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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Who Framed Roger Rabbit ? De Robert Zemeckis FFICHE FILM Fiche Technique
Qui veut la peau de Roger Rabbit ? Who framed Roger Rabbit ? de Robert Zemeckis FFICHE FILM fiche technique U.S.A. - 1988 - 1h35 Réalisateur : Robert Zemeckis Scénario : Jeffrey Price Peter S. Seaman Musique : Alan Silvestri Interprètes : Bob Hoskins (Eddie Valiant) Christopher Lloyd (Juge Demort) Joanna Cassidy (Dolores) Stubby Kaye (Marvin Acme) Alan Tilvern Résumé (R.K Maroon) Richard Le Parmentier Hollywood 1947. Les Toons, personnages Acme est assassiné. Accusé du meurtre, (Lieutenant Santino) de dessins animés, vivent dans Toontown, poursuivi par le sadique juge Demort qui Joel Silver proche de Beverly Hills. Roger Rabbit, le veut le soumettre à "la trempette" (solvant (Le réalisateur) lapin vedette, a des problèmes : son pro- qui détruit les Toons), Roger cherche refu- ducteur, R.K. Maroon, a semé dans son ge et aide auprès de Valiant. D'abord réti- Morgan Deare esprit le doute sur la fidélité de son épou- cent celui-ci finit par accepter. Aidé par (Le monteur) se, I'ensorcelante Jessica. Maroon engage son amie Dolores et par les Toons, il Eugène Guirterrez Eddie Valiant, détective déchu et alcoo- découvre le vrai coupable : Demort, en réa- lique depuis que son frère Teddy a été tué lité un Toon, assassin d'Acme mais aussi (Teddy Valiant) par un Toon au cours d'une enquête. de Maroon et de Teddy Valiant, et qui périt Voix de : Charles Fleisher Valiant ramène des photos compromet- finalement dans sa trempette. Les Toons (Roger Rabbit, Benny le taxi) tantes pour Jessica et le riche Marvin héritent de Toontown qu'Acme leur avait Acme, au grand désespoir de Roger. -
Who Framed Roger Rabbit a Jumpchain CYOA (V1) Welcome, Jumper, to Los Angeles
Who Framed Roger Rabbit A Jumpchain CYOA (V1) Welcome, Jumper, to Los Angeles. Here, cartoon characters- such as Mickey Mouse or Bugs Bunny- work as actors and entertainers, producing the classic cartoons that we all know and love. These cartoon characters- called “Toons”- live in their own part of town, which is fittingly named “Toontown”. But all is not right, and very soon events will transpire that threaten the very existence of Toons. Greed, Patty Cake, murder all threaten to bring Toontown to its knees. In a few days, one Eddie Valiant will be commissioned by R.K. Maroon, head of Maroon Cartoons, to investigate Roger Rabbit’s wife; Jessica Rabbit, a sensual Toon who dances at the Ink & Paint Club. Will you assist Eddie Valiant in his mission, or will you ensure the destruction of Toontown? Maybe you’ll do neither. But in any case… Here’s 1,000 CP to help you get situated. Origins: Roll 2d8+18 for your age. Gender stays the same; you can pay 50 CP to change both. Drop In: You know the drill; no new memories or a history in this world. You start outside of the ACME factory, where cartoon props and gag items like disappearing-reappearing ink are made. (0 CP) Drop In-Toon: That’s… different. You’re a Toon now, but you don’t have any new memories or a history. You might be able to get a job at Disney or Warner Bros if you’re funny enough. You might also be able to get your own strip in the funny pages, if it’s the non-moving cartoons you like. -
February 2019 NASFA Shuttle
Te Shutle February 2019 The Next NASFA Meeting is Saturday 16 February 2018 at Willowbrook Madison normal 3rd Saturday, except: d Oyez, Oyez d • 23 March—a week late (4th Saturday) to avoid MidSouthCon All meetings are currently scheduled to be at the church, with The next NASFA Meeting will be 16 February 2019, at the the Business Meeting starting at 6P. However, as programs for regular meeting location and the regular time (6P). See the map the year develop, changes may be made to the place, the start below, at right for directions to Willowbrook Baptist Church time, or both. Stay tuned. (Madison campus; 446 Jeff Road). See the map on page 2 for a SHUTTLE DEADLINES closeup of parking at the church as well as how to find the In general, the monthly Shuttle production schedule (though meeting room (“The