CONFERENCE PROGRAM BIRMINGHAM, ALABAMA University of Alabama at Birmingham

October 17-20, 2018 secacart.org WALK TO IT!

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ENTRANCE PARKING 1 TODD ENGLISH PUB 6 MUGSHOTS GRILL & BAR Elevated Pub Grub Hamburgers & Beer 9 2 TEXAS DE BRAZIL 7 OCTANE Brazilian Steakhouse Coffee & Tea, Wine, Beer, Craft Cocktails

3 CANTINA LAREDO 8 EUGENE’S HOT CHICKEN Upscale Mexican Cuisine Nashville Style Chicken and Sides

4 THE SOUTHERN KITCHEN & BAR 9 OSCAR’S at the MUSEUM ENTRANCE Southern Comfort Food & Beer Seasonal Lunch Menu Tuesday through Friday, 11am-2pm Rev. Abraham Woods Jr Blvd, 5 YOUR PIE Brick Oven Pizza & Craft Beer STAIR PROJ. FORUM THEATRE

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Coffee stations can be found during session BALLROOMS TO ESCALATOR DOWN ESCALATOR breaks in ballroom prefunction and outside Forum C. BJCC SECOND FLOOR FORUM WELCOME TO BIRMINGHAM TABLE OF CONTENTS

MAP OF SHERATON Coined the Magic City in the late 19th century following a boon of iron and steel production, 2 WELCOME Birmingham has known a deep, yet complex history. Yet like the steel produced from the nearby iron- 3 CONFERENCE AT-A-GLANCE 4 TRANSPORTATION rich Appalachian foothills, the fires of civil conflict and racial division have forged a community that is 5 KEYNOTE SPEAKER home to progressive ideas, cutting-edge technology and medical research, and a rich arts culture. 6 SECAC EXHIBITION The University of Alabama at Birmingham is pleased to present the 2018 SECAC conference and 6 SECAC ARTIST’S FELLOWSHIP welcome y’all to come together in a dialogue of openness and inclusivity while enjoying Birmingham’s 7 SESSIONS AT-A-GLANCE unique vernacular, cuisine, and style. 9 SESSIONS LINE-BY-LINE 9-13 THURSDAY Our conference is located steps from the Birmingham Museum of Art and the Birmingham Civil Rights 13-18 FRIDAY National Monument, with the Sloss Furnace National Historic Landmark and a variety of art galleries, 19-22 SATURDAY James Beard Award-winning restaurants, and hip nightlife scene nearby. I encourage you to take 23 SPONSOR ADS advantage of all Birmingham has to offer, and I hope you will join us for the off-site programming including 25 GOVERNANCE the conference keynote at the Birmingham Museum of Art and receptions for the annual SECAC Artist 25 INSTITUTIONAL MEMBERS Fellowship and Juried Members exhibitions at UAB’s Abroms-Engel Institute for the Visual Arts. 26 LOCAL OUTINGS/DAY TRIPS 26 LOCAL GALLERIES 27 EAT/DRINK/LIVE MAP I would like to recognize and share my deep gratitude for the work of SECAC Administrator Christine Tate. Christine’s tireless effort, dedication, and attention to detail has been invaluable. Thanks also to SECAC President Sandra Reed, UAB College of Arts and Sciences Dean Robert Palazzo and UAB Department of Art and Art History interim-chair Jessica Dallow for their leadership and support, and to SECAC CONTACTS my colleague Doug Barrett for his beautiful design work and assistance. Thank you to Peter Baldaia for selecting a dynamic juried show, and to the staff at UAB’s AEIVA for their installation of the SECAC JARED RAGLAND exhibitions. Thank you to the BMA for partnering to host the conference keynote, reception, and 2018 SECAC Conference Director museum tours, and to our community co-sponsors: Birmingham-Southern College, Samford University, University of Alabama at Birmingham Kentuck Festival of the Arts, Four Corners Gallery, Space One Eleven, and Forstall Art Supply. [email protected] Without y’all, this conference could not have been possible. CHRISTINE TATE SECAC Administrator In a time of great division in the US and abroad, we as educators are at work on the front lines of [email protected] inspiring change and championing equality, reason, and justice. This year’s conference displays a wide variety of progressive studio, design, and art historical research, and I am especially encouraged and excited by the many sessions addressing topics of race, gender, and ecological concerns through thoughtful academic analysis, engaged learning and social practices, and innovative pedagogical strategies. Thank you for sharing your work with our community.

