DOCSLIB.ORG

Sommario Rassegna Stampa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sommario Rassegna Stampa Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica 1 Il Fatto Quotidiano 12/05/2020 CHI SET E CHI NO: CAST IN QUARANTENA E REGIE DA REMOTO 3 Rubrica Anica Web WonderChannel.it 12/05/2020 SUPERARE LA CRISI DEI CINEMA CON LE SALE ALL'APERTO E IL 5 DRIVE-IN Agi.it 11/05/2020 COSA FARE SE LE COMPAGNIE NON ASSICURERANNO I SET CONTRO 6 LA PANDEMIA Exibart.com 11/05/2020 DRIVE-IN: QUANTO C'E' DI REALE NELLA POSSIBILE RIAPERTURA 9 DEI CINEMA ALL'APERTO Lospaziobianco.it 11/05/2020 IL CINEMA DISCUTE DEL RILANCIO, L'ANIMAZIONE CHE VERRA' 13 Rubrica Cinema 43 Corriere della Sera 12/05/2020 "TEATRO E CINEMA: TROPPE REGOLE, DIFFICILE APRIRE A 19 GIUGNO" (E.Costantini) 14 Corriere della Sera - Ed. Roma 12/05/2020 IO, GIOCATORE DEL CINEMA (E.Costantini) 20 23 Il Gazzettino - Ed. Venezia 12/05/2020 DA DOMANI LA RASSEGNA IN STREAMING 22 31 Il Giornale 12/05/2020 DOPO I DAVID, IL CINEMA S'INTERROGA SULLA RIPARTENZA IN SALA 23 (C.Romani) 24 Il Messaggero 12/05/2020 SPETTACOLI, I NODI DELLA RIPARTENZA "NO AGLI ATTORI CON LA 24 MASCHERINA" (L.Larcan) 31 Il Messaggero - Cronaca di Roma 12/05/2020 Int. a M.Calopresti: MIMMO CALOPRESTI: "SEMBRA DI ESSERE 25 TORNATI ALL'EPOCA DEL NEOREALISMO" (I.Ravarino) 32 Il Secolo XIX 12/05/2020 C'ERA UNA VOLTA IL CINEMA IN AMERICA ANCHE GLI ATTORI SONO 26 A RISCHIO MASCHERINA (L.Soria) XVI/ La Gazzetta del Mezzogiorno 12/05/2020 AL CINEMA A GIUGNO? MA I GESTORI: "SERVONO REGOLE 27 RAGIONEVOLI" (N.Morisco) XVI La Gazzetta del Mezzogiorno 12/05/2020 OGGI LA LEZIONE DI CINEMA DI FRANçOIS OZON 29 XVII La Gazzetta del Mezzogiorno 12/05/2020 E GLI ATTORI: "NOI RIMASTI SENZA NESSUNA TUTELA " 30 24/25 La Stampa 12/05/2020 GLI ORFANI DI CANNES SCENE DA UN FANTAFESTIVAL WES 31 ANDERSON PALMA D'ORO E IL RED CARPET (F.Caprara) 27 QN- Giorno/Carlino/Nazione 12/05/2020 BONG JOON-HO DALL'OSCAR A NETFLIX 33 Rubrica Audiovisivo & Multimedia 27 Il Giornale 12/05/2020 ANCHE TIVU'SAT CI HA SALVATO DALL'ISOLAMENTO DEL 34 LOCKDOWN (L.Rio) 22 Il Giorno 12/05/2020 CYBER ATTACCHI MOLTIPLICATI CON IL COVID 19 (R.Razzante*) 35 26 Il Messaggero 12/05/2020 ASCOLTI 36 31 Il Messaggero - Cronaca di Roma 12/05/2020 RIPARTIRE A ROMA NANCY BRILLI: "ALL'ESQUILINO RIVOGLIO 37 POESIA, MUSICA E DANZA" (N.Brilli) 20 Italia Oggi 12/05/2020 NEWS ONLINE A 41 MLN DI UTENTI (A.Secchi) 39 21 Italia Oggi 12/05/2020 CHESSIDICE IN VIALE DELL'EDITORIA 40 17 La Gazzetta del Mezzogiorno 12/05/2020 IL FENOMENO E LA PANDEMIA HA MESSO IL TURBO ALLA TV SUL 41 WEB 1 QN- Giorno/Carlino/Nazione 12/05/2020 MARTINI 25 ANNI DOPO ALMENO LEI NELL'UNIVERSO (A.Spinelli) 42 Rubrica Internazionale 1 El Pais 12/05/2020 FRE'MAUX, DIRECTOR DE CANNES: "UN FESTIVAL 'ONLINE' NO ES 44 UN FESTIVAL" 30/31 El Pais 12/05/2020 Y EL VIENTO TAMBIE'N SE LLEVO A CANNES 46 31 El Pais 12/05/2020 LOS FILMES QUE SE ESTRENEN SOLO EN LA RED OPTARAN A LOS 48 GOYA 1 Financial Times 12/05/2020 MAGIC HASSLE RESTRICTIONS AS DISNEY OPENS (C.Shepherd) 49 Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Internazionale 9 Financial Times 12/05/2020 THE DAY IN THE MARKETS (R.Douglas) 50 1 Wall Street Journal Usa 11/05/2020 BUSINESS & FINANCE TECHNOLOGY NETFLIX'S EXECUTIVE FOR 52 DOCUMENTARIES 1 Wall Street Journal Usa 11/05/2020 BUSINESS & FINANCE BUSINESSES JOIN MOVE TO CUT TV CORDS 54 1 Wall Street Journal Usa 11/05/2020 IRON MAN, BLACK WIDOW VS. THE CORONAVIRUS? DISCUSS. 