Art Circuits Annual Directory 2010-2011

Total Page:16

File Type:pdf, Size:1020Kb

Art Circuits Annual Directory 2010-2011 ANNUAL DIRECTORY 2011 WWW.ARTCIRCUITS.COM THE JAGUAR’S SPOTS green jade Mask, ca. 1500-400 ca. BCE, ) o c i x e M , t s a o C f l u G ( c e m l O ANCIENT MESOAMERICAN ART FROM THE UM LOWE ART MUSEUM ON VIEW THROUGH OCTOBER 31, 2010 5000 Years of World Art Lowe Art Museum 1301 Stanford Drive Coral Gables, FL 33124 www.lowemuseum.org 305.284.3535 Exhibition organized by the Lowe Art Museum, University of Miami. Curated by Dr. Traci Ardren, Associate Professor of Anthropology and Director of Women's and Gender Studies Program at the University of Miami. Funding through the Jay W. Jensen and John W. and Thelma S. Jensen Endowment Fund with additional support by The State of Florida, Division of Cultural Affairs, The Florida Arts Council, and the National Endowment for the Arts, with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and with the support of the City of Coral Gables. Additional funding provided by the Office of the Consul General of Mexico Miami, the Cultural Institute of Mexico Miami, HSBC Private Bank, The E.R. Roberts Foundation, and Sergio Garcia-Granados. ;:D>AHNL>:KM<HFIE>QIK>L>GML3 :KMK:??E> WWW.MIA-ARTFAIR.COM 14-17 JANUARY 2011 • PREVIEW 13 JAN GHO'*+%+)*) MIAMI BEACH CONVENTION CENTER 03))&**3))IF :=FBLLBHG MB<D>ML3 -.'))(ik^lZe^ BAKEHOUSE ART COMPLEX 561 NW 32ND STREET For more information visit: MIAMI, FL 33127 www.bacfl.org 305.576.2828 Bakehouse Art Complex is hosting its annual WWW.MIA-ARTFAIR.COM art-raffle fundraiser Lucky You! 3 14-17 JANUARY 2011 • PREVIEW 13 JAN Over 70 one-of-a-kind artworks donated by both MIAMI BEACH CONVENTION CENTER resident Bakehouse and other local artists will line the walls of the new Audrey Love Gallery! PLEASE JOIN US IN MIAMI BEACH JANUARY 13-17, Media presented: paintings, drawings, sculpture, 2011 FOR AMERICA’S MOST EXCITING MID-WINTER photography and mixed media works. Raffle CONTEMPORARY ART FAIR. MIA INAUGURATES tickets are $10.00. Winning guests walk away AN INTRIGUING AND UNIQUE NEW MODEL THIS with the artwork that night!g YEAR COMBINING A HIGHLY SELECTIVE ART FAIR WITH A STRONG, CENTRAL CURATORIAL VISION, Special live performance by: ALONG WITH INDEPENDENTLY CURATED PROJECTS. LIHGLHKL3 Costumes designed by ORGANIZED BY IFAE • WWW.IFAE.COM • +1 239 498 1683 BG=BOB=N:ELIHGLHKL3BG Dr. Robert And Kaye Apfel & Helene Pancoast Publisher’s NOTE ART CIRCUITS IS GOING GREEN / LIMITED EDITIONS A R T S PAVILION and LOUNGE rt Circuits Green Campaign will contribute to preserving the environment with two printed editions per year. Two Limited Editions in print that will mark the 8th Anniversary celebration of Art Circuits: The Annual Directory 2011 and Best Guide Ato the Season 2010-2011 . Art Circuits newsletters will be continuously updated with up to the minute announcements of openings, performances, lectures, screenings and readings. Art Circuits Maps will also be available in real time as changes take place. artcircuits.com Miami now counts its traditional monthly artwalks in nine different art hubs (Coral Gables, Coconut Grove, Wynwood Arts District, Design District, Little Havana, The Falls, Bird Road, North and South Miami). Neighborhood artwalks have made art galleries the newest popular meeting spots. Aside from openings, art galleries now offer ephemeral cultural activities, affording the artwalk crowd a more intimate art lover’s experience. Art Circuits online mirrors this revolution. For a more personal glimpse into the ever-changing Miami art scene, enjoy Art Circuits Blogspot by our exclusive columnist Elisa Turner. Enjoy Elisa’s musings on public workshops, performances, installations, and lectures at Falling Hard for Art in Miami: Brandishing the Baton (pages 8-9). Visit her blog and posit your opinions on the educational spaces that local galleries and museums provide. (/artcircuitsartcentric.blogspot.com/) Have The Annual Directory 2011 always ready at hand. Keep Best Guide to the Season 2010-2011 printed edition to use as reference for Greater Miami’s trendiest art galleries, spaces, museums, private collections and art services. Check page 35 for our new Classified Section, soon to be online. International Art Fair season is upon us. Read a synopsis of the season’s art fairs (pages 24 - 29) and create your own itinerary. Art museums, galleries and private collections roll out their major shows during the season. Stay informed. Review Private Collections and Museums in Miami Dade and Beyond on pages 20-22 and enjoy an insight into what you won’t want to miss this season. Now you can select which newsletter(s) you would like to receive online at artcircuits.com. Share your ideas with us on facebook (http://www. facebook.com/home.php?#!