Read Book Mr William Shakespeares Plays Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Mr William Shakespeares Plays Ebook MR WILLIAM SHAKESPEARES PLAYS PDF, EPUB, EBOOK Marcia Williams | 40 pages | 17 Sep 2009 | Walker Books Ltd | 9781406323344 | English | London, United Kingdom Mr William Shakespeares Plays PDF Book Bevington, David William Shakespeare. Sign up here to see what happened On This Day , every day in your inbox! Blayney, Peter W. See Article History. The next date of interest is found in the records of the Stratford church, where a daughter, named Susanna, born to William Shakespeare, was baptized on May 26, First Folio , first published edition of the collected works of William Shakespeare , originally published as Mr. Oxford: Clarendon Press. The New York Times. The parish register of Holy Trinity Church in Stratford-upon-Avon , Warwickshire , shows that he was baptized there on April 26, ; his birthday is traditionally celebrated on April Learn More in these related Britannica articles:. Walker, Alice Oxford: Oxford University Press. Shakespeare: A Life. New York: W. First might I chuse I would be bound to wipe, Where he discharged last his Glister- pipe. The Folio was typeset and bound in "sixes" — 3 sheets of paper, taken together, were folded into a booklet-like quire or gathering of 6 leaves, 12 pages. The first Shakespeare play to be published Titus Andronicus , was printed by a notorious pirate, John Danter, who also brought out, anonymously, a defective Romeo and Juliet , largely from shorthand notes made during performance. The Riverside Shakespeare. John Heminge and Henry Condell, fellow actors and theatre owners with Shakespeare, signed the dedication and a foreword to the First Folio and described their methods as editors. Oxford: Blackwell. The second printing of the latter included Pericles which otherwise exists only in a bad quarto and several other plays of dubious attribution , including The Two Noble Kinsmen which appeared in a quarto of and is now thought to have been a collaboration of Shakespeare and John Fletcher and Cardenio now lost , as well as The London Prodigal and The History of Thomas Lord Cromwell. Halliday, F. The Foundations of Shakespeare's Text. Starting with the publication of Sir Philip Sidney 's The Countess of Pembroke's Arcadia and Astrophel and Stella , both published by William Ponsonby , there was a significant number of folios published, and a significant number of them were published by the men who would later be involved in publishing the First Folio. By Mr. Read more below: Shakespeare the man: Life. Martin's Press. Douglas Mr. Shakespeare problems. The term foul papers refers to Shakespeare's working drafts of a play. Shakespeare as Literary Dramatist 2nd ed. The comic-strips include Shakespeare's dialogue and the rowdy remarks of the audience. Give Feedback External Websites. Washington: Folger Shakespeare Library. But this method is unsatisfactory: one cannot conclude, for example, from his allusions to the law that Shakespeare was a lawyer, for he was clearly a writer who without difficulty could get whatever knowledge he needed for the composition of his plays. Their shares in typesetting the pages of the Folio break down like this:. This work is in the public domain in the United States of America, and possibly other nations. Another collection 12 copies is held at Meisei University in Tokyo , including the Meisei Copy coded MR , said to be unique because of annotations by its reader. Early editions of William Shakespeare 's works. The paper industry in England was then in its infancy and the quantity of quality rag paper for the book was imported from France. National Library of Scotland. Mr William Shakespeares Plays Writer It does not appear in the table of contents. In addition to the text for the play, this title includes copies of the preliminary pages from 'Shakespeare's First Folio' including the portrait of Shakespeare, engraved by Martin Droeshout. Other writers have applied their keenness of mind in this way, but Shakespeare is astonishingly clever with words and images, so that his mental energy, when applied to intelligible human situations, finds full and memorable expression, convincing and imaginatively stimulating. Shakespeare: A Life in Drama. Although 18 of Shakespeare's plays had been published in quarto before , the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Shakespeare: A Life. Walker, Alice Print print Print. Greenblatt, Stephen Blayney, Peter W. The Riverside Shakespeare. Included is the introduction to acting from the First Folio and its accompanying acting guide and glossary, making this the most valuable tool for all who love the Bard. Greg