2019 Issue of the Red Clay Review
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Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Jazz Drum Set Audition Requirements for MA Degree in Jazz Studies
Jazz Drum Set Audition Requirements for MA Degree in Jazz Studies 1. Perform a prepared jazz drum set transcription from a published transcription or from the applicant’s own transcription work. 2. Improvise 1 to 2 choruses over a jazz standard from the list below. 3. Show familiarity with time-keeping skills and segmented soloing (in 4 or 8 bar phrases), demonstrating both familiarity and feel, in the following styles: a. swing (various tempos) b. funk c. Latin (samba, bossa nova, mambo – clave based, songo, Afro Cuban 6/8) d. Odd meters (3/4 waltz, 5/4 swing etc.) 4. Sight read a standard big band chart, setting up horn figures, following the road map and accurately hitting given rhythmic figures. List of Standards Tenor Madness Just Friends Lady Bird Groovin’ High Alice In Wonderland Black Orpheus What Is This Thing Called Love? Anthropology No Moe Lady Bird Someday My Prince Will Come Nica’s Dream I Hear A Rhapsody Softly as In a Morning Sunrise I’ll Remember April Nardis Isotope Stablemates How High the Moon Night and Day Solar Song For My Father Inner Urge Samba de Orfeu I’ll Remember April Witch Hunt Monk’s Dream Have You Met Miss Jones Scrapple from the Apple Dolphin Dance Green Dolphin Street Impressions No Greater Love Red Clay Look to the Sky The Days of wine and Forest Flower Oleo Rosses Well You Needn’t It Could Happen to You Wave Billy’s Bounce Speak No Evil Afro Blue In Walked Bud Joy Spring All the Things You Are Rhythm-a-ning Four The Days of Wine and Roses Alone Together Out of Nowhere Moment’s Notice Blue Bossa Recorda-me Nica’s Dream . -
Young V. Red Clay Consol. Sch. Dist., 122 A.3D 784 (Del
IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE REBECCA YOUNG, ELIZABETH H. ) YOUNG and JAMES L. YOUNG, ) ) Plaintiffs, ) ) v. ) C.A. No. 10847-VCL ) RED CLAY CONSOLIDATED ) SCHOOL DISTRICT, ) ) Defendant. ) OPINION Date Submitted: February 23, 2017 Date Decided: May 24, 2017 Richard H. Morse, AMERICAN CIVIL LIBERTIES UNION OF DELAWARE, Wilmington, Delaware; John W. Shaw, Karen E. Keller, Jeffrey T. Castellano, David M. Fry, Nathan R. Hoeschen, SHAW KELLER LLP. Counsel for Plaintiffs. Barry M. Willoughby, William W. Bowser, Michael P. Stafford, Margaret M. DiBianca, YOUNG CONAWAY STARGATT & TAYLOR, LLP, Wilmington, Delaware. Counsel for Defendant. LASTER, Vice Chancellor. In February 2015, Red Clay Consolidated School District (“Red Clay”) held a special election in which residents were asked to approve an increase in the school-related property taxes paid by owners of non-exempt real estate located within the district (the “Special Election”). Red Clay prevailed in the Special Election, with 6,395 residents voting in favor and 5,515 against. The plaintiffs are residents of Red Clay who did not vote in the Special Election because they were unable to access the polls. They filed suit, asserting that Red Clay violated the provision of the Delaware Constitution which guarantees that “[a]ll elections shall be free and equal.”1 They also contend that Red Clay’s actions violated the Due Process and Equal Protection Clauses of the Fourteenth Amendment of the United States Constitution.2 This court previously held that the plaintiffs’ theories stated claims on which relief could be granted.3 This decision only addresses their state law claim. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Shortlidge Academy Priority Plan