/pages/Art-Circuits/202089665528 ) and let us know what would you like to see in Art Circuits online. Art Circuits: everything you want to know about art online and in print. Liana Pérez [email protected] - 6 - by ELISA TURNER ARTCENTRIC [email protected] FALLING HARD FOR ART IN MIAMI: BRANDISHING THE BATON differs dramatically from the reclaimed iami’s captivating cultural swamp it once was. Take, for instance, the spunky and adventurous Farside chorus leads by example. Gallery near FIU. Its wonderful talks and panel discussions will give you much to Bravo for museums and ponder. For info call 305-264-3120. The Frost Museum at FIU galleries! deserves a standing ovation for truly brandishing the baton in Miami this They belong to exciting initiatives navigate extra-expressways constructed M fall. Opening in October is “Embracing raising high the baton for the culturally around the world. And it does more Modernity: Venezuelan Geometric curious. A symphony of sights, sounds, than that by helping us contemplate Abstraction.” It promises a much- and ideas overtakes the city. As I live the currently contradictory desire to deserved look at how artists, including and breathe, Miami is now a stimulating slow things down, to give our bodies a Alejandro Otero, brought international place for ideas to ferment in the rest from fast food, life in the fast lane, acclaim to their country as pioneers, outrageously varied cultural feast we find and texting till we drop. No wonder particularly in Paris, during the 1940s from South Beach to the streets of Little “The Wolf” calls itself the museum of through 1960s. The Frost’s free Target- Havana to the city’s western reaches “thinkism.” See www.wolfsonian.org sponsored Wednesday night programs near Florida International University. Take part in how Miami is a nexus It’s like another education-- even for those of us who have been there, Enrique Martinez Celaya, Painting for the Cathedral of St. John the Divine. Courtesy done that with writing papers for college. of Whale & Star.Celaya beautifully evokes These lively learning opportunities are stages of a spiritual journey. free or cost just pennies compared to the cost of a college education. How can its exhibit devoted to the exquisite art you resist? of Lydia Rubio, who lives in Miami. See Begin your fall with a bang by www.crematagallery.com and www. sprinting to see “Speed Limits” at the lydiarubio.com Visitors to Maxoly/ Wolfsonian-FIU. It’s an astounding Latin Art Core gallery can purchase exhibit with so much to see and talk a new book by Ramón Vazquez Diaz about that you’ll want to plan a return about Victor Manuel Garcia. He’s one of trip. I’m already planning mine with my Cuba’s famed Vanguardia painters who terrific ArtTable pals. This remarkably- transformed art history as it happened in designed show will make you actually Havana—also Paris and New York—in feel the consequences of our ever- the first half of the 20th Century. See accelerating need for speed when drivers www.latinartcore.com Spaces for seeing and thinking about art in Wynwood and the Design District Lydia Rubio, Birds of Feeling, 2007 Ink continue to impress. Truly remarkable is and gouache on paper 30 x 22 in. the capacious Wynwood studio, Whale Courtesy of the artist. Inspired by memories & Star, complete with its own library of home, Rubio spins delicate stories in her art founded by multi-talented artist Enriquez for new ideas, and your ideas will help Martinez Celaya, who brings notable this nexus grow. Continue your cultural speakers to town informing all of us. See education by taking in the talks at the www.whaleandstar.com Yet another Alejandro Otero, Model- Project for Park very fab independent bookseller Books Celaya coup: his paintings are on view Avenue, New York, 1982, Mixed media, & Books, found in several locations here. this fall at Cathedral of Saint John the 46 1/2 x 15 x 15 in. Ella Fontanals- See www.booksandbooks.org At the Divine in New York. Cisneros Collection, Miami. Otero is much admired for his dynamic sense of form. Coral Gables store, you might encounter Don’t miss lectures offered a short intriguing ArtTable panel discussions by drive away at the de la Cruz Collection are always worthwhile, but note this exceptional Miami people-in-the-know Contemporary Art Space. See www. especially outstanding event: in October on a host of artcentric issues. See www. delacruzcollection.org Consider visiting Jonathan Friedlander teams with the arttable.org artist studios and exhibits at Bakehouse Frost and FIU School of Music to speak Explore unique treasures of Little Art Complex. It also offers lively about creativity in art and music. See Havana, such as the Tower Theater. programs: one recent event, inspired by www.thefrost.fiu.edu Galleries there actively educate curiously an ArtTable panel discussion in May at artcentric folks who want to learn This autumn, I’m clearly falling hard for Tullio Crali, Untitled, Watercolor and Books & Books, was packed.
