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UNSUNG: South African Jazz Musicians Under Apartheidunsung
UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600. -
Editorial: Their Americans: Why Do We Love 'Em
ISSN 1554-3897 AFRICAN JOURNAL OF CRIMINOLOGY & JUSTICE STUDIES: AJCJS; Volume 2, No. 2, November 2006 EDITORIAL: THEIR AMERICANS: WHY DO WE LOVE ‘EM SO?i By Biko Agozino, Ph.D. Professor of Sociology and Acting Head Department of Behavioural Sciences The University of the West Indies St. Augustine Trinidad and Tobago America! We Love You! But why? Africans came before Columbus to fraternize with Native Americans (Sertima, 1976). But since 1492 we have been terrorized along with the natives. Transportation, Auction, Plantation, Revolution, Emancipation, Liberation, and still we love you, America! Did you put voodoo on us or are your adorable Hollywood monsters so irresistible? I went to a conference on ‘Their America’ with a determination to address the second half of the organizers’ charge, the half that was not about why America is hated but without spelling it out in terms of love for America; that half of the coin of hatred appears to be the side of love too shy to be named but no less passionate than the side of hate. Their America is also ours to dream, to love, to seek, to save! Why do we love this God’s own country of theirs? Is it because our African ancestors before us slaved for this country, as Bob Marley queried? We built the cabin and we planted the corn. Yet Editorial: Their Americans: Why Do We Love Em So? Biko Agozino they look at us with a scorn while they eat up all our corn. Bob Marley went on to chant that we have to chase the crazy baldheads out of town because they return hatred for our love, telling us about the God above; but mostly we respond with unrequited love and yet the dominant message of Bob and all Rasta is the message of love. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? February 10 - 16, 2017 2 x 2" ad 2 x 2" ad We’ve got you covered! waxahachietx.com How Grammy V A H A D S D E A M W A H K R performances 2 x 3" ad E Y I L L P A S Q U A L E P D Your Key M A V I A B U X U B A V I E R To Buying L Z W O B Q E N K E H S G W X come together S E C R E T S R V B R I L A Z and Selling! 2 x 3.5" ad C N B L J K G C T E W J L F M Carrie Underwood is slated to A D M L U C O X Y X K Y E C K perform at the 59th Annual Grammy Awards Sunday on CBS. R I L K S U P W A C N Q R O M P I R J T I A Y P A V C K N A H A J T I L H E F M U M E F I L W S G C U H F W E B I L L Y K I T S E K I A E R L T M I N S P D F I T X E S O X F J C A S A D I E O Y L L N D B E T N Z K O R Z A N W A L K E R S E “Doubt” on CBS (Words in parentheses not in puzzle) Sadie (Ellis) (Katherine) Heigl Lawyers Place your classified Solution on page 13 Albert (Cobb) (Dulé) Hill Justice ad in the Waxahachie Daily 2 x 3" ad Billy (Brennan) (Steven) Pasquale Secrets Light, Midlothian1 xMirror 4" ad and Cameron (Wirth) (Laverne) Cox Passion Ellis County Trading Post! Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light homa City Thunder. -
Mandela My Life Exhibition 795.8KB .Pdf File
Items being borrowed by Museums Victoria for inclusion in the exhibition Items being borrowed by Museums Victoria from International Entertainment Consulting (IEC) Pty Ltd for inclusion in the exhibition Mandela My Life: The Official Exhibition at Melbourne Museum, 11 Nicholson Street, Carlton, AUSTRALIA, 22 September 2018 to 3 March 2019 MUSEUMSVICTORIA MV IDLender ID Object Image Provenance Information Height Length Width Depth Unit LN 65730OBJ050 Coffee Table - Nelson Mandela Office This coffee table was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. LN 65729OBJ050 Chair – Upholstered, Blue – Nelson Mandela Office This chair was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. LN 65728OBJ049 Chair – Upholstered, Blue – Nelson Mandela Office This chair was used directly by Mr Nelson Rolihlahla Mandela between 2002 and 2010 in his post-presidential office which was based at the