Langues Anciennes Et Éditions Critiques
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
The Begingreek Package
The begingreek package Claudio Beccari – claudio dot beccari at gmail dot com Version v.1.5 of 2015/02/16 Contents 5 The new greek environment 3 1 Introduction 1 6 The command \greektxt 4 2 Usage 2 7 Font shapes and series 4 8 Examples 5 3 Incomplete fonts and differ- ent encoding 3 9 Acknowledgements 5 4 Default font control 3 10 The code 6 Abstract This small extension module defines the environment greek to be used with pdfLaTeX so as to imitate the similar environment defined in polyglossia. A corresponding command, \greektxt, is also defined. Of course there are some differences, but it has been used extensively and it is useful. 1 Introduction When using pdfLaTeX and babel, language changes are done with babel’s lan- guage switching commands \selectlanguage, \foreignlanguage or with the environments otherlanguage and otherlanguage*. They work fine, but some- times it is better to have a more “agile” command or environment that can be used at least in place of the last three commands or environments. Some more extra functionalities may be desirable, such as the possibility of specifying a different default font family or to switch font family for a particular stretch of Greek text. This small module does exactly what is described above; it has been created only to be used with pdfLaTeX, therefore if it gets loaded with a package that will be run with XeLaTeX or LuaLaTex it will complain loudly and its loading will be aborted; no, not simply that: the only way to exit from this wrong situation is to quit compilation. -
Steps-In-Scala.Pdf
This page intentionally left blank STEPS IN SCALA An Introduction to Object-Functional Programming Object-functional programming is already here. Scala is the most prominent rep- resentative of this exciting approach to programming, both in the small and in the large. In this book we show how Scala proves to be a highly expressive, concise, and scalable language, which grows with the needs of the programmer, whether professional or hobbyist. Read the book to see how to: • leverage the full power of the industry-proven JVM technology with a language that could have come from the future; • learn Scala step-by-step, following our complete introduction and then dive into spe- cially chosen design challenges and implementation problems, inspired by the real-world, software engineering battlefield; • embrace the power of static typing and automatic type inference; • use the dual object and functional oriented natures combined at Scala’s core, to see how to write code that is less “boilerplate” and to witness a real increase in productivity. Use Scala for fun, for professional projects, for research ideas. We guarantee the experience will be rewarding. Christos K. K. Loverdos is a research inclined computer software profes- sional. He holds a B.Sc. and an M.Sc. in Computer Science. He has been working in the software industry for more than ten years, designing and implementing flex- ible, enterprise-level systems and making strategic technical decisions. He has also published research papers on topics including digital typography, service-oriented architectures, and highly available distributed systems. Last but not least, he is an advocate of open source software. -
Tutorium Quercopolitanum
Katholische Universität Eichstätt-Ingolstadt Geschichts- und Gesellschaftswissenschaftliche Fakultät Lehrstuhl für Alte Geschichte TUTORIUM QUERCOPOLITANUM Ein althistorisches Proseminar © Andreas Hartmann, Eichstätt 10-2009 http://www.gnomon.ku-eichstaett.de/LAG/proseminar TUTORIUM QUERCOPOLITANUM – ANDREAS HARTMANN VORWORT 1 VORWORT Das vorliegende Tutorium hat eine komplexe Entstehungsgeschichte, die schon in sich ein ge- eignetes Objekt für „German Quellenforschung“ wäre: Bis vor etlichen Jahren wurde in den althistorischen Proseminaren an der Katholischen Universität Eichstätt-Ingolstadt ein „Alt- historisches Proseminarheft“ eingesetzt, das im Kern von Kai Brodersen für die Universitäten München bzw. Mannheim erstellt, dann von Beate Greif und vor allem Gregor Weber auf die Eichstätter Verhältnisse angepasst und aktualisiert wurde. Dieses Proseminarheft, das auch über Eichstätt hinaus eine sehr positive Resonanz erfahren hat, steht mittlerweile in einer aktualisierten Version auf den Seiten des Lehrstuhls für Alte Geschichte an der Universität Augsburg (http://www.philhist.uni-augsburg.de/lehrstuehle/geschichte/alte/links/Studienhilfe) zur Verfügung und wurde auch vom Seminar für Alte Geschichte der Universität Freiburg in geringfügig adaptierter Form übernommen (http://www.sag.uni-freiburg.de/materialien-zu- den-lehrveranstaltungen/proseminare/proseminarheft/view). Als der Autor im Wintersemester 2002/03 erstmals das Proseminar in Eichstätt durchführte, war zunächst daran gedacht, einfach das vorliegende „Proseminarheft“ dafür -