Recommended publications
  • University Earns National Recognition for Business Practices Festival
    September 1999 Volume 42 • Number 1 For the Faculty and Staff of the Veritas University of Miami University earns national recognition for business practices n recognition of its innova­ than it was 20 years ago, and this is Committee on College tive financial leadership and being recognized nationally." Costs. He has also found business practices which Lieberman is especially proud of a time to write and speak i have resulted in more than long list of accomplishments by his on strategic planning and $13 million in annual bottom line management team, which has demon­ management, process improvements, the University received strated the ability to "do more with two major awards this year from the less" in lowering the costs of doing leadership. National aAssociation of College and business at the University. He points "Nobody works University Business Officers to improvements in student fee collec­ harder for the University (NACUBO) at the organization's tions, worth $1.2 million annually to ofMiami than Dave annual meeting held recently in San the University's bottom line; imple­ Lieberman. Nobody Antonio, Texas. mentation of the Long-Range Informa­ works more effectively. David A. Lieberman, senior vice tion Systems Plan, which, among other His service to the Univer­ president for business and finance, was things, saved tens of millions of dollars sity has been exemplary, presented with the 1999 Distinguished in Y2K compliance costs; and managed as now recognized by his Business Officer Award, NACUBO's care of both employee health and peers nationally," says most prestigious honor. Each year the equipment maintenance, which re­ President Edward T association recognizes individuals who, sulted in $800,000 in annual cost Foote II.
    [Show full text]
  • Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A
    Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2013 Doctoral Committee: Professor Ruth Behar, Chair Assistant Professor Nathan Daniel Beau Connolly, Johns Hopkins University Professor Tom Fricke Emeritus Professor Conrad P. Kottak Associate Professor Damani James Partridge © Lara Stein Pardo __________________________________ All Rights Reserved 2013 Acknowledgements I would like to begin by acknowledging the institutional support that made it possible for me to research and write for extended periods of time over several years, and also confirmed the necessity of this research. Thank you. This research was supported through funding from the CIC/Smithsonian Institution Fellowship, the Cuban Heritage Collection Graduate Fellowship funded by the Goizueta Foundation, Rackham Merit Fellowship, Rackham Graduate School, Anthropology Department at the University of Michigan, Arts of Citizenship at the University of Michigan, Center for the Education of Women, Institute for Research on Women and Gender, and the Susan Lipschutz Fund for Women Graduate Students. I also thank the Center for Latin American Studies at the University of Miami for hosting me as a Visiting Researcher during my fieldwork. There are many people I would like to acknowledge for their support of my work in general and this project in particular. Elisa Facio at the University of Colorado was the first person to suggest that I should consider working toward a PhD. Thank you. Her dedication to students goes above and beyond the role of a professor; you will always be Profesora to me.