has argued that Edward Knight , the "book-keeper" or "book-holder" prompter of the King's Men , did the actual proofreading of the manuscript sources for the First Folio. External Websites. Meisei University. Another collection 12 copies is held at Meisei University in Tokyo , including the Meisei Copy coded MR , said to be unique because of annotations by its reader. Shakespeare remains vital because his plays present people and situations that we recognize today. William Shakespeares Comedies, Histories and Tragedies. The most famous include Sonnet 18, with opening lines "Shall I compare thee to a summer's day? Title page of the first impression Researchers have labelled them A through E, A being the most accurate, and E an apprentice who had significant difficulties in dealing with manuscript copy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. In a second folio was issued and in a third. By signing up, you agree to our Privacy Notice. Under the Gregorian calendar , adopted in Catholic countries in , Shakespeare died on 3 May. Hamnet died at the age of HearReadSee: -- Hear recordings of great contemporary and historical performances of key scenes from the play. First might I chuse I would be bound to wipe, Where he discharged last his Glister-pipe. Indeed, his contemporary Thomas Heywood , whose poetry Jaggard had pirated and misattributed to Shakespeare, specifically reports that Shakespeare was "much offended with M. Ackroyd, Peter Mr William Shakespeares Plays Reviews By signing up, you agree to our Privacy Notice. Print Cite. Archived from the original on Smethwick had been a business partner of another Jaggard, William's brother John. Although the amount of factual knowledge available about Shakespeare is surprisingly large for one of his station in life, many find it a little disappointing, for it is mostly gleaned from documents of an official character. The Telegraph. Counting by number of editions published before , the best-selling works were Venus and Adonis 12 editions , The Rape of Lucrece 6 editions , and Henry IV, Part 1 6 editions. Of the 23 editions of the poems, 16 were published in octavo ; the rest, and almost all of the editions of the plays, were printed in quarto. It does not appear in the table of contents. It is possible that the printer originally expected to have the book ready early, since it was listed in the Frankfurt Book Fair catalogue as a book to appear between April and October , but the catalogue contained many books not yet printed by , and the modern consensus is that the entry was simply intended as advance publicity. English Renaissance theatre. History at your fingertips. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. Greg has argued that Edward Knight , the "book-keeper" or "book-holder" prompter of the King's Men , did the actual proofreading of the manuscript sources for the First Folio. This volume again presents that text and also includes Shakespeare's poems, edited by Gildon in No lists of the pupils who were at the school in the 16th century have survived, but it would be absurd to suppose the bailiff of the town did not send his son there. It may be audacious even to attempt a definition of his greatness, but it is not so difficult to describe the gifts that enabled him to create imaginative visions of pathos and mirth that, whether read or witnessed in the theatre, fill the mind and linger there. By Mr. The cause of Shakespeare's death is unknown. Read more below: Shakespeare the man: Private life. Table Of Contents. Hamnet died at the age of William Jaggard has seemed an odd choice by the King's Men because he had published the questionable collection The Passionate Pilgrim as Shakespeare's, and in had printed new editions of 10 Shakespearean quartos to which he did not have clear rights, some with false dates and title pages the False Folio affair. Dates of baptisms , marriages , deaths , and burials ; wills , conveyances , legal processes, and payments by the court—these are the dusty details. Makes a very good introduction to Shakespeare for children. One of the other four might have been a John Shakespeare, of Warwickshire , who apprenticed with Jaggard in — William Shakespeare. It has also been conjectured that Shakespeare spent some time as a member of a great household and that he was a soldier, perhaps in the Low Countries. Bevington, David The fact that his plays are performed and adapted around the world underscores the universal appeal of his storytelling. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree As a result, the Folio differs from modern books in that individual copies vary considerably in their typographical errors. The Guardian. Article Contents.