56 10 Wall Street Journal Usa 11/05/2020 HEARD ON THE STREET 58 Quotidiano Data 12-05-2020 Pagina 1+22 Foglio 1 / 2 IL CINEMA RIPARTE Chi set e chi no: cast in quarantena e regie da remoto O PONTIGGIA A PAG.22 C'è chi set e chi no: così si riparte in Europa Cinema Il Regno Unito ha stilato un invidiabile protocollo I disicurezza, la Spagna amplia glisgravi fiscali. nana?Aspetta euro alle emergenze dello ne della Direttiva Avms distanziamento sociale, di- spettacolo,nel mentre le sale (2018/1808) sui servizi di partimenti allavoro in moda- » rK.D`:fii rimangono chiuse (luce ver- media audiovisivi: l'assog- lità sequenziale, impiego di de per la prima settimana di gettamento dei player globa- mascherine, location limita- è chi set e chi no. Chi trac- giugno?),le arene e i drive-in li, redditi generati compresi, te, e via discorrendo. Licen- cheggia e chi si dà da fare o, in gestazione,i protocolli per alle regole del Paese ospite ziato dalla casa di produzio- almeno,da pensare. Se il fer- il set al vaglio dei comitati saràunamano santanellacri- ne Hobby Film, il vademe- mo riprese è (stato) una co- tecnico-scientifici. All'oc- si post-Coronavirus. cum è compulsato con inte- stante europea,le ripartenze chio,però, saltano due cose: i La Spagna punta ad alle- resse a Hollywood,ma ancor battono bandiera nazionale: 180 milioni di tax credit di so- viare le sofferenze dell'indu- più definitivo pare quello bri- chi prima arriva meglio al- la produzione messi a dispo- stria culturale nazionale in- tannico,svelato dal sito ame- loggia.Si tratta non solo di ri- sizione per cinema e tv-web e golosendo le produzioni in- ricano Deadline. lanciare le proprie produzio- bruciati in appena un giorno ternazionali: parola d'ordi- SE NELLE VITTIME del Co- ni, ma in un mercato sempre (16 aprile); la deroga, già fir- ne,sgravi fiscali. Il tax credit vid-19 il Regno Unito di Boris più globale di richiamare mata dal ministro Dario passa dal 25 al 30% per il pri- Johnson ci supera,nei proto- quelle altrui. Franceschini, all'obbligo di mo milione di euro speso lo- colli ci straccia: la bozza del Francesca Cima, presi- uscita in sala per i film che calmente dall'audiovisivo piano della British Film dente dei produttori in seno hanno avuto aiuti di legge. straniero, dal 20 al 25% per i Commission, redatto racco- all'Anita, prende Mission: La Francia sta poco più a- successivi,con il tetto sposta- gliendo i pareri di big quali Impossible 7, slittato sine die vanti, mercoledì scorso il to datre a dieci milioni.Tanta Netflix,HBO e Disney,vuole ma originariamente previ- presidente Emmanuel Ma- roba, e nemmeno bisognerà offrire al governo una "visio- sto sul set a Venezia dal 20 cron ha disposto un fondo di attendere: da ieri via libera ne totale e realistica" per tor- febbraio per tre settimane