Community Planning Confronts Global Real Estate
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Indigenous Planning
Planning Theory & Practice ISSN: 1464-9357 (Print) 1470-000X (Online) Journal homepage: https://www.tandfonline.com/loi/rptp20 Indigenous Planning: from Principles to Practice/ A Revolutionary Pedagogy of/for Indigenous Planning/Settler-Indigenous Relationships as Liminal Spaces in Planning Education and Practice/ Indigenist Planning/What is the Work of Non- Indigenous People in the Service of a Decolonizing Agenda?/Supporting Indigenous Planning in the City/Film as a Catalyst for Indigenous Community Development/Being Ourselves and Seeing Ourselves in the City: Enabling the Conceptual Space for Indigenous Urban Planning/Universities Can Empower the Next Generation of Architects, Planners, and Landscape Architects in Indigenous Design and Planning Libby Porter, Hirini Matunga, Leela Viswanathan, Lyana Patrick, Ryan Walker, Leonie Sandercock, Dana Moraes, Jonathan Frantz, Michelle Thompson-Fawcett, Callum Riddle & Theodore (Ted) Jojola To cite this article: Libby Porter, Hirini Matunga, Leela Viswanathan, Lyana Patrick, Ryan Walker, Leonie Sandercock, Dana Moraes, Jonathan Frantz, Michelle Thompson-Fawcett, Callum Riddle & Theodore (Ted) Jojola (2017) Indigenous Planning: from Principles to Practice/A Revolutionary Pedagogy of/for Indigenous Planning/Settler-Indigenous Relationships as Liminal Spaces in Planning Education and Practice/Indigenist Planning/What is the Work of Non-Indigenous People in the Service of a Decolonizing Agenda?/Supporting Indigenous Planning in the City/Film as a Catalyst for Indigenous Community Development/Being Ourselves and Seeing Ourselves in the City: Enabling the Conceptual Space for Indigenous Urban Planning/Universities Can Empower the Next Generation of Architects, Planners, and Landscape Architects in Indigenous Design and Planning, Planning Theory & Practice, 18:4, 639-666, DOI: 10.1080/14649357.2017.1380961 To link to this article: https://doi.org/10.1080/14649357.2017.1380961 Published online: 15 Nov 2017. -
Indigenous Community Planning: Ways of Being, Knowing and Doing DRAFT
PLAN 533: Indigenous Community Planning: ways of being, knowing and doing DRAFT 2019-20 Winter Term 1 Introductory session: Wed 11th Sept, 12.30 – 2pm, WMA 240 (All registered and waitlist students MUST attend this Intro class) Sept 28 and 29: 10am -5pm (Musqueam and UBC) Nov 2nd and 3rd : 10am – 5pm (Musqueam and UBC) Nov 23rd and 24th: 10am – 5pm (Musqueam and UBC) Instructors: Drs. Leonie Sandercock & Maggie Low (SCARP) + Dr. Leona Sparrow, Musqueam Indian Band/ SCARP Adjunct Professor, and other Musqueam knowledge holders. This course is a requirement for ICP students in SCARP, and is limited to 15 students. It is open to all SCARP students, and also to First Nations & Indigenous Studies students (300 and 400 level) who have met Faculty of Graduate and Postdoctoral Studies requirements for taking graduate level courses, and to graduate students from other departments, depending on available space. See Registration form for details: http://www.grad.ubc.ca/forms/students/UndergradEnrol.pdf ATTENDANCE: 100% attendance is mandatory for this course. If you cannot commit to attending all six full days over the three weekends, you should not register for this course. Any half day absence will incur a 10% deduction from your final grade. (Exceptions of course for illness or emergency) Key words Indigenous world view; indigenous planning; Indigenous ways of knowing and governance systems; UNDRIP; comprehensive community planning (CCP); unceded territories; colonization; decolonization; contact zone; settler societies; respect, recognition, rights; traditional ecological knowledge; co-existence, reconciliation, partnership. Course Outline This course starts with acknowledging the history of colonization of Indigenous peoples in Canada, and asks if planning has been a part of that process. -
June 28, 29 & 30, 2013
