Art Circuits Annual Directory 2010-2011
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University Earns National Recognition for Business Practices Festival
September 1999 Volume 42 • Number 1 For the Faculty and Staff of the Veritas University of Miami University earns national recognition for business practices n recognition of its innova than it was 20 years ago, and this is Committee on College tive financial leadership and being recognized nationally." Costs. He has also found business practices which Lieberman is especially proud of a time to write and speak i have resulted in more than long list of accomplishments by his on strategic planning and $13 million in annual bottom line management team, which has demon management, process improvements, the University received strated the ability to "do more with two major awards this year from the less" in lowering the costs of doing leadership. National aAssociation of College and business at the University. He points "Nobody works University Business Officers to improvements in student fee collec harder for the University (NACUBO) at the organization's tions, worth $1.2 million annually to ofMiami than Dave annual meeting held recently in San the University's bottom line; imple Lieberman. Nobody Antonio, Texas. mentation of the Long-Range Informa works more effectively. David A. Lieberman, senior vice tion Systems Plan, which, among other His service to the Univer president for business and finance, was things, saved tens of millions of dollars sity has been exemplary, presented with the 1999 Distinguished in Y2K compliance costs; and managed as now recognized by his Business Officer Award, NACUBO's care of both employee health and peers nationally," says most prestigious honor. Each year the equipment maintenance, which re President Edward T association recognizes individuals who, sulted in $800,000 in annual cost Foote II. -
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2013 Doctoral Committee: Professor Ruth Behar, Chair Assistant Professor Nathan Daniel Beau Connolly, Johns Hopkins University Professor Tom Fricke Emeritus Professor Conrad P. Kottak Associate Professor Damani James Partridge © Lara Stein Pardo __________________________________ All Rights Reserved 2013 Acknowledgements I would like to begin by acknowledging the institutional support that made it possible for me to research and write for extended periods of time over several years, and also confirmed the necessity of this research. Thank you. This research was supported through funding from the CIC/Smithsonian Institution Fellowship, the Cuban Heritage Collection Graduate Fellowship funded by the Goizueta Foundation, Rackham Merit Fellowship, Rackham Graduate School, Anthropology Department at the University of Michigan, Arts of Citizenship at the University of Michigan, Center for the Education of Women, Institute for Research on Women and Gender, and the Susan Lipschutz Fund for Women Graduate Students. I also thank the Center for Latin American Studies at the University of Miami for hosting me as a Visiting Researcher during my fieldwork. There are many people I would like to acknowledge for their support of my work in general and this project in particular. Elisa Facio at the University of Colorado was the first person to suggest that I should consider working toward a PhD. Thank you. Her dedication to students goes above and beyond the role of a professor; you will always be Profesora to me. -
Descargar Revista Completa
