The Begingreek Package
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Typesetting Classical Greek Philology Could Not find Anything Really Suitable for Her
276 TUGboat, Volume 23 (2002), No. 3/4 professor of classical Greek in a nearby classical high Philology school, was complaining that she could not typeset her class tests in Greek, as she could do in Latin. I stated that with LATEX she should not have any The teubner LATEX package: difficulty, but when I started searching on CTAN,I Typesetting classical Greek philology could not find anything really suitable for her. At Claudio Beccari that time I found only the excellent Greek fonts de- signed by Silvio Levy [1] in 1987 but for a variety of Abstract reasons I did not find them satisfactory for the New The teubner package provides support for typeset- Font Selection Scheme that had been introduced in LAT X in 1994. ting classical Greek philological texts with LATEX, E including textual and rhythmic verse. The special Thus, starting from Levy’s fonts, I designed signs and glyphs made available by this package may many other different families, series, and shapes, also be useful for typesetting philological texts with and added new glyphs. This eventually resulted in other alphabets. my CB Greek fonts that now have been available on CTAN for some years. Many Greek users and schol- 1 Introduction ars began to use them, giving me valuable feedback In this paper a relatively large package is described regarding corrections some shapes, and, even more that allows the setting into type of philological texts, important, making them more useful for the com- particularly those written about Greek literature or munity of people who typeset in Greek — both in poetry. -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
The Latex2ε Package Ccfonts
The LATEX 2" package ccfonts Walter Schmidt∗ (v1.2 { 2020/03/25) Contents 1 Prerequisites 1 2 Using the package 2 2.1 Package options . 3 2.2 Font encoding . 3 3 Known problems 3 4 NFSS classification of the Concrete typefaces 4 5 Implementation 4 5.1 Font setup for text mode . 4 5.2 Options . 5 5.2.1 Standard leading . 5 5.2.2 The option exscale .................. 5 5.2.3 The option slantedGreek ............... 6 5.3 The option boldsans ...................... 6 5.3.1 Processing options . 6 5.4 Font setup for math mode . 6 5.5 Initialization . 7 1 Prerequisites In order to make use of the package ccfonts, the following fonts and .fd files are required: ∗[email protected] 1 • The Concrete text fonts with traditional encoding (CTAN: fonts/ concrete/) • The Concrete text fonts with European encoding (CTAN: fonts/ ecc/) • The mathematical Concrete fonts (CTAN: fonts/concmath/) • The .fd files for the traditional and mathematical Concrete fonts (CTAN: macros/latex/contrib/supported/concmath/) • The .fd files for the European Concrete fonts, which are distributed and installed in conjunction with the ccfonts package On CTAN the fonts are available in METAFONT format. The Concrete typefaces are also provided in Type1 format from Micropress Inc, see <http://www.micropress-inc.com>. 2 Using the package The LATEX macro package ccfonts supports typesetting with the font fam- ily `Concrete'. Loading this package through \usepackage{ccfonts} will effect the following: • The default roman font family is changed to ccr, i.e. Concrete. • The default leading (\baselineskip) for the font sizes 8{12 pt is increased slightly. -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
The Stix Package
The stix package STI Pub Companies v1.1.2-latex from 2015/04/17 Contents 1 Introduction 2 2 Usage 2 2.1 Options.............................................2 2.2 Compatibility with other packages...............................3 2.3 Feedback............................................3 3 Math alphabets 3 4 Math symbols 4 4.1 Alphabetics...........................................4 4.2 Ordinary symbols........................................4 4.3 Binary operators........................................8 4.4 Relations............................................ 10 4.5 Punctuation........................................... 18 4.6 Integrals............................................. 18 4.7 Big operators.......................................... 19 4.8 Delimiters............................................ 19 4.9 Other bracess.......................................... 21 4.10 Accents............................................. 21 4.11 Over and under brackets.................................... 22 4.12 Radicals............................................. 22 5 Font tables 23 5.1 Text fonts............................................ 23 5.2 Math fonts............................................ 30 1 1 Introduction The mission of the Scientific and Technical Information Exchange (STIX) font creation project is the prepara- tion of a comprehensive set of fonts that serve the scientific and engineering community in the process from manuscript creation through final publication, both in electronic and print formats. Toward this purpose, the STIX fonts -