e compensazione per le pro- per i set,in testa gli oltre tre- nare a girare in sicurezza. poi a Roma, e suona l'allar- duzioni cinetelevisive ri- cento titoli, tra cinema e te- Trenta pagine, ventisette se- me:"Non è detto che la nuo- mandate o interrotte per il levisione, sospesi per la pan- zioni, si va dalla quarantena va avventura di Tom Cruise Covid-19,cui contribuiranno demia. La capacità attrattiva per cast&crewstranieri al ca- nonrisultiunamissione pos- insieme allo Stato Regioni, iberica, testimoniata dalla tering, dalle scene di massa sibile oltreconfine. Alla no- compagnie assicurative, serie Netflix The Witcher e alla salute mentale, dal truc- stra ripartenza mancano i banche e taxshelter:"Devono dalblockbuster Marvel G1iE- co e parrucco alle condizioni tamponi e difettano le assi- prendersi le loro responsabi- terni, non potrà che aumen- igieniche. E lì i cinema do- curazioni, bisogna fare in lità". Prima della fine di mag- tare. E il 26 maggio riaprono vrebbero riaprire il 4 luglio. fretta". gio,haprecisato Macron,i set pure le sale. C'è daimparare,manono- non ripartiranno: le grandi Ma gli esempi da seguire gni patria speranza è perdu- ALTROVE affinano le proce- produzioni dovranno oltre- più che mediterranei, sono ta:Jonas Carpignano,candi- dure e affilano le armi: chi modo pazientare.Per il resto, scandinavi: Svezia, dove le dato italiano per l'Oscar con 125121 batte il primo ciak e chi la ri- un colpo al cerchio sciovini- riprese non sono mai state A Ciambra(2017), sta per gi- tirata, tertium non datur. sta - allo studio il divieto di vietate, e Danimarca, che rare A Chiara a Gioia Tauro; Il "Cura Italia", varato dal vendere film francesi a buyer decide sui singoli progetti, Gabriele Salvatores lanciala governo lo scorso 17 marzo, extraeuropei- e uno allabot- hanno messo a punto la Nor- Fase 2 del collettaneo Viag- ha destinato 130 milioni di te Ue, con l'implementazio- dic Film Guide, che prevede gio initalia,percuisono stati Ritaglio stampa ad uso esclusivo del destinatario, non riproducibile. Pag. 3 Quotidiano Data 12-05-2020 Pagina 1+22 Foglio 2 / 2 visionati 16 mila video - let- manda: "Cosa accade alle Milena Mancini, Vinicio sità virtù, "non un instant teralmente - virali; Daniele coppie se costrette dentro le Marchioni e Isabella Rago- movie, ma una storia vera e Vicari dirige da remoto 11 pareti domestiche, senza nese: produce Andrea Por- propria". Giorno e la Notte. Uno smar- possibilità di fuga?",affidata porati, scrive Vicari con An- @fpontiggial tfilm per rispondere alla do- a interpreti domestici quali drea Cedrola e si fa di neces- O RIPRODUZIONE RISERVATA In regia Daniele Vicari (in basso)diri- ge da remoto Giorno e 1a Notte'con Mi- lena Mancini, Vínicio Mar- chioni e Isa- bella Ragone- se. Qui,fasi della produ- zione di una serie Ansa IPRO7A6010S11 AL LAVORO Carpignano sta per girare "A Chiara", Salvatores lancia Provvedimenti Il ministro "Viaggio in Italia" Franceschini ha firmato una deroga all'obbligo di uscita 125121 nelle sale per le pellicole che hanno avuto aiuti di legge Ritaglio stampa ad uso esclusivo del destinatario, non riproducibile.
