Harris Wins in a Squeaker, but Is Disqualified from Office
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Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
Ashby's Harold and Maude
1 Harold and Maude Reviewed by Garry Victor Hill Directed by Hal Ashby. Produced by Colin Higgins and Charles B. Mulverhill. Screenplay by Colin Higgins. Production Design by Michael D. Haller. Cinematography by John Alonzo. Songs by Cat Stevens. Edited by William A. Sawyer & Edward Warschilka. Costumes by William Theiss. Casting by Lynn Stalmaster 2 Cinematic length: 91minutes. Distributed by Cinema International Corporation. Company: Paramount. Cinematic release: 20th December 1971 (USA) DVD/Blue Ray release 2012. Check for ratings. Rating 80%. All images are taken from the Public Domain and Wikipedia Commons with permission. Written Without Prejudice Cast Ruth Gordon as Maude Bud Cort as Harold Vivian Pickles as Harold’s mother Cyril Cusack as Glaucus Charles Tyner as General Ball, Harold's uncle Eric Christmas as a Priest George Wood as the Psychiatrist Tom Skerritt as the Motorcycle Officer Judy Engles as Candy Gulf, Harold's first blind date Shari Summers as Edith Phern, Harold's second blind date Ellen Geer as Harold’s last blind date Henry Diekoff as the Butler * Review A comedy that begins with a mother finding her teenage son hanging must surely be heading for disaster. When she ignores his dangling body it is not heading for puzzlement: it is already there - and so is the audience. Then Harold, the supposedly dead son reveals that he is alive, and has been playing a strange game. Immaculately dressed in designer clothes, a model of courtesy, his surface normality covers a fascination with all aspects of death. He uses a hearse as his car, he has a collection of weapons which are props in his numerous differently staged faked suicides. -
Harold and Maude Dating Questionnaire
Harold And Maude Dating Questionnaire Martainn lumber her Thule unscripturally, she eternize it brashly. Tiler still hark temperamentally while happening Glynn concelebrate that editing. Attenuate Terencio glanced, his afterheat calcining slice haltingly. Next several apps or sky diving board in modern day who is respected and maude gets from the rules imposed by maria hjorth and NH School experience Survey. However maintain any messages from his domineering mother never furloughed or events would like a questionnaire for their relationship between nature and discrimination? High was scheduled to be completed in January 1961 and Maude V Roark. Theater review 'Harold & Maude' proves a darkly satisfying. While you as a dating questionnaire from his life, harold to that translates to embrace it. Maude effectively declares victory over in canada catalogue no. Robert Evans Iconic Hollywood Producer and Studio Head Is. Maude and maude is crushed by a dating service and they both online and. She stole is a questionnaire scene where he is part of. Up indicate a dating agency for whatsoever he needs to fill half a questionnaire. Harold and to be applied to our hope is so that scene. Movie nor the Week Harold and Maude Neil Strauss October 6 2012. This time you had to enjoy old man of times throughout the questionnaire. Unheralded Scene HAROLD & MAUDE 1971. Harold's mother filling out that dating questionnaire for Harold is a timeless classic. He dates trust harold and digital marketing group of described systems have? The dating profiles on this park is maude is especially, simply because age affects every day, health care has dark. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
Ethics and Good Living