ramona 97-diciembre-ok 11/30/09 12:21 PM Page 6 ramona revista de artes visuales nº 97. diciembre 2009 10 pesos Una iniciativa de la Fundación Start Editor fundador Gustavo Bruzzone Concepto Jacoby Grupo editor Roberto Amigo, José Fernández Vega, Graciela Hasper, Roberto Jacoby, Fernanda Laguna, Ana Longoni, Guadalupe Maradei, Judi Werthein Colaboradores permanentes Xil Buffone, Diana Aisenberg, Diego Melero, Mario Gradowczyk, Nicolás Guagnini, Lux Lindner, Alberto Passolini, Alfredo Prior, Daniel Link, Mariano Oropeza, ramona web M777, Melina Berkenwald www.ramona.org.ar [email protected] Coordinación y edición Santiago Basso Concepto [email protected] Jacoby Corrección Producción Dolores Curia Florencia Hipolitti Rumbo de diseño Desarrollo web Ros Leonardo Solaas Diseño gráfico Fundación START Silvia Canosa Tucumán 3758 (C1189AAB) Ciudad Autónoma de Bs As Suscripciones y ventas [email protected] Dolores Curia Coordinación general Publicidad Paula Bugni Florencia Hipolitti Patricia Pedraza Archivo y donaciones Prensa Dolores Curia Candelaria Muro Los colaboradores figuran en el índice Administración Muchas gracias a todos Julia Ramírez Aufgang ISSN 1666-1826 RNPI El material es responsabilidad de los autores y no puede ser reproducido sin su autorización 6 ramona 97-diciembre-ok 11/30/09 12:21 PM Page 7 índice LA INTERNACIONAL ARGENTINA 9 Introducción 10 Cuestionario sugerido 11 Cecilia Biagini 12 Diego Bruno Bibi Calderaro 13 Marula Di Como 14 León Ferrari 16 Mariano Gaich 17 Carlos Ginzburg 19 Julio Grinblatt 21 Nicolás Guagnini 22 Ruth Gurvich 23 Enrique Ježik 25 Leandro Katz 27 David Lamelas 27 Leopoldo Maler 28 Fabián Marcaccio 30 Gustavo Marrone 31 Marie Orensanz 32 Liliana Porter 34 Pablo Reinoso 39 Osvaldo Romberg 40 Miguel Rothschild 41 Áxel Straschnoy 42 Juan Tessi 44 Sergio Vega 46 Warhol y Duchamp. -
Handmade and Mind Made Our Permanent Collection
Handmade And Mind Made Our Permanent Collection Raleigh-Durham International Airport Ellen Driscoll’s Wingspun, © 2008; Terminal 2, Raleigh-Durham International Airport Ed Carpenter’s Triplet, © 2010; Terminal 2, Raleigh-Durham International Airport About The Collection Raleigh-Durham International Airport is the gateway to Central and Eastern North Carolina. More than 9 million passengers travel through our airport each year on commercial flights, with millions more arriving daily to greet or dropoff passengers, fly on private aircraft or rent facilities for events. The Airport Authority created its Art Master Plan in 2000 to serve as an organizational tool for public art at RDU. The themes handmade and mind made were selected to refer to the region’s rich history of craftsmanship in furniture and textiles and the high-tech scientific reputation enjoyed today. An art advisory council comprised of Airport Authority staff, regional arts council representatives and others jury-selected the 15 pieces in RDU’s permanent collection to represent the collection’s theme and enhance the passenger experience. The collection’s first installation, The Terminal 1 Art Murals, was installed in 2002. The newest pieces will be installed in early 2014 as part of the Terminal 1 modernization project. Wellington Reiter Skilled in pen and ink drawings, as well as large scale architectural works, Wellington Reiter is a 1981 graduate of Tulane University and went on to study at Harvard University and the North London Polytechnic School. He is known for public commissions using steel and light. His pieces are on display at locations as varied as the San Francisco Museum of Modern Art, Tulane University School of Architecture, offices of World Cinema Corporation in California and in private collections around the world. -
Cintas Foundation Entrusts Miami Dade College with Renowned Art Collection
Cintas Foundation Entrusts Miami Dade College with Renowned Art Collection Miami, June 20, 2011 - At a signing ceremony today, Miami Dade College(MDC) formally welcomed the renownedCintas Fellows Collection, the largest collection anywhere of Cuban art outside of Cuba. On an extended loan to MDC by the Cintas Foundation, the collection is comprised of nearly 300 pieces by artists of Cuban descent who have received prestigious Cintas Fellowships, awarded since 1963. More than 200 artists are represented in the collection through a wide variety of media including paintings, prints, photographs, drawings, films, sculptures and installation art. The vast scope of the collection reflects the heterogeneous nature of the