Huddle”), which is close to one of the a bit squishy) is to put each issue to bed about 6–8 days before back doors toward the north side of the church. Please do not the corresponding monthly meeting. Submissions are needed as try to come in the (locked) front door. far in advance of that as possible. FEBRUARY PROGRAM Please check the deadline below the Table of Contents each The February Program will be a talk by Glenn Taylor, man- month to submit news, reviews, LoCs, or other material. ager of the Huntsville Regional Traffic Management Center of JOINING THE NASFA EMAIL LIST the Alabama Department of Transportation. The topic is AL- All NASFAns who have email are urged to join our email DOT’s Intelligent Transportation System, the goal of which is list, which you can do online at <tinyurl.com/NASFAEmail>. -
European Animation Emile Awards 2017 Call For
EUROPEAN ANIMATION EMILE AWARDS 2017 CALL FOR ENTRIES - GENERAL RULES INTRODUCTION The Emile Awards, first ceremony of the European Animation Awards (EAA), will be held Friday 8th December 2017, at le Nouveau Siècle in Lille, France to reward the skills of European professionals. The awards will be voted by the EAA members, representing a large vision of European professionals. CATEGORIES 1. Best Student Film 2. Best Commissioned Film 3. Best Animated Short Film 4. Best Background and Character Design in a Short Film Production 5. Best TV/Broadcast Production (Best Director) 6. Best Background and Character Design in a TV/Broadcast Production 7. Best Character Animation in a TV/Broadcast Production 8. Best Writing in a TV/Broadcast Production 9. Best Storyboard in a TV/Broadcast Production 10. Best Soundtrack in a TV/Broadcast Production 11. Best Feature Film (Best Director) 12. Best Background and Character Design in a Feature Film 13. Best Character Animation in a Feature Film 14. Best Writing in a Feature Film 15. Best Storyboard in a Feature Film 16. Best Soundtrack in a Feature Film 17. Lotte Reiniger Life Achievement Award 1 SELECTION PROCESS Submission To qualify for entry, productions must have had their first release between January 1, 2016 and July 31, 2017. Production Content Requirements Entries submitted will be nominated based on the completed production in its entirety. For some of these categories some additional work will be required too, as designs, scripts, etc.. Submissions must consist only of material used in the final production. Cut sequences, unused music, deleted performances, omitted characters and similar surplus material will not be considered for nomination. -
Mental Health Theming in Bojack Horseman Peyton Barranco COM
Mental Health Theming in BoJack Horseman Peyton Barranco COM 262: Research Methods in Media Studies May 15, 2020 Introduction Netflix’s adult animated comedy series BoJack Horseman follows the titular character, BoJack Horseman (Will Arnett), who is an anthropomorphic horse and a washed-up celebrity. BoJack struggles with depression and substance abuse issues, and he has difficulty maintaining healthy relationships. The animated world of BoJack Horseman is a bright, colorful image of Hollywood which is populated by an array of both anthropomorphic animals and humans. Despite the series’ vivid art style and its quick-witted humor, BoJack Horseman investigates themes related to mental health, such as depression, substance abuse, and trauma. As the show progresses throughout its six seasons, the series dives deeper into these themes. Though these themes on mental health are primarily conveyed through BoJack’s character arc, the supporting cast have their own plotlines which communicate different perspectives on these same themes. It is noteworthy that BoJack Horseman, an adult animated comedy about a depressed anthropomorphic horse, offers an insightful and artistic representation of themes on depression and trauma. BoJack Horseman is relatively unique in its nuanced representation of mental illness. Though the series is an animated adult comedy, there are few other television series or films that approach mental illness with a similar combination of tact and creativity. BoJack Horseman may be able to provide insight into how sophisticated representations of mental illness in media can impact viewers’ attitudes towards or impressions of mental illness. In this research paper, I investigate how BoJack Horseman makes use of its genre and animated medium to communicate its themes related to mental health. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