The Font Family
The font family Alain Aubord Sourire Informatique Geneva / Switzerland Antonis Tsolomitis Laboratory of Digital Typography and Mathematical Software Department of Mathematics University of the Aegean January 1 Introduction The Didot family of the Greek Font Society was made available for free in autumn 2005. This font existed with a commercial license for many years before. Support for LaTeX and the babel package was prepared several years ago by the author and I. Vasilogiorgakis (A. Aubord has done some modifications to improve the support of the accented and other special characters). With the free availability of the fonts I have modified the original package so that it reflects the changes occured in the latest releases by . The package supports four encodings: OT1, T1, TS1 and LGR. When some characters are missing in the Didot font, they are taken from the font TEX Gyre Pagella and, for the oblique rule (character 0x20 in OT1 encoding) used to build the character L with stroke (Ł), from the cmr family. All the provided encodings should be fairly complete. The greek part is to be used with the greek option of the Babel package. The Didot family in LGR and OT1 encoding has been tested successfuly with Plain TEX too. The fonts are loaded with the LATEX command (to be given in the preamble of a LATEX document): \usepackage{gfsdidot}. This command loads implicitely the package textcomp (Text Compan- ion) which defines the default values for some characters in the LATEX font selection mechanism. If this behaviour is not desired, it is possi- ble to prevent the loading of the textcomp package by passing the option noGFSDidotTS1 when calling the package gfsdidot: \usepackage[noGFS DidotTS1]{gfsdidot}. -
The Comicsans Pacakge
The comicsans package∗ Scott Pakin [email protected] December 19, 2013 1 Introduction The comicsans package makes Microsoft's Comic Sans font available to LATEX 2". comicsans supports all of the following: • Roman text, boldface text, SMALL-CAPS TEXT, and—with a little extra effort—italic text • Кирилица (римский шрифт, жирный шрифт, каллиграфический шрифт) • Mathematics using Comic Sans wherever possible: ′ log 2" 1 k y (x) 3 10 3 + k=x pk1 Comic Sans is a TrueType (TTF) font. As such, it works particularly well with pdfLATEX, which natively supports TrueType fonts. Some TEX distribu- tions also support dynamic conversion of TTF to PK (a bitmapped font format long used by TEX) so TEX backends other than pdfTEX can (indirectly) utilize TrueType fonts, as well. 2 Installation The following is a brief summary of the comicsans installation procedure: 1. Acquire and install the Comic Sans TrueType (.ttf) files. 2. [Optional] Generate the italic and/or Cyrillic variants of Comic Sans 3. Install the comicsans font files and refresh the TEX filename database. ∗This document corresponds to comicsans v1.0g, dated 2013/12/19. 1 4. Point the TEX backends to the comicsans files. Details are presented in Sections 2.1–2.4. 2.1 Acquire and install the TrueType files comicsans requires the Comic Sans and Comic Sans Bold TrueType files (comic.ttf and comicbd.ttf). You may already have these installed. (On Windows, look in C:\WINDOWS\Fonts for Comic Sans MS (True- Type) and Comic Sans MS Bold (TrueType).) If not, see if a package called msttcorefonts is available for your operating system or operating-system distribution. -
Formal Aspects of Computing: Latex2ε Guide for Authors
Under consideration for publication in Formal Aspects of Computing Formal Aspects of Computing: LATEX 2ε Guide for Authors Mark Reed1 and Christiane Notarmarco2 1Electronic Products and Composition Group, Cambridge University Press, Cambridge, 2Springer-Verlag London Limited, Godalming, Surrey, UK Abstract. This guide is for authors who are preparing papers for the Formal Aspects of Computing journal using the LATEX 2ε document-preparation system and the Formal Aspects of Computing class file (fac.cls). Keywords: LATEX 2ε; Class file; fac.cls; User guide 1. Introduction In addition to the standard submission of hardcopy from authors, Formal Aspects of Computing now accepts machine-readable forms of papers in LATEX 2ε. The layout design for the Formal Aspects of Computing journal has been implemented as a LATEX 2ε class file, based on the article class as discussed in the LATEX manual (2nd edition) [Lam94]. Commands which differ from the standard LATEX interface, or which are provided in addition to the standard interface, are explained in this guide (which is not a substitute for the LATEX manual itself). Note that the final printed version of papers will use the Monotype Times typeface rather than the Computer Modern available to authors. For this reason line and page breaks will change and authors should not insert hard breaks in their text. Authors planning to submit their papers in LATEX 2ε are advised to use fac.cls as early as possible in the creation of their files. 1.1. Introduction to LATEX LATEX is constructed as a series of macros on top of the TEX typesetting program. -
