DOCSLIB.ORG

Read an Excerpt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read an Excerpt Colorized covers are for web display only. Most covers are printed in black and white. © Dramatic Publishing Company, Woodstock, Illinois. Colorized covers are for web display only. Most covers are printed in black and white. Drama. By Kent R. Brown. Cast: 1m., 1w. Early one September morning, in an isolated farmhouse in the middle of rural Nebraska, Rebecca Pender peeks out her bedroom window and sees a vision of the end of the world. The next day, she and her husband, Lucas, stand transfixed as they witness the collapse of the World Trade Center. Insidiously, the trauma of 9/11 unlocks within Rebecca’s psyche a Pandora’s box of repressed fears. She loses weight, obsessively sanitizes the house, claims the water is tainted, even prowls gun shops and army surplus stores. She fails to keep appointments with her psychologist, preferring to hide out in movie theaters or drive isolated back roads. Though Lucas does not fully embrace Rebecca’s deepening paranoia, he can’t envision life without her. He sells his business, helps Rebecca build an underground shelter and stockpiles food supplies and weapons. They sever all relationships with family, clergy and friends. But while Rebecca thrives on the energy of their collaboration, Lucas begins to decline—a voracious cancer has gripped his life. At last, Lucas takes his place in their front yard, flashlight in one hand, shotgun in the other, scanning the skies in search of the Armageddon that must surely be coming. In the Middle of Nowhere examines how fear poisons the soul like a virus, ravaging all who come in contact with it. Area staging. Approximate running time: 90 minutes. Code: IA3. Cover design: Jeanette Alig-Sergel. ISBN-10 1-58342-703-1 ISBN-13 978-1-58342-703-3 02011 Dramatic Publishing 311 Washington St. Woodstock, IL 60098 9 781583 427033 ph: 800-448-7469 www.dramaticpublishing.com Printed on recycled paper © Dramatic Publishing Company, Woodstock, Illinois. IN THE MID DLE OF NO WHERE By KENT R. BROWN Dra matic Pub lish ing Woodstock, Il li nois • Aus tra lia • New Zea land • South Af rica © Dramatic Publishing Company, Woodstock, Illinois. *** NO TICE *** The am a teur and stock act ing rights to this work are con trolled ex clu- sively by THE DRA MATIC PUB LISH ING COM PANY with out whose per mis sion in writ ing no per for mance of it may be given. Roy alty must be paid ev ery time a play is per formed whether or not it is pre sented for profit and whether or not ad mis sion is charged. A play is per formed any time it is acted before an au di ence. Current roy alty rates, appli cations and re stric tions may be found at our website: www.dramaticpublishing.com, or we may be con tacted by mail at: DRA MATIC PUB LISH ING COM - PANY, 311 Wash ing ton St., Woodstock IL 60098. COPY RIGHT LAW GIVES THE AU THOR OR THE AU THOR’S AGENT THE EX CLU SIVE RIGHT TO MAKE COP IES. This law pro- vides au thors with a fair re turn for their cre ative ef forts. Au thors earn their liv ing from the royal ties they re ceive from book sales and from the per for mance of their work. Con sci en tious ob ser vance of copy right law is not only eth i cal, it en cour ages au thors to con tinue their cre ative work. This work is fully pro tected by copy right. No al ter ations, de le tions or sub sti tu tions may be made in the work with out the prior writ ten con sent of the pub lisher. No part of this work may be re pro duced or trans mit ted in any form or by any means, elec tronic or me chan i cal, includ ing pho to - copy, re cord ing, vid eo tape, film, or any in for ma tion stor age and re trieval sys tem, with out per mis sion in writ ing from the pub lisher. It may not be per formed ei ther by pro fes sion als or am a teurs with out pay ment of roy- alty. All rights, in clud ing, but not lim ited to, the pro fes sional, mo tion pic - ture, ra dio, tele vision, vid eo tape, for eign language, tab loid, rec i ta tion, lectur ing, publi cation and read ing, are re served. For per for mance of any songs, mu sic and re cord ings men tioned in this play which are in copy right, the per mis sion of the copy right own ers must be ob tained or other songs and re cord ings in the pub lic do main sub sti tuted. ©MMXI by KENT R. BROWN Printed in