SUPPORTING Gibb St, Birmingham B9 4AA

Total Page:16

File Type:pdf, Size:1020Kb

SUPPORTING Gibb St, Birmingham B9 4AA Calendar January - April 2015 JANUARY Saturday 10 Young Writers’ Foundation Group £80/£65 for the year Thursday 15 Short and Sweet: Short Fiction Salon Free Saturday 24 Writer Networking Morning: Stafford Free Tuesday 27 Short Course: Towards a Poetry Collection £110 for six sessions FEBRUARY Thursday 5 Poetry by Heart - Birmingham & West Midlands Final Free Tuesday 10 David Lodge: / Quite a Good Time to be Born, A Memoir £4 Thursday 12 Short and Sweet: Short Fiction Salon Free Monday 16 - Friday 20 Page Talk Young Writers’ Week £5 per day | £25 for the week Saturday 21 Page Talk Young Writers’ Festival Free Saturday 28 The Student Writers’ Toolkit £12 MARCH Thursday 12 Short and Sweet: Short Fiction Salon Free Saturday 14 Writer Networking Morning: Dudley Free APRIL Thursday 2 Jonathan Coe - Short Stories and Live Music £10 / £8 Thursday 9 Short and Sweet: Short Fiction Salon Free Thanks to all Friends, Supporters & Benefactors of Writing West Midlands. Programme of Activities If you would like more information about our Friends scheme, please visit the January - April 2015 Support Us page on either of our websites. www.writingwestmidlands.org / www.birminghamliteraturefestival.org Writing West Midlands, Unit 204, The Custard Factory, SUPPORTING Gibb St, Birmingham B9 4AA. Tel: 0121 246 2770 CREATIVE WRITERS AND CREATIVE WRITING www.writingwestmidlands.org IN THE WEST MIDLANDS. Company Registration Number: 6264124. Registered Charity Number: 1147710. WWW.WRITINGWESTMIDLANDS.ORG The advertised programme is subject to change without notice where unavoidable. WHO WE ARE & WHAT WE DO WELCOME We are the region’s literature development Happy New Year and welcome to Writing West agency. We support the development of Midlands’ programme of events and activities creative writing activities and participation for creative writers in the West Midlands. across the West Midlands. We are starting some new projects while on working on a first poetry collection, led by In this brochure you will find details of our public activities between January and working hard to sustain activities and invest in Jane Commane of Nine Arches Press. April 2015. There are three main strands to our work. Look out for the symbols writers and writing over the long term. below. Literature and writers in performance are Our new Young Writers’ Foundation Group is important as ever. Short & Sweet is a new designed for young people aged 16 to 20, with monthly opportunity for writers to test out fiction WRITERS FESTIVALS & EVENTS four day workshops across the year. In addition in performance. We are also looking forward to we are delighted to host the Birmingham and Jonathan Coe’s performance of some of his We support writers as they develop their We run literature events around the year. These West Midlands final of the Poetry by Heart short stories with gifted musicians in April, and creative careers. We run training courses and range from book launches and short fiction competition, testing young people in performing we are honoured to jointly present the regional workshops, networking events and industry open mics to a ten day festival, the Birmingham contemporary and classic poetry. Young writers launch of David Lodge’s memoir, Quite a conferences and a writer development Literature Festival, which takes place each and performers will also want to take part in Good Time to be Born. programme. We also signpost people towards October. our third Page Talk Young Writers’ Week & opportunities, projects and training. www.birminghamliteraturefestival.org Festival, in Stafford. Finally, a few messages. While we are www.writingwestmidlands.org supported by Arts Council England and other Our writing industry work continues, too. Room funders, much of our income is generated by 204, our writer development programme, will sales - tickets for events but also books and be recruiting again in February, and our third our near-legendary West Midlands Writers YOUNG WRITERS Student Writers’ Toolkit takes place on 28th Tea Towels... If you value our work and want February. If you are a student or recently to receive manifold benefits please consider We work with children and young people in and out of school to develop their interest in creative graduated come along to connect with the becoming a Friend, Supporter or Benefactor. writing through our Write On! programme. This work is made up of: in-school writing