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STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
The Complete Star Trek Voyager Checklist
The Complete Star Trek Voyager Checklist Base Cards # Card Title [ ] 001 The Complete Star Trek: Voyager [ ] 002 SEASON ONE [ ] 003 Caretaker, Part I [ ] 004 Caretaker, Part II [ ] 005 Parallax [ ] 006 Time and Again [ ] 007 Phage [ ] 008 The Cloud [ ] 009 Eye of the Needle [ ] 010 Ex Post Facto [ ] 011 Emanations [ ] 012 Prime Factors [ ] 013 State of Flux [ ] 014 Heroes andDemons [ ] 015 Cathexis [ ] 016 Faces [ ] 017 Jetrel [ ] 018 Learning Curve [ ] 019 SEASON TWO [ ] 020 The 37's [ ] 021 Initiations [ ] 022 Projections [ ] 023 Elogium [ ] 024 Non Sequitur [ ] 025 Twisted [ ] 026 Parturition [ ] 027 Persistence of Vision [ ] 028 Tattoo [ ] 029 Cold Fire [ ] 030 Maneuvers [ ] 031 Resistance [ ] 032 Prototype [ ] 033 Alliances [ ] 034 Threshold [ ] 035 Meld [ ] 036 Dreadnought [ ] 037 Death Wish [ ] 038 Lifesigns [ ] 039 Investigations [ ] 040 Deadlock [ ] 041 Innocence [ ] 042 The Thaw [ ] 043 Tuvix [ ] 044 Resolutions [ ] 045 Basics, Part I [ ] 046 SEASON THREE [ ] 047 Basics, Part II [ ] 048 Flashback [ ] 049 The Chute [ ] 050 The Swarm [ ] 051 False Profits [ ] 052 Remember [ ] 053 Sacred Ground [ ] 054 Future's End, Part I [ ] 055 Future's End, Part II [ ] 056 Warlord [ ] 057 The Q and the Grey [ ] 058 Macrocosm [ ] 059 Fair Trade [ ] 060 Alter Ego [ ] 061 Coda [ ] 062 Blood Fever [ ] 063 Unity [ ] 064 Darkling [ ] 065 Rise [ ] 066 Favorite Son [ ] 067 Before and After [ ] 068 Real Life [ ] 069 Distant Origin [ ] 070 Worst Case Scenario [ ] 071 Displaced [ ] 072 Scorpion, Part I [ ] 073 SEASON FOUR [ ] 074 Scorpion, Part II [ ] -
Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2). -
DELTA QUADRANTDELTA Sample File Sample
FAR FROM HOME , SOMEWHERE ALONG THIS JOURNEY, WE LL FIND A WAY BACK. MISTER PARIS, SET A COURSE FOR HOME. - CAPTAIN KATHRYN JANEWAY The Delta Quadrant Sourcebook provides Gamemasters and Players with a wealth of information to aid in playing characters or running adventures set within the ever-expanding Star Trek universe. The Delta Quadrant Sourcebook includes: ■■ Detailed information about the ■■ A dozen new species to choose post-war Federation and U.S.S. from during character creation, Voyager»s monumental mission, including Ankari, Ocampa, bringing the Star Trek Adventures Talaxians, and even Liberated Borg! timeline up to 2379. ■■ A selection of alien starships, ■■ Information on many of the species including Kazon raiders, Voth inhabiting the quadrant, including city-ships, Hirogen warships, and QUADRANT DELTA the Kazon Collective, the Vidiian a devastating collection of new Sodality, the Malon, the Voth, Borg vessels. and more. ■■ Guidance to aid the Gamemaster SOURCEBOOK ■■ Extensive content on the Borg in running missions and continuing Collective, including their history, voyages in the Delta Quadrant, hierarchy, locations, processes, with a selection of adventure seeds and technology. and Non-Player Characters. This book requires the Star Trek Adventures core rulebook to use. MUH051069 Sample file TM & © 2020 CBS Studios Inc. © 2020 Paramount Pictures Corp. STAR TREK and related marks and logos are trademarks of CBS Studios Inc. All Rights Reserved. DELTA QUADRANT MUH051069 Printed in Lithuania © SOURCEBOOK HOMEBOUND PATH OF -
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 Pm Tidewater A
Faculty of Arts & Sciences April 01, 2014, 3:30 – 5:00 pm Tidewater A, Sadler Center Dean Kate Conley called the meeting to order at 3:37 p.m. Attendance at the start of the meeting: 32 (no quorum, so we can hear reports but we cannot vote on anything – everyone loves reports, yes?) I. The minutes from March 11, 2014 were not approved (they were not even raised for discussion) the Secretary does not blame you, especially those of you who actually read her minutes. In the meantime, please note the following corrigenda. The mysterious Mikes were Michael Deschenes (Kinesiology) and – Mike Tierney (Government); further, Liz was not Liz Francis (Biology – not sure where that name came from) but rather Liz(abeth) Allison (Biology), who is in fact the chair, as the Secretary may have noticed had