Zzz 2015 - 2016 Shortlidge Academy Priority Plan Red Clay Consolidated School District SHORTLIDGE PRIORITY SCHOOL PLAN – RED CLAY CONSOLIDATED SCHOOL DISTRICT TABLE OF CONTENTS Introduction: Community Engagement in Planning 4 Principle One: School Model and Planning 1.1. Executive Summary 11 1.2. Theory of Action 16 1.3. Plan to Address Subgroups 18 1.4. Statement of Goals 22 1.5. Reporting Template 29 Principle Two: Leadership 2.1. Leadership Recruitment 32 2.2. Leadership Hiring 32 2.3. Leadership Professional Development 37 2.4. Leadership Evaluation 44 2.5. Leadership Succession 48 Principle Three: Staffing 3.1. Staffing Plan 51 3.2. Staff Recruitment 51 3.3. Staff Hiring 57 3.4. Staff Evaluation 60 3.5. Staff Rewards and Incentives 64 3.6. Staff Support 67 3.7. Professional Development Plan 73 3.8. PLCs and Collaboration 76 3.9. Staff Culture 80 Principle Four: School Program 4.1. School Calendar 86 4.2. School Schedule 90 4.3. Curriculum 93 4.4. Long-term, Unit, Lesson Planning 103 4.5. Social-Emotional Learning 120 4.6. Additional Programs 132 4.7. Assessment and Assessment Schedule 134 4.8. Grading Policies 136 4.9. Special Education, Student Supports and RTI 139 4.10. Data Plan 147 Principle Five: School Culture 5.1. School Culture Plan – Building a Culture of Achievement 150 5.2. Structural Expectations and Learning Environment 155 5.3. Discipline and Management Plan 158 5.4. Family and Community Engagement Plan 167 5.5. School Adversary Team 171 5.6. School Communication 175 5.7. -
Jeff Rupert Saxophone Master Class
Jeff Rupert Saxophone Master Class I Saxophone Assembly and maintenance Holding the instrument. The neck and mouthpiece assembly. Checking key mechanisms. Checking for leaks, and clogged vents. Maintaining the lacquer. Setting the instrument down. II Posture The Back and neck. Legs and knees. III Breathing and Breath flow Inhaling. Exhaling. Breath solfège IV The Oral Cavity and the Larynx. V Embouchures for playing the saxophone. Variance in embouchure technique. The embouchure and breathing. VI Daily Routines for practicing the saxophone. Daily routines and rituals. Playing the mouthpiece. Playing the mouthpiece with the neck. Overtone exercises. VII Articulation Single tonguing. Doodle tonguing. Alternate articulations specific to jazz. Double tonguing. VIII Practice patterns for scales. Scales and Arpeggios Major, minor (dorian, natural minor, ascending jazz melodic minor, harmonic minor) and diminished. Resources for jazz scales. IX Equipment Different horns. Mouthpieces. Reeds. Ligatures. Neckstraps. X Resources for saxophonists Recordings. Web resources. Books and educational CD's and DVD's. Saxophonists in jazz and pop music. XI Conclusion. ©2009 Rupe Music Publishing 001 saxophone master class, Jeff Rupert pg2 I Saxophone Assembly and maintenance Neck and mouthpiece assembly: Putting the saxophone together is something we've all been doing since day one. It may seem trite to even address assembly of the instrument, but its been a common flaw not to develop good habits. I've seen broken mouthpieces, bent rods and necks several times from seasoned professionals who should have known better! This is precisely why its important to develop good habits when putting your instrument together. Prior to putting the mouthpiece on the neck, make certain that the cork is lubricated. -
WP Jazz Rep List MASTER
William Paterson University Jazz Studies Program Repertoire List Bold = freshman repertoire; freshman juries include five - Graduate students perform one tune in all keys Popular Standards Lady Be Good Airegin A Foggy Day Let’s Fall in Love All Blues All of Me Like Someone In Love Along Came Betty All the Things You Are Love Walked In Are You Real? Alone Together (The) More I See You Bluesette April in Paris My Favorite Things Cherokee Autumn Leaves My Romance Confirmation Bluesette Never Will I Marry Countdown But Not for Me Night and Day Crescent Bye Bye Blackbird Our Love Is Here To Stay Daahoud Come Rain or Come Shine Out of Nowhere Daydream Days of Wine and Roses Satin Doll Dig Dearly Beloved Secret Love Dolphin Dance Django Softly As in a Morning Sunrise Donna Lee Falling in Love With Love Someday My Prince Will Come Doxy Gone With the Wind Song Is You, The ESP Green Dolphin Street Star Eyes Evidence Have You Met Miss Jones? Stella by Starlight Fall Hello Young Lovers Stompin’ at the Savoy Fee Fi Fo Fum How High the Moon Summertime Four I Could Write A Book Sweet Georgia Brown Freedom Jazz Dance I Didn’t Know What Time It Was Tangerine Giant Steps I Hear A Rhapsody There is No Greater Love Gloria’s Step I’ll Be Around There Will Never Be Another You Groovin’ High I Love You They Can’t Take That Away… Half Nelson I Remember April What is This Thing Called Love Hi-Fly I Remember You Without A Song How My Heart Sings I Should Care You’d Be So Nice To Come HomeTo I Let A Song Go Out of If I Were A Bell You Stepped Out of a Dream Impressions -