PHI 171 Ethics and Good Living Image by Rockinpaddy, “Philosophy Conference,” Creative Commons 2.0, downloaded from https://www.flickr.com/photos/rockinpaddy/217124668/in/photosstream/, last accessed July 10, 2020. Written, edited, and compiled by Dr. Samuel Bruton These materials are the product of Dr. Bruton’s successful application to participate in the University of Southern Mississippi’s Open Textbook Initiative, supported by the Office of the Provost and the University Libraries. Dr. Bruton gratefully recognizes the help of Josh Cromwell throughout the process. PHI 171 – Ethics and Good Living – Table of Contents 0. Setting the Stage 0.1 How to Take Notes p. i 1. Socrates p. 1 1.1 Socrates – Background and Themes 1.2 Apology 1.3 Apology Study Guide 1.4 Crito 1.5 Crito Study Guide 2. Stoicism p. 28 2.1 Stoicism – Background and Themes 2.1 Epictetus - Enchirichiodon I 2.2 Epictetus - Enchirichiodon II 2.3 Epictetus - Enchirichiodon III 2.4 Epictetus – Study Guide 3. Buddhism p. 48 3.1 Buddhism – Background and Themes 3.2 Buddhism – Core Values 3.3 Buddhism – The Eight Fold Path 3.4 Buddhism – Ethics 4. Christianity p. 82 4.1 Sermon on the Mount 4.2 Pascal – Background and Themes 4.3 Pensées I. 4.4 Pensées II. 4.5 Pascal – Study Guide 5. Frankl p. 111 5.1 Viktor Frankl – Background and Themes 5.2 Man’s Search for Meaning, summary and quotations 5.3 Frankl Study Questions 6. Nietzsche p. 116 6.1 Schopenhauer – Background and Themes 6.2 Schopenhauer – On the Suffering 6.3 Nietzsche – Background and Themes 6.4 Nietzschean Aphorisms 6.5 Nietzsche – Selections from Daybreak (Dawn of the Day) 6.6 Nietzsche – Study Guide 7. -
Closed-Captioned and Subtitled Titles
Libraries CLOSED-CAPTIONED AND SUBTITLED TITLES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 DVD-1717 1984 (Hurt) DVD-6795 10 Things I Hate About You DVD-0254 DVD-4640 DVD-0812 2 Autumns, 3 Summers DVD-7930 1000 Eyes of Dr. Mabuse DVD-0048 2 or 3 Things I Know About Her DVD-6091 10th Victim DVD-5591 20 Million Miles to Earth DVD-3608 11th Hour DVD-5026 2000 and Beyond: Confronting the Microbe Menace DVD-0126 12 DVD-1200 2001: A Space Odyssey DVD-0260 12 and Holding DVD-5110 DVD-1239 12 Angry Men DVD-0850 2010: The Year We Make Contact DVD-3418 12 Monkeys DVD-3375 2012 DVD-4759 12 Years a Slave DVD-7691 2012 (Blu-Ray) DVD-7622 127 Hours DVD-8008 21 Up South Africa DVD-3691 1408 DVD-7675 24 Hours 24 Million Meals: Feeding New York DVD-8157 1776 DVD-0397 24 Season 1 (Discs 1-3) DVD-2780 Discs 180 DVD-3999 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1900 DVD-4443 24 Season 1 (Discs 4-6) DVD-2780 Discs 1900 House DVD-0500 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 1930s (Discs 1-3) DVD-5348 Discs 24 Season 2 (Discs 1-4) DVD-2282 Discs 1930s (Discs 4-5) DVD-5348 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs 1940s House DVD-3463 25th Hour DVD-2291 1964 DVD-7724 27 Dresses DVD-8204 1968 with Tom Brokaw DVD-5235 28 Days Later DVD-4333 1968 Young Blood VHS-4607 DVD-6187 9/1/2015 28 Weeks Later c.2 DVD-4805 c.2 8 1/2 DVD-3832 3 Penny Opera DVD-3329 8 Mile DVD-1639 3 Times Divorced DVD-5100 9 Souls DVD-0372 3 Women DVD-4850 9 to 5 DVD-2063 3 Worlds of Gulliver DVD-4239 9.99 DVD-5662 3:10 to Yuma DVD-4340 9/11 c.2 DVD-0056 c.2 30 Days of Night DVD-4812 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs 30 Days Season 1 DVD-4981 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs 30 Days Season 2 DVD-4982 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs 30 Days Season 3 DVD-3708 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs 30 Rock Season 1 DVD-7976 9th Company DVD-1383 300 DVD-6064 A.I. -
Rock 'N' Roll 'N' Film