the United States of Amer ica All Rights Re served (IN THE MID DLE OF NOWHERE) ISBN: 978-1-58342-703-3 © Dramatic Publishing Company, Woodstock, Illinois. For my wife, Gayle, whose love of life and sense of ad ven ture en rich each mo ment we share to gether. © Dramatic Publishing Company, Woodstock, Illinois. IM POR TANT BILL ING AND CREDIT RE QUIRE MENTS All pro duc ers of the play must give credit to the au thor of the play in all pro grams dis trib uted in con nec tion with per for mances of the play and in all in stances in which the ti tle of the play ap pears for pur poses of ad ver - tis ing, publi ciz ing or oth erwise ex ploit ing the play and/or a pro duc tion. The name of the au thor must also ap pear on a sep a rate line, on which no other name ap pears, im me di ately fol low ing the ti tle, and must ap pear in size of type not less than fifty per cent (50%) the size of the ti tle type. Bio graph i cal in for ma tion on the au thor, if in cluded in the playbook, may be used in all pro grams. In all pro grams this no tice must ap pear: “Pro duced by spe cial ar range ment with THE DRA MATIC PUB LISH ING COM PANY of Woodstock, Il li nois” © Dramatic Publishing Company, Woodstock, Illinois. Ac knowl edg ments I wish to ac knowl edge the sig nif i cant con tri bu tions made by my wife, Gayle, and my good friend Melvyn Chase, who first brought Rebecca and Lucas to life. Their mul ti ple tal ents and in sights, so gen er ously shared dur ing an early de vel op men tal read ing, were in valu able in shap ing the heart and soul of the play. My deep ap pre ci a tion, also, to Candace Coster, Jeffrey D. Ault, Paul G. Barry and, es pe cially, to Stew art J. Zully, for their un wa ver ing en dorse ment and sup port. Prizes and Awards Win ner, Beverly Hills Thea tre Guild/Julie Har ris Play- wright Award Com pe ti tion, Beverly Hills, Ca lif., 2007 Win ner, Ac tors’ Thea tre Playwriting Con test, Santa Cruz, Ca lif., 2007 Win ner, ARTSport Playwriting Con test, Play house on the Green, Bridge port, Conn., 2007 5 © Dramatic Publishing Company, Woodstock, Illinois. Pro duc tion His tory Feb ru ary 14, 2010: Staged read ing at Thea tre 40, Beverly Hills, Ca lif.; Artistic/Managing Director: Da vid Hunt Stafford. Cast ..............................Mitch ell Ryan Salome Jens Di rec tor .............................Bruce Gray No vem ber 14, 2008: Pro duced by the Sands The ater Cen - ter, DeLand, Fla., in association with Judy Thomp son and Deb Stan ley; Artistic/Managing Director: Jeffrey D. Ault. Cast ...............................Clark Ad ams Rene Sands Di rec tor ..........................Stew art J. Zully Stage Manager ........................Jo Crandall Set and Light ing.....................Il lu sion Sce nic Sce nic Painter .......................Debi McNabb Tech ni cal Direc tor .....................Ed Kirkland In ci den tal Mu sic.....................Ron Bienstock 6 © Dramatic Publishing Company, Woodstock, Illinois. Sep tem ber 11, 2008: Pro duced by Santa Cruz Ac tors’ Thea tre, Santa Cruz, Ca lif., as part of their Full-Length Play Fes ti val; Pro duc tion Fa cil i ta tor: Wilma Marcus Chan - dler. Cast ................................Jaye Wolfe Mindy Ped lar Di rec tor...........................Robin Aronson Light ing De sign ............Kyle Grant, Paul An der son Set and Cos tume De sign ..............Robin Aronson Sound De sign ........................Jamie Amos Jan u ary 27, 2008: Staged read ing at the Sands The ater Cen ter, DeLand, Fla., as part of the DeLand Thea tre Fes ti- val; Ar tis tic/Man ag ing Di rec tor: Jeffrey D. Ault. Cast.................................Al Valletta Rene Sands Di rec tor ..........................Stew art J. Zully Pro duc tion Man ager ..................Jenny Barbieri No vem ber 11, 2007: Staged read ing at Play house on the Green, Bridge port, Conn. Cast ................................Keir Dullea Mia Dillon Di rec tor ............................Kate Katcher 7 © Dramatic Publishing Company, Woodstock, Illinois. IN THE MID DLE OF NO WHERE CHAR AC TERS: LUCAS PEN DER: A man of char ac ter, lov ing, de voted to his wife. REBECCA PEN DER: A woman of the land, fierce in spirit. TIME: From Sep tem ber 2001, to the pres ent. SET TING: A turn-of-the-cen tury farmhouse in May field, Neb., a small town in the mid dle of no where.