Recommended publications
  • Sonnets. Edited by C. Knox Pooler
    Presented to the LIBRARY of the UNIVERSITY OF TORONTO hy The 'Estate of the late PROFESSOR A. S. P. WOODHOIISE Head of the Department of English -» University College 1944-1964 \ '^/i^ /F. ^r:y r. -1 "^ NiL- ' 7^ ( ^S, U , - ^ ^' ^ ^/f '^i>-, '^Si^6,i(i? THE ARDEN SHAKESPEARE GENERAL EDITOR : W. J. CRAIG 1899-1906: R. H. CASE, 1909 SONNETS J^' THE WORKS OF SHAKESPEARE SONNETS EDITED BY C. KNOX POOLER ? METHUEN AND CO. LTD. 36 ESSEX STREET : STRAND LONDON First Published in igi8 z£4S CONTENTS PAOE Introduction ^* Dedication ^ Sonnets ..... 3 A Lover's Complaint *45 INTRODUCTION According to the Stationers' Registers, a license to print a book called Shakespeare's Sonnets was granted to Thomas Tjiprpe on the 20th of May, 1609. It appeared with the : Sonnets Never before following title-page Shake-speares | | At London G. Eld for T. T. and are to be ] Imprinted. | | by solde William Some instead of by Apsley. \ 1609. copies " " William have " lohn at Christ Apsley Wright, dwelling j Church gate," an indication that these two publishers shared in the venture. The publication cannot have been long delayed, for Edward Alleyn, the actor, bought a copy (for ^d.) in June. " " The words never before imprinted are not strictly accurate, as two of the sonnets, cxxxviii. and cxliv., had already ap- peared in The Passionate Pilgrim (1599). The book seems to have been issued without Shakespeare's his are knowledge, certainly without super\'ision ; misprints the often both sense unusually frequent ; punctuation neglects and and there are other errors of more rhythm ; consequence which no author or competent reader could have overlooked.
    [Show full text]
  • Shakespeare in Geneva
    Shakespeare in Geneva SHAKESPEARE IN GENEVA Early Modern English Books (1475-1700) at the Martin Bodmer Foundation Lukas Erne & Devani Singh isbn 978-2-916120-90-4 Dépôt légal, 1re édition : janvier 2018 Les Éditions d’Ithaque © 2018 the bodmer Lab/université de Genève Faculté des lettres - rue De-Candolle 5 - 1211 Genève 4 bodmerlab.unige.ch TABLE OF CONTENts Acknowledgements 7 List of Abbreviations 8 List of Illustrations 9 Preface 11 INTRODUctION 15 1. The Martin Bodmer Foundation: History and Scope of Its Collection 17 2. The Bodmer Collection of Early Modern English Books (1475-1700): A List 31 3. The History of Bodmer’s Shakespeare(s) 43 The Early Shakespeare Collection 43 The Acquisition of the Rosenbach Collection (1951-52) 46 Bodmer on Shakespeare 51 The Kraus Sales (1970-71) and Beyond 57 4. The Makeup of the Shakespeare Collection 61 The Folios 62 The First Folio (1623) 62 The Second Folio (1632) 68 The Third Folio (1663/4) 69 The Fourth Folio (1685) 71 The Quarto Playbooks 72 An Overview 72 Copies of Substantive and Partly Substantive Editions 76 Copies of Reprint Editions 95 Other Books: Shakespeare and His Contemporaries 102 The Poetry Books 102 Pseudo-Shakespeare 105 Restoration Quarto Editions of Shakespeare’s Plays 106 Restoration Adaptations of Plays by Shakespeare 110 Shakespeare’s Contemporaries 111 5. Other Early Modern English Books 117 NOTE ON THE CATALOGUE 129 THE CATALOGUE 135 APPENDIX BOOKS AND MANUscRIPts NOT INCLUDED IN THE CATALOGUE 275 Works Cited 283 Acknowledgements We have received precious help in the course of our labours, and it is a pleasure to acknowl- edge it.
