DOCSLIB.ORG

University Earns National Recognition for Business Practices Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University Earns National Recognition for Business Practices Festival September 1999 Volume 42 • Number 1 For the Faculty and Staff of the Veritas University of Miami University earns national recognition for business practices n recognition of its innova­ than it was 20 years ago, and this is Committee on College tive financial leadership and being recognized nationally." Costs. He has also found business practices which Lieberman is especially proud of a time to write and speak i have resulted in more than long list of accomplishments by his on strategic planning and $13 million in annual bottom line management team, which has demon­ management, process improvements, the University received strated the ability to "do more with two major awards this year from the less" in lowering the costs of doing leadership. National aAssociation of College and business at the University. He points "Nobody works University Business Officers to improvements in student fee collec­ harder for the University (NACUBO) at the organization's tions, worth $1.2 million annually to ofMiami than Dave annual meeting held recently in San the University's bottom line; imple­ Lieberman. Nobody Antonio, Texas. mentation of the Long-Range Informa­ works more effectively. David A. Lieberman, senior vice tion Systems Plan, which, among other His service to the Univer­ president for business and finance, was things, saved tens of millions of dollars sity has been exemplary, presented with the 1999 Distinguished in Y2K compliance costs; and managed as now recognized by his Business Officer Award, NACUBO's care of both employee health and peers nationally," says most prestigious honor. Each year the equipment maintenance, which re­ President Edward T association recognizes individuals who, sulted in $800,000 in annual cost Foote II. "Simply put, rhe jfthei reductions. Dave Lieberman is an made outstanding contributions to In addition, Lieberman's team is David Lieberman outstanding leader who business and financial management in :spon sible for a number o Distinguished Business Offii has helped in countless higher education. nprovements5 tlra m ntributions to the business ways to make the Univer­ In addition to Lieberman's award, sourcing a number of key s< of the University. sity ofMiami a better Facilities Administration received a partners such as Chartwells (dining institution." NACUBO award in a program spon­ services), Follette (bookstores), and Lieberman's professional appoint­ NACUBO's award to Facilities sored by Barnes & Noble College Unicco (custodial services). The ments on a national level have included Administration was for its submission, Bookstores. The program recognizes University also has become known for the NACUBO board of directots and "Improving Customer Service, Campus innovations by colleges and u its innovative management of its invest­ chairmanship of both NACUBO's Conditions, and Inefficiencies: A to improve quality and reduce the ments and debt. In total, the initiatives Large Institutions Committee and Lis­ Model Incentive-Based Department." cost of higher edui implemented by Lieberman and his tening Post, an independent organiza­ The report details how the department team in his recent years result in more tion of chief financial officers of leading measured customer satisfaction, de­ "It's in great measure a recognition than $13 million of bottom line private universities. Lieberman served ferred maintenance, and productivity, of the University of Miami's quality, improvements each year. These savings five years as the chair of Listening and then instituted a multifaceted strat­ strengths, and well-known productivity benefit the University's students by Post—longer than any other individual egy to address those issues. First, an improvements," says Lieberman, who minimizing tuition increases and the in the history of the organization. He is innovative agreement was made to joined the University in 1978. "This faculty by providing the ability to better a current member of NACUBO's allow the department to re-invest oper­ university is far different—and better fund academic programs. Research Universities Council and the ational savings in facilities renewal. Sec­ ond, productivity improvements were made with the help of the industrial engineering faculty and students. Third, continuous improvement pro­ jects were undertaken to bring about Festival Miami 1999 offers rich musical program further major changes. estival Miami 1999, program in collaboration with the The results from this initiative the annual concert American Society of Composers, include an 81 percent increase in series hosted by the Authors, and Publishers (ASCAP). This average square feet maintained per F School of Music, ASCAP program has never been offered employee, a 59 percent decrease in kicks off" South Florida's cul­ outside of New York and Los aAngeles. deferred maintenance, a 75 percent tural season and its 16th year The festival also includes a Chopin reduction in customer response time, with an extravaganza of musi­ mini-festival, commemorating the a 38 percent reduction in sick leave, a cal entertainment and excite­ 150th anniversary of the death of 49 percent reduction in solid waste re­ ment. This year's festival runs famed composer Frederic Chopin. moval costs, and a 28 percent decrease from September 18 through Jazz again takes center stage at Fes­ in air conditioning energy consump­ October 17 and includes more tival Miami as the popular Brazilian tion per square foot. Over $2.7 million than 30 concerts, perfor­ saxophonist, Teco Cardoso, returns in annual savings from this initiative is mances, and special events. after delighting South Florida currently being reinvested in campus Several festival events— audiences with his riveting performance facilities renewal. The keys to these including opening night pay at last year's festival. The festival wel­ successful results included data-based tribute to the late jazz great Internationally renownedpianis. Tzimon Barto will comes jazz vocalist Kevin Mahogany, decision making and investments in Duke Ellington, marking the make his Festival Miami debut c i October 3 with DownBeat Magazine Critics Poll and state-of-the-art air conditioning system 100th anniversary of his birth. Music in the Romantic Style. Readers Poll winner for best male jazz technology. Guest conductor Maurice Per- vocalist, and Canadian jazz trumpeter Vic Atherton, associate vice presi­ ess, along with guest artists Barrie Lee Jazz Band, directed by Whit Sidener. Kenny Wheeler, performing with the dent for Facilities Administration, Hall, Jr. and Sir Roland Hanna, will Works will include "Black and Tan Fan­ University Concert Jazz Band in one received the award on behalf of the present a pre-festival lecture on the life tasy," "Rockin in Rhythm," "Cotton of his rare U.S. appearances. Other University at the NACUBO annual and works of Duke Ellington on Sep­ Tail," "New World A Comin'," new guest artists to make their Festival meeting in San Antonio. The tember 15. On the Gala Opening "Harlem," "Mood Indigo," and other Miami debut include renowned pianists NACUBO award follows on the heels Night on September 18, Peress, Hall, Ellington works. Tzimon Barto and Kevin Kenner, and of another commendation received by and Hanna will be joined by vocalist a\nother highlight of this year's fes­ the Vertavo String Quartet from Nor­ Facilities Administration, received in Lisanne Lyons, the University Sym­ tival and a first for Florida offers way. See calendar on page 6 for a more connection with re-accreditation of the phony Orchestra with Thomas Sleeper, audiences a chance to participate in a detailed listing of Festival Miami con- University conducted by the Southern conductor, and the University- Concert unique, three-day music theatre Association of Colleges and Schools. Hurricanes win s swimming and diving sented in the collection are early Cuba works closely with scientists, philoso­ world series championships, and five women's golf masters Raul Millian, Rene Portecar- phers, theologians, educators, and he University of Miami's baseball national titles. rero, Mijares, Cundo Bermiidez, and medical professionals throughout the Tteam captured the 1999 College Victor Manuel. The Cuban diaspora i: world to support over 100 programs World Series (CWS) Championship with Cuban museum donates represented through the works of Jose focusing on science and religion, a 6-5 victory over Florida State at Rosen­ collection to University Bedia, Mario Bencomo, Mario Algaze spirituality