    [Show full text]
  • Descargar Revista Completa
    ramona 97-diciembre-ok 11/30/09 12:21 PM Page 6 ramona revista de artes visuales nº 97. diciembre 2009 10 pesos Una iniciativa de la Fundación Start Editor fundador Gustavo Bruzzone Concepto Jacoby Grupo editor Roberto Amigo, José Fernández Vega, Graciela Hasper, Roberto Jacoby, Fernanda Laguna, Ana Longoni, Guadalupe Maradei, Judi Werthein Colaboradores permanentes Xil Buffone, Diana Aisenberg, Diego Melero, Mario Gradowczyk, Nicolás Guagnini, Lux Lindner, Alberto Passolini, Alfredo Prior, Daniel Link, Mariano Oropeza, ramona web M777, Melina Berkenwald www.ramona.org.ar [email protected] Coordinación y edición Santiago Basso Concepto [email protected] Jacoby Corrección Producción Dolores Curia Florencia Hipolitti Rumbo de diseño Desarrollo web Ros Leonardo Solaas Diseño gráfico Fundación START Silvia Canosa Tucumán 3758 (C1189AAB) Ciudad Autónoma de Bs As Suscripciones y ventas [email protected] Dolores Curia Coordinación general Publicidad Paula Bugni Florencia Hipolitti Patricia Pedraza Archivo y donaciones Prensa Dolores Curia Candelaria Muro Los colaboradores figuran en el índice Administración Muchas gracias a todos Julia Ramírez Aufgang ISSN 1666-1826 RNPI El material es responsabilidad de los autores y no puede ser reproducido sin su autorización 6 ramona 97-diciembre-ok 11/30/09 12:21 PM Page 7 índice LA INTERNACIONAL ARGENTINA 9 Introducción 10 Cuestionario sugerido 11 Cecilia Biagini 12 Diego Bruno Bibi Calderaro 13 Marula Di Como 14 León Ferrari 16 Mariano Gaich 17 Carlos Ginzburg 19 Julio Grinblatt 21 Nicolás Guagnini 22 Ruth Gurvich 23 Enrique Ježik 25 Leandro Katz 27 David Lamelas 27 Leopoldo Maler 28 Fabián Marcaccio 30 Gustavo Marrone 31 Marie Orensanz 32 Liliana Porter 34 Pablo Reinoso 39 Osvaldo Romberg 40 Miguel Rothschild 41 Áxel Straschnoy 42 Juan Tessi 44 Sergio Vega 46 Warhol y Duchamp.
    [Show full text]
  • Handmade and Mind Made Our Permanent Collection
    Handmade And Mind Made Our Permanent Collection Raleigh-Durham International Airport Ellen Driscoll’s Wingspun, © 2008; Terminal 2, Raleigh-Durham International Airport Ed Carpenter’s Triplet, © 2010; Terminal 2, Raleigh-Durham International Airport About The Collection Raleigh-Durham International Airport is the gateway to Central and Eastern North Carolina. More than 9 million passengers travel through our airport each year on commercial flights, with millions more arriving daily to greet or dropoff passengers, fly on private aircraft or rent facilities for events. The Airport Authority created its Art Master Plan in 2000 to serve as an organizational tool for public art at RDU. The themes handmade and mind made were selected to refer to the region’s rich history of craftsmanship in furniture and textiles and the high-tech scientific reputation enjoyed today. An art advisory council comprised of Airport Authority staff, regional arts council representatives and others jury-selected the 15 pieces in RDU’s permanent collection to represent the collection’s theme and enhance the passenger experience. The collection’s first installation, The Terminal 1 Art Murals, was installed in 2002. The newest pieces will be installed in early 2014 as part of the Terminal 1 modernization project. Wellington Reiter Skilled in pen and ink drawings, as well as large scale architectural works, Wellington Reiter is a 1981 graduate of Tulane University and went on to study at Harvard University and the North London Polytechnic School. He is known for public commissions using steel and light. His pieces are on display at locations as varied as the San Francisco Museum of Modern Art, Tulane University School of Architecture, offices of World Cinema Corporation in California and in private collections around the world.