33rd annual music with roots 2013 June 28, 29 & 30, 2013 Welcome to the 33rd annual music with roots THE MISSION OF OLD SONGS, INC. FUNDING PROVIDED BY Old Songs, Inc. is a not-for-profit organization dedicated to keeping traditional This event is made possible with public funds from the New music and dance alive through the presentation of festivals, concerts, dances and York State Council on the Arts, with the support of Governor educational programs. Andrew Cuomo and the New York State Legislature. THANK YOU FOR YOUR SUPPORT SOUND SUPPORT Meadowlark Farms (flowers) • REM Printing • Michael Jarus • Andy’s Front Hall Specialized Audio/John Geritz, Ian Hamelin and crew, Altamont Fairgrounds • Terry & Donna Mutchler • Voorheesville Carpet Co. Euterpe Sound/Clyde Tyndale, Tim Parker, Kate Korolenko, Scott Petersen, Dave and Cyndi Reichard OUR ENVIRONMENT We are grateful to have such a lovely shaded place to have a festival. Please DOCUMENTATION use the RECYCLE barrels for all plastic, aluminum, and glass containers. Flatten Don Person, Bill Houston, Bill Spence, Hannah Spence cardboard and place it next to a barrel. Use TRASH BARRELS for refuse. PICK UP and Neil Parsons after the concerts. Ride your BICYCLES in the designated areas. Wear shoes, use sunscreen and drink lots of water. Smoke away from the seated audience. Thanks SPONSORS from all who share this place. Old Songs would like to thank the following businesses and individuals for SEATING/CHAIR POLICY their sponsorship of the 2013 Old Songs Festival: Seating at the Main Stage and in Areas 2, 3, 6, 7 and 8 is divided into low and high The Global Child - Chet & Karen Opalka Price Chopper sections. -
Sustainability and Indigenous Interests in Regional Land Use Planning: Case Study of the Peel Watershed Process in Yukon, Canada
Sustainability and Indigenous Interests in Regional Land Use Planning: Case Study of the Peel Watershed Process in Yukon, Canada by Emily Caddell A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Environment Studies in Environment and Resource Studies Waterloo, Ontario, Canada, 2018 ©Emily Caddell 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Canada’s northern territories, including the Yukon, are facing significant social, economic, political and ecological change. Devolution processes and comprehensive land claim agreements with self- governing First Nations have given rise to new land and resource decision making processes, including Regional Land Use Planning (RLUP). Project level Environmental Assessments (EAs) have been a main tool for governments to meet some of their fiduciary responsibilities to Indigenous peoples under Section 35 of Canada’s Constitution and to mitigate potentially adverse environmental impacts of non- renewable resource development projects. However, project level EAs are ill-equipped to address cumulative effects, regional conservation needs, broad alternatives and overall sustainability considerations central to Indigenous interests. RLUPs, if designed and authorized to guide project planning and assessment, are a more promising tool for addressing these interests, but how well they can serve both sustainability and Indigenous interests is not yet suitably demonstrated. RLUP processes established under comprehensive land claim agreements with First Nations in the Yukon enable cooperative decision-making about the future of the territory, including the pace and scale of non-renewable resource development and regions set aside for conservation. -
First Nation Community Planning in Saskatchewan, Canada
JPEXXX10.1177/0739456X15621147Journal of Planning Education and ResearchPrusak et al. 621147research-article2015 Research-Based Article Journal of Planning Education and Research 1 –11 Toward Indigenous Planning? © The Author(s) 2015 Reprints and permissions: sagepub.com/journalsPermissions.nav First Nation Community Planning DOI: 10.1177/0739456X15621147 in Saskatchewan, Canada jpe.sagepub.com S. Yvonne Prusak1, Ryan Walker2, and Robert Innes2 Abstract “Indigenous planning” is an emergent paradigm to reclaim historic, contemporary, and future-oriented planning approaches of Indigenous communities across western settler states. This article examines a community planning pilot project in eleven First Nation reserves in Saskatchewan, Canada. Qualitative analysis of interviews undertaken with thirty-six participants found that the pilot project cultivated the terrain for advancing Indigenous planning by First Nations, but also reproduced settler planning processes, authority, and control. Results point to the value of visioning Indigenous futures, Indigenous leadership and authority, and the need for institutional development. Keywords aboriginal, community planning, First