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Table of Contents

Introduction .................................................................................................................................... 2 Voice.............................................................................................................................................. 10 Piano ............................................................................................................................................. 18 Strings ........................................................................................................................................... 26 Brass, Woodwind & Percussion .................................................................................................... 29 Musical Theatre ............................................................................................................................ 31 Speech Arts ................................................................................................................................... 36 Excellence...................................................................................................................................... 38 Scholarships .................................................................................................................................. 50

1

Introduction

2

ESTABLISHED IN 1908

Incorporated under the Non-Profit Corporations Act

HONORARY PATRONS

His Honour the Honourable Russ Mirasty, Lieutenant Governor of Saskatchewan
The Honourable Scott Moe, Premier of Saskatchewan

HONORARY PRESIDENTS

Dr. Thomas Chase, University of Regina
Dr. Peter Stoicheff, University of Saskatchewan

REPRESENTATIVES BY APPOINTMENT

Saskatchewan Band Association Saskatchewan Choral Federation
Saskatchewan Music Educators Association
Saskatchewan Orchestral Association
Saskatchewan Registered Music Teachers’ Association

CORPORATE SPONSORS

SaskTel

ACKNOWLEDGMENT

SMFA is funded through the Lotteries Trust Fund for Sport, Culture and Recreation

PROVINCIAL BOARD OF DIRECTORS

President.................................................. Tammy Villeneuve, Meadow Lake 1st Vice President ......................................................... Jeri Ryba, Moose Jaw 2nd Vice President.........................................Dianne Gryba, North Battleford Past President ..........................................................Sherry Sproule, Lafleche Director............................................................... Krista Brost, Meadow Lake Director............................................................. Valentina May, Indian Head Director.....................................................................Jeff Froehlich, Wynyard Director.................................................................. Claire Seibold, Rosetown Director.....................................................................Myra Schmidt, Nipawin

SMFA PROVINCIAL OFFICE

Executive Director............................................................... Carol Donhauser Adjudicator Liaison/Program Coordinator................................Mariel Unger Administrative Assistant .......................................................Nancy Toppings

PO Box 37005, Regina S4S 7K3
Phone: 306-757-1722 Toll Free: 1-888-892-9929 Fax: 306-347-7789

E-mail: [email protected]
Website: www.smfa.ca

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ADJUDICATORS

Marion Abbott – Musical Theatre & Speech Arts

Marion Abbott is a proud graduate of the Musical Theatre Performance Program at Sheridan College. Upon graduating, she was immediately hired to teach for the program and was later named one of the top twenty graduates of the program. She has her Grade 10 Voice and A.R.C.T. in Piano Performance from The Royal Conservatory of Music.

Marion is the creator of The Confidential Project (which includes Musical Theatre, Theatre, Shakespeare, Opera and Operetta), The Plain Stage Theatre Company, The Women Of Musical Theatre Festival, New Works Series, The Artist Discovery Series and The Spirit Of Maud Theatre Company, all housed under Marion Abbott Productions. Her company's mandate was to provide as many opportunities for as many artists as possible. Consequently, Marion produced over 400 productions in Toronto and other cities. Of the many (many!) shows Marion has worked on, some of her favourites include The Scarlet Pimpernel, All Shook Up, Anne And Maud, No Safe Harbour, Ragtime, Streetcar Named Desire and Passion.

As a Musical Director, Marion most recently worked for Drayton Entertainment (Cinderella: The Panto) and was a part of the first Drayton Youth Program. As a private teacher, Marion taught voice, piano and acting for 29 years to students of all ages. From festivals to recitals to performing in Disney World, Marion cherishes her memories of her time with her students dearly. Many of her students now work in the arts full time. Marion is in demand as a consultant, adjudicator and private coach. She has written 700 Song Suggestions For Singers and 100 Suggestions For Teaching Private Lessons - both available on Amazon. She remains as passionate as ever about helping artists find their true voice and shining bright. Walt Disney is Marion's all time hero and she tries to visit Walt Disney World with her son at least once a year.

"The way to get something done is to stop talking and get busy doing." - Walt Disney

Richard Gillis – Brass, Woodwind, & Percussion

Richard Gillis studied trumpet at The University of Saskatchewan (B.Mus.), The Banff Centre (Canadian Brass), and The University of Michigan (M.Mus.; DMA), as well as privately with Armando Ghitalla, Vincent Cichowicz and James Stamp.

After graduating from the University of Saskatchewan, Richard performed, toured and recorded with the Saskatoon-based NewWest Brass Quintet. While working on his DMA Richard had the opportunity to be a part of the University of Michigan faculty brass quintet, with Armando Ghitalla.