Load more

Recommended publications
  • Production Notes
    Production Notes ABOUT THE FILM Timed to the 50th anniversary of NASA’s celebrated Apollo 11 mission, Apollo 11: First Steps Edition is a thrilling cinematic experience that showcases the real-life moments of humankind’s first steps on the Moon. In this special giant screen edition of Todd Douglas Miller’s (Dinosaur 13) critically acclaimed Apollo 11 documentary, the filmmakers reconstruct the exhilarating final moments of preparation, liftoff, landing, and return of this historic mission—one of humanity’s greatest achievements, and the first to put humans on the Moon. It seems impossible, but this project was possible because of the discovery of a trove of never-before-seen 70mm footage and uncatalogued audio recordings—which allowed the filmmakers to create a 47-minute version of the film tailored exclusively for IMAX® and giant screen theaters in science centers and museums. Apollo 11: First Steps Edition is produced by Statement Pictures in partnership with CNN Films. The film is presented by Land Rover, and distributed by MacGillivray Freeman Films. “The Apollo 11 mission was humanity’s greatest adventure and we’re pleased to be bringing this edition to science centers and museums everywhere,” says director Todd Douglas Miller. “This film was designed to take full advantage of the immersive quality of IMAX and giant screen theaters.” But how did it happen? How did this one-in-a-lifetime batch of footage remain undiscovered for fifty years? Miller explains that as his team was working closely with NASA and the National Archives (NARA) to locate all known Apollo 11 footage, NARA staff members simply discovered reels upon reels of 70mm, large-format Apollo footage.
    [Show full text]
  • Wild Wild Country: How a Hippie Cult Inspired a Must-Watch TV Phenomenon Telegraph.Co.Uk; London [London]10 Apr 2018
    Wild Wild Country: how a hippie cult inspired a must-watch TV phenomenon Telegraph.co.uk; London [London]10 Apr 2018. Arson, mass poisonings and a utopian Eighties cult - Alice Vincent discovers the story behind the latest must-see true-crime show "We knew from the beginning that we weren’t out to make a traditional true-crime story,” says Chapman Way, co-director of Wild Wild Country. And he’s right: there’s no whodunnit, and no dusty case files, while all of the criminals involved have pleaded guilty and done their time. And yet since its release last month, this gripping six-part Netflix documentary about the Rajneeshpuram commune in Oregon has been fuelling conversations at dinner parties and water coolers, just like other word-of-mouth true-crime hits Making a Murderer and the Serial podcast did before it. The biggest mystery about Wild Wild Country is why the events it recounts have been so forgotten over the past 30 years. It centres on a cult formed of 7,500 people who took over of a tiny town in rural Oregon in the early Eighties, rapidly creating their own “city”. But that is just the beginning of a mind-boggling series of events that involves a silent guru with a magpie- like love of glittering Rolls Royces, his megalomaniac, smiling secretary, immigration fraud, wiretapping, and the largest bioterrorist attack in the history of America. At its heart is a clash of values: between the traditional rural lives of Mid-American citizens and the utopian ideals of those seeking a new way of being.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • The Demise of Religion: How Religions End, Die, Or Dissipate
    Stausberg, Michael. "Playing the Religion Card: The Creation and Dissolution of Rajneeshism." The Demise of Religion: How Religions End, Die, or Dissipate. By Michael Stausberg, Stuart A. Wright and Carole M. Cusack. London,: Bloomsbury Academic, 2020. 135–154. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781350162945.ch-008>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 23:33 UTC. Copyright © Michael Stausberg, Stuart A. Wright, Carole M. Cusack, and contributors 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 8 Playing the Religion Card: The Creation and Dissolution of Rajneeshism Michael Stausberg For a religion to end there has to be a religion in the first place. In many cases labeling something a religion seems uncontroversial. This is the case, for instance, when the social formation so labeled derives from one of the historical worldviews that are commonly called religions. Several so-called religions comprise established mechanisms of internal differentiation, for example, the establishment of sects, schisms, denominations, schools, or cults (in the sense of organized forms of communal worship). In these cases of derivation, the main protagonists tend to be familiar with the former religious traditions, be it as active participants or as being part of the same cultural and social context. On the other hand, there are cases of cross-cultural and cross-religious inspiration; if somebody who has grown up in a country where Buddhism has no established social presence starts to propagate some “Buddhist” ideas and gets others to do the same, the resulting ensemble would probably still be labeled a religion because Buddhism is generally considered such a thing.