Nelson Mandela Foundation (NMF) at its premises on 107 Central Street, Hougton, Johannesburg, South Africa. The NMF is the legal owner and of these items. Page 1 of 62 Museums Victoria MV IDLender ID Object Image Provenance Information Height Length Width Depth Unit LN 65727RSA092 Photograph - Formal studio portrait of Mandela as young Obtained by gift, or purchased directly from Mr Nelson Rolihlahla Mandela and/or man, smiling (RSA092) members of the Mandela family and/or from auctions, mints and/or memorabilia collections from around the world between 1993 and 2018 who were the previous legal owners and/or originators of these items. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Form L5: Title Registration/08
NICO CARSTENS AS INNOVEERDER VAN SUID-AFRIKAANSE POPULÊRE MUSIEK Susanna Helena Robina Louw Voorgelê om te voldoen aan die vereistes vir die graad MAGISTER MUSICAE in die Fakulteit Geesteswetenskappe, Departement Musiek, aan die Universiteit van die Vrystaat Studieleier: Prof. N.G.J. Viljoen Medestudieleier: Prof. M. Viljoen Januarie 2013 VERKLARING Ek verklaar hiermee dat die verhandeling wat hierby vir die graadMagister Musicae aan die Universiteit van die Vrystaat deur myingedien word, my selfstandige werk is en nie voorheen deurmy vir ’n graad aan ’n ander universiteit/fakulteit ingedien isnie. Ek doen voorts afstand van die outeursreg op dieverhandeling ten gunste van die Universiteit van die Vrystaat. ____________________________________ i ERKENNINGS By die voltooiing van hierdie verhandeling is dit die behoefte van my hart om persone en instansies wat my op een of ander wyse met genoemde materiaal behulpsaam was, opreg te bedank: My studieleier, prof Nicol Viljoen, en mede-studieleier, prof. Martina Viljoen, vir hulle besondere kundige leiding in alle fases en fasette van hierdie navorsing. SAMRO, vir die beskikbaarstelling van navorsingmateriaal, maar veral aan dié personeel wat genoemde materiaal so goedgunstiglik behulpsaam was. SABC en hulle Argief vir klank- en beeldmateriaal. Die FAK/SAMRO/National Arts Council of South Africa, vir finansiële bystand om hierdie projek te voltooi. Ingrid Howard, wat as behulpsame tussenganger opgetree het in my kontak en ontmoetings met Nico Carstens. Corrie Geldenhuys, vir die taalkundige versorging van die teks. Nico, die inligting hierin vervat, is net ’n fraksie van alles wat ek van jou ontvang het. Geen akademiese geskrif kan in elk geval vriendelikheid, openhartigheid en gasvryheid omskryf nie. -
Cablefax Dailytm Thursday — February 9, 2017 What the Industry Reads First Volume 28 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Special Report: Black History Month 4 Pages Today Cablefax DailyTM Thursday — February 9, 2017 What the Industry Reads First Volume 28 / No. SPECIAL Cable Commemorates Black History Month Black History Month began this year with a unique his- torical footnote, just 12 days after the first black president in American history left office after eight years—and with the eloquence of his farewell speech still ringing in many people’s ears. President Barack Obama’s legacy and defining mo- ments will be examined for decades to come, and the power of his most memorable speeches will be explored in a new hour-long Smithsonian Channel special, “The Obama Years: the Power of Words,” premiering February President Obama and speechwriting director Cody Keen- 27 at 8 p.m. ET/PT. It takes viewers through significant an review a speech in Smithonian Channel’s ‘The Obama moments of his political career via six notable speeches Years: the Power of Words.’ and how they shaped the national dialogue at crucial moments. including Baltimore, Philadelphia, Houston, Seattle and But Smithsonian Channel also is taking the show on the Pittsburgh throughout the month, mainly in museums road with special screenings followed by panel discus- focused on or with a strong connection to black history. sions across the country, starting with a premiere event This will be the fifth year the channel has taken Black at the National Museum of American History in DC History Month content to live audiences. Tuesday night. In partnership with Comcast, Altice and At the doc’s DC screening and panel discussion this Charter Spectrum, live events for “The Obama Years: B:7.5”week, producer/writer/director Jody Schiliro talked about the Power of Words” will be held in nearly a dozen cities T:7.5”how she’s always been interested in the way the White S:7.5” T:3.33” B:3.33” S:3.33” PREMIERES MON FEB 27 8/7c ©2017 SNI/SI Networks L.L.C. -