South Carolina Our Amazing Coast
South Carolina Our Amazing Coast SO0TB CARO LINA REGIONS o ..-- -·--C..,..~.1.ulrt..l• t -·- N O o.u. (South Carolina Map, South Carolina Aquarium’s Standards-based Curriculum, http://scaquarium.org) Teacher Resources and Lesson Plans Grades 3-5 Revised for South Carolina Teachers By Carmelina Livingston, M.Ed. Adapted from GA Amazing Coast by Becci Curry *Lesson plans are generated to use the resources of Georgia’s Amazing Coast and the COASTeam Aquatic Curriculum. Lessons are aligned to the SOUTH CAROLINA SCIENCE CURRICULUM STANDARDS and are written in the “Learning Focused” format. South Carolina Our Amazing Coast Table of Contents Grade 3 Curriculum…………………………………………………………….................1 – 27 Grade 4 Curriculum……………………………………………………………………...28 – 64 Grade 5 Curriculum……………………………………………………………………...65 – 91 SC Background………………...…………………………………………….…………92 – 111 Fast Facts of SC………………...……………………………………………………..112 – 122 Web Resources………………...……………………….……………………………...123 - 124 South Carolina: Our Amazing Coast Grade 3 Big Idea – Habitats & Adaptations 3rd Grade Enduring understanding: Students will understand that there is a relationship between habitats and the organisms within those habitats in South Carolina. South Carolina Science Academic Standards Scientific Inquiry 3-1.1 Classify objects by two of their properties (attributes). 3-1.4 Predict the outcome of a simple investigation and compare the result with the prediction. Life Science: Habitats and Adaptations 3-2.3 Recall the characteristics of an organism’s habitat that allow the organism to survive there. 3-2.4 Explain how changes in the habitats of plants and animals affect their survival. Earth Science: Earth’s Materials and Changes 3-3.5 Illustrate Earth’s saltwater and freshwater features (including oceans, seas, rivers, lakes, ponds, streams, and glaciers). -
FREDDIE HUBBARD TRIBUTE Fri-Aug-27, 2021, 7:00Pm -- TUNELIST (18 Tunes) @ Supermarket, 268 Augusta Ave., Toronto
FREDDIE HUBBARD TRIBUTE Fri-Aug-27, 2021, 7:00pm -- TUNELIST (18 tunes) @ Supermarket, 268 Augusta Ave., Toronto SET 1 - AKOUSTIC TUNES A01 - Up Jumped Spring (Backlash - 1967) A03 - Bolivia (Bolivia - 1991) A04 - Crisis (Ready for Freddie - 1961) A07 - One Finger Snap (Herbie’s Empyrean Isles - 1964) A08 - Dolphin Dance (Herbie’s Empyrean Isles - 1964) A09 - One By One (Blakey’s Ugetsu - 1963) A02 - Byrdlike (Ready for Freddie - 1961) A10 - Fee-Fi-Fo-Fum (Wayne’s Speak No Evil - 1965) A13 - Caravan (Blakey’s Caravan - 1963) SET 2 - ELECTRIC TUNES E02 - Red Clay (Red Clay - 1970) E03 - First Light (First Light - 1971) E01 - Sky Dive (Sky Dive - 1972) E06 - Love Connection (The Love Connection - 1979) E05 - Little Sunflower (Backlash - 1967) E07 - Povo (Sky Dive - 1972) E08 - Neo Terra (Windjammer - 1976) E13 - Mr. Clean (Straight Life - 1970) E14 - Chameleon (Herbie’s Headhunters – 1973) FOR INTROS Frederick Dewayne " Freddie " Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He was known primarily for playing in the bebop, hard bop and post bop styles from the early 1960s and on. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop In the pantheon of jazz trumpeters, Freddie Hubbard stands as one of the boldest and most inventive artists of the bop, hard-bop and post-bop eras. Although influenced by titans like Miles Davis and Clifford Brown, Hubbard ultimately forged his own unique sound – a careful balance of bravado and subtlety that fueled more than fifty solo recordings and countless collaborations with some of the most prominent jazz artists of his era. -
Barcode: 31111073374025 004.1675 HUG Call No: Author