artistic production of Cuban artists, spanning across various generations, and their significant aesthetic and historical contribution to modern and contemporary art. “We are so thrilled and proud to have the Cintas Fellows Collection here at MDC,” said MDC President Eduardo J. Padrón. Joining MDC President Dr. Eduardo J. Padrón and Cintas Foundation President Hortensia Sampedro are (L toR): MDC Foundation Chair Miguel G. Farra and Cintas Selections from the Cintas Fellows Collection will be on permanent display to Foundation board members Manuel Gonzalez, Maria the public for the first time at MDC’s National Historic Landmark Freedom Elena Prio, Margarita Cano and Rafael Miyar. Tower. “By exhibiting the works at the Freedom Tower, MDC is giving a voice to the remarkable artists in the collection,” said Cintas Foundation President Hortensia Sampedro. In addition to being the steward of this exceptional collection, MDC will also oversee the Cintas Foundation Fellowship Awards and host the annual awards exhibition and reception, an honor that played an influential role in the development and advancement of many artists’ careers. -
The Eleventh Season: from Bach July 18–August 10, 2013
The Eleventh Season: From Bach July 18–August 10, 2013 WELCOME TO MUSIC@MENLO Dear Friends, The most transformative musical experiences of our own lives inevitably surface at Music@Menlo. Whether they inspire a single concert or provide context for an entire festival, we bring you these musical revelations with tremendous excitement. This we promise you: if you find it at Music@Menlo, it has a story deeply rooted in our personal history. Such an experience occurred for us during Music@Menlo’s ninth festival, which illustrated Brahms’s wide range of musical sources and influences. A program opened with an eloquent performance of Bach’s Second Suite for Solo Cello and then moved to works by composers indebted to both Bach and Brahms. Bach is a composer we had long revered, and we spoke excitedly of this concert’s extraordinary effect. Had the music of Bach—which unquestionably laid the foundations for the flow- ering of classical music through the present day—transformed the works which followed it, by composers including Schoenberg and Harbison? Or had Bach’s music, through its cosmic logic, simply opened our ears to hearing everything that followed it more clearly and vividly? These questions blossomed into our dream of an entire Music@Menlo season programmed in this special way, and in due time From Bach was born. Once again, Music@Menlo is proud to offer a rich festival experience to be found nowhere else. What better way to inaugurate our second decade than with con- certs that begin with works by a composer without equal, created at -
Seraphic Fire, Refugiados De Un Bosque Interior | MIAMI CLÁSICA
Seraphic Fire, refugiados de un bosque interior | MIAMI ☼ CLÁSICA MIAMI USA + INTERNACIONAL CD + DVD PERSONAJES AGENDA MIAMI CODA SEBASTIAN SPRENG WEBSITE MIAMI ☼ CLÁSICA SEGUN SEBASTIAN SPRENG SERAPHIC FIRE, REFUGIADOS DE UN BOSQUE INTERIOR 21/10/2017 SEBASTIAN SPRENG: Desde 1988 escribe sobre la actividad musical clásica como corresponsal extranjero de la Revista CLÁSICA de Buenos Aires, Ambito Financiero, The Buenos Aires Herald, Opera News, South Florida Classical Review, The Classical Review, Radio Amadeus, Clasica Online, Knigth Arts, El Nuevo Herald-The Miami Herald. Es miembro de Music Critics Association of North America. Miami Cla… 823 Me gusta En la acústica dorada de Santa Sofía abrió su temporada la agrupación Seraphic Fire dirigida por Patrick Dupré Quigley, creador del notable ensamble miamense. Y lo hizo con una de sus especialidades, la música de Claudio Monteverdi. Los tres elementos – compositor, intérprete y ámbito – se fusionaron Me gusta esta página perfectamente para una velada de indudable jerarquía. Unos setenta minutos de la colección Selva Moral y Espiritual – última creación del compositor, dicho sea de paso para la basílica de San Marco veneciana, que resume su legado creativo – posibilitó a ocho miembros del grupo demostrar el nivel de excelencia sostenido a través de quince temporadas recién cumplidas. Como preludio a esta decimosexta que comienza, interpretaron en calidad de estreno mundial Columna de Drew Baker encargada al joven compositor residente en Chicago gracias a una beca de Knight Foundation que para los quince de Seraphic Fire dio lugar a varias comisiones a través del año. La intención de Baker fue sentar el tono para la velada monteverdiana. -