235-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
SNL: John Mulaney's Hal T-Shirt Explained
Home SR Originals SNL: John Mulaney's Hal T-Shirt Explained SNL: John Mulaney's Hal T-Shirt Explained John Mulaney pays tribute to a Saturday Night Live legend. Here's what you need to know about the late music supervisor Hal Willner and his legacy. BY Q.V. HOUGH 1 DAY AGO John Mulaney pays tribute to a Saturday Night Live legend. On Halloween 2020, the American comedian hosted the fifth episode of season 46, and wore a t-shirt labeled "HAL" during the final send-off. Whereas HAL in all caps is often associated with a character from 2001: A Space Odyssey, Mulaney's tip of the cap was for the late Hal Willner, a Saturday Night Live colleague and friend. Saturday Night Live always has a different comedic vibe when Mulaney headlines the NBC sketch comedy series. Formerly a staff writer from 2008 to 2012, the comic has now hosted four times and typically contributes to surrealistic sketches that are slightly longer than the usual bits. "Bodega Bathroom" became one of Saturday Night Live's season 44's most popular sketches, due its absurdist humor and Broadway spin, and a new sketch entitled "New York Musical" is similarly grounded in theatrical themes. Continue Scrolling To Keep Reading Click the button below to start this article in quick view. START NOW ARTICLE CONTINUES BELOW ADVERTISEMENT RELATED: SNL: John Mulaney’s “Nothing Changes” & Mail-In Ballot Controversy Explained In the closing moments of the Halloween 2020 episode, Mulaney acknowledges the legacy of the aforementioned Willner — a long-time Saturday Night Live music supervisor. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
SA Genealogie Epos Bundels
SA-GENEALOGIE Poslys Argiewe 2012 Jaargang IX Maand 11 November 2012 Saamgestel deur: Pieter L van der Merwe KWYTSKELDING Hierdie argief is nie ’n amptelike, wetlike dokument nie, maar ’n samestelling van die e-posse van verskillende lede van die SA Genealogie Gesprekslys soos dit gedurende die tydperk ingestuur was. Die lyseienaars en hulle bestuurspan aanvaar dus geen aanspreeklikheid vir die korrektheid van gegewens, sienings oor bepaalde gebeure, interpretasie en samestelling van familieverwantskappe, of vir enige aksies of verlies wat daaruit mag voortspruit nie, en stel voor dat persone wat hierdie bron gebruik, self eers die gegewens kontroleer. November 2012 Bundels (Slachtmaand / 9ber / IXber) Onderwerp: [SA-Gen] Bundel Nommer 5564 Datum: Thu Nov 1, 2012 Daar is 15 boodskappe in hierdie uitgawe Onderwerpe in hierdie bundel: 1a Re: Vreemde van - Fottaja - Boerekrygsgevangene by "Johan Pottas" pottasjj 2a 'n Verlore Marais by "Melanie McIntosh" martagon1966 2b Re: 'n Verlore Marais by "Abie du Plessis" abie_duplessis 2c Re: 'n Verlore Marais by "Melanie McIntosh" martagon1966 3 Plaasnaam Sondernaam by "Hugenote Museum" 4 Hollandse Blad by "Yvonne Nieuwoudt" yvonnenieuwoudt 5a KLOPPER en Oos-Afrika trek by "Johan Pottas" pottasjj 5b Re: KLOPPER en Oos-Afrika trek by "André du Plessis" duplesaj 6a MARAIS by "Susie Kleynhans" kleynhanssusie 6b MARAIS by "Hunter, Lawrance (Prof) (Summerstrand Cam" edna_hntr 6c Re: MARAIS by "Bennie Kruger" [email protected] 7 [Koerant] Die Burger Oos-Kaap 31 Okt 2012 by "P Marx" 8 [Koerant] Die Burger Oos-Kaap 01 November 2012 by "P Marx" 9a William Johnson by "jurethaswanepoel" jurethaswanepoel 9b Re: William Johnson by "David Le Roux" dawie_lr Messages 1a Re: Vreemde van - Fottaja - Boerekrygsgevangene Thu Nov 1, 2012 2:52 am (PDT) .