Recognition of Mathematical Texts
MASARYKOVA UNIVERZITA FAKULTA}w¡¢£¤¥¦§¨ INFORMATIKY !"#$%&'()+,-./012345<yA| Recognition of mathematical texts BACHELOR THESIS Miroslav Hrdina Brno, fall 2012 Declaration Hereby I declare, that this paper is my original authorial work, which I have worked out by my own. All sources, references and literature used or excerpted during elaboration of this work are properly cited and listed in complete reference to the due source. Miroslav Hrdina Advisor: doc. RNDr. Petr Sojka, Ph.D. ii Acknowledgement I would like to thank to my supervisor doc. RNDr. Petr Sojka, Ph.D for his time, suggestions and advices during my work on the thesis. My gratitude is also directed towards Mgr. Michal R ˚užiˇckafor his help and for answers to my questions. Finally I would like to thanks to my family for their support and nerves of steel. iii Abstract This work aims to resolve the OCR issue for EuDML project with the most important part being the recognition of mathematical content. Goal of this work was to create workflow for mathematical OCR, which transforms the mathematical publications to indexable recog- nized output. This was achieved by using the InftyReader OCR soft- ware. The chosen recognition workflow was tested and results were evaluated. During recognition numerous problems with the software and recognized data were encountered. Part of these problems were resolved, but some are still pending and will be resolved in the fu- ture. iv Keywords OCR, math recognition, InftyReader, Tralics, MathML, EuDML v Contents 1 Introduction ............................ 1 2 OCR Technologies and Formats ................ 3 2.1 OCR Process ......................... 3 2.1.1 Scanning a document . -
Steps-In-Scala.Pdf
This page intentionally left blank STEPS IN SCALA An Introduction to Object-Functional Programming Object-functional programming is already here. Scala is the most prominent rep- resentative of this exciting approach to programming, both in the small and in the large. In this book we show how Scala proves to be a highly expressive, concise, and scalable language, which grows with the needs of the programmer, whether professional or hobbyist. Read the book to see how to: • leverage the full power of the industry-proven JVM technology with a language that could have come from the future; • learn Scala step-by-step, following our complete introduction and then dive into spe- cially chosen design challenges and implementation problems, inspired by the real-world, software engineering battlefield; • embrace the power of static typing and automatic type inference; • use the dual object and functional oriented natures combined at Scala’s core, to see how to write code that is less “boilerplate” and to witness a real increase in productivity. Use Scala for fun, for professional projects, for research ideas. We guarantee the experience will be rewarding. Christos K. K. Loverdos is a research inclined computer software profes- sional. He holds a B.Sc. and an M.Sc. in Computer Science. He has been working in the software industry for more than ten years, designing and implementing flex- ible, enterprise-level systems and making strategic technical decisions. He has also published research papers on topics including digital typography, service-oriented architectures, and highly available distributed systems. Last but not least, he is an advocate of open source software. -
Tutorium Quercopolitanum
Katholische Universität Eichstätt-Ingolstadt Geschichts- und Gesellschaftswissenschaftliche Fakultät Lehrstuhl für Alte Geschichte TUTORIUM QUERCOPOLITANUM Ein althistorisches Proseminar © Andreas Hartmann, Eichstätt 10-2009 http://www.gnomon.ku-eichstaett.de/LAG/proseminar TUTORIUM QUERCOPOLITANUM – ANDREAS HARTMANN VORWORT 1 VORWORT Das vorliegende Tutorium hat eine komplexe Entstehungsgeschichte, die schon in sich ein ge- eignetes Objekt für „German Quellenforschung“ wäre: Bis vor etlichen Jahren wurde in den althistorischen Proseminaren an der Katholischen Universität Eichstätt-Ingolstadt ein „Alt- historisches Proseminarheft“ eingesetzt, das im Kern von Kai Brodersen für die Universitäten München bzw. Mannheim erstellt, dann von Beate Greif und vor allem Gregor Weber auf die Eichstätter Verhältnisse angepasst und aktualisiert wurde. Dieses Proseminarheft, das auch über Eichstätt hinaus eine sehr positive Resonanz erfahren hat, steht mittlerweile in einer aktualisierten Version auf den Seiten des Lehrstuhls für Alte Geschichte an der Universität Augsburg (http://www.philhist.uni-augsburg.de/lehrstuehle/geschichte/alte/links/Studienhilfe) zur Verfügung und wurde auch vom Seminar für Alte Geschichte der Universität Freiburg in geringfügig adaptierter Form übernommen (http://www.sag.uni-freiburg.de/materialien-zu- den-lehrveranstaltungen/proseminare/proseminarheft/view). Als der Autor im Wintersemester 2002/03 erstmals das Proseminar in Eichstätt durchführte, war zunächst daran gedacht, einfach das vorliegende „Proseminarheft“ dafür