    [Show full text]
  • Cintas Foundation Entrusts Miami Dade College with Renowned Art Collection
    Cintas Foundation Entrusts Miami Dade College with Renowned Art Collection Miami, June 20, 2011 - At a signing ceremony today, Miami Dade College(MDC) formally welcomed the renownedCintas Fellows Collection, the largest collection anywhere of Cuban art outside of Cuba. On an extended loan to MDC by the Cintas Foundation, the collection is comprised of nearly 300 pieces by artists of Cuban descent who have received prestigious Cintas Fellowships, awarded since 1963. More than 200 artists are represented in the collection through a wide variety of media including paintings, prints, photographs, drawings, films, sculptures and installation art. The vast scope of the collection reflects the heterogeneous nature of the artistic production of Cuban artists, spanning across various generations, and their significant aesthetic and historical contribution to modern and contemporary art. “We are so thrilled and proud to have the Cintas Fellows Collection here at MDC,” said MDC President Eduardo J. Padrón. Joining MDC President Dr. Eduardo J. Padrón and Cintas Foundation President Hortensia Sampedro are (L toR): MDC Foundation Chair Miguel G. Farra and Cintas Selections from the Cintas Fellows Collection will be on permanent display to Foundation board members Manuel Gonzalez, Maria the public for the first time at MDC’s National Historic Landmark Freedom Elena Prio, Margarita Cano and Rafael Miyar. Tower. “By exhibiting the works at the Freedom Tower, MDC is giving a voice to the remarkable artists in the collection,” said Cintas Foundation President Hortensia Sampedro. In addition to being the steward of this exceptional collection, MDC will also oversee the Cintas Foundation Fellowship Awards and host the annual awards exhibition and reception, an honor that played an influential role in the development and advancement of many artists’ careers.
    [Show full text]
  • The Eleventh Season: from Bach July 18–August 10, 2013
    The Eleventh Season: From Bach July 18–August 10, 2013 WELCOME TO MUSIC@MENLO Dear Friends, The most transformative musical experiences of our own lives inevitably surface at Music@Menlo. Whether they inspire a single concert or provide context for an entire festival, we bring you these musical revelations with tremendous excitement. This we promise you: if you find it at Music@Menlo, it has a story deeply rooted in our personal history. Such an experience occurred for us during Music@Menlo’s ninth festival, which illustrated Brahms’s wide range of musical sources and influences. A program opened with an eloquent performance of Bach’s Second Suite for Solo Cello and then moved to works by composers indebted to both Bach and Brahms. Bach is a composer we had long revered, and we spoke excitedly of this concert’s extraordinary effect. Had the music of Bach—which unquestionably laid the foundations for the flow- ering of classical music through the present day—transformed the works which followed it, by composers including Schoenberg and Harbison? Or had Bach’s music, through its cosmic logic, simply opened our ears to hearing everything that followed it more clearly and vividly? These questions blossomed into our dream of an entire Music@Menlo season programmed in this special way, and in due time From Bach was born. Once again, Music@Menlo is proud to offer a rich festival experience to be found nowhere else. What better way to inaugurate our second decade than with con- certs that begin with works by a composer without equal, created at
    [Show full text]
  • Seraphic Fire, Refugiados De Un Bosque Interior | MIAMI CLÁSICA
    Seraphic Fire, refugiados de un bosque interior | MIAMI ☼ CLÁSICA MIAMI USA + INTERNACIONAL CD + DVD PERSONAJES AGENDA MIAMI CODA SEBASTIAN SPRENG WEBSITE MIAMI ☼ CLÁSICA SEGUN SEBASTIAN SPRENG SERAPHIC FIRE, REFUGIADOS DE UN BOSQUE INTERIOR 21/10/2017 SEBASTIAN SPRENG: Desde 1988 escribe sobre la actividad musical clásica como corresponsal extranjero de la Revista CLÁSICA de Buenos Aires, Ambito Financiero, The Buenos Aires Herald, Opera News, South Florida Classical Review, The Classical Review, Radio Amadeus, Clasica Online, Knigth Arts, El Nuevo Herald-The Miami Herald. Es miembro de Music Critics Association of North America. Miami Cla… 823 Me gusta En la acústica dorada de Santa Sofía abrió su temporada la agrupación Seraphic Fire dirigida por Patrick Dupré Quigley, creador del notable ensamble miamense. Y lo hizo con una de sus especialidades, la música de Claudio Monteverdi. Los tres elementos – compositor, intérprete y ámbito – se fusionaron Me gusta esta página perfectamente para una velada de indudable jerarquía. Unos setenta minutos de la colección Selva Moral y Espiritual – última creación del compositor, dicho sea de paso para la basílica de San Marco veneciana, que resume su legado creativo – posibilitó a ocho miembros del grupo demostrar el nivel de excelencia sostenido a través de quince temporadas recién cumplidas. Como preludio a esta decimosexta que comienza, interpretaron en calidad de estreno mundial Columna de Drew Baker encargada al joven compositor residente en Chicago gracias a una beca de Knight Foundation que para los quince de Seraphic Fire dio lugar a varias comisiones a través del año. La intención de Baker fue sentar el tono para la velada monteverdiana.