    [Show full text]
  • Celebrity Scofflaw How the Feds Helped Make Cliven Bundy a Hero by Tay Wiles April 30, 2018 | $5 | Vol
    PARKS AND PRIORITIES | FRACTURING NATIVE FAMILIES | THE UNSPOKEN LANGUAGE OF ACEQUIAS High Country ForN people whoews care about the West Celebrity Scofflaw How the feds helped make Cliven Bundy a hero By Tay Wiles April 30, 2018 | $5 | Vol. 50 No. 7 | www.hcn.org 50 No. | $5 Vol. April 30, 2018 CONTENTS Editor’s note Wild country For anyone with an appetite for the West’s ongoing culture clashes, the new Netflix series Wild Wild Country is an unexpected feast. It describes how the followers of Indian guru Bhagwan Shree Rajneesh bought a ranch outside of rural Antelope, Oregon, in the early 1980s and attempted to build a utopian community. The series hits themes familiar to High Country News readers: a persecuted minority seeking a remote place to practice their beliefs without interference; conservative white locals with little tolerance for outsiders; fabulous wealth (the Bhagwan reportedly had 90 Rolls Royces and wore million- dollar diamond watches) contrasted with wretched poverty (the Rajneesh community bused in thousands of homeless people from cities in an attempt to sway local elections); and, of course, guns and violence. There’s even an environmental angle — Oregon’s first counterattack focused on the community’s violation of progressive land-use regulations designed to protect agricultural lands from development. Cliven Bundy walks out of federal court in Las Vegas with his wife, Carol, and attorney Bret Whipple in January, I couldn’t find anything about this tumultuous after a judge dismissed criminal charges against him and his sons over the 2014 standoff in Bunkerville, Nevada. K.M.
    [Show full text]
  • TV Shows (VOD)
    TV Shows (VOD) 11.22.63 12 Monkeys 13 Reasons Why 2 Broke Girls 24 24 Legacy 3% 30 Rock 8 Simple Rules 9-1-1 90210 A Discovery of Witches A Million Little Things A Place To Call Home A Series of Unfortunate Events... APB Absentia Adventure Time Africa Eye to Eye with the Unk... Aftermath (2016) Agatha Christies Poirot Alex, Inc. Alexa and Katie Alias Alias Grace All American (2018) All or Nothing: Manchester Cit... Altered Carbon American Crime American Crime Story American Dad! American Gods American Horror Story American Housewife American Playboy The Hugh Hefn...American Vandal Americas Got Talent Americas Next Top Model Anachnu BaMapa Ananda Ancient Aliens And Then There Were None Angels in America Anger Management Animal Kingdom (2016) Anne with an E Anthony Bourdain Parts Unknown...Apple Tree Yard Aquarius (2015) Archer (2009) Arrested Development Arrow Ascension Ash vs Evil Dead Atlanta Atypical Avatar The Last Airbender Awkward. Baby Daddy Babylon Berlin Bad Blood (2017) Bad Education Ballers Band of Brothers Banshee Barbarians Rising Barry Bates Motel Battlestar Galactica (2003) Beauty and the Beast (2012) Being Human Berlin Station Better Call Saul Better Things Beyond Big Brother Big Little Lies Big Love Big Mouth Bill Nye Saves the World Billions Bitten Black Lightning Black Mirror Black Sails Blindspot Blood Drive Bloodline Blue Bloods Blue Mountain State Blue Natalie Blue Planet II BoJack Horseman Boardwalk Empire Bobs Burgers Bodyguard (2018) Bones Borgen Bosch BrainDead Breaking Bad Brickleberry Britannia Broad City Broadchurch Broken (2017) Brooklyn Nine-Nine Bull (2016) Bulletproof Burn Notice CSI Crime Scene Investigation CSI Miami CSI NY Cable Girls Californication Call the Midwife Cardinal Carl Webers The Family Busines..
