Mario Bencomo Cv

Total Page:16

File Type:pdf, Size:1020Kb

Mario Bencomo Cv MARIO BENCOMO, Cuba 1953 Selected Solo Exhibitions: The Americas Collection, Coral Gables, Florida, U.S.A.; Galerie Beaux-arts des Ameriques, Montreal, Canada; Galeria Tamara, San Juan, Puerto Rico; Pesqueira Gallery, Miami, Florida, U.S.A.; Elite Fine Art, Coral Gables, Florida, U.S.A.; Corbino Gallery, Longboat Key, Florida, U.S.A; Lehigh University's Siegel Gallery, Bethlehem, Pennsylvania, U.S.A.; Bacardi Art Gallery, Miami, Florida, U.S.A.; Barbara Gillman Gallery, Miami, Florida, U.S.A.; Gilman-Stein Gallery, Tampa, Florida, U.S.A; Intar Gallery, New York, New York, U.S.A; Consult Gallery, Boston, Massachusetts, U.S.A; Forma Gallery, Coral Gables, Florida, U.S.A.; Arteconsult Gallery, Panama, Panama; Schweyer-Galdo Gallery, Morristown, New Jersey, U.S.A.; West Dade Library Gallery, Miami, Florida, U.S.A.; Schweyer-Galdo Gallery, Birmingham, Michigan, U.S.A. Selected Group Exhibitions: Galerie Beaux-arts des Ameriques, Toronto, Canada; Anita Shapolsky Gallery, New York, New York, U.S.A.; BlackWatch Building, Montreal, Canada; Lehigh University Art Gallery Teaching Collection, Bethlehem, Pennsylvania, U.S.A.; ArtReliefFund, Arteamericas, Miami Beach, Florida, U.S.A; Cremata Gallery, Miami, Florida, U.S.A.; The Americas Collection, Coral Gables, Florida, U.S.A.; Greenhouse Gallery, Cleveland, Ohio, U.S.A; Anita Shapolsky Gallery, New York, U.S.A.; University at Buffalo Center for the Arts, New York, U.S.A.; Cantor Art Gallery, College of the Holy Cross, Worcester, Massachusetts, U.S.A.; Walker Fine Art, Denver, Colorado, U.S.A; University Gallery, University of Florida, Gainesville, Florida, U.S.A.; Amalia Mahoney Gallery, Chicago, Illinois, U.S.A.; Centre d'Art Santa Monica, Barcelona, Spain. Selected Museums Solo and Group Exhibitions: Metropolitan Museum of Art, New York, New York, U.S.A.; Detroit Institute of Art, Michigan, U.S.A.; Norton Museum of Art, West Palm Beach, Florida, U.S.A.; Museum of the University of Texas, Austin, U.S.A.; Denver Art Museum, Colorado, U.S.A.; National Museum of Fine Arts, Havana, Cuba; Art Museum of the Americas, Washington DC, U.S.A; Frederick R. Weisman Art Museum, Minneapolis, Minnesota, U.S.A.; Art Museum Maria Zambrano, Vélez-Málaga, Spain; Johnson Museum of Art, Cornell University, Ithaca, New York, U.S.A.; Leigh University Art Gallery, Bethlehem, Pennsylvania, U.S.A.; Lowe Art Museum, Miami, Florida, U.S.A.; Museum of Art, Fort Lauderdale, Florida, U.S.A.; Contempory Ar Museum, Panama, Panama; Polk Museum of Art, Lakeland, Florida, U.S.A.; The Noyes Museum, Oceanville, New Jersey, U.S.A.; Mizel Museum, Denver, Colorado, U.S.A.; Frost Art Museum, Miami, Florida, U.S.A.; The Noyes Museum, Oceanville, New Jersey, U.S.A; Museum of the Americas, Denver, Colorado, U.S.A. .