IT's GONNA BE FINE Book/Lyrics by Robert Berliner, Music by Aaron
WHO FRAMED ROGER RABBIT—Berliner & Kenny inspired by the Touchstone/Amblin film directed by Robert Zemeckis Original screenplay by Jeffrey Price & Peter S. Seaman, based on the work of Gary K. Wolf CONFIDENTIAL—All Rights Reserved IT’S GONNA BE FINE Book/Lyrics by Robert Berliner, Music by Aaron Kenny With EDDIE VALIANT at his side, film studio executive R.K. MAROON sits underperforming star ROGER RABBIT down at his office desk to deliver the harsh news: the rabbit’s wife, JESSICA, has been caught playing “pattycake” (literally!) with gag king MARVIN ACME. ROGER does not take it well. ROGER (sobbing) It can't be! Not Jessica! I don’t believe it! It can’t be true! EDDIE Believe it, kid—I took the pictures myself. She. Played. Patty cake. (EDDIE hands ROGER the stack of incriminating photos, which the rabbit flips through incredulously. He has a breakdown.) ROGER NO! NO! NO! NO! NONONONONONONONO! PAAAAAATTY CAKE, PAAAAAAAATTY CAKE. THIS ALL MUST BE SOME BIG MISTAKE!? THESE PHOTOGRAPHS?— THEY MUST BE FAKE! MY SOUL DOTH ACHE FROM PATTY CAKE. (ROGER collapses, completely defeated, face down onto the desk, whimpering, and remains still. Then, an awkward silence.) MAROON Roger… are you all ri—? ROGER (leaping up with a new wave of passion) PAAAAATTY CAKE! PAAAAATTY CA— EDDIE We get it! (ROGER crumples back onto the desk, the life having been zapped from him.) Who Framed Roger Rabbit—Berliner & Kenny—CONFIDENTIAL MAROON Son, I know this all seems pretty painful now, but you’ll find a way through it! After all, that plucky optimism of yours is what makes you our brightest star! ROGER Yeah…. -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
California Institute of the Arts
Ismael Sanz-Pena ismaelsanzpena.com California Institute of the Arts • 2008-11 MFA in Experimental Animation Los Angeles Central Saint Martins School of Arts and Design • 2007-08 Postgraduate Diploma in Character Animation London Thames Valley University • 2004-07 BA(Hons) Digital Animation London • 2018- Maryland Institute College of Art Professor Animation department . • 2016-18 Kansas City Art Institute Assistant Professor Animation department t • 2015/16 Klipp og Lim Media AS Animator Short films, music videos and commercial work . • 2013/14 Promatica AS UX/UI Designer Interface and web design for a marketing and date management software . m • 2011/12 Maryland Institute College of Art University of Maryland, Baltimore County Adjunct Professor Animation and Foundation Departments Visual Arts Department. m • 2008-10 CalArts Arts Partnership Animation Instructor Workshops for High School Students at the Inner City Arts, Los Angeles m • 2008 Lister Community School, London Assistant Teacher at Performing Arts Specialized School m • 2007-08 Chiang Mai University, Thailand Animation Instructor Media Department m • 2016 - Kunstakademiet I Trondheim, guest lecturer, Norway - Høyskolen Kristiania, guest lecturer, Norway. - Norges Kreative Høyskole, guest lecturer, Norway. • 2014 - Norges Kreative Fagskole, guest lecturer, Norway. • 2013 - Lademoen Kunstnerverksteder, workshop, Norway. - Noroff, guest lecturer, Norway. - Diploma, The Visuelt Competition. Oslo, Norway. - Best International Very Short Films Competition: Sommets du Cinema d’Animation, Canada. (2017) - ARTfest Digital, Highly Commended (2017) - Stipend, Norwegian Film Institute (2017) - Stipend, Midtnorsk Film (2017) - British Animation Awards, Public choice (2016) - Film grant, Stipend, Midtnorsk Filmsenter Trondheim (2016) - Artist grant, Tilskudd til Kunstner Trondheim (2015) - Artist grant, Cultiva Ekspress Kristiansand (2013) - Artist grant, Tilskudd til Kunstner Kristiansand (2013) - Full Scholarship to study at the Mahindra United World College of India (02-04).