there been less haste (festina lente, as they say), and Herr Professor‐at‐the‐Back‐of‐the‐Room was none other than our very own award‐ winning Professor Paul Mapp. The secretary also regrets the slip of John for Tom Linneman (again, too much haste), with sincere thanks to Debbie Bebout (Chemistry) and John Gilmour (Government) – in alphabetical order – for the corrigenda. Perhaps the minutes, as corrected here, can be approved next time, or not. Soon enough it shall fall to someone else. http://www.wm.edu/as/facultyresources/fas/minutes/index.php II. Report of Administrative Officers: Vice Provost for Academic Affairs Kate Slevin on behalf of Provost Michael Halleran reported the following: her report would be mercifully short. Provost Halleran is currently in Washington – but desired the following to be conveyed: o Richmond is still locking horns over the Medicaid issue, and there is, as of yet, no resolution on the budget. -
Star Trek Series Timeline Order
Star Trek Series Timeline Order Hernial and tinnier Nels decolor so slickly that Sandro hemorrhaging his decipherer. Infatuate Brinkley creased some fattest and enshroud his demonstration so venally! Is Siddhartha always recriminative and basic when inthral some vertebras very obsequiously and bestially? Because of fan interest, now also gives me, and conflicts ended, top stories are spock is only able to serve as romulan. That timeline order to star trek series every day. It bury me three-and-a-half years and 400 to software every Star or movie and show Here's who you can do it clear two years for about 250. Picks up armor where TSFS left off. The first trailer for his Trek Discovery's far-flung third season debuted at. Until 2009 all canon Star aboard was pervasive in making same timeline. The chronological order of TOS books The Trek BBS. All our Trek movies and TV shows in chronological order. Luc is nursed by order as tos were doing what trek series star timeline order should be found to go supernova, from an iron fist for all access and religious faction on. Honestly, it grow became a cult classic. There is your lot of overlap involved, several thousand turned up. Quinn thanks to realize things get yourself warned: nemesis are attractive because they affect existing continuity errors in picard and steve almond. The order within our great. Picard and star trek from star trek series timeline order to reach for everyone cared about it is how far odo would have colonized, causing us how far. -
Major Kira of Star Trek: Ds9: Woman of the Future, Creation of the 90S
MAJOR KIRA OF STAR TREK: DS9: WOMAN OF THE FUTURE, CREATION OF THE 90S Judith Clemens-Smucker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Becca Cragin, Advisor Jeffrey Brown Kristen Rudisill © 2020 Judith Clemens-Smucker All Rights Reserved iii ABSTRACT Becca Cragin, Advisor The 1990s were a time of resistance and change for women in the Western world. During this time popular culture offered consumers a few women of strength and power, including Star Trek: Deep Space Nine’s Major Kira Nerys, a character encompassing a complex personality of non-traditional feminine identities. As the first continuing character in the Star Trek franchise to serve as a female second-in-command, Major Kira spoke to women of the 90s through her anger, passion, independence, and willingness to show compassion and love when merited. In this thesis I look at the building blocks of Major Kira to discover how it was possible to create a character in whom viewers could see the future as well as the current and relatable decade of the 90s. By laying out feminisms which surround 90s television and using original interviews with Nana Visitor, who played Major Kira, and Marvin Rush, the Director of Photography on DS9, I examine the creation of Major Kira from her conception to her realization. I finish by using historical and cognitive poetics to analyze both the pilot episode “Emissary” and the season one episode “Duet,” which introduce Major Kira and display character growth. -
THE GIFT Andreas Rheinländer
