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Editorial: Their Americans: Why Do We Love 'Em
ISSN 1554-3897 AFRICAN JOURNAL OF CRIMINOLOGY & JUSTICE STUDIES: AJCJS; Volume 2, No. 2, November 2006 EDITORIAL: THEIR AMERICANS: WHY DO WE LOVE ‘EM SO?i By Biko Agozino, Ph.D. Professor of Sociology and Acting Head Department of Behavioural Sciences The University of the West Indies St. Augustine Trinidad and Tobago America! We Love You! But why? Africans came before Columbus to fraternize with Native Americans (Sertima, 1976). But since 1492 we have been terrorized along with the natives. Transportation, Auction, Plantation, Revolution, Emancipation, Liberation, and still we love you, America! Did you put voodoo on us or are your adorable Hollywood monsters so irresistible? I went to a conference on ‘Their America’ with a determination to address the second half of the organizers’ charge, the half that was not about why America is hated but without spelling it out in terms of love for America; that half of the coin of hatred appears to be the side of love too shy to be named but no less passionate than the side of hate. Their America is also ours to dream, to love, to seek, to save! Why do we love this God’s own country of theirs? Is it because our African ancestors before us slaved for this country, as Bob Marley queried? We built the cabin and we planted the corn. Yet Editorial: Their Americans: Why Do We Love Em So? Biko Agozino they look at us with a scorn while they eat up all our corn. Bob Marley went on to chant that we have to chase the crazy baldheads out of town because they return hatred for our love, telling us about the God above; but mostly we respond with unrequited love and yet the dominant message of Bob and all Rasta is the message of love. -
Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? February 10 - 16, 2017 2 x 2" ad 2 x 2" ad We’ve got you covered! waxahachietx.com How Grammy V A H A D S D E A M W A H K R performances 2 x 3" ad E Y I L L P A S Q U A L E P D Your Key M A V I A B U X U B A V I E R To Buying L Z W O B Q E N K E H S G W X come together S E C R E T S R V B R I L A Z and Selling! 2 x 3.5" ad C N B L J K G C T E W J L F M Carrie Underwood is slated to A D M L U C O X Y X K Y E C K perform at the 59th Annual Grammy Awards Sunday on CBS. R I L K S U P W A C N Q R O M P I R J T I A Y P A V C K N A H A J T I L H E F M U M E F I L W S G C U H F W E B I L L Y K I T S E K I A E R L T M I N S P D F I T X E S O X F J C A S A D I E O Y L L N D B E T N Z K O R Z A N W A L K E R S E “Doubt” on CBS (Words in parentheses not in puzzle) Sadie (Ellis) (Katherine) Heigl Lawyers Place your classified Solution on page 13 Albert (Cobb) (Dulé) Hill Justice ad in the Waxahachie Daily 2 x 3" ad Billy (Brennan) (Steven) Pasquale Secrets Light, Midlothian1 xMirror 4" ad and Cameron (Wirth) (Laverne) Cox Passion Ellis County Trading Post! Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light homa City Thunder. -
Mandela My Life Exhibition 795.8KB .Pdf File
Items being borrowed by Museums Victoria for inclusion in the exhibition Items being borrowed by Museums Victoria from International Entertainment Consulting (IEC) Pty Ltd for inclusion in the exhibition Mandela My Life: The Official Exhibition at Melbourne Museum, 11 Nicholson Street, Carlton, AUSTRALIA, 22 September 2018 to 3 March 2019 MUSEUMSVICTORIA MV IDLender ID Object Image Provenance Information Height Length Width Depth Unit LN 65730OBJ050 Coffee Table - Nelson Mandela Office This coffee table was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. LN 65729OBJ050 Chair – Upholstered, Blue – Nelson Mandela Office This chair was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. LN 65728OBJ049 Chair – Upholstered, Blue – Nelson Mandela Office This chair was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. Page 1 of 62 Museums Victoria MV IDLender ID Object Image Provenance Information Height Length Width Depth Unit LN 65727RSA092 Photograph - Formal studio portrait of Mandela as young Obtained by gift, or purchased directly from Mr Nelson Rolihlahla Mandela and/or man, smiling (RSA092) members of the Mandela family and/or from auctions, mints and/or memorabilia collections from around the world between 1993 and 2018 who were the previous legal owners and/or originators of these items. -
The USSR and Southern Africa During the Cold War