    [Show full text]
  • A Comparative Study of the Rajneesh-Osho Movement and the Counterculture
    Counterculture Dystopia: A Comparative Study of the Rajneesh-Osho Movement and the Counterculture A Thesis Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Junjie Ren Candidate for Bachelor of Art and Renée Crown University Honors Spring 2020 Honors Thesis in Religion Thesis Advisor: _______________________ William Robert, Associate Professor Thesis Reader: _______________________ Gail Hamner, Professor Honors Director: _______________________ Dr. Danielle Smith, Director © Junjie Ren 2020 ii Abstract This thesis project investigates the thematic and visual connections between the global Rajneesh-Osho movement and the international counterculture. As a high-profile, controversial New Religious Movement (NRM), the Rajneesh-Osho phenomenon draws ready associations with the rhetorics and aesthetics typical to the counterculture of the 1960s. Their Utopian experiment, the Rajneeshpuram, enacted seemingly countercultural projects on a massive ranch in Central Oregon. As a spiritual enterprise that burst into global prominence from India during the 1970s, the Rajneesh-Osho’s movement embodies traits of postmodernism as a way to embrace an increasingly global market dominated by the discourse of profits and materiality. Contrary to popular beliefs, this thesis states that the Rajneesh-Osho movement only appears to be countercultural. The evidence relies on primary sources and generations of scholarly comments on both the counterculture and the Rajneesh-Osho movement. This project comparatively examines the visual connections and mental pairing to reveal that the Rajneesh-Osho movement is, in fact, a counterfeit of the counterculture with covertly dystopian agendas. iii Executive Summary In 1981, thousands of orange robe-wearing Sannyasins settled on a desert ranch in Central Oregon.
    [Show full text]
  • A Study of the Traditional Business Practices of Three Religious Cults
    PROFITS AND PROPHETS 2 Abstract Existing research suggests that there are instances of cult-like behavior in the corporate realm, specifically in high-performing teams. Notable occurrences of this can be found in organizations such as Enron and Madoff Investment Securities, which exhibited traits aligning with characteristics of religious cults. These characteristics include the manipulation of employees, a strong organizational culture, various tools to enhance competition and recruiting abilities, manipulative hierarchal relationships, and the overcommunication of deceptive messages. While facets of the corporate realm mimic religious cults, there are also notable behaviors exhibited by religious cults which mirror traditional businesses. Three religious cults (specifically the People’s Temple, Heaven’s Gate, and Rajneeshpuram) demonstrated characteristics of traditional businesses including the offering of a product, internal networks and infrastructure, product movement, revenue generation, and an implementable marketing and recruiting plan. While the goods offered by each religious cult were not tangible, they were valuable services marketed to a pliable audience which resulted in the exchange of money, possessions, and in some instances, lives. PROFITS AND PROPHETS 3 Profits and Prophets: A Study of the Traditional Business Practices of Three Religious Cults There are infinite ambiguous interpretations and definitions of a business with none being concise. In an investigation into the elements of an entrepreneurial business it is noteworthy that, “the most consistently emphasized components concern the value proposition, the customer, internal processes and competencies, and how the firm makes money,” (Morris et al., 2003, p. 729) which summarily describes the key areas of focus of a business. In addition to this, businesses are comprised of multiple levels to ensure success: economic, operational, and strategic (Morris et al., 2003).