and health, freedom, and blatt Stadium in Omaha, Nebraska. he Cuban Museum of the Americas Maria Brito, Maria Martinez-Canas, character development. With the win, the Hurricanes claimed Thas donated its entire collection and others. their third CWS championship in consisting of more than 500 original "The trustees are pleased to have Continuing Studies praised school history. pieces of artwork and historical memo­ been able to provide a strong and sour for Koubek restoration The 'Canes also won national base­ rabilia to the University. It will become support for the preservation of the he School of Continuing Studies ball titles in 1982 and 1985. This was part of the permanent collection at the museum's collection under the auspice T;receive d an award from the Dade the 'Canes' sixth consecutive trip to the Lowe Art Museum. of the University ofMiami," says Mar Heritage Trust for "Outstanding College World Series under Head Carlos Saladrigas, chief e Cristina Del-Valle, a member of the Restoration Project" of the Koubek Coach Jim Morris
Load more

Recommended publications
  • Art Circuits Annual Directory 2010-2011
    ANNUAL DIRECTORY 2011 WWW.ARTCIRCUITS.COM THE JAGUAR’S SPOTS green jade Mask, ca. 1500-400 ca. BCE, ) o c i x e M , t s a o C f l u G ( c e m l O ANCIENT MESOAMERICAN ART FROM THE UM LOWE ART MUSEUM ON VIEW THROUGH OCTOBER 31, 2010 5000 Years of World Art Lowe Art Museum 1301 Stanford Drive Coral Gables, FL 33124 www.lowemuseum.org 305.284.3535 Exhibition organized by the Lowe Art Museum, University of Miami. Curated by Dr. Traci Ardren, Associate Professor of Anthropology and Director of Women's and Gender Studies Program at the University of Miami. Funding through the Jay W. Jensen and John W. and Thelma S. Jensen Endowment Fund with additional support by The State of Florida, Division of Cultural Affairs, The Florida Arts Council, and the National Endowment for the Arts, with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and with the support of the City of Coral Gables. Additional funding provided by the Office of the Consul General of Mexico Miami, the Cultural Institute of Mexico Miami, HSBC Private Bank, The E.R. Roberts Foundation, and Sergio Garcia-Granados. ;:D>AHNL>:KM<HFIE>QIK>L>GML3 :KMK:??E> WWW.MIA-ARTFAIR.COM 14-17 JANUARY 2011 • PREVIEW 13 JAN GHO'*+%+)*) MIAMI BEACH CONVENTION CENTER 03))&**3))IF :=FBLLBHG MB<D>ML3 -.'))(ik^lZe^ BAKEHOUSE ART COMPLEX 561 NW 32ND STREET For more information visit: MIAMI, FL 33127 www.bacfl.org 305.576.2828 Bakehouse Art Complex is hosting its annual WWW.MIA-ARTFAIR.COM art-raffle fundraiser Lucky You! 3 14-17 JANUARY 2011 • PREVIEW 13 JAN Over 70 one-of-a-kind artworks donated by both MIAMI BEACH CONVENTION CENTER resident Bakehouse and other local artists will line the walls of the new Audrey Love Gallery! PLEASE JOIN US IN MIAMI BEACH JANUARY 13-17, Media presented: paintings, drawings, sculpture, 2011 FOR AMERICA’S MOST EXCITING MID-WINTER photography and mixed media works.
    [Show full text]
  • A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art
    A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art Rosa M. Fernández September 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Biographical Files, 1994-1995, undated................................................... 8 Series 2: Miscellaneous Letters, 1983-1995, undated............................................. 9 Series 3: Artist Files, 1920-1995, undated............................................................. 10 Series 4: Exhibition Files, 1977-1995, undated....................................................
    [Show full text]
  • Curriculum Vitae
    1 LYNETTE M.F. BOSCH Curriculum Vitae Contact: State University of New York, Geneseo Department of Art History- Brodie Hall Geneseo, New York 14454 Telephone: 585-260-1888 [email protected] EDUCATION 1985 - Ph.D. Princeton University, Department of Art & Archaeology Areas of Focus: Renaissance/Baroque (Spain, Italy, Netherlands) 1981 - M.A. Princeton University, Department of Art & Archaeology 1978 - M.A. Hunter College, City University of New York Areas of Focus: Renaissance (Italian & Northern) 1974 - B.A. Queens College, City University of New York Dean’s List Major: Art History Minor: Classics EMPLOYMENT 2016 – SUNY Distinguished Professor and Chair, Department of Art History, SUNY Geneseo 