Nation, Indigenous planning, reservation, reserve Introduction This article examines a multiyear community planning pilot project undertaken from 2006 to 2011 on the principal “Indigenous planning” is an emergent paradigm in contempo- reserves of eleven of those Saskatchewan First Nations. The rary planning discourse that aims to reclaim the historic, con- pilot project was an initiative of the federal government’s temporary, and future-oriented planning approaches of Department of Aboriginal Affairs and Northern Development Indigenous communities across western settler states like Canada (AANDC). The planning consultant team hired by Canada, the United States, New Zealand, and Australia AANDC to undertake the pilot project with First Nations and (Jojola 2008; Matunga 2013; Walker, Jojola, and Natcher their affiliated tribal councils was the Cities and Environment 2013). -
Course Outlines
School of Community and Regional Planning (SCARP) University of British Columbia COURSE OUTLINE Course Number PLAN 221 Course Credit(s) 3 Course Title City Visuals Term 2017-2018 Day Friday Time 2:00 to 5:00pm Instructor Erick Villagomez Office WMAX 231 Telephone n/a Email [email protected] Office Hours TBD Short Course Description This course is an exploratory journey through the vast world of visualizing the city. Students will gain an understanding of the types and hierarchies of visualizations of the city and how to interpret them and use them to read the city. This course is open to all UBC students in 2nd year and above, regardless of prior experience. Course Format Course will meet twice a week for 1.5 hours each session. Course material will be structured using a combination of presentations and in-class exercises, discussions and tutorials. Class sessions will emphasize visual material, which will be guided by course instructors but also supplied, informed and analyzed by students. Students will see images, watch videos and listen to audio works about the city. Course Overview, Content and Objectives This course is an exploratory journey through the vast world of visualizing the city. How has our way of understanding and representing cities evolved from old parchment maps to dynamic real-time data capture with user-interactive visualizations of urban regions? How do we represent spatial data and what do we use, when and how? Broadly, students will gain a historical understanding of how the city has been represented visually, as well as the fundamentals of representation types and information design, in the service of reading and interpreting visualizations of the city. -
Pete Seeger” Review Pg
THE COLUMBUS FOLK MUSIC SOCIETY, INC.! MARCH, 2014 WHAT’S INSIDE: March Folkside Coffeehouse “Tribute to Pete Seeger” review pg. 2 presents A Film starring one JON MOSEY of our own pg. 3 We have a special treat He has toured the United CFMS & Mozart’s for our March States and Europe as a co-sponsor local Coffeehouse: Jon Mosey. solo bluesman/guitarist/ music night pg. 4 hailing from Akron, OH, singer-songwriter. His Calendar of Events he has been Described as and announcements pg. 5 “one of the great musical warm voice, guitar skills, treasures of Northeast distinctive songwriting, Kirby Scholarship pg. 6 Ohio.” So come on out on and powerful New Venue review pg. 7 Saturday, March 29 – the performances have show begins at earned him a reputation approximately 8 p.m. – after our live auction as fresh, rootsy and benefiting the Central original. His HOW TO JAM A Ohio Folk Festival. See performances have details on page 5. brought rave reviews from FARMER’S by D. Boston sources as diverse as Sing Out!, The Jon Mosey plays original New Cleveland Plain Dealer, Dirty Linen, The MARKET Akron Beacon Journal and Ian Anderson Roots Music and Blues, Ragtime, Old- by Tom Nagel! Time, Western Swing, Bluegrass, of Jethro Tull. The Cleveland Plain Cajun/Zydeco, and the list goes on. Dealer said of him, “A really amazing Winter See Jon Mosey! page 4 or summer, every Saturday Pete Seeger: a Man a number of CFMS folks gather for a jam at the Remembered 1919-2014 worthington farmer’s market. -
Coronavirus Forces Cancellation of Coffeehouse Concerts, Folk Festival