Gustav Mahler
Rezension für: Rafael Kubelik audite catalogue 2009 & CD - G. Mahler: Symphony No. 5 Gustav Mahler CD aud 10.020 Applaus 4/2000 (Martina Kausch - 2000.04.01) Großes Staunen Live-Mitschnitte von Mahler- und Mozart-Konzerten unter Rafael Kubelik beweisen einmal mehr den Rang des BR-Symphonie-Orchesters Großes Staunen Full review text restrained for copyright reasons. BBC Music Magazine April 2000 (David Nice - 2000.04.01) Kubelik’s live 1981 Mahler Fifth is a reminder that you can have everything in Mahler – intricate texturing, characterful playing, purposeful phrasing and a cumulative impact which leaves you breathless with exhilaration. Only Bernstein, also captured before an audience, can do the same, and although Kubelik pulls some very theatrical stops out as the clouds part in the second movement and the light fades from the scherzo. His generally faster-moving picture tells a very different story. Bergstädter Anzeiger 02.02.2000 (hol - 2000.02.02) Dem tschechischen Dirigenten Rafael Kubelik ist eine der bedeutendsten... Full review text restrained for copyright reasons. page 1 / 295 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de Berlingske Tidende 21.06.2000 (Steen Chr. Steensen - 2000.06.21) I Kubeliks forunderlige verden To enestàende optageIser af dirigenten Rafael Kubelik med Mahlers 1. og 5. Symfoni. Klassiske plader I Kubeliks forunderlige verden Full review text restrained for copyright reasons. Classic Record Collector 10/2002 (Christopher Breunig - 2002.10.01) The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings of four Mozart and two Beethoven concertos. -
A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art
A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art Rosa M. Fernández September 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Biographical Files, 1994-1995, undated................................................... 8 Series 2: Miscellaneous Letters, 1983-1995, undated............................................. 9 Series 3: Artist Files, 1920-1995, undated............................................................. 10 Series 4: Exhibition Files, 1977-1995, undated.................................................... -
TITLE AUTHOR CALL # Advocating Women's Rights in Film and Books
AUTHOR TITLE CALL # Cornell Advocating Women’s Rights in Film and Books: The Puerto Rican Division L of Community Education Serrrano, Andres Morgue, The TR 647 S43 El Museo Del Barrio Another Face: Mexican Masks in El Museo del Barrio F 1219 3.M4 Gormley, Antony Antony Gormley NB 497 G65 Torres, Omar Apenas un Bolero PQ 7390 T Heyck, Denis Lynn Daly Barrios and Borderlands PS 508 H57 B Pacheco, José Emilio Battles In the Desert and Other Stories PQ 7298 2 Universidad de Puerto Rico Caribbean Studies (V. 24, No. 3-4, July-Dec 91) F 2161 C27 Rodriguez, Consuelo Cesar Chavez, Hispanics of Achievement HD 6509 C48 Briggs, Vernon Chicanos and Rural Poverty E 184 M5 B74 De La Torre, Celso Pastor Como un Peruano D 8397.P47 P37 Hispanic Caucus Inc., Nat’l Directory Hispanic Elected Officials, 1984 E 184 S75 Congressional A17 Feingold, Norman Counseling for Careers in the 1980’s LC 1037 F44 Fermandez, Ronald Cruising the Caribbean: US Influence and Interervention in the Twentieth F 2178 U66 Century Otero, Manuel Ramos Cuentos de buena tinta PQ 7440 R33 Olivares, Julian Cuentos Hispanos de Los Estados Unidos PQ 7078 C84 Walking Stick, Kay Cultural Signs in Contemporary Art N 6512 Rodriguez, Richard Days of Obligation, An Argument with my Mexican Father F 870 M5 R6 Sotomayor, Aurea María De Lengua, razón, y cuerpo PQ 7434 D4 Hambleton, Toni De Memorias y Recuerdos NB Bejel, Emilio Del Aire Y La Piedra PQ 7079 B45 D35 Various Dia De Los Muetos: Homelessness N 6487 N4 Bejel, Emilio Direcciones Y Paraisos PQ 7079 B45 Organization of American States Directory of Inter-American and Other Associations in the Americas F 1401 D56 Ellwood, David T. -