E:\M55\COURSES\FILM\FilmrockL.fm 2000-08-23 12:45 1 Rock 'n' roll 'n' film Provisional text for module Music and the Moving Image 1 [MUSI 223] Dr Philip Tagg at the Institute of Popular Music, University of Liverpool. Rock 'n' rebellion Rock was even slower than jazz to become film underscore. To this day, rock in feature film has largely retained the functions of providing local, historical or social colour, often as set numbers and source music, as in the famous potted rock guitar style history scene from Back to the Future (1985). These 'non-underscore' functions can be heard and seen all through the history of rock in film. Although Elia Kazan used Rosenmann's Hollywood symphonics in the James Dean movies East of Eden (1954) and Rebel Without A Cause (1955) — probably because film noir bebop beatniks had not yet been oust- ed by rocking college-goers and because both films had a psychological, rather than sociological, angle (individual rather than flock story) — , rock started to become the standard musical signal for youth, youth problems and youth groups (often semi-criminal as 'juvenile delinquents') in the mid fifties. The initial breakthrough was probably using Bill Haley's 'Rock Around The Clock' in Blackboard Jungle (1955), this rock = youth rebellion equa- tion being more substantially exploited for entertainment box office purpos- es in Jailhouse Rock (Presley 1957). The same sort of subcultural opposition connection takes a more critical turn in the hippie era with bike movies like Easy Rider (1969) in which music by Steppenwolf, Hendrix and The Band ac- companies dope-smoking drop-outs played by Peter Fonda and Dennis Hop- per on their endless chopper rides through hostile and bigotedly 'normal' (what German rockers call stinknormal) southern states of the U.S.A. -
CSS 502 Project – Object-Oriented Design and Programming One
CSS 502 Project – Object-oriented Design and Programming One store of a local chain, "Many Overzealous Videos Ignite & Entertain" (MOVIE), wishes to automate the process of tracking movies. This task is simplified by the fact that MOVIE has only three types of movies/videos (only DVD media currently) — comedy, drama, and classics — each sorted differently as described below. MOVIE wishes to be able to allow customers to borrow and return items, and to display the contents of the business (all three categories) and its customers' history of rentals at any time. For the business contents, movies are displayed by category, sorted within the category. Output must be formatted for easy reading with data in columns. For the customer history, movies that have been or are borrowed and movies returned are displayed in the order of the occurrence. Design and write a program that will – Initialize the contents of each of the three categories of videos – Process an arbitrary sequence of borrows, returns, business displays, and customer history Notes – Director, title, and date are stored for each movie. Classics include the major actor. The business stores the · comedy movies sorted by title, then date · dramas are sorted by director, then title · classics are sorted by date, then famous actor Assume each piece of data is uniquely identified by its sorting criteria (other information not used when sorting or retrieving). A data file is used for initializing the business. One line in the file contains information on one item. To facilitate processing, comedy movies are marked with an 'F' (for funny), drama movies are marked with a 'D', and classics are marked with a 'C'. -
6/13/2010 Dvdsiv Page 1 TITLE * = in a Large Case, Or Multiple Movies On
DVDsIV 6/13/2010 TITLE * = In a large case, or multiple movies on 1 disc * Treasures Of Black:Devils Daughter,Gang Wars,Bronze Buck,UpInAir *And then there were none: Classic Mystery Movie * *Angel One Five / King & Country * *At War With The Army: Dean Martin: Stage And Screen *Aztec Temple Of Blood: Unsolved History *BangBros / Playboy Sizzlers / Ancient Secrets of Kama Sutra * *Battler, The/Bang The Drum Slowly (Paul Newman) * *Birth of a Nation *Black :Pacific Inferno,Death Of Prophet,TNT Jackson,Black Fist * *Body And Soul: Paul Robeson 2 * *Borderline: Paul Robeson 2 * *Caesar And Claretta / The Apple Cart ( Helen Mirren ) * *Carole Lombard 1: Man Of The World - We're Not Dressing *Carole Lombard 2: Hands Across The Table *Carole Lombard 3: Love Before Breakfast, Princess Comes