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The Shakespeare Authorship Companion
All That Is Shakespeare Melts into Air The New Oxford Shakespeare Authorship Companion reviewed by Michael Dudley, Gary Goldstein, and Shelly Maycock. The New Oxford Shakespeare Authorship Companion. Edited by Gary Taylor & Gabriel Egan. Oxford: Oxford University Press, 2017. $168.84 USD. he Shakespeare deniers are at it again. Here is yet another book filled with so- called “evidence” hidden in the texts – which only the deniers can decode – Tto support their conspiracy theory that Shakespeare didn’t write Shakespeare. It’s the old hoary argument that a commoner from Stratford-Upon-Avon could not have possibly written the greatest works in the English language. By himself, at any rate. Yes, the argument in The New Oxford Shakespeare Authorship Companion – a supplemen- tary volume to Oxford University Press’ prestigious new edition of the Shakespeare plays – is that Shakespeare wrote with some eleven collaborators and co-authors. These would include Christopher Marlowe, Thomas Middleton, Thomas Dekker, and Anonymous on seventeen of the dramas; the editors also suggest we need to ex- pand the size of the canon from 37 to 44 plays, only two-thirds of which are entirely by Shakespeare. Yet, as we shall see, the theories and methods used to reach these conclusions are as problematic as the scholarship’s all but single-minded focus on cryptic analysis at the level of single words and even syllables, in service of a group authorship theory. The rhetorical conceit in the opening paragraph above is intend- ed to be more than tongue-in cheek; instead, it underscores the extent to which the Shakespeare establishment has started to resemble the nineteenth century Baconians it professes to abhor. -
Shakespeare in Geneva
Shakespeare in Geneva SHAKESPEARE IN GENEVA Early Modern English Books (1475-1700) at the Martin Bodmer Foundation Lukas Erne & Devani Singh isbn 978-2-916120-90-4 Dépôt légal, 1re édition : janvier 2018 Les Éditions d’Ithaque © 2018 the bodmer Lab/université de Genève Faculté des lettres - rue De-Candolle 5 - 1211 Genève 4 bodmerlab.unige.ch TABLE OF CONTENts Acknowledgements 7 List of Abbreviations 8 List of Illustrations 9 Preface 11 INTRODUctION 15 1. The Martin Bodmer Foundation: History and Scope of Its Collection 17 2. The Bodmer Collection of Early Modern English Books (1475-1700): A List 31 3. The History of Bodmer’s Shakespeare(s) 43 The Early Shakespeare Collection 43 The Acquisition of the Rosenbach Collection (1951-52) 46 Bodmer on Shakespeare 51 The Kraus Sales (1970-71) and Beyond 57 4. The Makeup of the Shakespeare Collection 61 The Folios 62 The First Folio (1623) 62 The Second Folio (1632) 68 The Third Folio (1663/4) 69 The Fourth Folio (1685) 71 The Quarto Playbooks 72 An Overview 72 Copies of Substantive and Partly Substantive Editions 76 Copies of Reprint Editions 95 Other Books: Shakespeare and His Contemporaries 102 The Poetry Books 102 Pseudo-Shakespeare 105 Restoration Quarto Editions of Shakespeare’s Plays 106 Restoration Adaptations of Plays by Shakespeare 110 Shakespeare’s Contemporaries 111 5. Other Early Modern English Books 117 NOTE ON THE CATALOGUE 129 THE CATALOGUE 135 APPENDIX BOOKS AND MANUscRIPts NOT INCLUDED IN THE CATALOGUE 275 Works Cited 283 Acknowledgements We have received precious help in the course of our labours, and it is a pleasure to acknowl- edge it. -
Shakespeare's
Shakespeare’s Henry IV: s m a r t The Shadow of Succession SHARING MASTERWORKS OF ART April 2007 These study materials are produced for use with the AN EDUCATIONAL OUTREACH OF BOB JONES UNIVERSITY Classic Players production of Henry IV: The Shadow of Succession. The historical period The Shadow of Succession takes into account is 1402 to 1413. The plot focuses on the Prince of Wales’ preparation An Introduction to to assume the solemn responsibilities of kingship even while Henry IV regards his unruly son’s prospects for succession as disastrous. The Shadow of When the action of the play begins, the prince, also known as Hal, finds himself straddling two worlds: the cold, aristocratic world of his Succession father’s court, which he prefers to avoid, and the disreputable world of Falstaff, which offers him amusement and camaraderie. Like the plays from which it was adapted, The Shadow of Succession offers audiences a rich theatrical experience based on Shakespeare’s While Henry IV regards Falstaff with his circle of common laborers broad vision of characters, events and language. The play incorporates a and petty criminals as worthless, Hal observes as much human failure masterful blend of history and comedy, of heroism and horseplay, of the in the palace, where politics reign supreme, as in the Boar’s Head serious and the farcical. Tavern. Introduction, from page 1 Like Hotspur, Falstaff lacks the self-control necessary to be a produc- tive member of society. After surviving at Shrewsbury, he continues to Grieved over his son’s absence from court at a time of political turmoil, squander his time in childish pleasures. -
