg om 2 ganger før du finner på noe annet. RÖYKSOPP, MOTORPSYCHO, ANE BRUN, ULVER, THÅSTRÖM(SE) CALEXICO(US), LATE OF THE PIER(UK), PRIMAL SCREAM(UK) GANG OF FOUR(UK), JAGA JAZZIST, RUPHUS, SKAMBANKT, HARRYS GYM, BLACK DEBBATH, SLAGSMÅLSKLUBBEN(SE), FILTHY DUKES(UK) MARINA AND THE DIAMONDS (UK), I WAS A KING, KIM HIORTHØY, STINA STJERN, 22, AMISH 82, THE SCHOOL, FJORDEN BABY! Blåsvart er aktivitet og mat FESTIVALINFO FESTIVALINFO Blått er scener Grønt er servering og bong Rødt er toaletter Orange er inngang Lilla er kino Pstereo no igjæn? Greit å vite FESTIVALSMARTS I sine tre første leveår Marinen Vi ber publikum være forsiktig med elvebredden og Vi gadd ikke å forfatte egne regler for festivalvett så vi har Pstereo opplevd Marinen er Trondheims mest idylliske friluftsområde. kanten ved kanonoppstillingen. Om vaktene ber deg flytte tjuvlånte de som allerede er nedskrevet av Norsk Rockfor- en bratt oppadgående Området ligger helt nede ved Nidelvens bredder, og har deg fra kanten eller elvebredden så er det kult om du hører bund. De kan for øvrig også oppsummeres slik; Man skal formkurve. Festivalen Nidarosdomen som nærmeste nabo. Når du kommer etter. Ingen ønsker skader under festivalen. ikke plage andre, man skal være grei og snill, og for øvrig har altså kommet for å inn på festivalområdet, så ønsker vi at du skal ta hensyn kan man gjøre hva man vil. bli. Tre ganger gjen- til områdets verdighet. -
Youandmeagainsttheworld.Pdf (9.000Mb)
FORORD Denne oppgaven har sitt utspring i kjærlighet til en musikkgenre, og etter hvert kjærlighet til miljøet rundt akkurat denne genren. Det var sånn den ble til. En stor takk til alle i miljøet som har kommet med talløse oppmuntringer underveis i prosessen med oppgaven, og som har bidratt med informasjon og synspunkter, stort og smått. Og for at miljøet finnes, selv om det var ukjent for meg veldig lenge og jeg trodde jeg var omtrent den eneste i verden som likte denne type musikk. Uten at tre travle popstjerner hadde stilt velvillig opp, hadde oppgaven manglet et viktig aspekt og svært viktig innsikt fra musikkverdenen som ikke menigmann uten videre kan ta del i. Tusen takk til dem for at de tok seg tid til å prate med meg og for at de trodde på prosjektet mitt. Gjennom sin musikk og sine bidrag til oppgaven har de vært en viktig kilde til både inspirasjon og motivasjon. 2 KAPITTELOVERSIKT 1. Innledning med problemstilling side 4 2. Metode side 7 3. Musikkindustrien – og media side 11 3.1 Musikk på radio side 15 3.2 Musikk på tv side 16 4. Symbolsk kapital i forskjellige kulturelle felt side 17 4.1 Bourdieu – ulike former for kapital side 18 4.2 Sosiale og kulturelle felt side 19 4.3 Symbolsk makt side 21 4.4 Subkulturell kapital side 22 5. En kort historie om synth side 26 6. Subkultur – i et teoretisk perspektiv side 29 6.1 Synth som subkultur side 32 7. Bandpresentasjoner side 45 7.1 Apoptygma Berzerk – In This Together side 45 7.2 Combichrist – This Shit Will Fcuk You Up side 58 7.3 Gothminister – Happiness in Darkness side 68 8. -
DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Online
6UrLv (Read ebook) DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Online [6UrLv.ebook] DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Pdf Free Eliot Wilder *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #122725 in Audible 2012-07-26Format: UnabridgedOriginal language:EnglishRunning time: 158 minutes | File size: 78.Mb Eliot Wilder : DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) before purchasing it in order to gage whether or not it would be worth my time, and all praised DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series): 3 of 3 people found the following review helpful. Great album. Good book.By Dawn-MarieUnlike Entroducing the album, which is essentially flawless, Eliot Wilder's book has its pros and cons. I'm going to throw out four items I think any prospective buyer of the book should know, and then briefly comment on what I found to be the pros and cons of each item.1. The author is an old white guy. Pro: This was certainly a unique perspective. I mean, I guess I'm an "old white guy" too, now, but I grew up in the 80s and 90s, and Eliot Wilder grew up in the 1960s. In fact, he spends the first 22 pages of the book talking about how he grew up listening to the Four Tops, the Kinks, and Buffalo Springfield on AM radio. Con: Since the book is basically a long interview with Shadow, I feel like better questions would have been asked by someone more familiar with hip-hop. -
MUSIC VIDEOS It Was Too Tough for Me to Choose Only 36 Music Videos from the Stash Archive and Compile Them Stash Media Inc