Classical Greek Fonts Free Download
Classical greek fonts free download Classical Greek Fonts and Utilities for the PC, with information on If you have any comments or queries, please feel free to email me at. RECOMMENDATION FOR GREEK STUDENTS: Download and use SPIonic. It's free, it's supported on Perseus, it works on Windows or Mac, it's a A dedicated ancient Greek font allows you to compose diacritical marks on the fly, from. The Classical Greek Font package is a free Macintosh font containing TrueType, PostScript Type 1 and bitmaps for 12, 14 and 24 points (for both classical and. Download the windows installer for main Gentium fonts, saving the file to your desktop when prompted. The following are two free alternatives. Type Greek directly into Microsoft Word. Set up a polytonic Greek keyboard (a one-time task). We have 27 free greek fonts to offer for direct downloading · Fonts is your favorite site for free fonts since Ancient Geek - Thou shouldst eat to live, not live to eat. Ancient GodbyMagique Fonts · DownloadDonate. Ancient God Bold.Google Web · Sans-serif · Gods · Comic. What Greek fonts should I use on my PC/Mac? accents necessary for writing and displaying ancient Greek (it depends upon the font version). Kris J. Udd has created a beautiful collection of fonts that imitate the writing styles of ancient scribes in a series of important ancient Greek texts. For Free Download: All 10 Fonts · Archaic Greek (8th c. BC). Rosetta Stone ( BC). The Vusillus Old Face font allows the display of Unicode classical Greek in the OSX operating system. -
TUGBOAT Volume 29, Number 2 / 2008
TUGBOAT Volume 29, Number 2 / 2008 General Delivery 231 From the president / Karl Berry 232 Editorial comments / Barbara Beeton TEX 3.1415926 is here, and other Knuthian references; Phyllis Winkler, RIP; New domain name for CervanTEX; Interactive typography courses by Jonathan Hoefler; A helpful CTAN feature: “get”; Recreating the Gutenberg press; Copy-editing the wayward apostrophe; A font game for your amusement 233 The TEX tuneup of 2008 / Donald Knuth 239 Hyphenation exception log / Barbara Beeton Typography 240 Typographers’ Inn / Peter Flynn 242 The Greek Font Society / Vassilios Tsagkalos 246 Designing and producing a reference book with LATEX: The Engineer’s Quick Reference Handbook / Claudio Beccari and Andrea Guadagni 255 Suggestions on how not to mishandle mathematical formulæ / Massimo Guiggiani and Lapo Mori Electronic Documents 264 Wikipublisher: A Web-based system to make online and print versions of the same content / John Rankin 270 Character encoding / Victor Eijkhout Fonts 278 lxfonts:LATEX slide fonts revived / Claudio Beccari 283 Reshaping Euler: A collaboration with Hermann Zapf / Hans Hagen, Taco Hoekwater and Volker RW Schaa Software & Tools 288 Asymptote: A vector graphics language / John Bowman and Andy Hammerlindl 295 The Luafication of TEX and ConTEXt / Hans Hagen 303 Porting TEX Live to OpenBSD / Edward Barrett LATEX 305 Good things come in little packages: An introduction to writing .ins and .dtx files / Scott Pakin ConTEXt 315 ConTEXt basics for users: Indentation / Aditya Mahajan Multilingual MetaPost 317 -
Regole E Consigli Per Comporre La Matematica Delle Scienze Sperimentali
Claudio Beccari Regole e consigli per comporre la matematica delle scienze sperimentali o Utiliz p za p t u o r r i G ? ? ? g It ? It u al X iani di TE Versione 2.;.22 del 4243-26-26 Associati anche tu al guIt Fai click per associarti L’associazione per la diffusione di TEX in Italia, riconosciuta uffi- cialmente in ambito internazionale, si sostiene unicamente con le quote sociali. Se anche tu trovi che questa guida tematica gratuita ti sia stata utile, il mezzo principale per ringraziare gli autori è diventare socio. Divenendo soci si ricevono gratuitamente: • l’abbonamento alla rivista ArsTEX nica; • il DVD TEX Collection; • un eventuale oggetto legato alle attività del guIt. L’adesione al guIt prevede un quota associativa compresa tra 34,22 e e 92,22 e a seconda della tipologia di adesione prescelta e ha validità per l’anno solare in corso. Regole e consigli per comporre la matematica delle scienze