CENTRO DI STUDI STORICI E POLITICI SU AFRICA E MEDIO ORIENTE The USSR and Southern Africa during the Cold War Vladimir Shubin Institute for African Studies, Russian Academy of Science Occasional Paper n. 1 – November 2008 Dipartimento di Politica, Istituzioni, Storia – Università di Bologna Centro di Studi Storici e Politici su Africa e Medio Oriente Il Centro ha il fine di promuovere la ricerca e lo studio nel settore delle scienze politiche su Africa e Medio Oriente con particolare riferimento all’evoluzione delle istituzioni politiche e sociali contemporanee e ai problemi dello sviluppo. Il Centro si propone di condurre attività di ricerca nei settori sopra indicati e di promuoverne la diffusione tramite il coordinamento di gruppi di studio, l’organizzazione di conferenze, seminari, convegni e congressi e la realizzazione di pubblicazioni scientifiche. Membri del Centro sono docenti, ricercatori e dottorandi con esperienza di ricerca interdisciplinare. Centre of Political and Historical Studies on Africa and the Middle East The Centre, based in the Department of Politics, Institutions, History, Faculty of Political Science, University of Bologna, has the main aim to promote research about Africa and the Middle East within political sciences, contemporary political and social institutions, development issues. Activities of the Centre include research, network initiatives with other Centres, organization of conferences, workshops, and seminars, realization and promotion of scientific publications. Its members are professors, lecturers -
Cablefax Dailytm Thursday — February 9, 2017 What the Industry Reads First Volume 28 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Special Report: Black History Month 4 Pages Today Cablefax DailyTM Thursday — February 9, 2017 What the Industry Reads First Volume 28 / No. SPECIAL Cable Commemorates Black History Month Black History Month began this year with a unique his- torical footnote, just 12 days after the first black president in American history left office after eight years—and with the eloquence of his farewell speech still ringing in many people’s ears. President Barack Obama’s legacy and defining mo- ments will be examined for decades to come, and the power of his most memorable speeches will be explored in a new hour-long Smithsonian Channel special, “The Obama Years: the Power of Words,” premiering February President Obama and speechwriting director Cody Keen- 27 at 8 p.m. ET/PT. It takes viewers through significant an review a speech in Smithonian Channel’s ‘The Obama moments of his political career via six notable speeches Years: the Power of Words.’ and how they shaped the national dialogue at crucial moments. including Baltimore, Philadelphia, Houston, Seattle and But Smithsonian Channel also is taking the show on the Pittsburgh throughout the month, mainly in museums road with special screenings followed by panel discus- focused on or with a strong connection to black history. sions across the country, starting with a premiere event This will be the fifth year the channel has taken Black at the National Museum of American History in DC History Month content to live audiences. Tuesday night. In partnership with Comcast, Altice and At the doc’s DC screening and panel discussion this Charter Spectrum, live events for “The Obama Years: B:7.5”week, producer/writer/director Jody Schiliro talked about the Power of Words” will be held in nearly a dozen cities T:7.5”how she’s always been interested in the way the White S:7.5” T:3.33” B:3.33” S:3.33” PREMIERES MON FEB 27 8/7c ©2017 SNI/SI Networks L.L.C. -
Dear Mandela
CONTACT AFRICA SALES Sleeping Giant Fireworx Media Dara Kell – Co-Director / Producer Neil Brandt – Co-Producer [email protected] [email protected] ph: 079 174 2851 (South Africa) ph: +27 11 403 4934 ph: 917.749.8002 (USA) www.fireworxmedia.co.za www.dearmandela.com 1 DEAR MANDELA A film by Dara Kell and Christopher Nizza SHORT SYNOPSIS Destroyed homes, threats at gunpoint and high-court action, this battle by three young people to stand up for their rights is a testimony to people power. When the South African government promises to 'eradicate the slums' and begins to evict shack dwellers far outside the city, three friends who live in Durban's vast shantytowns refuse to be moved. Dear Mandela follows their journey from their shacks to the highest court in the land as they invoke Nelson Mandela's example and become leaders in a growing social movement. By turns inspiring, devastating and funny, the film offers a new perspective on the role that young people can play in political change and is a fascinating portrait of South Africa coming of age. 93 minutes – South Africa / USA WINNER, GRAND JURY PRIZE, BROOKLYN FILM FESTIVAL WINNER, BEST DOCUMENTARY, BROOKLYN FILM FESTIVAL WINNER, BEST SOUTH AFRICAN DOCUMENTARY, DURBAN INTERNATIONAL FILM FESTIVAL AFRICAN ACADEMY AWARD NOMINEE FOR BEST DOCUMENTARY WINNER, GOLDEN BUTTERFLY AWARD, MOVIES THAT MATTER FILM FESTIVAL 2 LONG SYNOPSIS When the South African government promises to ‘eradicate the slums’ and begins evicting shack dwellers from their homes, three friends who live in Durban’s vast shantytowns refuse to be moved. -
William Kentridge