Dr. Gillis is currently brass chair at the University of Manitoba, and is artistic director of the Winnipeg Jazz Orchestra, which he co-founded in 1997. Richard performs and records (8 CDs) with Icelandic guitarist Björn Thoroddsen, and together have received three recognitions from the Icelandic Music Awards. Richard has recorded 19 albums as a leader and sideman; his most recent projects include Devotion, a collection of original solo and chamber pieces for trumpet, and Suite 150: A Big Band Portrait, an eleven movement WJO recording commissioned from composers across Canada.

5

Darryl Friesen – Senior Piano

Dr. Darryl Friesen has been praised for his “rich palette of tonal colour” and performances of “intimate, poignant simplicity” (Winnipeg Free Press). He

completed his DMA at the University of Illinois at Urbana-Champaign in 2009, studying with Fulbright scholar Dr. William Heiles and Dennis Helmrich, as a Fellow of both the University of Illinois (Creative and Performing Arts) and Kate Neal Kinley Memorial Society. After studying with distinguished pedagogue Lee Kum-Sing at the Vancouver Academy of Music, he received BM and MM degrees in piano performance from the University of Manitoba as a student of wellknown Canadian pianist, Dr. David Moroz.

He has given acclaimed performances as a soloist and collaborative artist across Canada, the United States, Europe, China, and Brazil, and has been featured many times in concert on CBC Radio. He has performed with the Winnipeg
Symphony Orchestra, Winnipeg Chamber Music Society, and has appeared on the Virtuosi recital series. As a collaborator and recitalist, he has performed with many distinguished artists, including Elliot Madore, Andrew Wan, Allen Harrington, Jessica Strong, Valdine Anderson, Oleg Pokhanovski, the Adaskin String Trio, and the Martha Graham Dance Company. He also had the rare privilege to serve as rehearsal pianist for a memorial concert featuring Frederica von Stade, Elizabeth Futral, Richard Leech, Thomas Hampson, and Samuel Ramey.

Dr. Friesen has been the recipient of many awards and honours. His doctoral studies were made possible through generous grants by the Canada Council of the Arts in both 2005 and 2006, which included the coveted Sylva Gelber Foundation Award, given annually to the most talented Canadian classical artist under the age of 30. He was awarded the Nancy Kennedy Wustman Memorial award in Vocal Accompanying at the U of I in 2006, and was the grand prizewinner of the 2003 CBC Arts Encounters Young Performers Competition. He was a finalist in the International Stepping Stone Competition (2004) and Canadian Music Competition (2001), received the Lawrence Genser Memorial Scholarship (2002) as the most outstanding performer at the University of Manitoba School of Music, and received numerous grants from the Manitoba Arts Council throughout his academic studies. He performed in the

Winnipeg Art Gallery’s Muriel Richardson Auditorium as a featured artist in the Prairie Performances series, and has

participated in masterclasses with such artists as Murray Perahia, Jeaneane Dowis, and Marc Durand. Dr. Friesen has also enjoyed a diverse academic career. From 2011-2015, he held the position of Assistant Professor of Piano and General Music Studies at Providence University College. In addition to teaching piano and chamber music, he taught a variety of academic core courses, including Music Theory, Musicianship, and Music History. He is also committed to the development of community among music teachers and pedagogues, and to that end he cofounded Shop Talk, a masterclass series and pedagogical forum in Steinbach, MB.

Dr. Friesen is in great demand as a soloist, collaborative artist, teacher, and clinician. He and his wife live with their

four children in Winnipeg, Manitoba. He is currently a Sessional Instructor at the University of Manitoba’s Desautels

Faculty of Music, and is also a faculty member of the Rosamunde Summer Music Academy in Winnipeg, Manitoba and the Cadenza Summer Music Week in Winkler, Manitoba.

6

Monica Huisman – Voice

Hailed as possessing a voice that 'embodies both flawless technique' and 'exuding dramatic flair with a resonant voice as rich as melted chocolate', Soprano Monica Huisman has delighted audiences internationally both on the operatic as well as concert stages.

Having made her 1999 Debut in the famous Concertgebouw, in a live performance recording of Zandonai's 'Francesca da Rimini', Ms. Huisman has ravished audiences from Amsterdam to Guatemala City with the reputation of 'consistently crafting each note into a work of art'.