    [Show full text]
  • Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
    Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends
    [Show full text]
  • Killing Shakespeare's Children: the Cases of Richard III and King John Joseph Campana
    Campana, J. (2007). Killing Shakespeare’s Children: The Cases of Richard III and King John. Shakespeare, 3(1), 18–39. doi:10.1080/17450910701252271 Killing Shakespeare's Children: The Cases of Richard III and King John Joseph Campana This essay explores a series of affective, sexual and temporal disturbances that Shakespeare's child characters create on the early modern stage and that lead these characters often to their deaths. It does so by turning to the murdered princes of Richard III and the ultimately extinguished boy-king Arthur of King John. A pervasive sentimentality about childhood shapes the way audiences and critics have responded to Shakespeare's children by rendering invisible complex and discomfiting erotic and emotional investments in childhood innocence. While Richard III subjects such sentimentality to its analytic gaze, King John explores extreme modes of affect and sexuality associated with childhood. For all of the pragmatic political reasons to kill Arthur, he is much more than an inconvenient dynastic obstacle. Arthur functions as the central node of networks of seduction, the catalyst of morbid displays of affect, and the signifier of future promise as threateningly mutable. King John and Richard III typify Shakespeare's larger dramatic interrogation of emergent notions of childhood and of contradictory notions of temporality, an interrogation conducted by the staging of uncanny, precocious, and ill-fated child roles. Keywords: Children; childhood; seduction; sexuality; affect; temporality; Richard III; King John If it is fair to say that Shakespeare included in his plays more child roles than did his contemporaries (Ann Blake counts thirty; Mark Heberle counts thirty-nine), it is also fair to say Shakespeare provided a wide range of parts for those children: from pivotal roles in royal succession to trace presences as enigmatic markers of symbolic equations never perhaps to be solved.
    [Show full text]
  • |||GET||| King Henry IV Part 2 Third Series 3Rd Edition
    KING HENRY IV PART 2 THIRD SERIES 3RD EDITION DOWNLOAD FREE William Shakespeare | 9781904271376 | | | | | King Henry IV Part 2: Third Series See more. King Henry IV Part 2 Third Series 3rd edition landmark new edition by textual expert and General Editor of the Arden Shakespeare, Richard Proudfoot, offers a full account of the play's text and Namespaces Article Talk. Please keep the receipt. Namespaces Article Talk. James C. Each edition features facing-page notes, short definitions of words, guidance on metre and punctuation, large font for easy reading, and plenty of blank space to write notes. Macbeth is one of Shakespeare's most performed King Henry IV Part 2 Third Series 3rd edition studied tragedies. One unusual aspect of this series was its edition of Hamletwhich presents the play in two separate volumes. This major new Arden edition offers students detailed on-page commentary notes highlighting meaning and theatrical ideas and themes, as well as an illustrated, lengthy introduction setting the play in its Stock photo. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and King Henry IV Part 2 Third Series 3rd edition commentaries. Bulman is Henry B. Cymbeline: Third Series. Hardcover William Shakespeare Collectibles. The Passionate Pilgrim To the Queen. Its first publication was Edward Dowden 's edition of Hamletpublished in The play was published in quarto the same year printing by Valentine Simmes. Thank you for shopping at our store. We ship within Three business days of payment, usually sooner. Loved Henry the IV's speech about sleep, or the lack thereof.
    [Show full text]
  • Edward De Vere and the Two Shrew Plays
    The Playwright’s Progress: Edward de Vere and the Two Shrew Plays Ramon Jiménez or more than 400 years the two Shrew plays—The Tayminge of a Shrowe (1594) and The Taming of the Shrew (1623)—have been entangled with each other in scholarly disagreements about who wrote them, which was F written first, and how they relate to each other. Even today, there is consensus on only one of these questions—that it was Shakespeare alone who wrote The Shrew that appeared in the Folio . It is, as J. Dover Wilson wrote, “one of the most diffi- cult cruxes in the Shakespearian canon” (vii). An objective review of the evidence, however, supplies a solution to the puz- zle. It confirms that the two plays were written in the order in which they appear in the record, The Shrew being a major revision of the earlier play, A Shrew . They were by the same author—Edward de Vere, 17th Earl of Oxford, whose poetry and plays appeared under the pseudonym “William Shakespeare” during the last decade of his life. Events in Oxford’s sixteenth year and his travels in the 1570s support composition dates before 1580 for both plays. These conclusions also reveal a unique and hitherto unremarked example of the playwright’s progress and development from a teenager learning to write for the stage to a journeyman dramatist in his twenties. De Vere’s exposure to the in- tricacies and language of the law, and his extended tour of France and Italy, as well as his maturation as a poet, caused him to rewrite his earlier effort and pro- duce a comedy that continues to entertain centuries later.