workshop people and organisations who make creative If you are in a position to offer more, please projects; out of school creative writing clubs (Write On! Young Writers’ groups); and our online writing happen. consider sponsoring a Birmingham Literature Write On! Magazine. Write On! works with children and young people aged 8 - 20 and also Festival event or one of our twenty one Young involves teachers, parents and carers. Additionally, we have Writer Networking Writers’ Groups. www.writingwestmidlands.org/young-writers-schools sessions happening in Stafford and Dudley in January and March, and another short course Wishing you a successful writing year. THE WRITING WEST MIDLANDS TEAM Jonathan Davidson Abigail Campbell Joanne Penn Chris Swann STAY IN TOUCH Chief Executive Festival Programmer Projects Manager Events Manager From time to time other events and activities may take place that we aren’t able to include here. To stay in touch join our mailing list. For more details about what we do, Sara Beadle Connor Evans Hayley Frances Emma Boniwell please visit www.writingwestmidlands.org. Programmes Director Team Administrator Project Fieldworker Relationship Manager Tweet us @writingwestmids or find us on Facebook. Olivia Chapman PR and Communications Manager If you are a writer in the region, we’d love to hear from you. Cover Image: Bluebell Woods, Shropshire, West Midlands. NEWS FROM US NEWS FROM US From the opening of applications for our DOES CREATIVE WRITING POSITIVELY IMPACT YOUNG PEOPLE’S writer development programme to a new WELL-BEING? Yes it does! Through 2014 we have participants aged 12-16. event series and an online shop, here’s a been measuring the well-being of selection of our news... young people involved in our young • Emotional well-being, self-esteem writers’ projects. Funded by the Paul and satisfaction with friends all rose by Hamlyn Foundation, we have initiated 10-12% in participants aged 16-19. ROOM 204 OPEN FOR APPLICATIONS FOR 2015-16 a series of questionnaires and activities to see how engagement with Here’s what some of our young writers Room 204 is Writing West Midlands’ It offers writers a year of close contact creative writing activities can positively had to say; “I really enjoyed hearing writer development programme. Every with the organisation in the form of 1-1 influence different aspects of well-being other people’s work and doing things year we select fifteen emerging writers meetings, group networking sessions for a young person. I don’t usually do because it’s inspired from the West Midlands to work with and occasional workshops, access me to write different things.” Young us on a programme of creative career to an information-sharing group on Measurement of our ongoing Write Writers’ Summer School participant. development. Facebook and a free place at Writing On! groups will continue through to West Midlands’ annual conference, The March 2015 but so far we have seen a “It’s something I would recommend Rather than a scheme that looks at Writers’ Toolkit. positive difference in young writers who to everyone, even if you just want to improving the quality of their writing, have taken part in the Page Talk Young improve your writing or make some Room 204 selects candidates based The application process is open now Writers’ Week and Festival and our new friends. It was by far one of the on the existing high quality of their and closes on Monday 16 February Young Writers’ Summer School in 2014. best experiences of my life and I would work and their need for support. 2015. do it all over again if I could.” – Page • Life satisfaction increased by 15%, Talk participant. emotional well-being increased by 22% and self-esteem increased by 8% for www.writingwestmidlands.org For more information about our work with young writers: www.writingwestmidlands.org/young-writers-schools/ SHORT & SWEET: A NEW SHORT FICTION EVENT FOR 2015 NEW ONLINE SHOP AVAILABLE! After many conversations with writers The events will be loosely themed, but who are keen to test out new works don’t let that put you off. If you’ve got a Visit our new Online Shop to buy copies And did we mention the West Midlands’ of short fiction in front of an audience, piece that needs airing, drop us a line of A Midlands’ Odyssey, our collection Writers Tea Towel? More items will be we got together with our partners at to book a slot now. Email of commissioned short stories setting added as the year goes on. the Library of Birmingham to design a [email protected]. the Odyssey in the