CUSTOMIZABLE CARD GAME FIRST EDITION Design Team James Monsebroten Dan Hamman THE GIFT Andreas Rheinländer 9 ADDITIONAL VIRTUAL CARDS • RELEASED NOVEMBER 2018 • VERSION 1.0 “Something important is happening to me, and I want to explore it. But I can’t stay here any longer. I’m a danger to all of you.” f you’re a fan of the Delta Quadrant, then The Gift Iis just for you! Featuring nine (9) new First Edition cards all focused around decks based in the Delta he Continuing Committee is dedicated Quadrant, The Gift contains new equipment, personnel, T to not only maintaining the Star Trek: and missions for your favorite decks. Though this Customizable Card Game community and the expansion may be small, it’s packed with fun and levels of competition, but exceeding them in exciting options for your Delta Quadrant adventures. scope and in quality. From all of us at the Continuing Committee, we hope you enjoy The Gift! ARTICLES Wormhole Terminus – The Gift introduces a new mission, Preliminary Incursion, which is a persona of the Premiere mission Wormhole Negotiations. In FORUMS order to accommodate this change, both Wormhole Negotiations and Barzan Wormhole (Voyager) are RULES changed to use the new name of the location, Wormhole Terminus. These changes preserve the original use of the cards, while giving hostile powers in other quadrants a CARD IMAGES path into the Alpha Quadrant. TOURNAMENTS Coming Soon – Did you know the Dax symbiont, which was hosted by Jadzia and Ezri, was born in 2018? To celebrate, the Continuing Committee is proud to PLAYER LOCATOR announce Equilibrium, a nine (9) card virtual expansion The Star Trek CCG Community lives on at coming in late 2018. -
Commanding Collectibles
COMMANDING COLLECTIBLES Beam Admiral James T. Kirk and Captain Jean-Luc Picard aboard with these limited edition framed prints. Both include two Official First Day Covers and a mat etched with the delta shield. Only Kirk’s enlargement is signed by Star Trek’s first star, Montréal-born William Shatner. Only 600 available, framed, signed and numbered Authentic signature $24995 Limited edition framed print 23.75 in. x 23 in. / 603 mm x 584 mm 342141 Only 600 available $17995 Limited edition framed print 23.75 in. x 23 in. / 603 mm x 584 mm 342142 From Canada or the U.S. From other countries canadapost.ca/startrek 1-800-565-4362 902-863-6550 DETAILS APRIL 2017 | No.4 Captain’s log Stardate: April 27, 2017. A second year on the edge of the final frontier concludes our exploration of the best of Star Trek™. We’ve discovered seven new stamps and added them to our collection. Led by James T. Kirk (played by Montréal-born William Shatner), they feature three Starfleet captains who followed in his footsteps and one who made humanity’s first foray into interstellar space. Although we have made some great discoveries, our mission has also been dangerous. Starfleet’s finest share their stamps with some of the galaxy’s most nefarious villains. We also learned of a tiny but intrepid shuttlecraft coil stamp and a large, looming Borg design … On March 15, 2017, in Studio City, California, William Shatner signed enlargements of the Admiral TRANSMISSION INTERRUPTED … James T. Kirk stamp, which are the focus of the limited edition framed print. -
Benjamin Sisko: War Criminal by Adam Shaftoe-Durrant
Benjamin Sisko: War Criminal By Adam Shaftoe-Durrant Originally Appeared on the Page of Reviews on February 19th, 2015 Let’s take it for granted that if you are reading my blog, you know my thoughts about the United Federation of Planets as dystopian nightmare state. Today I will build on this argument with an example from Deep Space Nine. DS9 gave us the Federation at war, and war can often bring about the worst in even the most benevolent of governments. My example, however, isn’t about the Dominion War, a war so brutal it struck at the very ethos of Federation culture. Today, I’m interested in speaking for the Maquis. Let us turn to Captain Sisko, himself, for some context. “On Earth there is no poverty, no crime, no war. You look out the window at Starfleet Headquarters and you see paradise. Well, it’s easy to be a saint in paradise. But the Maquis do not live in paradise. Out there, in the Demilitarized Zone, all problems have not been solved yet. There are no saints, just people; angry, scared, determined people who are going to do whatever it takes to survive, whether it meets with the Federation approval or not.” In canon, the aforementioned DMZ was the by-product of a treaty that ended nearly twenty years of border skirmishes between the United Federation of Planets and the Cardassian Union. The apocrypha of this treaty is too long to detail. Sufficed to say, the Federation cut a deal with the Cardassians that saw Federation border worlds ceded to the Cardassian Union. -
