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Page 1 FLOATING STAGE CONCERTS THURSDAY 9TH
FLOATING STAGE CONCERTS WEDNESDAY 8TH JULY THURSDAY 9TH JULY FRIDAY 10TH JULY Sponsored by Westcoast 20.45 20.45 20.35 22.15 S O P H I E SARA COX MADNESS JAMES BLUNT PRESENTS ELLIS-BEXTOR JUST CAN’T GET ENOUGH 80s Sophie Ellis-Bextor shot to fame as a vocalist on If you’ve got fond memories of legwarmers and Spiller’s huge number one single Groovejet, followed spandex, ‘Just Can’t Get Enough 80s’ is a new show by Take Me Home and her worldwide smash hit, set to send you into a retro frenzy. Murder on the Dancefloor. Join Sara Cox for all the hits from the best decade, Her solo debut album, Read My Lips was released in delivered with a stunning stage set and amazing visuals. 2001 and reached number two in the UK Albums Chart Huge anthems for monumental crowd participation and was certified double platinum by the BPI. moments making epic memories to take home. Her subsequent album releases include Shoot from the Hip (2003), Trip the Light Fantastic (2007) and Make a Scene (2011). In 2014, in a departure from her previous dance pop Madness is a band that retains a strong sense of who and what it is. Ticket prices The five-time Grammy nominated and multiple BRIT award winning Ticket prices Ticket prices albums, Sophie embarked on her debut singer/songwriter Many of the same influences are still present in their sound – ska, Grandstand A £140 artist James Blunt is no stranger to festival spotlight and will the Grandstand A £140 Grandstand A £135 album Wanderlust with Ed Harcourt as co-writer and reggae, Motown, rock’n’roll, rockabilly, classic pop, and the pin-sharp Grandstand B £120 wow crowds at Henley Festival. -
Turntablism and Audio Art Study 2009
TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLIII, Number 2 Spring 2014 DJ Kuttin Kandi: Performing Feminism Ellie M. Hisama, Columbia University As a turntablist, Pinay, poet, feminist, and activist, DJ Kuttin Kandi challenges the sexism manifested in hip hop and popular music by collaborating with other women in her performances, publishing open letters about male-dominated lineups, and speaking critically about controversies such as Day Above Ground’s 2013 song and video “Asian Girlz.”1 In his recent book Filipinos Represent, Anthonio Tiongson Jr. suggests that hip hop DJing provides a site for Filipina DJs to negotiate gender conventions, sexual norms, and familial expectations.2 Kuttin Kandi’s performances are a form of critical authorship that actively engages a politics of the feminist body and are grounded in feminist collaboration. A long-time member of the New York-based DJ crew 5th Platoon, Kandi was the first woman to place in the US finals of the prestigious DMC USA competition in 1998.3 She has toured throughout the US and internationally, performing with distinguished musicians including Afrika Bambaataa, Kool Herc, Black Eyed Peas, MC Lyte, the Roots, dead prez, Immortal Technique, and Le Tigre. Kandi has been deeply in- volved in cultural advocacy and grassroots political organiza- tions, having worked with Filipino American Human Services and Gabriela Network to fight the sexual exploitation of Filipi- nas, police brutality, and sweatshop labor. While living in New York, she taught the art of turntabling and DJing at the Scratch DJ Academy, and taught spoken word and poetry to high school students at El Puente Leadership Center in Brooklyn. -
Youandmeagainsttheworld.Pdf (9.000Mb)
FORORD Denne oppgaven har sitt utspring i kjærlighet til en musikkgenre, og etter hvert kjærlighet til miljøet rundt akkurat denne genren. Det var sånn den ble til. En stor takk til alle i miljøet som har kommet med talløse oppmuntringer underveis i prosessen med oppgaven, og som har bidratt med informasjon og synspunkter, stort og smått. Og for at miljøet finnes, selv om det var ukjent for meg veldig lenge og jeg trodde jeg var omtrent den eneste i verden som likte denne type musikk. Uten at tre travle popstjerner hadde stilt velvillig opp, hadde oppgaven manglet et viktig aspekt og svært viktig innsikt fra musikkverdenen som ikke menigmann uten videre kan ta del i. Tusen takk til dem for at de tok seg tid til å prate med meg og for at de trodde på prosjektet mitt. Gjennom sin musikk og sine bidrag til oppgaven har de vært en viktig kilde til både inspirasjon og motivasjon. 