region, and also new event. Hosted by writer and Heart to join our Friends, Supporters and breakfast presenter Rachel New, the Aimed at writers needing a platform Benefactors scheme. events will be open mic. Short & Sweet to test great new work, Short & Sweet will be about sharing stories – short, is also a treat for audiences – come flash or micro fiction – anything that fits along and dip into the five guest pieces To browse the shop, please visit: into a seven minute slot. presented at each event. Full event www.writingwestmidlands.org/shop listings are throughout this brochure. To book a free ticket: www.writingwestmidlands.org/events JANUARY EVENTS JANUARY YOUNG WRITERS’ FOUNDATION GROUP WRITER NETWORKING MORNING: STAFFORD Saturdays 10 January, 11 April, 27 June & 12 September, 11am - 4pm Saturday 24 January, 10.30am - 12.30pm Birmingham City University, Parkside Campus, 5 Cardigan Street, Birmingham, B4 7BD Shire Hall Gallery, Market Square, Stafford, ST16 2LD The Young Writers’ Foundation Group is a creative writing group for anyone aged Join Writing West Midlands staff and guest speakers for an hour of presentations 16 to 20 in the West Midlands.
Recommended publications
  • Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’S the Cut, Amanda Craig’S the Lie of the Land, and Jonathan Coe’S Middle England
    Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England Emma Linders, S2097052 Master thesis: Literary Studies, Literature in Society: Europe and Beyond University of Leiden Supervisor: Prof. Dr. P.T.M.G. Liebregts Second reader: Dr. M.S. Newton Date: 01-02-2020 (Zaichenko) Emma Linders 2 Table of Contents INTRODUCTION ....................................................................................................................................... 3 CHAPTER 1 – Strangers in a Familiar Land: National divisions in Anthony Cartwright’s The Cut ......... 10 Outsider Perspective ......................................................................................................................... 10 Personification .................................................................................................................................. 11 Demographic Divides ........................................................................................................................ 11 Foreign Home Nation ........................................................................................................................ 13 Class Society ...................................................................................................................................... 14 Geography ......................................................................................................................................... 16 Language
    [Show full text]
  • Examining the Effects of Conflict in Contemporary Culture in the Rotters’ Club by Jonathan Coe
    1 Adolescence in 1970s Britain: Examining the effects of conflict in contemporary culture in The Rotters’ Club by Jonathan Coe Joshua Hinett [email protected] Word count: 2,101 Key words: Conflict, Discrimination, Community, Identity Abstract Jonathan Coe’s The Rotters’ Club primarily focuses on the lives of three young schoolboys growing up in 1970s Birmingham during emerging youth culture and civil unrest. Utilising the contextual factors of the backdrop, Coe presents the subtle implications this conflict has in the development of the main characters in the narrative as the characters move toward adolescence. The consequences of political unrest and extremist ideology emerging in Britain play a clear role in the irreversible shaping of each character’s disposition and social status within society, as their community echoes the conflict in the greater macrocosm of culture across the country. The aim of this article is to present Coe’s use of contextual factors to portray the impact of both explicit conflict and underlying issues in the maturation of characters in the novel. To this end, issues centred on racism, xenophobia and social progressivism are to be discussed and analysed throughout the argument to determine the true extent of how conflict shapes the lives of the youth as they come of age. 2 Conflict is defined not only by struggle between opposing forces, both physical and ideological, but the fallout of this clash. The narrative of the book The Rotters’ Club written by Jonathon Coe is largely based on the violent contextual events and ideologies of the setting of the novel in 1970s Birmingham.