She has soared on the stages of Vancouver Opera, Calgary Opera, Edmonton Opera, Pacific Opera, The Netherlands Opera, Manitoba Opera, Opera Ontario and Saskatoon Opera in productions of Cenerentola, Susannah, Carmen,
Marriage of Figaro, Cosi Fan Tutte, Don Giovanni, Cunning Little Vixen, La Boheme, Magic Flute, Hansel and Gretel and Lakme alongside great Canadian talents like Tracy Dahl, Russell Braun, Judith Forst and Richard Margison. Her

“silken voice and fine stage presence that belongs in the show stealing category”, has made her in demand for such

roles as Micaela and Musetta. Many of these performances have been broadcasted by CBC Radio on Saturday Afternoon at the Opera.

Concert repertoire has seen Ms. Huisman thrill audiences with her versatile voice and absolute stage charm in concerts with the National Arts Centre Orchestra, Toronto Symphony, Guatemala Symphony, Hamilton Philharmonic, Winnipeg Symphony , Regina Symphony, Saskatoon Symphony, Vancouver Symphony, Edmonton Symphony, Calgary Symphony, Concertgebouw Orkest, Radio-Symphony Orkest and Orchestra London in such works as Beethoven's 9th, Mahler's 4th, Mendelssohn's Elijah, Brahms Requiem, Bruckners Requiem, Mirjam's Siegegesang, Rutters Magnificat, Strauss's Four Last Songs, Poulenc's Gloria, Beethoven's Mass in C, Handel's

Messiah, Mendelssohn’s Lobegesang, Haydn’s Creation and many Holiday Pops concerts. She has collaborated

several times with the Royal Winnipeg Ballet enjoying huge success with Mark Godden's premieres of The Magic Flute, Handel's Messiah and Strauss' Four Last Songs. New works include the World Premiere of Transit of Venus with Manitoba Opera, in which she received critical acclaim for her acting tour de force and her 'pin-point pure voice' (Opera Canada).

As a teacher Ms. Huisman is on Faculty at the Desautels Faculty of Music at the University of Manitoba. She is in demand both as a voice teacher and clinician. Skilled in the Czech language, Ms. Huisman enjoys both singing in the language and introducing young singers to this vast and wonderful repertoire. Many of her students have gone onto careers both as singers and teachers.

Ms. Huisman has a Bachelor of Education from the University of Manitoba and an Opera Diploma from the University of Toronto. Her mentors are Mary Morrison and Nelly Miriciou, both inspiring teachers, performers and musicians.

7

Alison Kilgannon – Intermediate & Junior Piano

Canadian pianist Alison Kilgannon has performed in North America as well as in Spain, France, Switzerland, the Netherlands, Germany, and Ecuador. She has appeared with the Orquesta Santa Cecilia Cullera, the Edmonton Symphony Orchestra, and the Red Deer Symphony Orchestra and has

received awards at competitions including the Concours Prix d’Europe, the

Northern Alberta Concerto Competition, the Festival de Musique de BasRichelieu, and the STARS Award for Young Artists. Her chamber music performances have been broadcast on the radio station Avenue Vincent

D’Indy.

Alison is passionate about sharing music through her teaching, coaching, and performing and draws on her research involving music theory and music psychology to continually improve her approach. She is an active member of

the Alberta Piano Teachers’ Association and of the Alberta Registered Music Teachers’ Association with whom she

holds convenorship positions. Alison completed a Doctor of Music degree in piano performance at the University of Montreal under the guidance of Dr. Jean Saulnier. Other teachers include Marc Durand, Janet Scott Hoyt, and Claudio Martínez-Mehner. To complement her formation, she has participated in numerous masterclasses with internationally known artists in Europe and North America.

Currently based in Alberta where she holds a position as Assistant Professor at Burman University, Alison remains active as a soloist, recitalist, collaborative artist, and adjudicator while still finding time to enjoy hiking in the Rocky Mountains. In 2014, she was honoured to become a fellow of the Schmeelk Canada Foundation in recognition of her

interest in promoting understanding and exchange between Canada’s Anglophone and Francophone cultures.

Leanne Zacharias – Strings

Cellist Leanne Zacharias is an interdisciplinary artist known for unique collaborations across genres and geographies. These include her performance project Music for Spaces, recently presented in the Canadian Museum of Human Rights, Listening Booth: solo recitals for solo audience member presented by the Agassiz Chamber Music Festival and SappyFest (Sackville, NB), Sounding the Wake of a Glacier, a Canada150 commission, CityWide: 50 simultaneous recitals presented by the International Cello Festival of Canada, the Portal Zero installation presented by the Winnipeg

Symphony’s New Music Festival and Sonus Loci: a sound installation on ice, selected by Winnipeg’s Warming Huts Competition. She performs widely

and appears on many recordings, with her first solo album to be released this year.