The Third Part of King Henry the Sixth. Edited by H.C. Hart
THE ARDEN SHAKESPEARE GENERAL : W. EDITOR J. CRAIG 1899-1906: R. H. CASE, 1909 THE THIRD PART OF KING HENRY THE SIXTH THE WORKS OF SHAKESPEARE THE THIRD PART OF KING HENRY THE SIXTH EDITED BY H. C. HART I METHUEN k Co., Ltd. 36 ESSEX STREET W.C. LONDON uuPR First Published in igio FEB 11955 ry r.F T 957820 CONTENTS PAGE Introduction vii The Third Part of King Henry the Sixth . i — INTRODUCTION [It is greatly to be regretted that owing to the lamented death of the Editor, the three Parts of Henry VI. had not the advan- tage of being printed under his own supervision. But his work has been preserved with all the fidelity permitted by its comparatively rough though otherwise complete condition. In preparing the plays for the press, I have confined my correc- tions to matters of fact, and where I differed from the Editor in matters of opinion, I did not feel justified in altering his words. While I have emended or ascertained the accuracy of nearly every quotation and reference, a very few remain which must be taken on his authority. In the third part I have had the great advantage of advice and help from the General Editor, Professor R. H. Case. C. K. Pooler] The text of j Henry VI. is from the Folio 1623. As was the case with Part II., it receives a few slight emendations from the Quarto (Q i, of which it is an expanded form) known as The True Tragedy (and forming the second part of The Whole Contention) which was first printed in 1595 with this title : The true tragedie of Richard Duke Yorke, and | of the death good King Henrie the Sixt, with the zuholc of | \ contentio?i hetweene the two Houses Lancaster and Yorke, \ | as it was sundrie times acted by the Right Honoura- ble | | the Earle of brooke his seruants. -
Witches and Ancients and Fools, Oh My!
Witches and Ancients and Fools, Oh My! WBHS Library… Destiny Library Catalog: Search for print materials held in the WBHS Library; the collection includes literary criticism and many items on Shakespeare and his works Online Subscription Databases: Suggested databases for this project; please note that usernames and passwords are required when using these databases at home; a flyer with these passwords is available in the library Literature Criticism Online Literature Resource Center Gale Virtual Reference Library/Literature: Electronic reference books, no check-out required On the Web… The Cambridge History of English and American Literature: Considered one of the most important works of literary history and criticism, this complete online version contains thousands of essays with topics on all aspects of literature and writing, from Bartleby.com Internet Public Library Literary Criticism: IPL2 offers links to over 4500 critical and biographical websites about authors and their works. The Complete Works of William Shakespeare: All of Shakespeare's works, searchable by keyword. Includes related articles and recommended links. Folger Shakespeare Library: Shakespearean material and also a vast collection of rare Renaissance books and manuscripts on all disciplines. The Oxford Shakespeare: The 1914 Oxford edition of the Complete Works of William Shakespeare ranks among the most authoritative published this century. Search plays, sonnets and miscellaneous verse, which constitute the literary cornerstone of Western civilization. From Bartleby.com Mr. Shakespeare and the Internet: A very user-friendly Shakespeare site that includes information on his life and times, including a timeline and genealogy, sources for his works, scholarly criticism, the theatre, the Renaissance, teacher materials, links to other good sites and more. -
HENRY VI, Part 1 by William Shakespeare
HENRY VI, part 1 by William Shakespeare THE AUTHOR William Shakespeare (1564-1616) was born into the family of a prosperous tradesman in Stratford-upon-Avon, England. While in his mid-teens, he was forced to leave school because his family fell into a period of poverty, so that he had only a rudimentary education. In 1582, he married Anne Hathaway, eight years his senior and already three months pregnant. The marriage produced three children in three years, but in 1585, Shakespeare left Stratford to go to London to seek his fortune in the big city. In London, he embarked upon a career on the stage, becoming a popular actor by the early fifteen nineties. In 1591, he penned his first play, Love’s Labour’s Lost. His early plays were comedies, and show nothing of the depth that characterized his later works. His plots were borrowed from a variety of sources, both ancient and contemporary. During his career, he wrote 37 plays, three narrative poems, and 154 sonnets. His writing brought him fame and popularity, but he continued to act as well as write (critics love to speculate about which of the characters in his plays would have been played by the author). He eventually became a shareholder in the Lord Chamberlain’s Men (later the King’s Men when James I ascended the throne). Most of his plays were performed at local theaters like the Rose, the Globe, and the indoor Blackfriars. When the Globe burned to the ground in 1613 (a cannon misfired during a performance of Henry VIII), Shakespeare retired, and died in Stratford three years later on his fifty-second birthday. -