    [Show full text]
  • THE GREAT UNRAVELING Is the US Electoral System Coming Apart at the Seams?
    FALL 2018 COLUMBIA MAGAZINE COLUMBIA COLUMBIAMAGAZINE FALL 2018 FALL THE GREAT UNRAVELING Is the US electoral system coming apart at the seams? 3.18_Cover_F.indd 1 8/20/18 5:50 PM ELLEN WEINSTEIN 3.18_Contents.indd 1 8/20/18 5:51 PM FALL 2018 PAGE 28 CONTENTS FEATURES 12 URBAN DESIGN’S NEW WAVE Kate Or is exploring ways to harness the power of nature By Justin Davidson ’90GSAS, ’94SOA 18 IN THE LION’S DEN A private tour of the collection of Roaree enthusiast Michael Garrett ’66CC, ’69LAW, ’70BUS By Julia Rothman 22 INNOVATORS WITH IMPACT Meet four social entrepreneurs who are taking on injustice and inequality across New York City By Julia Joy 28 BALLOT BREAKDOWN With the voting system under stress — and with crucial elections looming — we asked Columbia professors for a status report on the central mechanism of US democracy By Paul Hond 36 P. ROY VAGELOS The man who’s changing the future of medical education in America shares stories over a slice of pie By Paul Hond ELLEN WEINSTEIN COVER: ELLEN WEINSTEIN COLUMBIA FALL 2018 1 3.18_Contents.indd 2 8/20/18 5:51 PM COLUMBIA CONTENTS MAGAZINE DEPARTMENTS Executive Vice President, 3 University Development & Alumni Relations FEEDBACK Amelia Alverson Deputy Vice President for Strategic Communications 6 Jerry Kisslinger ’79CC, ’82GSAS COLLEGE WALK A Bookish Birthday \ The Short List \ School Spirits \ Kubrick’s Columbia \ Editor in Chief Sally Lee Great Excavations \ Voices from Campus Art Director 42 Len Small EXPLORATIONS Managing Editor What gorilla poop reveals about our Rebecca Shapiro PAGE messed-up diet \ Another weird thing you 22 Senior Editors probably didn’t know about the Milky Way \ David J.
    [Show full text]
  • Tedx Connects Big Sky Thank You, Chief Farhat
    Jan. 31 - Feb. 13, 2020 Volume 11 // Issue #3 TEDx Connects Big Sky Thank you, Chief Farhat Steamboat Dry Goods docks in Wilson Local ski racers sharpen edges Ski map artist James Niehues TABLE OF CONTENTS OPINION.....................................................................4 SPORTS.....................................................................33 LOCAL.........................................................................6 BUSINESS..................................................................39 REGIONAL NEWS BRIEFS...........................................8 HEALTH.....................................................................45 OP NEWS...................................................................12 FUN...........................................................................47 MONTANA.................................................................15 ARTS & ENTERTAINMENT.........................................49 ENVIRONMENT & OUTDOORS..................................17 DINING......................................................................59 Jan. 31 - Feb. 13, 2020 Volume 11, Issue No. 3 Owned and published in Big Sky, Montana TEDx connects Big Sky The theme of the 2020 TEDx Big Sky conference was connection. Speakers came from around the country PUBLISHER 12 and presented a powerful array of topics from climate change to salmon killing hydro dams. Eric Ladd | [email protected] EDITORIAL Thank you, Chief Farhat EDITOR-IN-CHIEF, VP MEDIA On Jan. 24, Big Sky community members and firefighters
    [Show full text]
  • Wild Wild Archive: Analog Videotape of the Rajneesh Movement at the Oregon Historical Society