It’s nice to have you in Birmingham.

Jared Ragland 2018 Conference Director University of Alabama at Birmingham

Birmingham-Southern College

2 2018 SECAC CONFERENCE WEDNESDAY THURSDAY FRIDAY SATURDAY AT-A-GLANCE OCT 17 OCT 18 OCT 19 OCT 20

CONFERENCE 7:00-9:00pm 7:00am-5:00pm 7:00am-5:00pm 7:00am-2:00pm On-Site Registration On-Site Registration On-Site Registration On-Site Registration REGISTRATION pick-up materials/ pick-up materials/ pick-up materials/ pick-up materials/ badge badge badge badge

I 8:00-9:45am V 8:00-9:45am IX 8:30-10:15am CONCURRENT II 10:00-11:45am VI 10:00-11:45am X 10:30am-12:15pm SESSION III 1:15-3:00pm VII 1:15-3:00 pm XI 1:15-3:00pm BLOCKS IV 3:15-5:00pm VIII 3:15-5:00pm

VENDOR AREAS 9:00am-5:00 pm 9:00am-5:00 pm 9:00am-1:30pm

BREAK 11:45am-1:15pm 11:45am-1:15pm 12:15pm-1:15pm

SECAC 1:30-3:30pm 12:00-1:15pm 11:30am-12:30pm 7:30am Executive Board Meeting Art Inquiries Meet & Annual Member’s MEETINGS Awards Luncheon $R Ballroom 9 Greet. Editor, Kerr Breakfast and Business 4:00-7:00pm Houston Meeting (open to all SECAC Board of $ = Seperate Cost Ballroom Prefunction SECAC members) Directors Meeting R = Reservation Required Ballroom 9

BMA Docent 12:15-1:00pm 12:15-1:00pm Original Makers: Folk Art American Art tour at the Tours from the Cargo Collection Birmingham Museum tour at the Birmingham of Art Museum of Art

EVENING 6:30-7:30pm 5:30-7:00pm 6:00-8:00pm EVENTS New Members Cocktail Reception and SECAC Juried and Welcome. Hosted by exhibition viewing at the Fellowship exhibitions Debra Murphy and Bill Birmingham Museum of Reception at UAB’s Levin at the Sheraton Art. Co-sponsored by AEIVA. Transportation Casey’s Sports Bar UAB, BMA, and provided. and Grill. Birmingham-Southern College. 7:30-9:00pm Welcome Reception 7:00pm at the Sheraton Keynote Speaker Birmingham Conference Andrew Freear Prefunction Room at the Birmingham Museum of Art

THURSDAY EVENING The Birmingham Museum of Art is located a short 2 blocks from the Sheraton hotel. An EVENTS: ADA accessible shuttle is available for transportation to the Birmingham Museum of Art on Thursday evening. The shuttle will circulate between the Sheraton and the BMA every 20 minutes, beginning at 5:15pm.

" Birmingham Museum of Art: 2000 Rev. Abraham Woods, Jr. Blvd. Birmingham, AL 35203 // 205.254.2565

FRIDAY EVENING EVENTS: Buses, including one ADA accessible bus will run from the Sheraton to stops every 20 minutes, beginning at 5:40pm and ending at 8:00pm. Route: Sheraton Birmingham > Abroms-Engel Institute for the Visual Arts > 2nd Ave. Arts District.

" Abroms-Engel Institute for the Visual Arts: located at 1221 10th Ave. S. Birmingham, AL 35205 // 205.975.6436

2018 SECAC MENTORING Those participating in the program either as mentors or mentees should check in at the PROGRAM SECAC registration desk as few minutes before their appointment, unless other arrangements have been made. If you missed the mentoring program deadline and would like to talk with a mentor, please contact Heather Stark, [email protected].

3 The conference hotel is located 4.9 miles from the Birmingham-Shuttlesworth International TRANSPORTATION Airport. The Sheraton Birmingham operates a free daily airport shuttle, 6:00am-11:00pm. Taxi and popular ridesharing services (UBER/LYFT) are available for approximately $15 each way. For those driving into Birmingham, the hotel provides 1500 parking spaces in their parking deck with easy access to the Sheraton via skywalk. Discounted SECAC rates for overnight self-parking are $8; day rates are $8 and valet is $22. Interstate road construction scheduled for fall 2018 may cause minor traffic delays near the conference site.