Columbus Folk Music Society a not for profit 501c(3) April/May 2020 Coronavirus Forces Cancellation of Coffeehouse Concerts, Folk Festival The COVID-19 pandemic that has closed Restaurants, bars, fitness centers and Inside this issue down all non-essential activities gyms, hair cutting salons, schools, throughout the United States and the rest churches, even libraries….all are closed and Coronavirus of the world has had a similar effect on Americans have been asked to “shelter in Closings…....1 central Ohio and the folk music activities place,” i.e., self quarantine and limit Community Singing: that were planned for the spring season. contact with others, until the pandemic The Comeback…..2 can be brought under control. Jammers Play and Sing Americana / Folk Concert Series “Together”…..3 Scheduled for: Sat March 28 (Dan Weber) For just about everyone, this is uncharted Singing Together.....3 (rescheduled for 3-27-21) territory. Nothing like this has ever Scheduled for: Sat April 25 (Buffalo Rose) happened within anyone’s lifetime. Member Profile: Hank Arbaugh…...4 (rescheduled for 2-27-21) Your Columbus Folk Music Society will be Folk Community Helps Out Old Friends…..5 Central Ohio Folk Festival prepared to resume normal activities as Scheduled for: May 2 & 3 (we will look soon as conditions permit. Watch for news Pete Seeger: “No More forward to seeing you May 1 & 2, 2121) ! and developments on our website: Awards!”……….....6,7 https:// New Members……8 www.columbusfolkmusicsociety.org/ Become a Member of the Folk Music Society (page 8) www.columbusfolkmusicsociety.org 1 Contact us at: Voicemail 614-470-3963 Columbus Folk Music Society a not for profit 501c(3) April/May 2020 Community Singing: The Comeback This article by Jim Walsh was printed in the April 7, 2011 edition of Singing in a group also raises your level of oxytocin, which makes the MinnPost. -
The Sounds of Queer Justice
The Queer Sounds of Justice: Contemporary Queer Musicking and Transformative Justice in The United States S.M. Gray Submitted in Partial Fulfillment of the Prerequisite for Honors in Peace and Justice Studies Program April 2012 © 2012, S.M. Gray Table of Contents Acknowledgements _____________________________________ i Introduction: Terminology, Process, and Construction of Narrative ___________________________________________ 1 1. Girlyman’s “Young James Dean”: A Tribute to the Pioneers of the Women’s Music movement__________________ 24 2. Positionality and Activism within Musicking: The Women’s Music movement of 1988__________________________35 3. From Ani DiFranco to Coyote Grace: A Queer and Feminist Blender of Politics, Gender, Genre, Sex, and Desire_______49 4. The Muses of Mustached ElectroLovers: Homos and Queer Punks, Angry Grrrl Feminists, and Lesbionic Dykes____________65 5. Contemporary Queer and Trans(Feminist) Musicking: Technology, Embodiment, Temporality, and Intersectionality__________91 Conclusion: Queer Musicking and A Broader Transformative Justice Framework______________________________117 Bibliography__________________________________________137 Acknowledgements I am so excited to finally be sharing my year-long endeavors with colleagues, friends, and family. It has been a long journey, and I am so grateful to all of you who have helped me along the way. Thank you so much to all of the musicians who have been so supportive through this process: the members of Girlyman, Coyote Grace, Katastrophe, Athens Boys Choir, Grygiel, The Shondes, Lovers, Des Ark, MC Micah, Kera Washington and Zili Musik, and Schmekel. I have been so inspired and supported by all of you through my research, and have learned so much from all of you. Thank you for sharing your sounds and stories with the world. I want to extend a huge thank you to Larry Rosenwald for his calming demeanor, quiet support, outgoing intellectualism, and laidback deadlines. -
Mobilizing Sustainable Urbanism:International