2015 - Continuing – Chair, Department of Art History, SUNY, Geneseo 2014 – Coordinator Museum Studies Minor, SUNY, Geneseo 2005 – Professor of Art History, SUNY, Geneseo 2000 – Associate Professor of Art History, SUNY, Geneseo 1999 – Assistant Professor of Art History, SUNY, Geneseo 1992-98 - Assistant Professor of Art History, Brandeis University 2 1990-92 - Assistant Professor in Art History, SUNY, Cortland 1983-94 - Visiting Assistant Professor in Art History: School of the Museum of Fine Arts Boston (1994) Cornell University (Spring 1992) Seton Hall University (1988-1990) Tufts University (1986-1988) Hunter College, CUNY (1983-1986) Lafayette College (1984-1986) Trenton State College (1983-1984) FELLOWSHIPS, HONORS AND AWARDS 2017 – SUNY, Geneseo, Geneseo Foundation Research Award 2014 – Rothkopf Scholar Award, Lafayette College, Regional recognition
    [Show full text]
  • BOOK ARTS NEWSLETTER ISSN 1754-9086 No
    BOOK ARTS NEWSLETTER ISSN 1754-9086 No. 128 November 2019 Published by Impact Press at the Centre for Fine Print Research, UWE Bristol, UK ARTIST’S COVER PAGE: TIM HOPKINS / HALF PINT PRESS - IMAGINARY LETTERS In this issue: National and International Artists’ Books Exhibitions Pages 2 - 17 Courses, Conferences, Lectures & Workshops Pages 18 - 25 Opportunities Pages 25 - 34 Artist’s Book Fairs & Events Pages 35- 37 Internet News Pages 37 - 38 New Artists’ Publications Pages 38 - 52 Reports & Reviews Pages 52 - 56 Stop Press! Pages 56 - 63 Artists’ Books Exhibitions in the Bower Ashton Library It writes Soares’s ideas across the everyday detritus of showcases, UWE, Bristol, UK a life lived, on objects as diverse as a postage stamp, a compliments slip, a booze label, a page of accounts and an Tim Hopkins / Half Pint Press internal transit envelope. Not all the objects are paper: the Te Book of Disquiet and Imaginary Letters box includes a pencil, a lollipop stick and a matchbook. 1st - 30th November 2019 Some are beautiful, others grubbily everyday. Likewise the box, which is deliberately not a cloth-bound fne press Tim Hopkins will be showing two bookworks: Te Book of production but instead hand-printed on a commercially- Disquiet by Fernando Pessoa (2017), and Imaginary Letters available stitched board box. by Mary Butts (2019). Te impression is of a box of belongings, each with a value Te Book of Disquiet by Fernando Pessoa. of some kind to the owner. Each may be kept because it’s Te texts that make up Te Book of Disquiet were found in a beautiful, or important, or useful, or attached to a memory: box in Pessoa’s room afer his death in 1935.
    [Show full text]
  • 1 Carlos Martínez Luis Curriculum 10099
    CARLOS MARTÍNEZ LUIS CURRICULUM 10099 NW 4 th . Lane, Miami, Fla. 33172, (305 223 82 10) Email: [email protected] BORN : La Habana, Cuba, Sep. 6, 1932 Married, two sons, one daughter 1951-1955: Universidad de La Habana, Escuela de Ciencias Sociales 1945-1950: La Salle, High School PROFESSIONAL EXPERIENCE: Lecturer of Humanities – St. John Vianney College Seminary, 1990-2000 (retired) Executive Director, Cuban Museum, Miami, Fl. 1984-1990 Director: “Meeting Point”, Art Gallery, Miami, Fl. 1979-1983 OTHER ACADEMIC ACTIVITIES (Courses) “Arte y Cultura en Cuba”, Centro Cultural Español, 2002 “Contemporary Art”: Miami Dade Community College, 2002 “The Renaissance”, Miami Dade Community College, 2001 “Cuban Painting an Historical Survey”, St. John Vianney College Seminary, 1999 “The Renaissance: Its Culture and Values”: Nova University Fl. Spring 1994 “The Challenge of Modern Art’’, Elders Institute, FIU, Winter 1991 “Birth of the Avant Garde’’ Nova University, Autumn, 1991 “Proceso de la Cultura en Cuba’’, Instituto de la Tercera Edad, FIU, Spring, 1990 “Culture and Values’’, Miami Dade Community College, Autumn Term 1989-1990 “Proceso de las Artes en Cuba”, FIU, spring Term 1988 “Cuban Art’’, Nova University, Fall 1987 LECTURES “El Surrealismo y el Psicoanalisis” Asociacion Lacaniana, Miami, 2005 “Guido Llinás and the 50’s in Cuba’’, Wolfson Campus, Gallery 2005 “El Grupo de los 11’’ Andres Pesqueira Gallery, 2004 “Surrealism, then and now” Lowe Art Museum, 2004 “Origins of the Avant Garde” Lowe Art Museum, 2003 “Modern Cuban Painting” Lowe Art Museum 2003 “Erótica de Carlos Enríquez’’ and “Pintores Fuera de Cuba”” Universidad de La Habana, Escuela de Artes y Letras, Nov.