    [Show full text]
  • The Necessary Biro: Writers and Writing in the Novels of Jonathan Coe
    The Necessary Biro: Writers and writing in the novels of Jonathan Coe ‘I don’t get it,’ she said at last, after reading the sentence one more time. ‘I mean, what’s so funny about a biro?’ 1 A ‘biro’ is funny because it ought to be ‘brio’. The parting shot of Michael Owen’s, the central figure of What a Carve Up!, book review ought to read, ‘he lacks the necessary brio,’ but an editorial error and the inversion of two letters suggests that the author in question is sadly bereft of the required writing equipment. What was meant to be an acerbic reflection on the subject’s lack of panache becomes a source of humiliation to Owen. The biro confusion not only reveals Jonathan Coe as a humorist, but also distils, in the form of a gag; a number of concerns that pervade the novelist’s work, namely: the precarious status of text in the public domain; the author’s anxiety regarding the interpetation of their narrative; and the figure of the unfortunate writer. Furthermore, it is an ironic twist that the punch line should refer us back to the writing implement itself. In the moment of reading the act of writing is acknowledged, with ‘the necessary biro’ prioritizing the means and action of the physical composition of text. The aim of this dissertation is to pursue an interest in the writers, acts of writing, and versions of text that populate the novels of Jonathan Coe; charting how these elements function in structuring, connecting, reinterpreting, and propelling his narratives; and how they provide a means for Coe to interrogate his own approach to writing narrative in the contemporary novel.
    [Show full text]
  • The Midlands Ultimate Entertainment Guide
    Shropshire Cover Online.qxp_cover 27/10/2015 15:30 Page 1 THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE SHROPSHIRE ’ Whatwww.whatsonlive.co.uk sOnISSUE 359 NOVEMBER 2015 DAVID WALLIAMS talks Gansta Granny interview inside... CHRIS RAMSEY All Growed Up at Theatre Severn MASKS AND PUPPETS new exhibition promises something for everyone ALAN INSIDE: FILM COMEDY THEATRE LIVE MUSIC VISUAL ARTS EVENTS DAVIESON TOUR FOOD & DRINK & MUCH MORE! Belgrade (FP) OCT 2015.qxp_Layout 1 21/09/2015 20:59 Page 1 Contents November Region 2 .qxp_Layout 1 26/10/2015 18:16 Page 1 November 2015 Brave New World Aldous Huxley’s vision of the future in Wolves, page 33 The Grahams Lee Mead Antiques For Everyone Glory Bound at talks about Some Enchanted Winter Fair at the NEC Henry Tudor House page 11 Evening interview page 6 page 71 INSIDE: 4. News 11. Music 24. Comedy 29. Theatre 45. Dance 47. Film 67. Visual Arts 73. Days Out 81. Food @whatsonwolves @whatsonstaffs @whatsonshrops Birmingham What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Publishing + Online Editor-in-Chief: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Editorial: Brian O’Faolain [email protected] 01743 281701 Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Chris Eldon Lee, Heather Kincaid, David Vincent, Helen Stallard, Clare Higgins, Offices: Wynner House, Kieran Johnson Managing Director: Paul Oliver, Publisher and CEO: Martin Monahan Graphic Designers: Lisa Wassell, Chris Atherton Bromsgrove St, Accounts Administrator: Julia Perry [email protected] 01743 281717 Birmingham B5 6RG This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine.