Cintas Foundation Announces Lydia Rubio Gift
For immediate release Media contact: Nicole Kaufman 305-348-3689 / [email protected] Cintas Foundation Announces Lydia Rubio Gift Miami (February 6, 2007) - The Cintas Foundation is pleased to announce the acquisition of a major work by the artist Lydia Rubio. Alarcolira, a three-dimensional large-scale piece, which was donated this week by Miss Rubio and will be held by the Frost Art Museum at Florida International University, where the Cintas Fellows Collection is managed. Lydia Rubio, born in Havana and a resident of Miami, was trained as an architect at the University of Florida and attended the Graduate School of Design at Harvard University. She received a Cintas Foundation Fellowship in the Visual Arts in 1981. The critic Valerie Gladstone offered this description of Rubio’s work in ARTnews: “Rubio brings to painting a calligraphic skill that intensifies and delineates her every image. Buildings, landscape, and geometry are the channels through which she presents her kaleidoscopic and refreshingly iconoclastic view of the world.” Rubio has been a professor and lecturer in design at the University of Puerto Rico, Harvard University, Parsons School of Design, Miami-Dade College and the New World School for the Arts in Miami. She has frequent solo exhibitions in galleries throughout the United States and has participated in numerous group shows, including Unbroken Ties: Dialogues in Cuban Art at the Museum of Latin American Art in Long Beach, California, and No Show at the Fred Snitzer Gallery in Miami. Her work is in many permanent collections, including those of the Museum of Art in Fort Lauderdale and the City of Orlando. -
NWS, Seraphic & Nu Deco | MIAMI CLÁSICA
Tres conciertos señeros: NWS, Seraphic & Nu Deco | MIAMI ☼ CLÁSICA MIAMI USA + INTERNACIONAL CD + DVD PERSONAJES AGENDA MIAMI CODA SEBASTIAN SPRENG WEBSITE MIAMI ☼ CLÁSICA SEGUN SEBASTIAN SPRENG TRES CONCIERTOS SEÑEROS: NWS, SERAPHIC & NU DECO 19/02/2018 SEBASTIAN SPRENG: Desde 1988 escribe sobre la actividad musical clásica como corresponsal extranjero de la Revista CLÁSICA de Buenos Aires, Ambito Financiero, The Buenos Aires Herald, Opera News, South Florida Classical Review, The Classical Review, Radio Amadeus, Clasica Online, Knigth Arts, El Nuevo Herald-The Miami Herald. Es miembro de Music Critics Association of North America. Miami Cla… 853 Me gusta Me gusta esta página Paradojas, coincidencias. Un triste fin de semana para Florida y, al mismo tiempo, uno notable para la música en Miami donde tres conciertos, uno tras otro, insinuaron un sendero que poco a poco parece señalar no sólo tendencias sino confirmaciones. Cruce de culturas y semillero de talentos, Miami exhibe su potencial con la academia musical americana – NWS- y dos ensembles musicales que lo reflejan en todo sentido: Seraphic Fire y ahora Nu-Deco. La New World Symphony comenzó su concierto apropiadamente con dos dolorosas viñetas extramusicales, un pedido para que no se elimine el Fondo Nacional de las Artes (NEA) y un minuto de ENTRADAS RECIENTES Seguir silencio por los asesinados en Parkland mientras en las pantallas del recinto -y Wallcast en el parque con asistencia de 2,000 – aparecían los nombres y edad de cada víctima. Así están las cosas. Fue tarea del Stravinsky neoclásico y su abanderado Michael Tilson Thomas el borrar tanta desazón con una lectura Anita Rachvelishvili, exuberante impronta georgiana vibrante del raramente ejecutado Scenes de ballet que el exiliado ruso compuso en 1944 para el estreno de The Seven Lively Arts.