CAP UCLA presents Refuse the Hour William Kentridge Philip Miller Dada Masilo, Catherine Meyburgh, Peter Galison Fri, Nov 17 & Sat Nov 18 | Royce Hall Photo by John Hodgkiss East Side, MESSAGE FROM THE DIRECTOR West Side, All Around LA Welcome to the Center for the Art of Performance The Center for the Art of Performance is not a place. It’s more of a state of mind that embraces experimentation, encourages Photo by Ian Maddox a culture of the curious, champions disruptors and dreamers and One would have to admit that the masterful work of William Kentridge leaves supports the commitment and courage of artists. We promote virtually no artistic discipline unexplored, untampered with, or under-excavated in rigor, craft and excellence in all facets of the performing arts. service to his vigilant engagement with the known world. He has done x, y z, p, d, q, (installations, exhibitions, theater works, prints, drawings, animations, innumerable collaborations, etc.) and then some, over the arc of his career and there is nothing on the horizon line of his trajectory that indicates any notion of relenting any time 2017–18 SEASON VENUES soon. Royce Hall, UCLA Freud Playhouse, UCLA Over the years I have been asked to offer explanations and descriptions of the The Theatre at Ace Hotel Little Theater, UCLA works of William Kentridge while encountering it in numerous occasions around the Will Rogers State Historic Park world. As a curator, one is expected to possess the necessary expertise to rapidly summarize dimensional artistry. But in a gesture of truth, my attempts fail in UCLA’s Center for the Art of Performance (CAP UCLA) is dedicated to the advancement juxtaposition to the vastly better reality of experiencing his utter artistic singularity, of the contemporary performing arts in all disciplines—dance, music, spoken word and the staggering dimension of thoughtful care he takes in finding form. -
Refuse the Hour
#BAMNextWave #WilliamKentridge Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Refuse the Hour BAM Harvey Theater Oct 22—24 at 7:30pm; Oct 25 at 3pm Running time: one hour and 20 minutes, no intermission Conception and libretto by William Kentridge Music composed by Philip Miller Choreography by Dada Masilo Dramaturgy by Peter Galison Video design by Catherine Meyburgh and William Kentridge Scenic design by Sabine Theunissen Season Sponsor: Movement by Luc de Wit Costume design by Greta Goiris Machine design by Christoff Wolmarans, Louis Olivier, Jonas Lundquist Leadership support for opera at BAM provided Lighting design by Felice Ross by Aashish & Dinyar Devitre Sound design by Gavan Eckhart Video orchestration by Kim Gunning Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera Music direction by Adam Howard and Music-Theater Music arranged and orchestrated by Philip Miller and Adam Howard Major support for opera at BAM provided by The Francena T. Harrison Foundation Trust Major support for Refuse the Hour is provided by the Marian Goodman Gallery Refuse the Hour PERFORMERS William Kentridge Dancer Dada Masilo Vocalist Ann Masina Vocalist Joanna Dudley Actor Thato Motlhaolwa Musical conductor, co-orchestration, trumpet, flugel hornAdam Howard Percussion Tlale Makhene Violin Waldo Alexander Trombone Dan Selsick Piano Vincenzo Pasquariello Tuba Thobeka Thukane Technical director Richard Pierre Sound engineer Laurens Ingels Video manipulator Boris Theunissen Production manager Brendan Boyd, Boyd Design, Inc. -
Mandela In/And Poetry
Mandela in/and Poetry Maria Paola Guarducci No! I am no prisoner of this rock, this island, No ash spew on Milky Ways to conquest old or new, I am this rock, this island. Wole Soyinka, “No!” He Said (For Nelson Mandela) On May 24th 1994, in his first speech to the newly elected democratic parliament of South Africa, Nelson Mandela thus recalled the figure of Ingrid Jonker1 to a rather bewildered audience of mainly male politicians: “She was both a poet and a South African, both an Afrikaner and an African. She was both an artist and a human being. In the midst of despair, she celebrated hope. Confronted by death, she asserted the beauty of life”.2 He added that the dream of Jonker had come true, because the child in the famous poem he then quoted, The child who was shot dead by soldiers at Nyanga (1963), now a man, “treks through all of Africa / the child who became a giant travels through the whole world / Without a pass” (21–23).3 To mention a poet – a white woman – in such a crucial speech was an odd choice for the first black leader 1 Ingrid Jonker (1933–1965). 2<http://www.c-span.org/video/?c3844152/nelson-mandela-speech-ingrid-jonker-heritage- project> (15 June 2014). All the information about Nelson Mandela in this article come from the following biographies and articles: Boehmer 2008; Lodge 2007; Mandela 1994; Nixon 1991; Pirro 2002; Sampson 2000 and Tuttle 1999. 3 As all of Jonker’s poetry, this poem was originally written in Afrikaans with the title of Die Kind (wat doodgeskiet is deur soldate by Nyanga). -
Civilian Oversight: the Mod and Defence Secretariat: Mandate, Activities and Key Personalities