    [Show full text]
  • Merritt Moseley, Understanding Jonathan Coe (Columbia, South Carolina: University of South Carolina Press, 2016)
    Postgraduate English Journal, No. 35 (Autumn 2017) Merritt Moseley, Understanding Jonathan Coe (Columbia, South Carolina: University of South Carolina Press, 2016). £30.86 / $39.99 (Hardback). 135pgs. ISBN: 978-1-61117-650-6. Reviewed by Anthony Walker-Cook, University College London Author of eleven novels, the contemporary British writer Jonathan Coe has enjoyed a career that is characterised by its variety and success, yet critical attention has tended to focus explicitly on his 1994 novel What a Carve Up!.1 Merritt Moseley’s Understanding Jonathan Coe (2016), however, offers a full discussion of Coe’s fictional and non-fictional work. Moseley presents ‘one of the most important and most consistently rewarding novelists of his generation’, drawing particular attention to the variety of Coe’s oeuvre: ‘His output includes vertiginously experimental fictions, broad- canvassed depictions of British society, political satire, and careful delineations of lonely or frustrated individuals’.2 On the 17th August 2016 Coe tweeted, ‘So this book came in the post today and it turns out I’m much harder to understand than I thought.’3 With the tweet is a picture of Coe hooked in a literary selfevaluation with an open copy of Understanding Jonathan Coe. Coe’s plots are simultaneously funny, emotive and didactic, but the exaggerated claim that his work is difficult is typical of Coe’s wry 1 This criticism has offered multiple ways of interpreting Coe’s novel. For example, Michael Shallcross’s ‘‘The Parodist’s Game’: Scrutiny of Cultural Play in Jonathan Coe’s What a Carve Up!’. Adaptation 9.2 (2016): pp.
    [Show full text]
  • Satire, Identity and State-Of-The-Nation Novels in Jonathan Coe’S Fiction
    UNIVERSITATEA DIN CRAIOVA FACULTATEA DE LITERE ȘCOALA DOCTORALĂ „ALEXANDRU PIRU” SATIRE, IDENTITY AND STATE-OF-THE-NATION NOVELS IN JONATHAN COE’S FICTION SUMMARY Îndrumător științific: Prof. Univ. Dr. OLARU Victor Doctorand, ȚACU Andreea Daniela CRAIOVA 2020 SATIRE, IDENTITY AND STATE-OF-THE-NATION NOVELS IN JONATHAN COE’S FICTION SUMMARY In his essay, The Paradox of Satire, Jonathan Coe argued that “if you could not cleanse the world of its deformities, you could at least laugh at them” (Coe 2013: 3435). Coe’s novels are often regarded as satirical accounts of contemporary Britain, wrapped in what foreign audiences identify as the English sense of humour. Over the last five decades, Britain has experienced radical political, social and economic changes, from the election of Margaret Thatcher in 1979 to the withdrawal of the United Kingdom from the European Union in 2017. This period of tension and concern permeated literature and was translated into a series of political novels regarded by the critics as contemporary state-of-the-nation fiction. Jonathan Coe is considered one of the harshest critics of British recent history and his poetic perspective on life is remarkably tied to the historical circumstances of Great Britain during the last decades. The combination of literariness with humour and wry observations about politics and society is probably what helped him achieve great critical recognition as well as commercial success. However, we find it quite surprising that Coe’s fiction has prompted rather little serious academic discussions, beyond some assertions related to his technical artistry or to the political aspect of his novels.