    OLA Quarterly Volume 24 Number 1 The Specialness of Special Libraries 7-25-2018 Wild Wild Archive: Analog Videotape of the Rajneesh Movement at the Oregon Historical Society Matthew Cowan Oregon Historical Society Recommended Citation Cowan, M. (2018). Wild Wild Archive: Analog Videotape of the Rajneesh Movement at the Oregon Historical Society. OLA Quarterly, 24(1), 40-44. https://doi.org/10.7710/1093-7374.1934 © 2018 by the author(s). OLA Quarterly is an official publication of the egonOr Library Association | ISSN 1093-7374 Wild Wild Archive: Analog Videotape of the Rajneesh Movement at the Oregon Historical Society by Matthew Cowan MATTHEW COWAN has been the Archivist Archivist—Moving Images for Moving Images and Photography & Photography, Oregon Historical Society at the Oregon Historical Society since [email protected] 2013. He is an adjunct professor in the Department of Theater + Film at Portland State University, is co-chair of the Multnomah County Cultural Coalition, and worked for many years at Anthology Film Archives in New York City. He has a BA in History and Film from Bard College, a certificate in Media Preservation from the George Eastman House, and an MLIS from Simmons College. In 1989, local Portland television station KGW donated 512 U-matic videotapes to the Oregon Historical Society (OHS). Shot between 1983 and 1985, the collection consists of more than 300 hours of footage related to the Rajneesh movement in Oregon—when followers of the spiritual teacher Bhagwan Shree Rajneesh set up an intentional community three hours southeast from Portland. The donation included minimal documentation and 40 U-matic videotape collection of the Rajneesh movement in Oregon, donated to OHS in 1989.
    [Show full text]
  • Forever Friends? What the Netflix Deal Tells Us About Windowing in 2019 Page 18
    Forever Friends? What the Netflix deal tells us about windowing in 2019 Page 18 TBIvision.com December 2018/January 2019 LOUDER. PROUDER. DEADLIER. WELCOME TO THE BOYS’ CLUB A Co-Production of BBC Studios, Balloon Entertainment and POP for BBC Three and BBC Scotland in association with all3media international @all3media_int all3mediainternational.com pOFC TBI DecJan19.indd 1 07/01/2019 20:19 J11758_TBI_216x218mm_CLIQUE2_FRONT_COVER_AD_AW.indd 1 07/01/2019 15:56 ONCE A DETECTIVE, ALWAYS A DETECTIVE. GORDON RAMSAY, GINO D’ACAMPO AND FRED SIRIEIX COOK UP A STORM ON A ROAD TRIP AROUND EUROPE content that resonates... CAN THE TIDE BE TURNED ON THIS GLOBAL CATASTROPHE? for BBC One, UK produced in association with all3media international. Co-produced with Czar Film and TV with the support of BNP Paribas Fortis Film Finance, Screen Flanders and the tax shelter of the Belgian Federal Government. We have moved! Our new Natpe location is: Sorrento Tower, Floor 12, Suite 3-1209 @all3media_int all3mediainternational.com pIFC-01 All3Media DecJan19.indd 2 04/01/2019 11:12 ONCE A DETECTIVE, ALWAYS A DETECTIVE. GORDON RAMSAY, GINO D’ACAMPO AND FRED SIRIEIX COOK UP A STORM ON A ROAD TRIP AROUND EUROPE content that resonates... CAN THE TIDE BE TURNED ON THIS GLOBAL CATASTROPHE? for BBC One, UK produced in association with all3media international. Co-produced with Czar Film and TV with the support of BNP Paribas Fortis Film Finance, Screen Flanders and the tax shelter of the Belgian Federal Government. We have moved! Our new Natpe location is: Sorrento Tower, Floor 12, Suite 3-1209 @all3media_int all3mediainternational.com pIFC-01 All3Media DecJan19.indd 3 04/01/2019 11:12 SAS: Who Dares Wins The Best Series 4: 6 x 60 A group of men and women attempt to complete the toughest course ever set high in the Andes In Factual Mountains.
    [Show full text]