"'A Complicated and Unpleasant Investigation': the Arden Shakespeare 1899-1924" by Gabriel Egan This Paper Arises From
Egan, Gabriel. 2007d. "'''A complicated and unpleasant investigation': The Arden Shakespeare 1899-1924': A paper delivered on 12 July at the conference 'Open the Book, Open the Mind: The 2007 meeting of the Society for History of Authorship, Reading, and Publishing (SHARP)' at the University of Minnesota, Minneapolis, 11-15 July." "'A complicated and unpleasant investigation': The Arden Shakespeare 1899-1924" by Gabriel Egan This paper arises from a survey of Shakespeare play editions in the twentieth century. I'm particularly interested in what those who made editions thought they were doing, how confident they felt about their work, how they thought readers would respond to the textual problems that arise in editing old plays, and how editors' assumptions about their readers were manifested in the editions that they produced. My published title in the programme covers the whole century of editions, but I'm going largely to confine my remarks to just one editorial project. For those of you who like to see the big picture first, however, I can offer a brief overview of just one of those variables I mentioned: editorial confidence [SLIDE]. I see it going like this, from a low at the start of the twentieth-century, through to a peak in the 1970s, and back to a low now. From the detailed history behind this pattern, I have room on this chart to pull just a few keys moments. [SLIDE] First, A. W. Pollard's book Shakespeare Folios and Quartos (1909) distinguished the good from the bad quartos and gave editors reasons to suppose that the good ones are textually close to Shakespeare's own papers. -
|||GET||| King Henry IV Part 2 Third Series 3Rd Edition
KING HENRY IV PART 2 THIRD SERIES 3RD EDITION DOWNLOAD FREE William Shakespeare | 9781904271376 | | | | | King Henry IV Part 2: Third Series See more. King Henry IV Part 2 Third Series 3rd edition landmark new edition by textual expert and General Editor of the Arden Shakespeare, Richard Proudfoot, offers a full account of the play's text and Namespaces Article Talk. Please keep the receipt. Namespaces Article Talk. James C. Each edition features facing-page notes, short definitions of words, guidance on metre and punctuation, large font for easy reading, and plenty of blank space to write notes. Macbeth is one of Shakespeare's most performed King Henry IV Part 2 Third Series 3rd edition studied tragedies. One unusual aspect of this series was its edition of Hamletwhich presents the play in two separate volumes. This major new Arden edition offers students detailed on-page commentary notes highlighting meaning and theatrical ideas and themes, as well as an illustrated, lengthy introduction setting the play in its Stock photo. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and King Henry IV Part 2 Third Series 3rd edition commentaries. Bulman is Henry B. Cymbeline: Third Series. Hardcover William Shakespeare Collectibles. The Passionate Pilgrim To the Queen. Its first publication was Edward Dowden 's edition of Hamletpublished in The play was published in quarto the same year printing by Valentine Simmes. Thank you for shopping at our store. We ship within Three business days of payment, usually sooner. Loved Henry the IV's speech about sleep, or the lack thereof. -
Richard III, 1
Sara B.T. Thiel, Richard III, 1 Shakespeare Project of Chicago Introduction to Richard III, January 2020 Good evening everyone and thank you all so much for joining us. Today I’ll talk a little bit about the history of Shakespeare’s play and its place in his canon, then I’ll discuss the history in the play and what’s happened in the Wars of the Roses up to now. Finally, I’ll point out a couple of things for you to watch and listen for in today’s performance. Shakespeare’s Richard III was probably completed and performed between 1592 and 1594. While it’s sometimes difficult to date Shakespeare’s canonical chronology, most scholars agree that Richard III was written and performed after Shakespeare wrote his first historical trilogy: Henry VI, parts 1, 2, and 3. Shakespeare’s Henry VI plays were popular among London audiences so it’s easy to see why Shakespeare would then turn to Richard III as his subject. Today, movie studios create seQuels to continually capitalize on the popularity of a franchise; Shakespeare and his colleagues often did the same. The Henry VI trilogy follows England’s Wars of the Roses, wherein two rival branches of the House of Plantagenet—the Lancasters and the Yorks—fought for control over England’s throne. These took place through many sporadic episodes between 1455 and 1487. While Shakespeare condenses and rearranges time in his re-tellings of English history, the events of Richard III take place in the late 15th century—roughly between 1471, after the Battle of Tewksbury (which end the events of Henry VI, part 3) and 1485, the Battle of Bosworth Field, which ends this play. -