Recommended publications
  • University Earns National Recognition for Business Practices Festival
    September 1999 Volume 42 • Number 1 For the Faculty and Staff of the Veritas University of Miami University earns national recognition for business practices n recognition of its innova­ than it was 20 years ago, and this is Committee on College tive financial leadership and being recognized nationally." Costs. He has also found business practices which Lieberman is especially proud of a time to write and speak i have resulted in more than long list of accomplishments by his on strategic planning and $13 million in annual bottom line management team, which has demon­ management, process improvements, the University received strated the ability to "do more with two major awards this year from the less" in lowering the costs of doing leadership. National aAssociation of College and business at the University. He points "Nobody works University Business Officers to improvements in student fee collec­ harder for the University (NACUBO) at the organization's tions, worth $1.2 million annually to ofMiami than Dave annual meeting held recently in San the University's bottom line; imple­ Lieberman. Nobody Antonio, Texas. mentation of the Long-Range Informa­ works more effectively. David A. Lieberman, senior vice tion Systems Plan, which, among other His service to the Univer­ president for business and finance, was things, saved tens of millions of dollars sity has been exemplary, presented with the 1999 Distinguished in Y2K compliance costs; and managed as now recognized by his Business Officer Award, NACUBO's care of both employee health and peers nationally," says most prestigious honor. Each year the equipment maintenance, which re­ President Edward T association recognizes individuals who, sulted in $800,000 in annual cost Foote II.
    [Show full text]
  • Art Circuits Annual Directory 2010-2011
    ANNUAL DIRECTORY 2011 WWW.ARTCIRCUITS.COM THE JAGUAR’S SPOTS green jade Mask, ca. 1500-400 ca. BCE, ) o c i x e M , t s a o C f l u G ( c e m l O ANCIENT MESOAMERICAN ART FROM THE UM LOWE ART MUSEUM ON VIEW THROUGH OCTOBER 31, 2010 5000 Years of World Art Lowe Art Museum 1301 Stanford Drive Coral Gables, FL 33124 www.lowemuseum.org 305.284.3535 Exhibition organized by the Lowe Art Museum, University of Miami. Curated by Dr. Traci Ardren, Associate Professor of Anthropology and Director of Women's and Gender Studies Program at the University of Miami. Funding through the Jay W. Jensen and John W. and Thelma S. Jensen Endowment Fund with additional support by The State of Florida, Division of Cultural Affairs, The Florida Arts Council, and the National Endowment for the Arts, with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and with the support of the City of Coral Gables. Additional funding provided by the Office of the Consul General of Mexico Miami, the Cultural Institute of Mexico Miami, HSBC Private Bank, The E.R. Roberts Foundation, and Sergio Garcia-Granados. ;:D>AHNL>:KM<HFIE>QIK>L>GML3 :KMK:??E> WWW.MIA-ARTFAIR.COM 14-17 JANUARY 2011 • PREVIEW 13 JAN GHO'*+%+)*) MIAMI BEACH CONVENTION CENTER 03))&**3))IF :=FBLLBHG MB<D>ML3 -.'))(ik^lZe^ BAKEHOUSE ART COMPLEX 561 NW 32ND STREET For more information visit: MIAMI, FL 33127 www.bacfl.org 305.576.2828 Bakehouse Art Complex is hosting its annual WWW.MIA-ARTFAIR.COM art-raffle fundraiser Lucky You! 3 14-17 JANUARY 2011 • PREVIEW 13 JAN Over 70 one-of-a-kind artworks donated by both MIAMI BEACH CONVENTION CENTER resident Bakehouse and other local artists will line the walls of the new Audrey Love Gallery! PLEASE JOIN US IN MIAMI BEACH JANUARY 13-17, Media presented: paintings, drawings, sculpture, 2011 FOR AMERICA’S MOST EXCITING MID-WINTER photography and mixed media works.
    [Show full text]
  • A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art
    A Finding Aid to the Giulio V. Blanc Papers, 1920-1995, in the Archives of American Art Rosa M. Fernández September 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Biographical Files, 1994-1995, undated................................................... 8 Series 2: Miscellaneous Letters, 1983-1995, undated............................................. 9 Series 3: Artist Files, 1920-1995, undated............................................................. 10 Series 4: Exhibition Files, 1977-1995, undated....................................................