Load more

Recommended publications
  • The Forgotten Fifth: Rural Youth and Substance Abuse
    THE FORGOTTEN FIFTH: RURAL YOUTH AND SUBSTANCE ABUSE Lisa R. Pruitt* This Article seeks to raise the visibility of the roughly twenty percent of the U.S. population who live in rural places—an often forgotten fifth—in rela- tion to the particular challenges presented by adolescent substance abuse. De- spite popular notions that substance abuse is essentially an urban phenomenon, recent data demonstrate that it is also a significant problem in rural America. Rural youth now abuse most substances, including alcohol and tobacco, at higher rates and at younger ages than their urban peers. The Article assesses the social, economic and spatial milieu in which rural adolescent substance abuse has burgeoned. Features of some rural communi- ties, such as a tolerance for youth and lenient and informal law enforcement responses, appear to benefit youth. Indeed, these are consistent with juvenile justice trends, such as diversion programs. Yet other characteristics of rural communities, such as limited social service and healthcare infrastructures, un- dermine the efficacy of such programs. Arguing that national drug policies often reflect urban agendas and leave rural communities disserved, this Article calls for policies that are more sensi- tive to rural contexts. It advocates nuanced empirical research that will provide a more comprehensive understanding of rural risk factors and, in turn, inform rural prevention, treatment, and diversion programs. Finally, it argues that fed- eral, state, and local responses to adolescent substance abuse must tackle defi- ciencies in rural infrastructure, while keeping in mind factors that differentiate rural places from what has become the implicit urban norm in law- and policy- * Professor of Law, University of California, Davis.
    [Show full text]
  • Notes from No Place to Hide
    NOTES FROM NO PLACE TO HIDE BUY THE BOOK: E-BOOK GLENNGREENWALD.NET NOTES INTRODUCTION 3 the British government’s surreptitious opening of mail David Vincent, Th e Culture of Secrecy in Britain, 1832– 1998 (Oxford: Oxford University Press, 1998), 1– 14. 3 the US Bureau of Investigation Peter Conolly-Smith, “ ‘Reading Between the Lines’: Th e Bureau of Investigation, the United States Post Offi ce, and Domestic Surveillance During World War I,” Social Justice 36, no. 1 (2009): 7– 24. 4 the British and French empires Daniel Brückenhaus, “Every Stranger Must Be Suspected: Trust Relationships and the Surveillance of Anti- Colonialists in Early Twentieth- Century Western Eu rope,” Geschichte und Gesellschaft 36 (2010): 523– 66. 4 Syria’s Assad regime fl ew in employees Ben Elgin and Vernon Silver, “Syria Crackdown Gets Italy Firm’s Aid with U.S.- Europe Spy Gear,” Bloom- berg News, November 3, 2011. 4 Mubarak’s secret police bought tools Steve Stecklow, Paul Sonne, and Matt Bradley, “Mideast Uses Western Tools to Battle the Skype Rebel- lion,” Wall Street Journal, June 1, 2011. 4 “a wall of black refrigerator-size devices” Margaret Coker and Paul 020-58305_ch02_2P.indd 261 5/7/14 7:37 AM 262 NOTES Sonne, “Life Under the Gaze of Gadhafi ’s Spies,” Wall Street Journal, December 14, 2011; Paul Sonne and Margaret Coker, “Firms Aided Libyan Spies,” Wall Street Journal, August 30, 2011. 5 “Th e Internet in China” United States House of Representatives, “Th e Internet in China: A Tool for Freedom or Suppression?” 109th Cong., 2nd sess., February 15, 2006.