Durham Research Online
Durham Research Online Deposited in DRO: 28 October 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Gray, Patrick and Samely, Maurice (2019) 'Shakespeare and Henri Lefebvre's 'Right to the City' : subjective alienation and mob violence in Coriolanus, Julius Caesar, and 2 Henry VI.', Textual practice., 33 (1). pp. 73-98. Further information on publisher's website: https://doi.org/10.1080/0950236X.2017.1310755 Publisher's copyright statement: This is an Accepted Manuscript of an article published by Taylor Francis Group in Textual Practice on 12 April 2017 available online at: http://www.tandfonline.com/10.1080/0950236X.2017.1310755 Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk 1 Shakespeare and Henri Lefebvre’s ‘Right to the City’: Subjective Alienation and Mob Violence in Coriolanus, Julius Caesar, and 2 Henry VI Patrick Gray, Durham University Maurice Samely, University of Sussex Abstract: In his treatise The Right to the City, published in Paris just before the student riots of 1968, Henri Lefebvre claims that inhabitants have a ‘right to the city’ which supersedes the rights of property owners and advocates ‘re-appropriation’ of the city, resulting in ‘collective ownership and management of space’. -
Richard III: Villain and Educator
Richard III: Villain and Educator Marleen Janssen, 3880176 Master thesis English language and culture: education and communication Utrecht University Supervisor: Prof. Dr. A. J. Hoenselaars Second supervisor: Dr. Paul Franssen British English July 2014 1 Table of Contents 1. Introduction 2. Theoretical Framework 2.1. Requirements of the Common European Framework of References and the Dutch literature curriculum when it comes to English literature teaching at Dutch secondary schools 2.2. What are the key themes of Richard III? 2.3. How can the character of Richard III be explained? 3. Analysis 3.1. Earlier didactic methods 3.2. Lesson plans 3.3. Analysis of the lesson plans: which didactic methods from the literature can be found in the lesson plans? 3.4. Exemplary lesson plan based on the literature 3.5. Analysis of the questionnaire 4. Conclusion 5. Discussion 6. Bibliography 7. Appendices 2 1. Introduction When teaching English at secondary schools in The Netherlands certain levels of reading proficiency must be accomplished by the Dutch pupils. One of the goals of the Common European Framework of References and the Dutch literature curriculum is that secondary school pupils have to have been taught literature from different literary ages, such as the Renaissance, the Enlightenment, Romanticism, and 20th Century Literature. However, this poses a problem: how does one present the literature of difficult periods to secondary school pupils who do not have C1 or C2 proficiency in English? In The Netherlands, English is taught as a foreign language. This means that it is almost impossible for the Dutch pupils to reach C1 or C2 language proficiency in English in secondary school. -
The Other W.S., William Stanley, Sixth Earl of Derby
The Other W.S., William Stanley, Sixth Earl of Derby John Raithel n the following, I hope to provide a reasonable summary of the evidence I that I believe points to William Stan- ley, the sixth earl of Derby, as the author of the works generally attributed to Shake- speare. I do not intend, of course, to pre- sent all the material here, but do hope to give a reasonable history of the Derbyite conviction, and in so doing point to some of the sources, compilers, and interpreters of this information, and then bring it up to date with recent discoveries and publica- tions. Beginning with the referenced works, I believe the interested reader will find much to flesh-out the skeleton sketched here. There are good reasons for suspecting that the traditional assignation of the authorship of Shakespeare’s works is misplaced. These are based on statements made about the works at the time of their appearance, evidence concerning the traditional candidate, and inferences derived from the works themselves. There are also good reasons for suspecting the true author to be William Stanley, the sixth earl of Derby. Some of these, too, are based on statements made about the author of the works, and inferences derived from the works themselves. And some are based on evidence concerning William Stanley. None of the statements, evidence, or inferences is conclusive—for Stanley or anyone else—or there would be no controversy. The case for Derby is made by examining the available material and attempting to weight it appropriately, assigning, for example, less weight to inferences drawn from the plays by a Derbyite—where there must be a natural bias toward interpreting the evidence in support of Derby—and more weight to a contemporary’s comments about the author, or to modern research by a non-Derbyite scholar.