    [Show full text]
  • Curriculum Vitae
    1 LYNETTE M.F. BOSCH Curriculum Vitae Contact: State University of New York, Geneseo Department of Art History- Brodie Hall Geneseo, New York 14454 Telephone: 585-260-1888 [email protected] EDUCATION 1985 - Ph.D. Princeton University, Department of Art & Archaeology Areas of Focus: Renaissance/Baroque (Spain, Italy, Netherlands) 1981 - M.A. Princeton University, Department of Art & Archaeology 1978 - M.A. Hunter College, City University of New York Areas of Focus: Renaissance (Italian & Northern) 1974 - B.A. Queens College, City University of New York Dean’s List Major: Art History Minor: Classics EMPLOYMENT 2016 – SUNY Distinguished Professor and Chair, Department of Art History, SUNY Geneseo 2015 - Continuing – Chair, Department of Art History, SUNY, Geneseo 2014 – Coordinator Museum Studies Minor, SUNY, Geneseo 2005 – Professor of Art History, SUNY, Geneseo 2000 – Associate Professor of Art History, SUNY, Geneseo 1999 – Assistant Professor of Art History, SUNY, Geneseo 1992-98 - Assistant Professor of Art History, Brandeis University 2 1990-92 - Assistant Professor in Art History, SUNY, Cortland 1983-94 - Visiting Assistant Professor in Art History: School of the Museum of Fine Arts Boston (1994) Cornell University (Spring 1992) Seton Hall University (1988-1990) Tufts University (1986-1988) Hunter College, CUNY (1983-1986) Lafayette College (1984-1986) Trenton State College (1983-1984) FELLOWSHIPS, HONORS AND AWARDS 2017 – SUNY, Geneseo, Geneseo Foundation Research Award 2014 – Rothkopf Scholar Award, Lafayette College, Regional recognition
    [Show full text]
  • BOOK ARTS NEWSLETTER ISSN 1754-9086 No
    BOOK ARTS NEWSLETTER ISSN 1754-9086 No. 128 November 2019 Published by Impact Press at the Centre for Fine Print Research, UWE Bristol, UK ARTIST’S COVER PAGE: TIM HOPKINS / HALF PINT PRESS - IMAGINARY LETTERS In this issue: National and International Artists’ Books Exhibitions Pages 2 - 17 Courses, Conferences, Lectures & Workshops Pages 18 - 25 Opportunities Pages 25 - 34 Artist’s Book Fairs & Events Pages 35- 37 Internet News Pages 37 - 38 New Artists’ Publications Pages 38 - 52 Reports & Reviews Pages 52 - 56 Stop Press! Pages 56 - 63 Artists’ Books Exhibitions in the Bower Ashton Library It writes Soares’s ideas across the everyday detritus of showcases, UWE, Bristol, UK a life lived, on objects as diverse as a postage stamp, a compliments slip, a booze label, a page of accounts and an Tim Hopkins / Half Pint Press internal transit envelope. Not all the objects are paper: the Te Book of Disquiet and Imaginary Letters box includes a pencil, a lollipop stick and a matchbook. 1st - 30th November 2019 Some are beautiful, others grubbily everyday. Likewise the box, which is deliberately not a cloth-bound fne press Tim Hopkins will be showing two bookworks: Te Book of production but instead hand-printed on a commercially- Disquiet by Fernando Pessoa (2017), and Imaginary Letters available stitched board box. by Mary Butts (2019). Te impression is of a box of belongings, each with a value Te Book of Disquiet by Fernando Pessoa. of some kind to the owner. Each may be kept because it’s Te texts that make up Te Book of Disquiet were found in a beautiful, or important, or useful, or attached to a memory: box in Pessoa’s room afer his death in 1935.