    [Show full text]
  • Power in Politics and Academia in Jonathan Coe's Novels Vii
    Power in Politics and Academia in Jonathan Coe’s Novels Power in Politics and Academia in Jonathan Coe’s Novels By Denisa Dumitrașcu Power in Politics and Academia in Jonathan Coe’s Novels By Denisa Dumitrașcu This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Denisa Dumitrașcu All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0324-0 ISBN (13): 978-1-5275-0324-3 CONTENTS Foreword and Acknowledgements ........................................................... viii Chapter One ................................................................................................. 1 Introduction 1.1 Explaining the Use of the Concept of Politics and Academia.......... 5 1.2 Critical Reception of Jonathan Coe’s Work ..................................... 5 1.3 Realism or Postmodernism? ........................................................... 10 1.4 Text, Context and Power in Recent Literary and Cultural Studies ............................................................................................ 11 1.5. Text and Context in Jonathan Coe’s Fiction .................................. 13 1.6 Thesis / Intention
    [Show full text]
  • S Alisbur Y Lit Erar Y Fes Tiv Al 17
    SALISBURY LITERARY FESTIVAL 17TH - 22ND OCTOBER 2018 The Salisbury WELCOME Story Prize The aims of the festival are: Firstly, the festival is one with a strong local content that supports and celebrates local writing. There are many great writers past and present, from the Salisbury area. We want to showcase their work and, through initiatives like the Salisbury Story Prize, encourage the next generation of writers as well. 2018 Secondly, the festival is one that is predominantly www.salisburyliteraryfestival.co.uk fiction-based. We want a festival that focuses on creative writing over memoirs and celebrity-led books. I’m thrilled to be introducing this brochure for the second year of the Salisbury Literary Thirdly, the festival is one that is focused on both Festival. Following the success of the inaugural readers and writers. The Salisbury Writing Circle is To celebrate the return of the Salisbury Literary Festival, event last year, we return with an exciting about creative writing and we want this festival to we are delighted to launch the Salisbury Story Prize 2018. and expanded 2018 programme featuring have a practical element that supports writers. bestselling and award-winning authors for both adults and children. Fourthly, we want the festival to be as inclusive and Entries are invited on the themes of umbrellas or doves in the as accessible to all as possible. Once again, we have following categories… Over the following pages, you will see that we kept ticket prices low, with concessions for those on have three fantastic headliners: Val McDermid, benefits and under-25s, as well as offering a number of Matt Haig and Jonathan Coe.
    [Show full text]
  • BIRMINGHAM LITERATURE FESTIVAL Writers Books Ideas
    BIRMINGHAM LITERATURE FESTIVAL 4–14 October 2018 birminghamliteraturefestival.org Writers Books Ideas FESTIVAL Welcome to our HIGHLIGHTS 2018 October Festival Roy McFarlane Antonia Beck This Is Not A Safe Space, an evening with ‘the Godfather of Alternative Comedy’ Alexei Sayle and new books from well-known writers Mohammed Hanif and John Boyne. We also continue to mark 2018 as the year of women with events featuring leading women’s rights campaigner Helen Pankhurst, musician Viv Albertine and The Inking Woman – a celebration of 250 years of women cartoonists. We hope you feel as excited by this programme Our October programme is packed with a wide as we are, and we look forward to seeing you in range of events celebrating words, books and National Poetry Day A. C. Grayling October. Page 6 Page 21 ideas in many forms. ANTONIA BECK, FESTIVAL DIRECTOR We continue to be ambitious and work to break new ground in terms of what a Literature Festival is and can be, and this programme is certainly Festival Preview: no exception. We are delighted to present 10 days of inspiring, thought-provoking and The Guilty Feminist entertaining events which not only showcase by Deborah great books and writers from the UK and abroad, Frances-White but also create space to bring people together for great conversation and ideas. Tuesday 4 September, 7.30pm, The Glee Club Tickets: £20 including a copy of the book As part of the planning for our October festival, Available at www.waterstones.com Sali Hughes AND it has been a joy to work with writer Sathnam LAUREN LAVERNE Viv Albertine Sanghera who has curated some very special Join Deborah Frances-White, the creator of Page 13 Page 26 events with key writers from the West Midlands.