sperimentali Copyright © 4243, Claudio Beccari Questa documentazione è soggetta alla licenza LPPL (LATEX Project Public Licence), versione 3.5 o successive; il testo della licenza è sem- pre contenuto in qualunque distribuzione del sistema TEX e nel sito http://www.latex-project.org/lppl.txt. Questo documento è curato da Claudio Beccari. Presentazione La composizione della matematica è uno dei punti forti del sistema TEX. Quando D.E. Knuth nel 3;9: ha prodotto la prima versione sperimentale per la composizione tipografica al calcolatore, aveva proprio in mente la composizione della matematica, perché anno dopo anno vedeva che i compositori professionisti si adagiavano sulle funzionalità dei software professionali, essenzialmente concentrati sul testo, e perdevano le loro conoscenze in merito alla composizione della matematica. -
P O U R U N D E Sig N G Ra P H Iq U E Lib Re
AFGRAL Lafkon Publishing Strabic, 2011 réseau de plans libres Association Francophone des GRaphistes Sebastien Broca Greek Font Society designers graphiques, Allemagne, Richard Stallman Libres, France Utopie du logiciel libre, du bricolage fonderie OSP-Foundry militant pour le logiciel libre et président informatique à la réinvention sociale Louise Drulhe Florent Latrive Le design des programmes fonderie de la FSF Aful Le Passager Clandestin, 2013 Design fluide GreyScale Press Du bon usage de la piraterie Université Paris 1 Panthéon-Sorbonne, association militant pour l'open source Mémoire (ÉnsAD) maison d'édition La Découverte, 2007 à paraitre Outils et projets conviviaux Richard Stallman Metapolator blog regroupant des projets de design Free Software, Free Society: Selected Essays Amoinsb/font Even Pekka Himanen éditeur de typographie paramétrique conviviaux, Sarah Garcin et Victor GNU Press, 2002 typographes, France mise en page en Python L’éthique hacker et l’esprit de l’ère Victor Lebeau Lebeau Thierry Chancogne de l’information designer graphique, France Eben Moglen Philippe Aigrain Le design graphique est-il un outil critiqueE? Sophie Fétro Exils, 2001 Lawrence Lessig L’anarchisme triomphantE: Le logiciel libre Piksel Copyright vs. Community Cause commune, l’information entre bien 2 ou 3 choses que je sais d'elle, 2011 Outils numériques artisanalement modifiés Html2print Free Culture et la mort du copyright festival Reykjavik University, 2012 commun et propriété Strabic, 2011 mise en page en html/css dans The Penguin Press, 2004 -
The Mathdesign Package
The mathdesign package Paul Pichaureau∗ d August 29, 2013 1 Introduction The package mathdesign replaces all the default mathematical fonts of TEX with a complete set of mathematical fonts, designed to be combined with a text font of your choice. Provided fonts cover the full family of symbol of plain TEX and LATEX, the full set of the Ameri- can Mathematical Society (AMS) symbols, the Ralph Smith’sFormal Script symbol fonts (RSFS). Some symbol used by the package textcomp. Some extra symbols are also defined. More fonts will be created and shared in the future! 1.1 Requirements A complete TEX installation is required. In particular, the text fonts you want to use must be already present on your system. A recent TEX distribution is recommended (e.g. MikTEX v2.2 or later, teTEX v3.0 or later) as the configuration is really simple with the updmap utility. 2 Installation This package alone is useless. You have to install one of the full set of fonts available. Please consult the provided README file. It deals with all the installation and system configuration process. 3 Interesting features • All the symbols are provided in normal and bold versions. • Support of all LATEXand AMSsymbols including blackboard bold letters (Q, R, Z). • Extra symbols, including \euro (e)\smallin ()\intclockwise ( )\ointclockwise ( )\oiint ( )\oiiint ( ). • Various greek alphabets available. • Support of scaled sans serif and typewriter fonts. [email protected] ∗ 1 4 Usage and configuration To use one the font in your document call the mathdesign package with the appropriate option. Text fonts Option name Package name Adobe Utopia adobe-utopia, utopia mdput URW Garamond urw-garamond, garamond mdugm Bitstream Charter bitstream-charter, charter mdbch In the preceding table, option on the same line are equivalent. -
Hellenic Polytonic HOWTO Table of Contents