    [Show full text]
  • Gustav Mahler
    Rezension für: Rafael Kubelik audite catalogue 2009 & CD - G. Mahler: Symphony No. 5 Gustav Mahler CD aud 10.020 Applaus 4/2000 (Martina Kausch - 2000.04.01) Großes Staunen Live-Mitschnitte von Mahler- und Mozart-Konzerten unter Rafael Kubelik beweisen einmal mehr den Rang des BR-Symphonie-Orchesters Großes Staunen Full review text restrained for copyright reasons. BBC Music Magazine April 2000 (David Nice - 2000.04.01) Kubelik’s live 1981 Mahler Fifth is a reminder that you can have everything in Mahler – intricate texturing, characterful playing, purposeful phrasing and a cumulative impact which leaves you breathless with exhilaration. Only Bernstein, also captured before an audience, can do the same, and although Kubelik pulls some very theatrical stops out as the clouds part in the second movement and the light fades from the scherzo. His generally faster-moving picture tells a very different story. Bergstädter Anzeiger 02.02.2000 (hol - 2000.02.02) Dem tschechischen Dirigenten Rafael Kubelik ist eine der bedeutendsten... Full review text restrained for copyright reasons. page 1 / 295 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de Berlingske Tidende 21.06.2000 (Steen Chr. Steensen - 2000.06.21) I Kubeliks forunderlige verden To enestàende optageIser af dirigenten Rafael Kubelik med Mahlers 1. og 5. Symfoni. Klassiske plader I Kubeliks forunderlige verden Full review text restrained for copyright reasons. Classic Record Collector 10/2002 (Christopher Breunig - 2002.10.01) The German firm Audite has given us not only this near complete live cycle of Mahler symphonies (sans 4 or 8), but valuable Kubelik/Curzon readings of four Mozart and two Beethoven concertos.
    [Show full text]
  • A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art
    A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art Rosa M. Fernández September 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Biographical Files, 1994-1995, undated................................................... 8 Series 2: Miscellaneous Letters, 1983-1995, undated............................................. 9 Series 3: Artist Files, 1920-1995, undated............................................................. 10 Series 4: Exhibition Files, 1977-1995, undated....................................................
    [Show full text]
  • TITLE AUTHOR CALL # Advocating Women's Rights in Film and Books
    AUTHOR TITLE CALL # Cornell Advocating Women’s Rights in Film and Books: The Puerto Rican Division L of Community Education Serrrano, Andres Morgue, The TR 647 S43 El Museo Del Barrio Another Face: Mexican Masks in El Museo del Barrio F 1219 3.M4 Gormley, Antony Antony Gormley NB 497 G65 Torres, Omar Apenas un Bolero PQ 7390 T Heyck, Denis Lynn Daly Barrios and Borderlands PS 508 H57 B Pacheco, José Emilio Battles In the Desert and Other Stories PQ 7298 2 Universidad de Puerto Rico Caribbean Studies (V. 24, No. 3-4, July-Dec 91) F 2161 C27 Rodriguez, Consuelo Cesar Chavez, Hispanics of Achievement HD 6509 C48 Briggs, Vernon Chicanos and Rural Poverty E 184 M5 B74 De La Torre, Celso Pastor Como un Peruano D 8397.P47 P37 Hispanic Caucus Inc., Nat’l Directory Hispanic Elected Officials, 1984 E 184 S75 Congressional A17 Feingold, Norman Counseling for Careers in the 1980’s LC 1037 F44 Fermandez, Ronald Cruising the Caribbean: US Influence and Interervention in the Twentieth F 2178 U66 Century Otero, Manuel Ramos Cuentos de buena tinta PQ 7440 R33 Olivares, Julian Cuentos Hispanos de Los Estados Unidos PQ 7078 C84 Walking Stick, Kay Cultural Signs in Contemporary Art N 6512 Rodriguez, Richard Days of Obligation, An Argument with my Mexican Father F 870 M5 R6 Sotomayor, Aurea María De Lengua, razón, y cuerpo PQ 7434 D4 Hambleton, Toni De Memorias y Recuerdos NB Bejel, Emilio Del Aire Y La Piedra PQ 7079 B45 D35 Various Dia De Los Muetos: Homelessness N 6487 N4 Bejel, Emilio Direcciones Y Paraisos PQ 7079 B45 Organization of American States Directory of Inter-American and Other Associations in the Americas F 1401 D56 Ellwood, David T.