    [Show full text]
  • The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries
    The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries by Luke Prodromou his essay is a response to the fascinating collection of articles on the Shakespeare Authorship Question that appeared in the Winter 2019 Tissue of the journal Critical Stages (critical-stages.org/18/). Read together, those articles not only confirm that there really is a case for rea- sonable doubt about the Stratford man as the author of the works; they also suggest that pursuing this question can actually be an effective critical tool for a better understanding of those works. As a graduate of the Shakespeare Institute, Birmingham, I have often won- dered, from a scholarly point of view, why the eddies under Clopton Bridge in Stratford have seemed to arouse more curiosity as evidence linking the man from Stratford to the plays and poems of “Shakespeare” than do the growing number of details of a historical or cultural nature, which seem to me more enlightening. Scrutinizing Shakespearean texts for evidence of the author’s possible links to glove-making has consumed more scholarly energy than the abundant indications that our elusive author seems to have actually known Italy and Italian culture at first-hand and Elizabethan court life with an insider’s confidence. Even Stratfordian scholars have noticed that “the extent and loudness of the documentary silence are startling” (Worden, 2006: 24). Indeed, the chal- lenge of teasing out an explanation for this startling silence has been left to non-Stratfordians like Diana Price (see her volume, excerpted in CS 18, THE OXFORDIAN Volume 21 2019 13 The Shakespeare Authorship Debate Continued: Uncertainties and Mysteries Shakespeare’s Unorthodox Biography, 2012).
    [Show full text]
  • 2019 Norton Elizabeth 121093
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Blount Family in the long Sixteenth century Norton, Elizabeth Anna Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 The Blount Family in the Long Sixteenth Century Elizabeth Norton Doctor of Philosophy 2019 King’s College London 1 Abstract This thesis is an extended case study of the lives, attitudes, actions and concerns of one gentry family – the Blounts of the West Midlands –from the second half of the fifteenth century to the early years of the seventeenth, described as the long sixteenth century.
    [Show full text]
  • "Popish Tricks" and "A Ruinous Monastery" : Titus Andronicus and the Question of Shakespeare's Catholicism
    "Popish Tricks" and "a Ruinous Monastery" : Titus Andronicus and the Question of Shakespeare's catholicism Autor(en): Erne, Lukas Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 13 (2000) PDF erstellt am: 06.10.2021 Persistenter Link: http://doi.org/10.5169/seals-99979 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch "Popish Tricks" and "a Ruinous Monastery": Titus Andronicus and the Question of Shakespeare's Catholicism Lukas Erne The earliest readers of Defoe's Shortest Way with the Dissenters, published anonymously in 1702, believed that its advocacy of the death penalty for dissenting preachers was serious.
    [Show full text]
  • Shakespeare's Impossible Doublet
    Rollett - The Impossible Doublet 31 Shakespeare’s Impossible Doublet: Droeshout’s Engraving Anatomized John M. Rollett Abstract The engraving of Shakespeare by Martin Droeshout on the title page of the 1623 First Folio has often been criticized for various oddities. In 1911 a professional tailor asserted that the right-hand side of the poet’s doublet was “obviously” the left-hand side of the back of the garment. In this paper I describe evidence which confirms this assessment, demonstrating that Shakespeare is pictured wearing an impossible garment. By printing a caricature of the man from Stratford-upon-Avon, it would seem that the publishers were indicating that he was not the author of the works that bear his name. he Exhibition Searching for Shakespeare,1 held at the National Portrait Gallery, London, in 2006, included several pictures supposed at one time or another Tto be portraits of our great poet and playwright. Only one may have any claim to authenticity — that engraved by Martin Droeshout for the title page of the First Folio (Figure 1), the collection of plays published in 1623. Because the dedication and the address “To the great Variety of Readers” are each signed by John Hemmings and Henry Condell, two of Shakespeare’s theatrical colleagues, and because Ben Jonson’s prefatory poem tells us “It was for gentle Shakespeare cut,” the engraving appears to have the imprimatur of Shakespeare’s friends and fellows. The picture is not very attractive, and various defects have been pointed out from time to time – the head is too large, the stiff white collar or wired band seems odd, left and right of the doublet don’t quite match up.