    [Show full text]
  • June, 1959 35'
    JUNE, 1959 35' Astronomers Open New Windows on the Stars Everett E. Duncan WHAT ABOUT EVOLUTION? Dr. George McCready Price Adventures of the Spirit—No. 4 HOW GOD AND HUMANITY LIVE TOGETHER • 1••••7--tr. t ECTEntidE By Adlai Albert Esteb We cannot live by bread alone, We cannot live by bread alone, We cannot live by bread alone, For man is more than flesh and bone. Or by the gains our books have shown. Or by the things we call our own. We live by beauty—flowers that please Instead by harmonies that charm our ears, We live by faith, by hope, by peace the eyes— Like whispering pines dissolve our haunting and rest, The glory and the peace of tranquil skies; fears; When sunset's glory paints the golden west. By fleecy clouds when etched with silver light, By songbirds singing songs which so enthrall Our sweetest moments conic at eventide, By twinkling stars that scintillate all night. Or majesty of some great waterfall. When we meet Christ and find Him satisfied. JUNE This Time ••••• 1959 OLD SOLDIER (eighty-eight Volume 68 years) George McCready Price (What About No. 6 Evolution? p. 18) has spent the better part of a lifetime (fifty years plus) on the firing line, combating evolution and A RELIGIOUS MAGAZINE dedicated to the strengthening of the mental, physi- supporting the Bible story cal, and spiritual life of the individual reader. Basing its recommendations on the living truths of the entire Bible, THESE TIMES promotes evangelical Christianity, of creation. A thorough- the care of the needy at home and abroad, religious liberty, the systematic study of going scholar and teacher the Bible, the exaltation of Jesus Christ, and the glad news of His literal soon coming.
    [Show full text]
  • 1 Amazing Grace
    1Amazing Grace BY JOHN NEWTON 1. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I’m free. 2. 'Twas grace that taught my heart to fear And grace my fear relieved; How precious did that grace appear The hour I first believed. 3. Through many dangers, toils and snares We have already come; 'Twas grace that brought us safe thus far, And grace will lead us on. 4. When we've been there ten thousand years, Bright shining as the sun, We've no less days to sing God's praise Than when we’d first begun. 5. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I'm free. 2Just aCloser Walk With Thee TRADITIONAL 1. Just a closer walk with Thee, Grant it, Jesus, is my plea; Daily walking close with Thee, Let it be, dear Lord, let it be. 2. Through the days of toil and snares, If I falter, Lord, who cares? Who with me my burden shares? None but Thee, dear Lord, none but Thee. 3. When my feeble life is o'er Time for me will be no more; Guide me gently, safely on To thy shore, dear Lord, to thy shore. 4. I am weak, but Thou art strong. Jesus, keep me from all wrong. I'll be satisfied as long As I walk, let me walk close to Thee.