    [Show full text]
  • Mémoire M2 COE 2905
    MEMOIRE DE MASTER 2 RECHERCHE ETUDES ANGLOPHONES Imad Zrari Année universitaire 2016-2017 The Blurring of Politics, Postmodernist Aesthetics and Writing in What a Carve Up! and Number 11 , Jonathan Coe Sous la direction de Laurent Mellet Professeur des Universités en Littérature et Cinéma Britanniques REMERCIEMENTS La réalisation de ce mémoire a été possible grâce au concours de plusieurs personnes à qui je voudrais témoigner toute ma reconnaissance. Je voudrais tout d’abord adresser toute ma gratitude au directeur de ce mémoire, Laurent Mellet, pour sa patience, sa disponibilité et ses précieux conseils, qui ont contribué à alimenter ma réflexion. Je voudrais également exprimer ma reconnaissance envers mes amies et collègues, Jacqueline Kempton et Blandine Michel, pour leur soutien moral et intellectuel. Enfin, une grande pensée pour ma mère qui a toujours valorisé l’éducation. 2 Table of contents Introduction ................................................................................................................... 5 I. Satire, Engagement and Humor in Coe’s Novels ................................................ 9 1. Coe as a Political Satirist .............................................................................. 9 a. Coe’s Background and Influence ................................................................................. 9 b. WACU : an Acrid Criticism of Thatcherism ................................................................ 12 c. N11 : A Dark Portrait of Blairism and Cameronism in the Same Vein as WACU
    [Show full text]
  • Herefordshire Readers' Group Book Sets
    Herefordshire Readers’ Group Book Sets Last website update February 2021 Sets have 15 copies except where indicated, and some include audio books (SW) and/or large print books (LP) Some titles are also available as ebooks and/or eaudiobooks via our BorrowBox app. For more details go to https://capitadiscovery.co.uk/herefordshire/ or see https://www.borrowbox.com/ Allende, Isabel - Daughter of Fortune (includes SW & LP) A sweeping portrait of an era; rich in character, history, violence, and compassion. An epic tale spanning four continents. Angelou, Maya - I Know Why the Caged Bird Sings The moving autobiographical account of the early years of the late, iconic, African-American writer and poet Maya Angelou. Armitage, Simon – Walking Away Modern day troubadour poet Simon Armitage walks the South West coastal path performing poetry along the way. He walks penniless and after each performance he passes around a sock for the audience to make their donations. His dry sense of humour and wry observations make this a very entertaining read. Ashton, Juliet – The Sunday Lunch Club When Anna and her nearest and dearest get together for Sunday lunch every few weeks they laugh bicker and just enjoy each other’s company. Much like any other family. But Anna’s life is changing. How will she reconcile her painful past and uncertain future? Full of love and laughter, as well as tears, this is comfort food in a book – but without the calories, or the pain of burning your mouth on a roast potato. Athill, Diana - Somewhere Towards the End Aged ninety, and freed from any inhibitions that even she may once have had, Diana Athill reflects frankly on the losses and occasionally the gains that old age brings, and on the wisdom and fortitude required to face death.
    [Show full text]
  • Old Edwardians Gazette
    KING EDWARD’S SCHOOL BIRMINGHAM OLD EDWARDIANS GAZETTE 2016 In this issue... Writing The Rotters’ Club Jonathan Coe reflects on the inspiration behind his book An education for life Lord Willetts talks about what a good education should provide Wildlife and adventure Former Teacher of Biology, Stan Lampard, reminisces Issue 294 Contents 03 News A word from the Chairman 04 Letters to the Editor 04 Events: a year in pictures 06 Forthcoming OE events 07 School news 08 Features Jonathan Coe on writing 10 The Rotters’ Club Welcome An education for life: David Willetts 12 2015/2016 has already been a very good year for King Edward’s School, even an annus mirabilis, or even mirabilissimus, and that’s not just because a new Chief Master has been appointed who Former Masters has a teaching qualification. The School has won major national prizes: The Sunday Times IB School of the Year, the TES Independent Schools Award for independent school/state school Stan Lampard reminisces 14 partnership, the national Senior Maths Challenge competition for an unprecedented second year in a row. In 2015 half the boys got over 40 points in IB, over a third of the boys got 10 A*s at GCSE and in January 2016 27 boys received offers from Oxford and Cambridge, the highest figure since 2002, a time when we still benefited from government funded Assisted Places. Archives And why should this be? Well, you might say that it is the Old Edwardians what done it. This Archive matters 16 school is only a great school when it can attract the brightest boys in Birmingham and beyond – some even come from Derby these days – and that has only been possible through the support of alumni over the last decade.
    [Show full text]