MUSIC VIDEOS It was too tough for me to choose only 36 music videos from the Stash archive and compile them Stash Media INC. Editor: STEPHEN PRice into this 2nd collection, so I did what any editor would do. I opened it up to let the best of the best Publisher: GReg ROBINS videos fight it out for victory in a totally gnarly, steel cage grudge match. Managing editor: HEATHER GRIEVE Associate publisher: MARILEE BOITSON Of course bets were placed on popular champions such as Kanye West’s “Welcome to Account managers: APRIL HARVEY, Heartbreak”, Radiohead’s “House of Cards”, and The Chemical Brothers’ “The Salmon Dance,” CHRISTINE STEAD Associate editor: ABBEY KERR but this year saw maniacal young bloods enter the ring with Flairs “Better Than Prince”, LeLe Business development: “Breakfast” and Wild Beasts “Brave Bulging Buoyant Clairvoyants”. And don’t forget the vicious PauliNE THomPsoN comebacks of seasoned prize-fighters like Grace Jones with “Corporate Cannibal” and Paul Music editor: STEVE MARCHESE Preview editor: McCartney with “222”, proving they still have the music video moves to make it to the top of our list. HEATHER GRIEVE Technical guidance: IAN HASKIN I know you’ll enjoy this new collection, just watch out for the blood spatter. MUSIC Heather Grieve Managing Editor Get your inspiration delivered monthly. VIDEOS Toronto, May 2009 Every issue of Stash DVD magazine [email protected] is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
Dance Music 2000.Qxd
THE TOP DANCE SONGS OF 2000 1. I TURN TO YOU - Melanie C. (Virgin) 138 51. BACK IN MY LIFE - Alice Deejay (Republic / Universal) 138 2. KERNKRAFT 400 - Zombie Nation (Radikal) 140 52. DANCE WITH ME - Debelah Morgan (Atlantic) 115 / 133 3. DON’T CALL ME BABY - Madison Avenue (C2 / Columbia) 126 53. BIG PIMPIN’ / ANYTHING - Jay-Z (Roc-A-Fella / Def Jam / IDJMG) 69 / 82 4. MUSIC - Madonna (Maverick / Warner Brothers) 120 / 130 54. SHE BANGS - Ricky Martin (Columbia) 137 / 146 5. YOU SEE THE TROUBLE WITH ME - Black Legend (G2 / Strictly Rhythm) 126 55. TAKE YOUR TIME - The Love Bite (Groovilicious) 129 6. BETTER OFF ALONE - Alice Deejay (Republic / Universal) 56. FOLLOW THE LEADER - Soca Boys (Republic) 144 7. LADY (HEAR ME TONIGHT) - Modjo (MCA) 126 57. TAKE A PICTURE / THE BEST THINGS - Filter (F-111 / Reprise) 130 / 130 8. THONG SONG - Sisqo (Def Soul / IDJMG) 122 / 124 / 132 58. JUST COME BACK 2 ME - Hypertrophy (Tommy Boy Silver) 130 9. TOCA’S MIRACLE - Fragma (Groovilicious) 135 59. (HOT S**T) COUNTRY GRAMMER - Nelly (Fo’ Reel / Universal) 81 10. WHO LET THE DOGS OUT - Baha Men (Artemis) 129 60. MYSTERIOUS TIMES - Sash Featuring Tina Cousins (Contagious) 134 11. THE REAL SLIM SHADY - Eminem (Interscope) 105 61. WHAT A GIRL WANTS - Christina Aguilera (RCA) 130 12. I WILL LOVE AGAIN - Lara Fabian (Columbia) 127 / 136 62. MORE THAN LIFE - Jana (Curb) 130 13. IT FEELS SO GOOD - Sonique (Universal) 135 63. YOUR CHILD - Mary J. Blige (MCA) 126 14. BE WITH YOU - Enrique Iglesias (Interscope) 133 64. WITH YOU - Nomad (Ra sam) 132 15. -
THE FAME HOUSE STACK Technology for Thenew Musicindustry the FAMEHOUSESTACK Marketing &E-Commerce
1 THE FAME HOUSE STACK Marketing & E-Commerce Technology for the New Music Industry STACK STACK THE FAME HOUSE FAME THE 2 TABLE OF CONTENTS 01. Introduction 04. The Fame House E-Commerce Stack 12. Marketing Stack Spotlight: Social Contesting 06. Make Commerce Simpler for Everyone 13. Marketing Stack Spotlight: Email Marketing 07. The Fame House Marketing Stack 15. Fame House Stack Case Study: DJ Shadow - 09. The Mountain Will Fall The Fame House .NET Album Release Web Development Stack STACK STACK 10. 19. Marketing Stack Spotlight: Marketing Technology Analytics Lessons FAMEHOUSE THE FAME HOUSE FAME THE 01 INTRODUCTION By Mike Fiebach, Founder & CEO IN THE SIX YEARS SINCE I founded Fame House, a lot has changed. The rapid pace of digital innovation has transformed how artists build and activate their audiences, steering the industry away from traditional, album cycle-driven marketing strategies toward a 365 days a year, omni-channel approach. The emergence, proliferation, and mass adoption of direct to consumer tools and social media have enabled this shift. We are now firmly in the era of the music and technology industry—where comprehensive digital audience growth, management, and monetization is king. In an era where new digital platforms emerge regularly, the medium itself is often as important as the message, and the message must speak to a broader artist-driven storyline that translates across platforms. To thrive in this new paradigm, artists, labels, and managers must embrace a technology-agnostic strategy, combined with an omni-channel digital branding approach. This may sound like a lot of jargon, but I believe the substance behind these buzzwords is the foundation for success in the new music industry.