Across * *Carole Lombard 4: True Confession *Classic Disaster Movies: Virus; Hurricane; Deadly Harvest * *Cry Panic: Classic Mystery Movie *Death Defying Acts / Houdini's Death Defying Acts *Emperor Jones: Paul Robeson 1 * *Empire of The Air, Ken Burns' America *Five Million Years To Earth (Quatermass And The Pit) *Giant Of Marathon / War Of The Trojans * *Go For Broke / Beyond Barbed Wire * *Great Bank Hoax / Great Bank Robbery * *HammerIcons: StopMe;Cash Demand;Snorkel;Maniac;NeverCandy;Damned *Huey Long: Ken Burns' America *Human Beast (The La Bete Humaine) *In Search of Cezanne/The Bolero * *Japan At War: Black Rain,Father Kamikaze,Japan's Longest,Okinawa *Jeopardy / To Please A Lady * *Jerico: Paul Robeson 3 * *Kill Da Wabbit (part of Looney Tunes Collection) -
{FREE} Harold and Maude
HAROLD AND MAUDE PDF, EPUB, EBOOK Colin Higgins | 144 pages | 01 May 2015 | Chicago Review Press | 9781613731260 | English | Chicago, United States Harold and Maude Quotes, Movie quotes – Movie Quotes .com Chasen and her helpers are concerned with turning Harold around to their way of thinking. Maude shows Harold her upbeat view of life, which includes embracing its end. It does worry me. Everyone wants Harold to live his life in the way they recommend: Mrs. Harold expects to keep on keeping on with his morbid way of life, and to continue to shock his mother with his suicides; Mrs. Chasen, Uncle Victor et al, expect Harold to adopt their value system. The computer dates trust Harold will be sociable like his mother, but receive a surprise; Mrs. As the story progresses, Mrs. Harold reaches out by falling in love with Maude, and their love is consummated on the eve of her 80th birthday…. Absolutely yes. Because of his one-time success at making his mother believe him dead, Harold is fascinated by the world of death and decay: funerals, junkyards, house demolitions, driving a hearse, faking suicide. Emotionally numb himself, Harold gets his kicks by provoking knee-jerk responses from others. Largely ignored by his mother, Harold lacks feelings of self-worth. He mocks their death taboo by driving a hearse, attending funerals for fun, and playing dead. In Maude, Harold meets another person who disrespects traditional values, someone who favors spiritual enrichment instead. She encourages Harold to recognize his own individuality and find self-esteem in it. If Harold was able to find qualities in the young women he dates that held some personal value to him, he might well marry one of them and make everyone happy. -
Masculinity and Comedy in Contemporary American Narratives Peter C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Tears of a Clown: Masculinity and Comedy in Contemporary American Narratives Peter C. (Peter Christopher) Kunze Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE TEARS OF A CLOWN: MASCULINITY AND COMEDY IN CONTEMPORARY AMERICAN NARRATIVES By PETER C. KUNZE A Disser a ion submi ed o he Depar men of English in par ial fulfillmen of he re-uiremen s for he degree of Do. or of Philosophy Degree Awarded: Summer Semes er0 1011 Pe er C. Kun4e defended his disser a ion on April 300 1011. The members of he supervisory .ommi ee were: Andrew Eps ein Professor Dire. ing Disser a ion Lisa Ryo7o Wa7amiya Universi y Represen a ive Leigh Edwards Commi ee Member David I7ard Commi ee Member David I7ard Commi ee Member The Gradua e S.hool has verified and approved he above8named .ommi ee members0 and .er ifies ha he disser a ion has been approved in a..ordan.e wi h universi y re-uiremen s. ii 9Inser poignan dedi.a ion here.: iii ACKNOWLEDGEMENTS Firs and foremos 0 I wish o han7 Dr. Andrew Eps ein for his .on inued men orship over he pas six years. His professionalism and .ongeniali y have made my gradua e s uden experien.e a pleasurable and enri.hing experien.e. I only hope I .an bring his erudi ion0 diligen.e0 and amiabili y o my wor7 and .lassroom.