    [Show full text]
  • Health Rights in the Balance: the Case Against Perinatal Shackling of Women Behind Bars Brett Dignam and Eli Y. Adashi
    HHR Health and Human Rights Journal Health Rights in the Balance: The Case Against Perinatal Shackling of Women Behind Bars Brett Dignam and Eli Y. Adashi Abstract Rationalized for decades on security grounds, perinatal shackling entails the application of handcuffs, leg irons, and/or waist shackles to the incarcerated woman prior to, during, and after labor and delivery. During labor and delivery proper, perinatal shackling may entail chaining women to the hospital bed by the ankle, wrist, or both. Medically untenable, legally challenged, and ever controversial, perinatal shackling remains the standard of practice in most US states despite sustained two-decades-long efforts by health rights legal advocates, human rights organizations, and medical professionals. Herein we review the current statu- tory, regulatory, legal, and medical framework undergirding the use of restraints on pregnant inmates and explore potential avenues of redress and relief to this challenge. We also rec- ognize the courage of the women whose stories are being told. If history is any guide, the collective thrust of domestic and international law, attendant litigation, dedicated advocacy, and strength of argument bode well for continued progress toward restraint-free pregnancies in correctional settings. Brett Dignam, MA, JD, is Professor of Law at Columbia Law School, Columbia University, New York, NY, USA. Eli Y. Adashi, MD, MS, is Professor of Medical Science at The Warren Alpert Medical School, Brown University, Providence, RI, USA. Please address correspondence to Eli Y. Adashi. Email: [email protected]. Competing interests: None declared. Copyright © 2014 Dignam and Adashi. This is an open access article distributed under the terms of Creative Commons Attribution Non-Commer- cial License (http://creativecommons.org/licences/by-nc/3.0/), which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original author and source credited.
    [Show full text]
  • Asian Pacific American Activism and the Racialization of Sophistication
    ABSTRACT Title of Dissertation: DISSEMBLING DIVERSITIES: ON “MIDDLED” ASIAN PACIFIC AMERICAN ACTIVISM AND THE RACIALIZATION OF SOPHISTICATION Douglas S. Ishii, Doctor of Philosophy, 2014 Directed By: Professor Christina B. Hanhardt Department of American Studies Lesbian, Gay, Bisexual, and Transgender Studies Program Professor Janelle Wong Department of American Studies Asian American Studies Program Dissembling Diversities: On Asian Pacific American Arts Activism and the Racialization of Sophistication interrogates how contemporary Asian Pacific American (APA) arts activism and representation has been shaped by the bureaucratic administration of “diversity” after 9/11/2001. Through close readings of texts, it specifically examines Asian American representation within scripted network television programming, graphic novels and comic strips, and indie rock as iterations of panethnic activism in media advocacy, graphical storytelling, and the independent media arts. It understands these cultural forms and diversity itself through the framework of middlebrow culture, which is constituted of texts disseminated through popular culture that normalize the accumulation of cultural capital – or non-financial embodiments of class status such as education and literacy – as cultural citizenship. Dissembling Diversities makes evident how the elevation of these texts through discourses of “Art” and “diversity” relies on the association of cultural capital with whiteness, particularly through the racial exclusivity of their representations and through
    [Show full text]
  • Understanding Detained and Incarcerated Teen Mothers and Their Children
    “Are those gingerbread cookies for me or my baby?” (Asked by an adolescent mother of a toddler at a Christmas party for high-risk mothers and their children, 2003) “My baby is six months now. His dad is in jail. I used to care about him but he’s, like, 29 and we’ve been apart for awhile. The thing that worries me is I got no place to go when I get out of here. My mother’s got my boy, but she doesn’t want me.” (14-year-old mother in a detention center, 2003) “My baby is two now. He’s got some brain damage. I was in here when I had him and he got put in a foster home. He choked on some food and lost his air. I’ve only seen him twice since I had him.” (16-year-old girl in detention, 1997) “Can’t you help her? She’s 16, her baby’s two. She’s in here for 30 years because she was in the car when her boyfriend hit someone. We try to take care of her but she’s a kid.“ (38-year-old inmate in a maximum security women’s prison asking for assistance for a teen inmate, 1998) “When I got arrested, the officers slammed me against the hood of the car. I was five months pregnant and lost the baby. I’m really depressed. No one even knows about it in here.” (15-year-old detained girl, 2002) 64 Juvenile and Family Court Journal • Spring 2004 Are Those Cookies for Me or My Baby? Understanding Detained and Incarcerated Teen Mothers and Their Children BY LESLIE ACOCA ABSTRACT This article describes the barriers to understanding and meeting the needs INTRODUCTION of detained and incarcerated teen mothers and their children and suggests lack of these resources in The infants and children of itself constitutes a crisis.