Hellenic Polytonic HOWTO Copyright (c) 2005-2011 Dimitri Marinakis. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". Table of Contents Introduction History Acknowledgements References Disclaimer Accents and “Breathings” Output Input Internal representation GNU/Linux keyboard translation Hellenic (polytonic) under X Hellenic polytonic fonts Font installation Hellenic polytonic keyboard under X Hellenic polytonic keyboard under KDE and GNOME Locales Hellenic keyboard at the console (CLI) No polytonic keyboard Word-processing and display applications GNU Free Documentation License Hellenic_polytonic_HOWTO-111210 Page 1 of 28 Introduction The current state of handling Hellenic language characters on GNU / Linux systems is examined. Emphasis is placed on the use of Hellenic polytonic (accented) fonts and keyboard drivers. Try the pdf version of this document if the html version is not rendered correctly. History 20111210 – Major update - tlgu.carmen.gr 20060505 – Information update – more free fonts 20060422 – Information update – X information 20051011 – Information update – gnome information 20050830 – Date correction – information request 20050722 – Amendments, addition of keyboard layouts 20050717 – First release: – cap8.gr/tlgu Acknowledgements -
Arstexnica, Numero
Numero 13 Aprile 2012 ArsT Xnica RivistaE italiana di T X e LAT X E E g It u http://www.guit.sssup.it/arstexnica Chiunque, poi, volesse collaborare con la rivi- sta a qualsiasi titolo (recensore, revisore di boz- nica ze, grafico, etc.) può contattare la redazione X all’indirizzo: TE [email protected]. A Nota sul Copyright guIt – Gruppo Utilizzatori Italiani di TEX Il presente documento e il suo contenuto è di- rs stribuito con licenza c Creative Commons 2.0 di ArsTEXnica è la pubblicazione ufficiale del guIt tipo “Non commerciale, non opere derivate”. È possibile, riprodurre, distribuire, comunicare al Comitato di Redazione pubblico, esporre al pubblico, rappresentare, ese- Gianluca Pignalberi – Direttore guire o recitare il presente documento alle seguenti Renato Battistin, Claudio Beccari condizioni: Marco Buccino, Riccardo Campana, b Massimo Caschili, Gustavo Cevolani Attribuzione: devi riconoscere il contributo Massimiliano Dominici, Andrea Fedeli dell’autore originario. Tommaso Gordini, Enrico Gregorio e Non commerciale: non puoi usare quest’ope- Carlo Marmo, Lapo Mori ra per scopi commerciali. Antonello Pilu, Ottavio Rizzo Gianpaolo Ruocco, Emmanuele Somma d Non opere derivate: non puoi alterare, Enrico Spinielli, Emiliano Vavassori trasformare o sviluppare quest’opera. Emanuele Vicentini, Raffaele Vitolo In occasione di ogni atto di riutilizzazione o distribuzione, devi chiarire agli altri i termini della ArsTEXnica è la prima rivista italiana dedicata a licenza di quest’opera; se ottieni il permesso dal TEX, a LATEX ed alla tipografia digitale. Lo scopo che la rivista si prefigge è quello di diventare uno titolare del diritto d’autore, è possibile rinunciare dei principali canali italiani di diffusione di infor- ad ognuna di queste condizioni. -
Fontes Libres
FONTES LIBRES Published : 2017-06-22 License : GPLv2+ 1 INTRODUCTION La lettre est la pièce minimale de l'expression écrite. C'est dire combien elle est nécessaire dans la vie de l'écriture. L'homme a eu le besoin d'écrire depuis la nuit des temps et l'histoire ne manque pas d'exemples montrant l'évolution des caractères depuis les origines jusqu'à nos jours. Si les caractères se combinent pour supporter une information (mots, phrases), leurs formes ne sont pas pour autant neutres, elles parlent. Il suffit de parcourir un livre pour s'en convaincre : titres, sous-titres, corps de texte… Prenant progressivement conscience des possibilités qui leur étaient offertes au cours de l'histoire, les locuteurs et les spécialistes de l'écriture ont commencé à documenter ou à créer des formes variées, chacun poursuivant un but particulier, grandement influencés par la culture et le contexte donné. On assiste alors lentement à la prolifération des typos surtout depuis l'avènement de l'ére informatique. Malheureusement, si des efforts constants sont faits pour rendre plus disponibles des fontes dans les langues largement parlées, d'autres langues moins connues et avec moins de locuteurs ne peuvent pas encore être utilisées sur un ordinateur parce que les glyphes qui les composent manquent encore jusqu'à aujourd'hui. Voyage à travers Unicode : un espace international riche en diversité Inspiré de http://sincerelymichael.com/work/english/english.html par Michael Ciancio. Ce livre veut être un guide pour celui qui ne trouve pas de fonte qui corresponde exactement à ses aspirations d'expression graphique, afin qu'il puisse aisément en adapter ou redessiner une ou plusieurs selon ses besoins.