    [Show full text]
  • The Other W.S., William Stanley, Sixth Earl of Derby
    The Other W.S., William Stanley, Sixth Earl of Derby John Raithel n the following, I hope to provide a reasonable summary of the evidence I that I believe points to William Stan- ley, the sixth earl of Derby, as the author of the works generally attributed to Shake- speare. I do not intend, of course, to pre- sent all the material here, but do hope to give a reasonable history of the Derbyite conviction, and in so doing point to some of the sources, compilers, and interpreters of this information, and then bring it up to date with recent discoveries and publica- tions. Beginning with the referenced works, I believe the interested reader will find much to flesh-out the skeleton sketched here. There are good reasons for suspecting that the traditional assignation of the authorship of Shakespeare’s works is misplaced. These are based on statements made about the works at the time of their appearance, evidence concerning the traditional candidate, and inferences derived from the works themselves. There are also good reasons for suspecting the true author to be William Stanley, the sixth earl of Derby. Some of these, too, are based on statements made about the author of the works, and inferences derived from the works themselves. And some are based on evidence concerning William Stanley. None of the statements, evidence, or inferences is conclusive—for Stanley or anyone else—or there would be no controversy. The case for Derby is made by examining the available material and attempting to weight it appropriately, assigning, for example, less weight to inferences drawn from the plays by a Derbyite—where there must be a natural bias toward interpreting the evidence in support of Derby—and more weight to a contemporary’s comments about the author, or to modern research by a non-Derbyite scholar.
    [Show full text]
  • 1 Shakespeare, the Critics, and Humanism 1
    N OTES 1 Shakespeare, the Critics, and Humanism 1 . Virgil Heltzel, for example, in his “Introduction,” to Haly Heron’s The Kayes of Counsaile, A Newe Discourse of Morall Philosophie of 1579 (Liverpool: University of Liverpool Press, 1954), p. xv, describes the work as “bringing grave and sober moral philosophy home to men’s business and bosoms.” 2 . W i l l i a m B a l d w i n , A Treatise of Morall Philosophie . enlarged by Thomas Palfreyman , 20th ed. (London: Thomas Snodham, [?]1620), in Scholars’ Facsimiles and Reprints (Gainesville, Florida, 1967), with an introduction by Robert Hood Bowers. For the editions, see STC 1475–1640, Vol. I, 2nd ed., 1986, Nos. 1253 to 1269; and STC, 1641–1700 , 2nd ed., Vol. I, 1972, Nos. 548, 1620. Also see Bowers, “Introduction,” pp. v–vi. For the purposes of the present work, I will refer to the treatise as Baldwin’s rather than Baldwin- Palfreyman’s. The volume appears as “augmented” or “enlarged” by Palfreyman only with the fifth edition of 1555 (STC 1255.5) and the 1620 edition (first of the two in that year) says it is “the sixth time inlarged” by him but there has been no comparative study of what was originally Baldwin’s and what was Palfreyman’s and what the successive “enlargements” entailed. Baldwin’s treatise, along with Thomas Crewe’s The Nosegay of Morall Philosophie , for example, are purported sayings and quotations from a great num- ber of scattered Ancient and more recent writers, but they are organized into running dialogues or commentaries designed to express the compiler’s point of view rather than to transmit faith- fully the thought of the original writer.
    [Show full text]