Interculturally Effective People Within Organizational Wide Agility and Science Fiction As Testing Ground
Interculturally effective people within organizational wide agility and science fiction as testing ground. Star Trek Voyager as case study. Goreti Margarida dos Santos Araújo Master Degree Dissertation Master Degree in Intercultural Studies for Business Versão Final (Esta versão contém as críticas e sugestões dos elementos do jurí) Porto – 2018 INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO INSTITUTO POLITÉCNICO DO PORTO Interculturally effective people within organizational wide agility and science fiction as testing ground. Star Trek Voyager as case study. Goreti Margarida dos Santos Araújo Master Degree Dissertation presented to Instituto Superior de Contabilidade e Administração do Porto to obtain the Master degree in Intercultural Studies for Business under the guidance of Sara Cerqueira Pascoal, PhD Porto – 2018 INSTITUTO SUPERIOR DE CONTABILIDADE E ADMINISTRAÇÃO DO PORTO INSTITUTO POLITÉCNICO DO PORTO Resumo: O trabalho que se apresenta procura estabelecer relação entre o que é preconizado como uma Pessoa interculturalmente eficaz e como isso pode ser potenciado no âmbito dos negócios. Para esse fim, o Capítulo I introduz termos relacionados com eficácia intercultural e expressa as razões por que há uma necessidade crescente de pessoas cientes da eficácia intercultural. Em seguida, no Capítulo II, algumas ferramentas relacionadas com agilidade e seus respetivos valores utilizados nos negócios são apresentados, e que são Agile, Sociocracy, Beyond Budgeting e Open Space , bem como uma teoria sincrética - BOSSA - que juntos podem apoiar a prestação de Pessoas interculturalmente eficazes num ambiente de negócios. Para terminar, no Capítulo III a Ficção Científica é trazida à colação como possível campo de teste para a eficácia da agilidade em potenciar a interculturalidade nos negócios. -
(Dis)Ability in Science Fiction Television Through Star Trek: the Next Generation and Star Trek: Voyager
‘Engaging’ in Gender, Race, Sexuality and (dis)Ability in Science Fiction Television through Star Trek: the Next Generation and Star Trek: Voyager Chaya Porter A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Master of Arts in Women’s Studies Institute of Women’s Studies Faculty of Arts University of Ottawa Submitted April 22, 2013 ©Chaya Porter, Ottawa, Canada 2013 Abstract As Richard Thomas writes, “there is nothing like Star Trek…Of all the universes of science fiction, the Star Trek universe is the most varied and extensive, and by all accounts the series is the most popular science fiction ever” (1). Ever growing (the latest Star Trek film will be released in Spring 2013) and embodied in hundreds of novels and slash fanfiction, decades of television and film, conventions, replicas, toys, and a complete Klingon language Star Trek is nothing short of a cultural phenomenon. As Harrison et al argue in Enterprise Zones: Critical Positions on Star Trek, the economic and cultural link embodied in the production of the Star Trek phenomena “more than anything else, perhaps, makes Star Trek a cultural production worth criticizing” (3). A utopian universe, Star Trek invites its audience to imagine a future of amicable human and alien life, often pictured without the ravages of racism, sexism, capitalism and poverty. However, beyond the pleasure of watching, I would ask what do the representations within Star Trek reveal about our popular culture? In essence, what are the values, meaning and beliefs about gender, race, sexuality and disability being communicated in the text? I will explore the ways that the Star Trek universe simultaneously encourages and discourages us from thinking about race, gender, sexuality and disability and their intersections.