2 KAPITTELOVERSIKT 1. Innledning med problemstilling side 4 2. Metode side 7 3. Musikkindustrien – og media side 11 3.1 Musikk på radio side 15 3.2 Musikk på tv side 16 4. Symbolsk kapital i forskjellige kulturelle felt side 17 4.1 Bourdieu – ulike former for kapital side 18 4.2 Sosiale og kulturelle felt side 19 4.3 Symbolsk makt side 21 4.4 Subkulturell kapital side 22 5. En kort historie om synth side 26 6. Subkultur – i et teoretisk perspektiv side 29 6.1 Synth som subkultur side 32 7. Bandpresentasjoner side 45 7.1 Apoptygma Berzerk – In This Together side 45 7.2 Combichrist – This Shit Will Fcuk You Up side 58 7.3 Gothminister – Happiness in Darkness side 68 8. -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
Dance Music 2000.Qxd
THE TOP DANCE SONGS OF 2000 1. I TURN TO YOU - Melanie C. (Virgin) 138 51. BACK IN MY LIFE - Alice Deejay (Republic / Universal) 138 2. KERNKRAFT 400 - Zombie Nation (Radikal) 140 52. DANCE WITH ME - Debelah Morgan (Atlantic) 115 / 133 3. DON’T CALL ME BABY - Madison Avenue (C2 / Columbia) 126 53. BIG PIMPIN’ / ANYTHING - Jay-Z (Roc-A-Fella / Def Jam / IDJMG) 69 / 82 4. MUSIC - Madonna (Maverick / Warner Brothers) 120 / 130 54. SHE BANGS - Ricky Martin (Columbia) 137 / 146 5. YOU SEE THE TROUBLE WITH ME - Black Legend (G2 / Strictly Rhythm) 126 55. TAKE YOUR TIME - The Love Bite (Groovilicious) 129 6. BETTER OFF ALONE - Alice Deejay (Republic / Universal) 56. FOLLOW THE LEADER - Soca Boys (Republic) 144 7. LADY (HEAR ME TONIGHT) - Modjo (MCA) 126 57. TAKE A PICTURE / THE BEST THINGS - Filter (F-111 / Reprise) 130 / 130 8. THONG SONG - Sisqo (Def Soul / IDJMG) 122 / 124 / 132 58. JUST COME BACK 2 ME - Hypertrophy (Tommy Boy Silver) 130 9. TOCA’S MIRACLE - Fragma (Groovilicious) 135 59. (HOT S**T) COUNTRY GRAMMER - Nelly (Fo’ Reel / Universal) 81 10. WHO LET THE DOGS OUT - Baha Men (Artemis) 129 60. MYSTERIOUS TIMES - Sash Featuring Tina Cousins (Contagious) 134 11. THE REAL SLIM SHADY - Eminem (Interscope) 105 61. WHAT A GIRL WANTS - Christina Aguilera (RCA) 130 12. I WILL LOVE AGAIN - Lara Fabian (Columbia) 127 / 136 62. MORE THAN LIFE - Jana (Curb) 130 13. IT FEELS SO GOOD - Sonique (Universal) 135 63. YOUR CHILD - Mary J. Blige (MCA) 126 14. BE WITH YOU - Enrique Iglesias (Interscope) 133 64. WITH YOU - Nomad (Ra sam) 132 15. -
Expressions of Resistance: Intersections of Filipino American
EXPRESSIONS OF RESISTANCE: INTERSECTIONS OF FILIPINO AMERICAN IDENTITY, HIP HOP CULTURE, AND SOCIAL JUSTICE By STEPHEN ALAN BISCHOFF A dissertation submitted in partial fulfillment of The requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies APRIL 2012 © Copyright by STEPHEN ALAN BISCHOFF, 2012 All Rights Reserved © Copyright by STEPHEN ALAN BISCHOFF, 2012 All Rights Reserved ii To the Faculty of Washington State University: The members of the committee appointed to examine the dissertation of STEPHEN ALAN BISCHOFF find it satisfactory and recommend that it be accepted. _____________________________________ C. Richard King, Ph.D., Chair _____________________________________ David Leonard, Ph.D. _____________________________________ John Streamas, Ph.D. iii ACKNOWLEDGMENTS This project has been a labor of love. My partner, Rachel Silva-Bischoff, shares in this accomplishment as she gave me an immense amount of love, understanding, and support to finish this work. As I have told others throughout this project, it is our degree. Over the duration of my graduate program, we have been fortunate to have two beautiful sons in Isaiah and Zion. Seeing the three of them keeps me grounded in my priorities and in my drive for improving myself and the world around us. I am extremely grateful for the help, guidance, and support that my committee has given me. I would like to thank my committee chair, Richard King, in helping me stay on track with my writing and my timeline for this work. I would also like to thank the rest of my committee, David Leonard and John Streamas, for their insightful discussions in shaping my research. -