    [Show full text]
  • The Summer Collective: a Group Exhibition of 20+ Artists the Summer Collective: a Group Exhibition of 20+ Artists Lns Gallery, July 14, 2020 - September 5, 2020
    The Summer Collective: A Group Exhibition of 20+ Artists The Summer Collective: A Group ExhibitioN of 20+ Artists LNS Gallery, July 14, 2020 - September 5, 2020 Dubbed the ‘Magic City,' Miami is kNowN as aN iNterNatioNal, tropical metropolis that coNNects the UNited States with LatiN America aNd beyoNd. It holds a spirit evocative of possibility aNd mystery; a kaleidoscopic amalgamatioN of colors, tastes, histories, aNd memories. The Summer Collective: A Group ExhibitioN of 20+ Artists aims to represeNt the uNique flavor of coNtemporary art that came to mature coNcurreNtly with the city’s developmeNt. As Miami grew simultaNeously with the arts that would come to represeNt it, the visual aNd lived cultures iNtertwiNed their roots aNd wove the aesthetic represeNtative of its populatioN. The Summer Collective showcases artists emblematic to the art historical aNd daily happeNiNgs of Miami across the 20th aNd 21st ceNturies. From weighted emotioNs wrought by epidemic experieNces, such as exile aNd AIDS, alieNatioN aNd displacemeNt, to the uNdeNiable beauty of the MiamiaN laNdscape, both biotic aNd built, The Summer Collective: A Group ExhibitioN of 20+ Artists aims to coNtribute to the celebrated repertoire of the arts, here iN Miami, Florida. JeNNifer Basile Oleta III, 2020 JeNNifer Basile Oleta III, 2020 color reductioN, editioN 1 of 1 36 x 48 iNches 91.44 x 121.92 cm. 40 x 52 iNches (framed) 101.6 x 132.08 cm. (framed) JeNNifer Basile offers aN escape to a maNgrove oasis iN Oleta III. Throughout her life, Basile has turNed to Nature for its vast healiNg aspect, through sublime beauty aNd escapism.
    [Show full text]
  • Shifra M. Goldman Papers CEMA 119
    http://oac.cdlib.org/findaid/ark:/13030/c8hd800b No online items Finding Guide for the Shifra M. Goldman Papers CEMA 119 Finding aid prepared by Callie Bowdish and assisted by Sara Doehring, and CEMA staff UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections Finding Guide for the Shifra M. CEMA 119 1 Goldman Papers CEMA 119 Title: Shifra M. Goldman papers Identifier/Call Number: CEMA 119 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 200.0 linear feet(392 boxes, three folders in one flat drawer, approximately 32,000 slides in 72 slide boxes, 119 audio recordings, 90 video recordings, and digital files.) Date (bulk): Bulk, 1965-2002 Date (inclusive): 1933-2011 Abstract: Shifra M. Goldman is a ground-breaking Latin American Art and Social historian. Her work and legacy is preserved in these papers. The multitude of people, organizations and activities that she was involved with include Latin American artists, Chicano artists, social rights activists, art scholars, art and social rights organizations, art museums, and publishers. Hundreds of exhibit catalogs are part of her papers. Her scholarly writings, research and teaching materials form the major part of her papers. They are contained in 392 boxes, one flat file drawer, approximately 35,000 slides in 72 slide boxes, 119 audio recordings, 90 video recordings, and her digital files. The materials date from 1933 - 2011 (there are a few pre-Columbian artifacts) with the bulk of the materials ranging from 1965 - 2002.