    [Show full text]
  • Cintas Foundation Announces Lydia Rubio Gift
    For immediate release Media contact: Nicole Kaufman 305-348-3689 / [email protected] Cintas Foundation Announces Lydia Rubio Gift Miami (February 6, 2007) - The Cintas Foundation is pleased to announce the acquisition of a major work by the artist Lydia Rubio. Alarcolira, a three-dimensional large-scale piece, which was donated this week by Miss Rubio and will be held by the Frost Art Museum at Florida International University, where the Cintas Fellows Collection is managed. Lydia Rubio, born in Havana and a resident of Miami, was trained as an architect at the University of Florida and attended the Graduate School of Design at Harvard University. She received a Cintas Foundation Fellowship in the Visual Arts in 1981. The critic Valerie Gladstone offered this description of Rubio’s work in ARTnews: “Rubio brings to painting a calligraphic skill that intensifies and delineates her every image. Buildings, landscape, and geometry are the channels through which she presents her kaleidoscopic and refreshingly iconoclastic view of the world.” Rubio has been a professor and lecturer in design at the University of Puerto Rico, Harvard University, Parsons School of Design, Miami-Dade College and the New World School for the Arts in Miami. She has frequent solo exhibitions in galleries throughout the United States and has participated in numerous group shows, including Unbroken Ties: Dialogues in Cuban Art at the Museum of Latin American Art in Long Beach, California, and No Show at the Fred Snitzer Gallery in Miami. Her work is in many permanent collections, including those of the Museum of Art in Fort Lauderdale and the City of Orlando.
    [Show full text]
  • NWS, Seraphic & Nu Deco | MIAMI CLÁSICA
    Tres conciertos señeros: NWS, Seraphic & Nu Deco | MIAMI ☼ CLÁSICA MIAMI USA + INTERNACIONAL CD + DVD PERSONAJES AGENDA MIAMI CODA SEBASTIAN SPRENG WEBSITE MIAMI ☼ CLÁSICA SEGUN SEBASTIAN SPRENG TRES CONCIERTOS SEÑEROS: NWS, SERAPHIC & NU DECO 19/02/2018 SEBASTIAN SPRENG: Desde 1988 escribe sobre la actividad musical clásica como corresponsal extranjero de la Revista CLÁSICA de Buenos Aires, Ambito Financiero, The Buenos Aires Herald, Opera News, South Florida Classical Review, The Classical Review, Radio Amadeus, Clasica Online, Knigth Arts, El Nuevo Herald-The Miami Herald. Es miembro de Music Critics Association of North America. Miami Cla… 853 Me gusta Me gusta esta página Paradojas, coincidencias. Un triste fin de semana para Florida y, al mismo tiempo, uno notable para la música en Miami donde tres conciertos, uno tras otro, insinuaron un sendero que poco a poco parece señalar no sólo tendencias sino confirmaciones. Cruce de culturas y semillero de talentos, Miami exhibe su potencial con la academia musical americana – NWS- y dos ensembles musicales que lo reflejan en todo sentido: Seraphic Fire y ahora Nu-Deco. La New World Symphony comenzó su concierto apropiadamente con dos dolorosas viñetas extramusicales, un pedido para que no se elimine el Fondo Nacional de las Artes (NEA) y un minuto de ENTRADAS RECIENTES Seguir silencio por los asesinados en Parkland mientras en las pantallas del recinto -y Wallcast en el parque con asistencia de 2,000 – aparecían los nombres y edad de cada víctima. Así están las cosas. Fue tarea del Stravinsky neoclásico y su abanderado Michael Tilson Thomas el borrar tanta desazón con una lectura Anita Rachvelishvili, exuberante impronta georgiana vibrante del raramente ejecutado Scenes de ballet que el exiliado ruso compuso en 1944 para el estreno de The Seven Lively Arts.
    [Show full text]