Chapter 5 Civilian oversight: The MoD and Defence Secretariat: mandate, activities and key personalities It is well to remember that in a Parliamentary democracy, cabinet is meant to be merely an executive committee of the legislature. Ministers should therefore at all times accountable to Parliament, which normally maintains a number of non-executive committees to supervise departmental policy and to hold the executive, both ministers and officials, accountable for spending as well as the achievement of set goals. What is civil versus civilian oversight? The debate regarding the difference between civil and civilian, or in clearer terms, the distinction between democratic civil control of the armed forces, in contrast to merely having a civilian in charge, is a new, yet important, one in the field of civil-military relations (CMR). For a long time it was assumed that making the military answerable to a civilian was the same as making the armed services democratically accountable. CMR is largely a post-World War Two phenomenon, yet from the start it seemed to escape them that nearly all the military leaders of that conflict were civilians. Hitler was an elected leader turned despot, as was Mussolini, as was Robert Mugabe – several times over. Stalin did not believe in elections unless he knew the outcome in advance, but he too was a civilian until 1943 when he gave himself military rank – a development Churchill copied. In a recent paper 1 on CMR, Dr Anthony Foster, director of research at the Department of Defence Studies at King’s College, London, as well as at the Joint Services Command and Staff College, argued that “questions concerning civilian control of the armed forces in the Cold War period emphasised ‘civilian’ rather than ‘democratic’ control of the military. -
Let's Focus: “The Symbol of Freedom”
Lesson 1 | Reading Let’s Focus: “The Symbol of Freedom” Content Focus Type of Text Nelson Mandela’s struggle for justice in South Africa informational Author’s Name Author’s Purpose Big Ideas Consider the following Big Idea questions. Write your answer for each question. What causes stereotypes and prejudices? What inspires people to take action? Informational Preview Checklist: “The Symbol of Freedom” on pages 233–236. Title: What clue does it provide about the passage? Pictures: What additional information is added here? Headings: What will you learn about in each section? Features: What other text features do you notice? Enduring Understandings After reading the text . © 2021 Voyager Sopris Learning, Inc. All rights reserved. Unit 6 231 Lesson 1 | Vocabulary Key Passage Vocabulary: “The Symbol of Freedom” Read each word. Write the word in column 3. Then, circle a number to rate your knowledge of the word. Knowledge Vocabulary Part of Speech Write the Word Rating discrimination (n) 0 1 2 3 resources (n) 0 1 2 3 invent (v) 0 1 2 3 access (v) 0 1 2 3 impose (v) 0 1 2 3 govern (v) 0 1 2 3 impact (v) 0 1 2 3 passive (adj) 0 1 2 3 harmony (n) 0 1 2 3 transform (v) 0 1 2 3 232 Unit 6 © 2021 Voyager Sopris Learning, Inc. All rights reserved. Lesson 1 | Reading The Symbol of Freedom Nelson Mandela’s lifelong fight for the cause of discrimination freedom in South Africa is a tale of inspiration and the act of treating determination; it is a tale of struggle. -
Friday ISSUE NO: 17435 JAMADA ALAWWAL 2, 1439 AH FRIDAY, JANUARY 19, 2018
FREE Established 1961 Friday ISSUE NO: 17435 JAMADA ALAWWAL 2, 1439 AH FRIDAY, JANUARY 19, 2018 MP Hayef threatens defense 52 killed in Kazakhstan Emirates throws Airbus A380 a 9 minister over women service 11 bus fire 37 lifeline with jumbo $16bn deal Kuwait jumps 15 spots in latest FIFA ranking PAGE 47 2 Friday Local Friday, January 19, 2018 Violation of foreign Kuwait’s favorite grammar mistake workers’ rights streets. In this sentence, cars is plural, not possessive. Scribbler’s Notebook There are other uses for apostrophes and places where you shouldn’t use one at all. But the main problem By Jamie Etheridge here seems to be with adding them to plurals, so let’s stick with that. Local Spotlight [email protected] Here’s another simple example: Correct: How many CEOs are billionaires? hen a native English-speaker comes to Incorrect: How many CEO’s are billionaires? By Muna Al-Fuzai Kuwait for the first time, there are many Don’t get me wrong. The misuse of apostrophes is a Wunusual things that will catch their eye. Shisha global phenomena. There’s even a society in the UK for [email protected] smoking, for instance, or the tradition of the diwaniya. the ‘protection of the apostrophe’ and guerrilla grammar- But as a writer, one of the first things I noticed was the ians who stealthy correct billboards all across the UK an you imagine working in an arduous job in Kuwait unique and distinctly local misuse of English words and (the home of English!) painting over apostrophes in signs such as construction, for example, under the hot sun grammar.