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ For the program companion website, visit pbs.org/independentlens/copyrightcriminals COPYRIGHT CRIMINALS, AN EXPLORATION OF THE CREATIVE AND LEGAL RAMIFICATIONS OF MUSIC SAMPLING IN HIP-HOP, PREMIERES TUESDAY, JANUARY 19 ON THE PBS DOCUMENTARY SERIES INDEPENDENT LENS As New Technologies Emerge, Enabling Everyone to Be a Music Producer, Can Anyone Really Own a Sound? (San Francisco, CA) — Computers, software and even cell phones have radically altered our relationship to mass culture and technology, providing consumers with the tools to become producers, or “remixers,” of their own media. But long before everyday people began posting their video mash-ups on the Web, hip-hop musi- cians perfected the art of audio montage through a sport they called “sampling.” COPYRIGHT CRIMINALS, a documentary produced by Benjamin Franzen and Kembrew McLeod, examines the creative and commer- cial value of musical sampling, including the ongoing debates about artistic expression, copyright law and (of course) money. The film will premiere nationally on the Emmy® Award–winning PBS documentary series Independent Lens, hosted by Maggie Gyllenhaal, on Tuesday, January 19 at 10 p.m. (check local listings). For more than 30 years, as hip-hop evolved from the urban streets of New York to its current status as a mul- tibillion-dollar industry, performers and producers have been reusing portions of previously recorded music in new, otherwise original compositions. -
Filipino Hip-Hop ×
This website would like to remind you: Your browser (Apple Safari 4) is out of date. Update your browser for more × security, comfort and the best experience on this site. Article Filipino Hip-Hop Contemporary culture has traditional roots For the complete article with media resources, visit: http://education.nationalgeographic.com/news/filipino-hip-hop/ BY MARY SCHONS Friday, October 29, 2010 May is Asian Pacific American Heritage Month. Filipino Americans are the second-largest group of people with Asian ancestry. (Chinese Americans have a larger population.) Ancestors of Filipino Americans come from the Philippines, a group of islands in the South Pacific Ocean. Filipino American identity has been connected to hip-hop culture for many years. Filipino hip-hop includes mobile DJs, turntablism, and Pilipino Culture Nights (PCNs). Musical History The Philippines was a colony of the United States from 1898 to 1946. American culture had a profound impact on that country, influencing government, social institutions, and musical tastes. Disco, funk, and Motown soul music, popular on American military bases, found their way onto local radio stations. Eventually, so did rap. During the 20th century, many Filipinos immigrated to the United States in search of better jobs. Filipinos and their families in the United States continued to share music. Filipinos and Filipino Americans would trade rap albums, tapes, and CDs back and forth across the Pacific Ocean, either in person or through the mail. (In recent years, the Internet has made this exchange happen much faster.) Filipino Americans were some of the first people to experiment with mobile DJ crews in the 1960s and 1970s. -
Eple Royksopp Download
Eple royksopp download Eple Royksopp. MB · Eple. Artist: Royksopp. MB · Eple. Artist: Royksopp. MB. Watch the video, get the download or listen to Röyksopp – Eple for free. Eple appears on the album Eple. "Eple" (Norwegian for "Apple") is an instrumental. Röyksopp Eple () - file type: mp3 - download - bitrate: kbps. Literally every time I hear this song I somehow imagine this animated pixilation scene of a really warm sunny. Download Royksopp Eple free midi and other Royksopp free midi. Stream Royksopp "Eple" (Shakedown Remix) by SHAKEDOWN from desktop or your mobile device. Buy Eple: Read 2 Digital Music Reviews - Röyksopp 8 · Stream or buy Downloaded it for a film project after hearing it on a online radio station. "Eple" by Röyksopp sampled Bob James's "You're as Right as Rain". Listen to both songs on 55 Votes. Röyksopp's Eple Download this Track. Buy on Vinyl/. Download Royksopp - Eple midi. Best midi files in the