    [Show full text]
  • 1 Carlos Martínez Luis Curriculum 10099
    CARLOS MARTÍNEZ LUIS CURRICULUM 10099 NW 4 th . Lane, Miami, Fla. 33172, (305 223 82 10) Email: [email protected] BORN : La Habana, Cuba, Sep. 6, 1932 Married, two sons, one daughter 1951-1955: Universidad de La Habana, Escuela de Ciencias Sociales 1945-1950: La Salle, High School PROFESSIONAL EXPERIENCE: Lecturer of Humanities – St. John Vianney College Seminary, 1990-2000 (retired) Executive Director, Cuban Museum, Miami, Fl. 1984-1990 Director: “Meeting Point”, Art Gallery, Miami, Fl. 1979-1983 OTHER ACADEMIC ACTIVITIES (Courses) “Arte y Cultura en Cuba”, Centro Cultural Español, 2002 “Contemporary Art”: Miami Dade Community College, 2002 “The Renaissance”, Miami Dade Community College, 2001 “Cuban Painting an Historical Survey”, St. John Vianney College Seminary, 1999 “The Renaissance: Its Culture and Values”: Nova University Fl. Spring 1994 “The Challenge of Modern Art’’, Elders Institute, FIU, Winter 1991 “Birth of the Avant Garde’’ Nova University, Autumn, 1991 “Proceso de la Cultura en Cuba’’, Instituto de la Tercera Edad, FIU, Spring, 1990 “Culture and Values’’, Miami Dade Community College, Autumn Term 1989-1990 “Proceso de las Artes en Cuba”, FIU, spring Term 1988 “Cuban Art’’, Nova University, Fall 1987 LECTURES “El Surrealismo y el Psicoanalisis” Asociacion Lacaniana, Miami, 2005 “Guido Llinás and the 50’s in Cuba’’, Wolfson Campus, Gallery 2005 “El Grupo de los 11’’ Andres Pesqueira Gallery, 2004 “Surrealism, then and now” Lowe Art Museum, 2004 “Origins of the Avant Garde” Lowe Art Museum, 2003 “Modern Cuban Painting” Lowe Art Museum 2003 “Erótica de Carlos Enríquez’’ and “Pintores Fuera de Cuba”” Universidad de La Habana, Escuela de Artes y Letras, Nov.
    [Show full text]
  • The Summer Collective: a Group Exhibition of 20+ Artists the Summer Collective: a Group Exhibition of 20+ Artists Lns Gallery, July 14, 2020 - September 5, 2020
    The Summer Collective: A Group Exhibition of 20+ Artists The Summer Collective: A Group ExhibitioN of 20+ Artists LNS Gallery, July 14, 2020 - September 5, 2020 Dubbed the ‘Magic City,' Miami is kNowN as aN iNterNatioNal, tropical metropolis that coNNects the UNited States with LatiN America aNd beyoNd. It holds a spirit evocative of possibility aNd mystery; a kaleidoscopic amalgamatioN of colors, tastes, histories, aNd memories. The Summer Collective: A Group ExhibitioN of 20+ Artists aims to represeNt the uNique flavor of coNtemporary art that came to mature coNcurreNtly with the city’s developmeNt. As Miami grew simultaNeously with the arts that would come to represeNt it, the visual aNd lived cultures iNtertwiNed their roots aNd wove the aesthetic represeNtative of its populatioN. The Summer Collective showcases artists emblematic to the art historical aNd daily happeNiNgs of Miami across the 20th aNd 21st ceNturies. From weighted emotioNs wrought by epidemic experieNces, such as exile aNd AIDS, alieNatioN aNd displacemeNt, to the uNdeNiable beauty of the MiamiaN laNdscape, both biotic aNd built, The Summer Collective: A Group ExhibitioN of 20+ Artists aims to coNtribute to the celebrated repertoire of the arts, here iN Miami, Florida. JeNNifer Basile Oleta III, 2020 JeNNifer Basile Oleta III, 2020 color reductioN, editioN 1 of 1 36 x 48 iNches 91.44 x 121.92 cm. 40 x 52 iNches (framed) 101.6 x 132.08 cm. (framed) JeNNifer Basile offers aN escape to a maNgrove oasis iN Oleta III. Throughout her life, Basile has turNed to Nature for its vast healiNg aspect, through sublime beauty aNd escapism.