    [Show full text]
  • Mario Bencomo Cv
    MARIO BENCOMO, Cuba 1953 Selected Solo Exhibitions: The Americas Collection, Coral Gables, Florida, U.S.A.; Galerie Beaux-arts des Ameriques, Montreal, Canada; Galeria Tamara, San Juan, Puerto Rico; Pesqueira Gallery, Miami, Florida, U.S.A.; Elite Fine Art, Coral Gables, Florida, U.S.A.; Corbino Gallery, Longboat Key, Florida, U.S.A; Lehigh University's Siegel Gallery, Bethlehem, Pennsylvania, U.S.A.; Bacardi Art Gallery, Miami, Florida, U.S.A.; Barbara Gillman Gallery, Miami, Florida, U.S.A.; Gilman-Stein Gallery, Tampa, Florida, U.S.A; Intar Gallery, New York, New York, U.S.A; Consult Gallery, Boston, Massachusetts, U.S.A; Forma Gallery, Coral Gables, Florida, U.S.A.; Arteconsult Gallery, Panama, Panama; Schweyer-Galdo Gallery, Morristown, New Jersey, U.S.A.; West Dade Library Gallery, Miami, Florida, U.S.A.; Schweyer-Galdo Gallery, Birmingham, Michigan, U.S.A. Selected Group Exhibitions: Galerie Beaux-arts des Ameriques, Toronto, Canada; Anita Shapolsky Gallery, New York, New York, U.S.A.; BlackWatch Building, Montreal, Canada; Lehigh University Art Gallery Teaching Collection, Bethlehem, Pennsylvania, U.S.A.; ArtReliefFund, Arteamericas, Miami Beach, Florida, U.S.A; Cremata Gallery, Miami, Florida, U.S.A.; The Americas Collection, Coral Gables, Florida, U.S.A.; Greenhouse Gallery, Cleveland, Ohio, U.S.A; Anita Shapolsky Gallery, New York, U.S.A.; University at Buffalo Center for the Arts, New York, U.S.A.; Cantor Art Gallery, College of the Holy Cross, Worcester, Massachusetts, U.S.A.; Walker Fine Art, Denver, Colorado, U.S.A; University Gallery, University of Florida, Gainesville, Florida, U.S.A.; Amalia Mahoney Gallery, Chicago, Illinois, U.S.A.; Centre d'Art Santa Monica, Barcelona, Spain.
    [Show full text]
  • Miami Beach, 9 In-Land
    TCIRCUITS.COM R .A W WW SEASON 2010-2011 SEASON TO THE TO BEST GUIDE GUIDE BEST THE HARMON AND HARRIET KELLEY COLLECTION OF AFRICAN AMERICAN ART: WORKS ON PAPER ON VIEW THROUGH JANUARY 16, 2011 Alison Saar (born 1956), Black Snake Blues, 1994, color lithograph ANNUAL ART BASEL CHAMPAGNE BRUNCH SUNDAY, DECEMBER 5, 2010, 9:30 AM ARTIST LECTURE PRESENTED BY ALISON SAAR 5000 Years of World Art Lowe Art Museum 1301 Stanford Drive Coral Gables, FL 33124 www.lowemuseum.org 305.284.3535 Exhibition at the Lowe made possible by a grant from Funding Arts Network. Sponsored in part by Marilyn Holifield and Marvin Holloway. Organized by Landau Traveling Exhibitions, Los Angeles, CA. Lowe Art Museum exhibitions and programs are sponsored in part by The State of Florida, Division of Cultural Affairs, The Florida Arts Council, and the National Endowment for the Arts, with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners. 55 NW 30TH ST, MIAMI, FL 33127 curated by Fred Snitzer 25 NE 2nd Street, Miami, Florida 33132 | For more information call 305.237.3620 or visit www.nwsa.mdc.edu 1HZ:RUOG6FKRRORIWKH$UWVZDVFUHDWHGE\WKH)ORULGD/HJLVODWXUHLQDVDFHQWHURIH[FHOOHQFHLQWKHSHUIRUPLQJDQGYLVXDO DUWV,WLVDQHGXFDWLRQDOSDUWQHUVKLSRI0LDPL'DGH&RXQW\3XEOLF6FKRROV0LDPL'DGH&ROOHJHDQGWKH8QLYHUVLW\RI)ORULGD NEW WORLD SCHOOL of the A R T S high school and college student exhibition untitled ARTSEEN GALLERY PERFORMANCE AND INSTALLATION 2215 NW 2ND AVE. 7-10PM •••••••••••SAT.12.04.2010 MIAMI, FL 33127 DIRECTORY DIRECTORY Carmelo Arden Quin RETROSPECTIVE GEOMETRY IN MUTATION / GEOMETRÍA EN MUTACIÓN Opening Tuesday November 30, 7 pm Forme Madí No.
    [Show full text]