    [Show full text]
  • Feb 03-WORKING
    February 2001 - Vol. IX, No.1 MAGAZINE COMMITTEE OFFICER IN CHARGE Lucky Long CONTENTS CHAIRMAN Bill Bludworth VICE CHAIRMEN Larry Levy A Message From the President 1 Todd Zucker EDITORIAL BOARD Features Bill Booher Freeman Gregory No Clowning Around ............................................. 2 J. Grover Kelley Kenneth C. Moursund Jr. A Different Kind of Carnival .............................. 4 Tracy Ruffeno Marshall R. Smith III More to the Ride Than the Trail ........................ 6 Constance White Wear Your Pride on Your Sleeve! ....................... 8 PHOTO EDITOR Debbie Porter 2001 Entertainers .................................................... 9 page 4 REPORTERS Sonya Aston 2001 Attractions and Events .............................. 10 Nancy Burch Location Guide ......................................................... 12 Gina Covell John Crapitto Building the Future ................................................. 13 Stephanie Earthman Teresa Ehrman Mind Over Matter ................................................... 14 Susan Emfinger Whitney Horton No Place to Hide ...................................................... 16 Cheryl D. Kennedy Wendy Lester-Kyle Committee Spotlights Melissa Manning Nan McCreary Directions and Assistance ................................... 18 Judy Johnston Merrell Gordon Richardson II Livestock...................................................................... 19 page 6 Beverly Rosenbaum Rhonda Rubin Show News and Updates Ken Scott Gina Steere Third-Year Committee Chairmen Profiles ..
    [Show full text]
  • CLASSIFIEDS 519-396-2032 Hours: Mon.-Fri
    Repairs to: Screens, Windows, Locks, Bicycles CLASSIFIEDS 519-396-2032 Hours: Mon.-Fri. 8:30-8; Sat. 8:30-5:30; Sun. 10-5 THE KINCARDINE INDEPENDENT, WEDNESDAY, JANUARY 22, 2020 PAGE 13 DEADLINE FRIDAYS – 9 a.m. 519-396-3111 MONDAY-FRIDAY, 9 a.m.-4 p.m. IN MEMORIAM SERVICES COMMUNITY FARM CALENDAR Ronald Robert Woodason July 30, 1933 - Jan. 23, 2015 KITCHEN THE KINCARDINE AGRICUL- CUTS TURAL SOCIETY will hold Time sped on - 5 years have past; (Helen Morris) its Annual General Meeting Since death its long shadow cast. on Saturday, Jan. 25 at the Today we recall the happy memories; Haircuts for ladies & Armow Hall, following a pot- FARM LAND WANTED luck meal at noon. Anyone (Blair & Brent Scott, Ripley) Of our loved one gone to rest. men in the comfort interested in the Kincardine We miss him terribly and always will; of your own home! Fall Fair is welcome to at- • To expand cash crop acreage His ready hand a need to fill. tend. euchre call Elaine at • To rent or share crop starting spring 2020 Call 519-395-0684 519-396-9209 or Bonnie at Down here we mourn but not in vain; for details and 519-396-3822. • First-time renters preferred For up in Heaven we will meet again. appointments Contact Blair at 519-525-7073 or [email protected] Life is not the same without you, Dad. * * * - Wife Shirley, Alec, Robert, Margaret, SNOW REMOVAL - ATTEN- Ray and their children TION SENIORS (55+) Do you PUBLIC NOTICES need your steps, walkways and small driveways cleared of snow this winter? Call Gabe at 519-396-5318.