MOBILIZING SUSTAINABLE URBANISM: INTERNATIONAL CONSULTANTS AND THE ASSEMBLING OF A PLANNING MODEL ELIZABETH RUTH RAPOPORT Thesis submitted to University College London for the degree of Engineering Doctorate Centre for Urban Sustainability and Resilience Department of Civil, Environmental and Geomatic Engineering September 2014 DECLARATION OF AUTHORSHIP I, Elizabeth Ruth Rapoport confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ------------------------------------------------------------------------------------- ABSTRACT Recent years have seen a growth in proposals around the globe to develop new urban areas incorporating ambitious sustainability objectives. These projects are often planned by a small, elite group of international architecture, engineering and planning consultants, the Global Intelligence Corps (GIC). This dissertation describes and conceptualizes how and why urban planning ideas travel internationally, using sustainable urbanism as a case study. The dissertation draws on qualitative research conducted between 2010 and 2012. The data is interpreted through a conceptual framework grounded in assemblage thinking, that provides a way of understanding how a model can crystallize in a particular form, but still remain dynamic and flexible. The research found that sustainable urbanism, as it is applied by the GIC, has three key objectives: the creation of “good”, high-performance and integrated urban places. The GIC have a substantial influence on international conceptions of sustainable urbanism, in part as a result of their close involvement in the development and application of some of the key devices for coordinating the model’s travels. Sustainable urbanism’s international success is linked to two factors in particular: its flexibility, which allows it to be expressed in ways that speak to the key drivers of individual urban development projects, and the ease with which the model can be deployed in an entrepreneurial climate. -
City Planning, Design, and Programming for Indigenous Urbanism and Ethnocultural Diversity in Winnipeg
CITY PLANNING, DESIGN, AND PROGRAMMING FOR INDIGENOUS URBANISM AND ETHNOCULTURAL DIVERSITY IN WINNIPEG A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy In the Department of Geography and Planning University of Saskatchewan Saskatoon By SAREM MM NEJAD © Copyright Sarem MM Nejad, March 2018. All rights reserved. Permission to Use In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. Requests for permission to copy or to make other uses of materials in this thesis/dissertation in whole or part should be addressed to: Head of the Department of Geography and Planning Kirk Hall Building 117 Science Place University of Saskatchewan Saskatoon, Saskatchewan, S7N 5C8 Canada OR Dean College of Graduate and Postdoctoral Studies University of Saskatchewan 116 Thorvaldson Building, 110 Science Place Saskatoon, Saskatchewan, S7N 5C9 Canada i Abstract The production and programming of urban space and place have long been applied to eliminate Indigenous peoples from urban areas and minimise their cultural influence. -
Plowshares Coffee House
PLOWSHARES COFFEE HOUSE: PEOPLE, MUSIC AND COMMUNITY A University Thesis Presented to the Faculty of California State University, East Bay In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies By Susan Burnice Fuller Wageman March 2017 Copyright © 2017 by Susan Burnice Fuller Wageman ii ABSTRACT The Plowshares Coffee House Concert series ran for twenty years—presenting 686 concerts and dances between 1977 and 1998. Many of the performers, audience members, volunteers and other supporters of this effort continue to be involved with music and with each other—effectively forming complex interwoven networks of people and communities that connect Plowshares with other music communities in the past and the present. This thesis focuses, in particular, on Plowshares as a place of music making that built and nurtured community and contributes to an expanding literature about places of music making that build community and function as community centers. Ideally, this research will provide a foundation for deeper investigation of music communities in the future. Approaching the research from the perspectives of music, history, and anthropology (folkloristics and ethnography), the data collection and analysis employed an emic, or insider, perspective. Informal ethnographic interviews, oral history interviews, and an online survey provided first-hand information on how different people experienced Plowshares. Ongoing participation in contemporary music communities helped reveal additional information and insights about Plowshares, its operation, and its influences. The San Francisco Folk Music Club's newsletter, the folknik, provided information on the concert schedules, vision, development, and challenges of Plowshares. The San Francisco Folk Music Center's organizational papers—particularly the meeting minutes—provided detail on how the organization operated.