#ItemInv.qrp stock 23/03/2020 Call No:004.1675 HUG Author: Hughes, Bill, 1960- author. Barcode: 31111073374025 On loan: N Title: Samsung Galaxy S9 / by Bill Hughes. Stats Code: ANF Call No:004.1675 VAN Author: Vandome, Nick, author. Barcode: 31111075858991 On loan: N Title: iPad for seniors in easy steps : covers all versions of iPad with iOS 12 (including iP Stats Code: ANF Call No:031.02 HOW Author: Barcode: 31111003497599 On loan: N Title: How to do just about anything. Stats Code: ANF Call No:032.02 PRO Author: Proud, James. Barcode: 31111049978636 On loan: N Title: Ripley's believe it or not. Unbelievable stories for guys / [text, James Proud, Geoff T Stats Code: ANF Call No:1111 Author: E.L Doctorow Barcode: AL41100006769B On loan: N Title: The March Stats Code: ANF Call No:123 Author: Gamble Bruce Barcode: AL41100008044B On loan: N Title: Darkest Hour Stats Code: ANF Call No:123 Author: Wrigley & Fagg Barcode: AL41100009490B On loan: N Title: Australian Native Plants Stats Code: ANF Call No:126 LAW Author: Lawton, Graham, author. Barcode: 31111072441908 On loan: N Title: How to be human / New Scientist ; words by Graham Lawton & Jeremy Webb ; illus Stats Code: ANF Call No:133.54 MCG Author: MacGregor, Trish, 1947- auth Barcode: 31111068342896 On loan: Y Title: The biggest book of horoscopes ever : learn more about your future and past with t Stats Code: ANF Call No:152.142 OCO Author: O'Connor, M. R., 1982- author Barcode: 31111074188341 On loan: N Title: Wayfinding : the science and mystery of how humans navigate the world / M. -
Press Kit (Pdf)
roncarter.net “…his music embodies all the qualities that make jazz an enduring, vital art form.” –Stereo Review BASSIST RON CARTER is among the most original, prolific, and influential bassists in jazz history. His recording and performance career has earned him a place in the pantheon of jazz legends. He has recorded over 2200 albums, and has a Guinness world record to prove it! IN JAZZ: From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet. He can be heard on many iconic jazz records of the 60’s and 70’s such as Speak No Evil, Maiden Voyage, Speak Like a Child, Red Clay, Nefertiti and Miles Smiles, to name a few. Over his 60 year career, he has recorded with so many of the jazz greats: Lena Horne, Bill Evans, B.B. King, Coleman Hawkins, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley, Sonny Rollins, Stan Getz, Joe Henderson, Freddie Hubbard, Lee Morgan, Chet Baker, Thelonious Monk, Horace Silver, Red Garland, Tommy Flanagan, Chick Corea, Hank Jones, McCoy Tyner Alice Coltrane, Bobby Hutcherson, Milt Jackson, Jimmy Smith, JJ Johnson, Hubert Laws, Herbie Hancock, Philly Joe Jones Wes Montgomery, George Benson, Jim Hall, Roberta Flack, Antonio Carlos Jobim and the Kronos Quartet, among others. IN OTHER GENRES: After leaving the quintet he embarked on a prolific 50-year freelance career that spanned vastly different music genres and continues to this day. He recorded with Aretha Franklin, appeared on the seminal hip-hop album Low End Theory with a Tribe Called Quest, wrote and recorded pieces for string quartets and Bach chorales for 2-8 basses and accompanied Danny Simmons on a spoken word album. -
Michael Koryta Interviews Dean Koontz MICHAEL: in the New Novel
Michael Koryta Interviews Dean Koontz MICHAEL: In the new novel, ODD APOCALYPSE, you write that "between birth and burial, we find ourselves in a comedy of mysteries." That statement could be a guiding light for the ODD series, and perhaps even your work in general of late. Was allowing the laughs to join the darkness a conscious decision? DEAN: Humor began to enter my work as far back as WATCHERS (1987), and by LIGHTNING (1988), my agent and publisher at that time became alarmed and counseled me that suspense and humor never mix. They were not able to offer a cogent explanation of why the two never mix. One of my favorite films of all time is NORTH BY NORTHWEST, which is tense and funny; so I just kept doing what I was doing. By the time I moved to Bantam Books with FEAR NOTHING (1998), humor became the binding glue in all of my books except for THE TAKING, VELOCITY, THE HUSBAND, and YOUR HEART BELONGS TO ME. Odd Thomas is speaking for me when he says, "Humanity is a parade of fools, and I'm right up front with a baton." Odd is a spiritual guy, and in my experience, genuinely spiritual people--as opposed to those for whom faith is either a crutch or a bludgeon--have a great sense of humor. They recognize that our fallen world is not just tragic but also absurd, often hilariously absurd, and that laughing at humanity's hubris and reckless transgressive behavior is a potent way to deny legitimacy to that hubris.