    [Show full text]
  • No Place to Hide: Edward Snowden, the NSA, and the US Surveillance
    NO PLACE TO HIDE: EDWARD SNOWDEN, THE NSA, AND THE U.S. SURVEILLANCE STATE PDF, EPUB, EBOOK Glenn Greenwald | 304 pages | 28 Apr 2015 | Picador USA | 9781250062581 | English | United States No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State PDF Book Laura said it was critical that I speak to him directly, to assure him and placate his growing concerns. As the stories rolled out last year, there was almost too much to absorb My fear was quickly validated. You have many technically-proficient followers who are willing to offer immediate assistance. She handed over the thumb drive and suggested that I start looking at her set of documents. He was the only present target for our irritation, so we treated him like extra baggage with which we had been saddled. When it's not about Greenwald and his sense of his own heroic reporting, the content consists of copies of the leaked documents pages of powerpoint slides and quotes by other reporters. The next time Poitras flew out of the United States after the article ran, there was no interrogation and she did not have her materials seized. They were riveting. Did Trump collude with the Russians, I personally don't believe he has the depth or knowledge to successfully do that. Laura had been working for years on the subject of NSA surveillance, herself repeatedly subjected to its abuses. What makes leak cases difficult is that some leaking—some interaction between reporters and sources who have access to classified information—is normal, even indispensable, in a society with a free press.
    [Show full text]
  • Snowden's Relevations
    !" T!" T"#! F$%&'(, J)*" +, ,-./ BALLET REVIEW S Be brilliant Boston Ballet bedazzles in George Balanchine’s Jewels By Angelique Nehmzow Balanchine’s skillful and creative cho- STAFF WRITER reography, two couples and a trio inter- Jewels wove their bodies in complex routines. As if opening a treasure chest to dis- 0e act’s ending was emotionally intense, Boston Ballet cover a trove of precious stones, the au- as three male dancers lunged low to the dience oohed and aahed every time the ground, heads thrown back with one arm Boston Opera House curtains were raised to reveal dancers reaching to the sky. in glittering costumes, poised in front of Rubies, set to the dramatic Capriccio May 22 – June 1 sparkling backdrops of enormous gems. for Piano and Orchestra by Balanchine’s Boston Ballet’s 4-th season concluded close collaborator Igor Stravinsky, pro- this year with George Balanchine’s Jewels. vides a sharp contrast. 0e female danc- the splendor of classical ballet in the Rus- It was a 1tting tribute to the famed ers wore red leotards with decorated sian Imperial style and is set to Tchai- ARTS ARTS ART neoclassical choreographer on whose 8aps like miniskirts, which created “click kovsky’s Symphony No. 6 in D Major, Op. recommendation the Ford Foundation clack” noises when they skipped play- ,5. 0e dancers wore shimmering 8oun- helped establish the Boston Ballet com- fully or did the occasional balletic booty cy white tutus, and their large number pany in .5+6. Premiered at the New York shake. reinforced the feeling of grandeur.
    [Show full text]
  • The Fog of Protection: Contested Meanings and Deliberate
    THE FOG OF PROTECTION: CONTESTED MEANINGS AND DELIBERATE CIVILIAN DEATHS DURING ARMED CONFLICT By Betcy Jose-Thota B.A., University of Texas at Austin, 1997 J.D., University of Houston Law Center, 2000 Submitted to the Faculty of The Graduate School of Public and International Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Graduate School of Public and International Affairs This dissertation was presented By Betcy Jose- Thota It was defended on August 27, 2010 And approved by Dr. R. Charli Carpenter, Associate Professor, University of Massachusetts-Amherst Dr. Paul Nelson, Associate Professor, GSPIA, University of Pittsburgh Professor Jordan Paust, Professor, University of Houston Law Center, University of Houston Dr. Taylor Seybolt, Assistant Professor, GSPIA, University of Pittsburgh Dissertation Director: Dr. Louis Picard, Professor, GSPIA, University of Pittsburgh ii Copyright by Betcy Jose-Thota 2011 iii ABSTRACT Why do belligerents intentionally kill legally protected civilians during armed conflict? Such acts not only violate the human security of people protected by the civilian immunity norm but may also be war crimes. The violation of this pillar of international humanitarian law (IHL), the body of law tasked with regulating armed conflict, has been the subject of significant research and policy deliberation. Many of the useful analyses produced by these efforts operate from common assumptions. One is that a monolithic understanding of the distinction principle, the obligation for belligerents to distinguish between permissible and impermissible targets and a core component of the civilian immunity norm, exists among those who monitor and disseminate IHL.
    [Show full text]