    [Show full text]
  • Shifra M. Goldman Papers CEMA 119
    http://oac.cdlib.org/findaid/ark:/13030/c8hd800b No online items Finding Guide for the Shifra M. Goldman Papers CEMA 119 Finding aid prepared by Callie Bowdish and assisted by Sara Doehring, and CEMA staff UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections Finding Guide for the Shifra M. CEMA 119 1 Goldman Papers CEMA 119 Title: Shifra M. Goldman papers Identifier/Call Number: CEMA 119 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 200.0 linear feet(392 boxes, three folders in one flat drawer, approximately 32,000 slides in 72 slide boxes, 119 audio recordings, 90 video recordings, and digital files.) Date (bulk): Bulk, 1965-2002 Date (inclusive): 1933-2011 Abstract: Shifra M. Goldman is a ground-breaking Latin American Art and Social historian. Her work and legacy is preserved in these papers. The multitude of people, organizations and activities that she was involved with include Latin American artists, Chicano artists, social rights activists, art scholars, art and social rights organizations, art museums, and publishers. Hundreds of exhibit catalogs are part of her papers. Her scholarly writings, research and teaching materials form the major part of her papers. They are contained in 392 boxes, one flat file drawer, approximately 35,000 slides in 72 slide boxes, 119 audio recordings, 90 video recordings, and her digital files. The materials date from 1933 - 2011 (there are a few pre-Columbian artifacts) with the bulk of the materials ranging from 1965 - 2002.
    [Show full text]
  • Miami Beach, 9 In-Land
    TCIRCUITS.COM R .A W WW SEASON 2010-2011 SEASON TO THE TO BEST GUIDE GUIDE BEST THE HARMON AND HARRIET KELLEY COLLECTION OF AFRICAN AMERICAN ART: WORKS ON PAPER ON VIEW THROUGH JANUARY 16, 2011 Alison Saar (born 1956), Black Snake Blues, 1994, color lithograph ANNUAL ART BASEL CHAMPAGNE BRUNCH SUNDAY, DECEMBER 5, 2010, 9:30 AM ARTIST LECTURE PRESENTED BY ALISON SAAR 5000 Years of World Art Lowe Art Museum 1301 Stanford Drive Coral Gables, FL 33124 www.lowemuseum.org 305.284.3535 Exhibition at the Lowe made possible by a grant from Funding Arts Network. Sponsored in part by Marilyn Holifield and Marvin Holloway. Organized by Landau Traveling Exhibitions, Los Angeles, CA. Lowe Art Museum exhibitions and programs are sponsored in part by The State of Florida, Division of Cultural Affairs, The Florida Arts Council, and the National Endowment for the Arts, with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners. 55 NW 30TH ST, MIAMI, FL 33127 curated by Fred Snitzer 25 NE 2nd Street, Miami, Florida 33132 | For more information call 305.237.3620 or visit www.nwsa.mdc.edu 1HZ:RUOG6FKRRORIWKH$UWVZDVFUHDWHGE\WKH)ORULGD/HJLVODWXUHLQDVDFHQWHURIH[FHOOHQFHLQWKHSHUIRUPLQJDQGYLVXDO DUWV,WLVDQHGXFDWLRQDOSDUWQHUVKLSRI0LDPL'DGH&RXQW\3XEOLF6FKRROV0LDPL'DGH&ROOHJHDQGWKH8QLYHUVLW\RI)ORULGD NEW WORLD SCHOOL of the A R T S high school and college student exhibition untitled ARTSEEN GALLERY PERFORMANCE AND INSTALLATION 2215 NW 2ND AVE. 7-10PM •••••••••••SAT.12.04.2010 MIAMI, FL 33127 DIRECTORY DIRECTORY Carmelo Arden Quin RETROSPECTIVE GEOMETRY IN MUTATION / GEOMETRÍA EN MUTACIÓN Opening Tuesday November 30, 7 pm Forme Madí No.
    [Show full text]