An energetic educator, Leanne has been on faculty at Brandon University’s School of Music since 2008 and serves

on the Board of the Manitoba Arts Council. She adjudicates across Canada and has taught at the Domaine Forget International Academy, Rosamunde Summer Academy, Prairie Cello Institute and Cadenza Music Week. She codirects A Wild Studio (Canadian National Parks), Hybrid Intensive in San Francisco and Wheat City Nuit Blanche.

89

VOICE

5 Senior Grade A Vocal ............................................................................................................................................
1. Grace Liu

Euclid (Songs to the Moon) – Jake Heggie

2. Adelle Sawatsky

Gondellied – Fanny Mendelssohn-Hensel

3. Ross Van De Weyer

Verrat, Op. 105, No. 3 – Johannes Brahms

Regina Music Festival Regina Music Festival
Weyburn Music Festival

6 Senior Grade B Vocal – Female .............................................................................................................................
1. Abby Dueck

Widmung Op. 25, No. 1 – Robert Schumann

2. Elizabeth Booker

Oh! had I Jubal's lyre – George Frideric Handel

3. Tori Mahnke

Col piacer della mia fede – Antonio Vivaldi

Moose Jaw Music Festival
Regina Music Festival
Weyburn Music Festival

8 Intermediate Vocal – Female ................................................................................................................................
1. Ava Bahrey

Sonnet 18 – Rob Ursan

2. Zwyneth Rono

Long Time Ago – Aaron Copland

3. Jasmine Keck

Silent Noon – R. Vaughan Williams

4. Isabella Girardin

Danza, danza, fanciulla gentile – Francesco Durante

5. Kaitlyn Silbernagel

Alma del Core – Antonio Caldara

6. Brooke Zarubin

Gretchen am Spinnrade – Franz Schubert

7. Julianne Booker

Fiocca la neve – Pietro Cimara

8. Olivia Hope

Long Time Ago – Aaron Copland

9. Emma Gillingham

Un Moto di Gioja – Wolfgang Amadeus Mozart

10. Ava Leschyshyn

Suleika II, Op. 34 in E minor, No 4 – Felix Mendelssohn

11. Emily Malmgren

Bel Piacere – George Frederic Handel

12. Lindsay Van De Weyer

Van Godendo (Serse) – George Frideric Handel

Battlefords Kiwanis Music Festival Battlefords Kiwanis Music Festival
Gravelbourg & District Bilingual Music Festival
Lafleche & District Music Festival Lafleche & District Music Festival
Moose Jaw Music Festival
Regina Music Festival Regina Music Festival
Sask Valley Music Festival Saskatoon Music Festival Saskatoon Music Festival Weyburn Music Festival

9 Intermediate Vocal – Male....................................................................................................................................
1. Kai Batycki

In the Willow-Meads of Tasarinan – Donald Swann

2. Adam Brookman

Give a Man a Horse He Can Ride – Geoffrey O’Hara

3. Vladyslav Myrutenko

Come Away, Death – Roger Quilter

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  • The Honourable Scott

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    President’s Address SARM’s 2020 Annual Convention began with opening ceremonies and an address from SARM President Ray Orb. His address touched on several issues important to rural Saskatchewan. President Orb welcomed delegates to the 2020 Annual Convention with special recognition to Senator Roland Crowe, former Chief of the FSIN, former Chief of Piapot First Nations, as well as President Orb’s neighbor. Mr. Crowe was recognized for his commitment to the betterment of the First Nations people and to the province of Saskatchewan receiving the Saskatchewan Order of Merit in 1985. Roland initiated meetings with SARM, and business leaders in this province, to discuss common interests with the idea of creating a path forward for all of us. President Orb expressed the importance of municipal cooperation and collaboration, promoting the power of working with our rural, urban, and First Nations neighbors. He also shared SARM’s disappointment with SUMA’s proposed name change indicating SARM will not stand in the way of RMs working together to form municipal districts, but SARM will still stand up for rural municipalities when we believe their best interests aren’t being served. The name Municipalities of Saskatchewan implies that there is only one municipal association in this province representing all municipalities, which simply is not true. Saskatchewan is diverse. We have urban municipalities. And we have rural municipalities. We have SARM and SUMA and we believe that’s the way it should be. We champion the value of rural Saskatchewan and understand the unique challenges and opportunities that exist in our RMs.
  • El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular

    El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular

    FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO EN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL VISUAL KEI COMO PRODUCTO CULTURAL Y SU HUELLA EN LA CULTURA POPULAR Cecilia Isabel Sanz Martínez 1244795 TUTOR Roberto Figliulo Barcelona, junio de 2016 DATOS DEL TFG El Visual Kei como producto cultural y su huella en la cultura popular. El Visual Kei com a producte cultural i la seva empremta en la cultura popular. Visual Kei as a cultural product and its imprint on popular culture. Autor: Cecilia Isabel Sanz Martínez. Tutor: Roberto Figliulo. Centro: Facultad de Traducción e Interpretación. Universidad Autónoma de Barcelona. Estudios: Estudios de Asia Oriental. Curso Académico: 2015-2016 Palabras clave // Paraules clau // Key words Visual Kei, cultura popular, Japón, música, rock, metal // Visual Kei, cultura popular, Japó, música, rock, metal // Visual Kei, popular culture, Japan, music, rock, metal. Resumen del TFG El Visual Kei es una escena musical nacida en y casi exclusiva de Japón, cuya característica principal es que el componente visual o estético tiene tanto peso como el componente musical. Se trata de una escena muy activa y con mucha variedad tanto musical como estética. En este TFG se analiza el Visual Kei como producto cultural, siguiendo un esquema histórico. Empezando desde los movimientos musicales y culturales que han contribuido a su surgimiento como el heavy metal, el glam y el punk; observando la escena que sería su caldo de cultivo, hasta su nacimiento; y viendo las claves de cada etapa de su evolución, desde los años 90 hasta hoy. Además, se observa cuál ha sido el impacto del Visual Kei en la cultura popular japonesa, y cuál ha sido su recepción en el resto del mundo.
  • Politics and Policy in Brad Wall's Saskatchewan

    Politics and Policy in Brad Wall's Saskatchewan

    POLITICS AND POLICY IN BRAD ROVIN P C E E WALL’S SASKATCHEWAN H S T Daniel Béland SASKATCHEWAN L E S Compared with the other provinces, Saskatchewan did not face a profound S E economic downturn in the aftermath of the 2008 global financial and economic P C crisis. Instead, the province and the country witnessed Saskatchewan’s economic ROVIN “success story,” which was replicated in the political realm by Premier Brad Wall’s strong popularity, both within and outside his province. Why has Wall proved so successful, from a political standpoint? What policy challenges will the next premier of Saskatchewan face? Adopting a historical perspective on Saskatchewan politics, Daniel Béland provides tentative answers to these questions. Contrairement à d’autres provinces, la Saskatchewan n’a pas connu de ralentissement prononcé de l’activité économique au lendemain de la crise économique et financière de 2008. La province et le pays dans son entier ont été plutôt témoins de son succès économique et de sa réussite dans le domaine politique avec la popularité du premier ministre Brad Wall, tant dans sa province qu’ailleurs au pays. Pourquoi les efforts de Brad Wall ont-ils été couronnés de succès sur le plan politique ? Plus important encore, une fois que les résultats de l’élection seront connus, quels défis politiques le prochain premier ministre de la Saskatchewan devrait-il relever ? Adoptant une perspective historique, Daniel Béland formule des réponses provisoires à ces questions. n office as premier of Saskatchewan since November Although it would be easy to cite Lingenfelter’s apparent 2007, Brad Wall has become one of the most popu- lack of charisma to explain Wall’s political success, other I lar provincial politicians of his generation.
  • About Howard Leeson

    About Howard Leeson

    73 About Howard Leeson Dr. Howard Leeson was born in Lethbridge, Saskatchewan Public Service. Initially he was Alberta in 1942. He grew up in the Edmon- involved as the Chief Negotiator for the province ton area attending primary schools in Jasper of Saskatchewan during the period leading up to Place and Eastglen High School. He did not the Charlottetown Agreement on the Constitu- graduate from high school, however, dropping tion. After the completion of those negotiations out at the age of 15 and joining the Canadian he remained with the government as Deputy Army when he was 16. At the age of 19, after Provincial Secretary and Deputy Minister of having been released from the Army, he moved Intergovernmental Affairs. In 1994 he returned to Omaha, Nebraska. While there he finished his to the Department of Political Science at the Uni- high school degree, and completed a Bachelor’s versity of Regina. In 2007 he was appointed as degree in History at the University of Omaha in Editor of the academic journal Prairie Forum, 1970. and in 2009 he was appointed Senior Research Fellow with the Centre for Constitutional Studies He returned to Edmonton in 1970 to begin at the University of Alberta, Faculty of Law. his graduate education and eventually received his MA and PhD in Political Science from the In addition to the second edition of Grant University of Alberta. During his time at Uni- Notley: The Social Conscience of Alberta released versity he worked closely with Grant Notley, in 2015, Dr. Leeson published The Patriation leader of the provincial NDP and MLA for Spirit Minutes, a summary and critique of the 1981 River Fairview.