world. Over + MIDI files. Eple Royksopp kbps Free Mp3 Music Download. Royksopp Eple Mp3 Download Mp3freex Free Mp3 Downloads. Royksopp Eple Remix Mp3 Download. Eple Royksopp kbps Free Mp3 Music Download. Royksopp Eple Mp3 Download Eple Original Edit mp3 Eple EP of Royksopp. Download Royksopp eple. Röyksopp Melody A.M. The finest music to have come out of Norway since well, ever Worldwide smash hit Eple is irresistibly hypnotic electro; Poor Leno is Further reading: Download: iTunes HKB Finn Vitalistics A. Switch browsers or download Spotify for your desktop. Eple. By Röyksopp. • 1 song, Listen to Röyksopp in full in the Spotify app. Play on Spotify. -
Wildfire This Article Appeared in Contagious Issue 42
WILDFIRE This article appeared in Contagious issue 42 Contagious is a resource for the global marketing community focusing on non-traditional media and emerging technologies. www.contagious.com For more information please contact the team on +44 (0) 203 206 9266 or [email protected] wildfire / contagious 30 / 31 Mercedes-Benz / F015 Luxury in Motion Mercedes is not the only brand experimenting with self-driving cars, but its F015 Luxury in Motion driverless Nico Sell / Wickr vehicle is definitely the most stylish. The Security-focused ephemeral messaging app Wickr is adding concept car, which debuted at CES, allows a purrrfect new tool. The Wickr Timed Feed – or WTF – passengers to face each other in a ‘living allows users to share time-limited pictures on the service space’ and control their ride with gesture- and via Facebook. The cat-ch? Only 151 friends can see the recognition technology. The vehicle can real picture and everyone else will be served a cute kitten also communicate with its surroundings, snap instead. using LED lights to give pedestrians a www.wickr.com heads-up when it’s safe to cross. tiny.cc/mercedesf015 University of Maryland Institute for Advanced Computer Studies / Robotic cooking Ever fancied having a robot poach your eggs? Researchers at the University of Maryland are using YouTube cooking tutorials to help robots teach themselves the complicated gestures required to become master chefs. By watching videos of cooks manipulating objects and performing tasks, a Innovation and inspiration: the robot can teach itself to do the same. The researchers believe that this type of machine learning will contribute to the new best in design, technology and industrial revolution in which robots and humans work side by side (maybe even in the kitchen). -
DJ Hero® 2 Unveils the Best Soundtrack in Entertainment
DJ Hero® 2 Unveils the Best Soundtrack in Entertainment --83 Original, Exclusive Mixes Feature Hand-Picked Roster of World-Renowned Musicians Highlighting the Biggest Names in Pop, Dance and Hip Hop Music Mixed by World's Hottest DJs --30-Second Video Clips of All 83 Mixes Now Available at www.djhero.com/music --Turntable Controller Bag by PUMA(R), MP3s of On-Disc Mixes and Character Unlock Cheats Among Pre-Order Offers at Retailers Online and Nationwide SANTA MONICA, Calif., Sept 21, 2010 /PRNewswire via COMTEX News Network/ -- In an all-new, unparalleled music experience featuring 83 original, exclusive mixes that spin together 105 speaker-blaring tracks and club-shaking anthems from over 100 of the biggest artists in pop, hip hop and dance, Activision Publishing, Inc. (Nasdaq: ATVI) today dropped the needle on DJ Hero (R) 2's full mix list that will transform living rooms into nightclubs with the best soundtrack in entertainment. Taking the soundtrack to "the most innovative and immersive music experience of 2009"* to the next level, when the party starts on October 19, budding beat chemists, singing sensations and all their friends will join together and experience these original, exclusive mixes such as Lady Gaga Mixed With Deadmau5, Iyaz Mixed With Rihanna, Eminem Mixed With Lil' Wayne, Kanye West Mixed With Metallica and a host of others magical musical creations. With in-game appearances, music and mixes from DJs keeping the speakers thumping in the world's hottest clubs, Deadmau5, David Guetta, DJ Qbert, DJ Shadow, DJ Z-Trip, RZA, and Tiesto among many others will start the DJ Hero 2 party off right.