SpringHill Suites Birmingham Downtown at UAB offers on-site parking: $1/hour, $10 daily. Complimentary airport and local shuttle is available for guests within a 3 mile radius of hotel (including to Sheraton Birmingham), 7:00am-11:00pm. Reserve shuttle by calling SpringHill Suites front desk, 205.322.8600.

In addition to local rideshare and taxi services, visitors can ride the MAX Transit Magic City Connector / Route 90, connecting the Sheraton Uptown to Downtown Birmingham, UAB, and Five Points South. Cost is 25¢ one way. Daytime buses service each stop every 15 minutes between 10:00am-6:00pm. Evening buses service each stop every 30 minutes between 6:00-9:53pm and 6:00-11:53pm on Friday.

Walk over for a visit.

THIRD SPACE/ Shifting Conversations about Contemporary Art 9TH AVE. N. I 59-20 20TH ST. N. FOR FREEDOMS: Richard Arrington Jr. Blvd. N. Civil Rights and Human Rights BMA WAYS OF SEEING: An Exploration of Line Rev. Abraham Woods Jr. Blvd. THE ORIGINAL MAKERS: Folk Art From The Cargo Collection

artsbma.org

4 5:30-7:00pm Thursday Oct 18 "Birmingham Museum of Art Reception to view Third Space/Shifting Conversations about Contemporary Art and museum galleries at the Birmingham Museum of Art. Co-sponsored by UAB, BMA, and Birmingham-Southern College.

7:00-8:00pm Thursday Oct 18 "Birmingham Museum of Art 2018 SECAC Keynote Lecture Andrew Freear, Rural Studio, Auburn University

Andrew Freear, originally from Yorkshire, England, is the Wiatt Professor and Director of Auburn University’s Rural Studio. Freear lives in a small rural community in Hale County, West Alabama, where for nearly two decades he has directed a program which questions the conventional education and role of architects. His architecture students have designed and built community buildings, homes, and landscape projects for under-resourced local towns and nonprofit organizations.

Freear’s role has been as liaison and advocate between local authorities, community partners, and architecture students in the collaborative realization of projects such as the 40-acre Lions Park, Newbern Library, and Greensboro Boys and Girls Club, all of which have focused on the health, welfare, and education of at-risk youth, while the Newbern Volunteer Fire department, Newbern Town hall, and Perry County Learning Center have worked to ensure the resilience of public institutions.

A model farm on Rural Studio property, with a goal to produce food for forty students and staff, has started to address the irony that historically agricultural-based rural regions are becoming food deserts with consequences to local diet, health, and welfare, and the resultant suburbanization of small rural towns. In addition, since 2006 his students have explored twenty-two prototypes towards the 20K Rural House initiative: a wood-frame, affordable, equity building, site-built, locally sourced, contractor-realized, alternative to the factory-built trailer.

Freear lectures about Rural Studio across the United States and Europe. He has designed and built Rural Studio exhibits across the globe including at the Whitney Biennial, the Sao Paulo Biennal, V&A in London, MOMA NYC, and, most recently, at the Milan Triennale and the Venice Biennale.

5 6:00-8:00pm Friday Oct 19 " UAB’s Abroms-Engel Institute for the Visual Arts

7:00pm Brief Remarks & Awards Presentation

2018 SECAC Juried Exhibition Peter J. Baldaia, Juror Director of Curatorial Affairs, Huntsville Museum of Art Tony M. Bingham Kathryn Jill Johnson Carla Rokes Joshua Brinlee Shannon Johnstone Kristin Skees Jason Sheridan Brown Meena Khalili Alan Skees Jessica Burke Ann B. Kim Lee Somers Gary Chapman Clive King Katie St. Clair Charles Clary Lily Kuonen Jason Swift Derek Cracco Danielle Langdon Chris Boyd Taylor Amy Feger in collaboration with Aggie Toppins Carrie Fonder Jesse Kremenak Jim Toub Diane Fox Gregory Martin Clifford W. Tresner Reni Gower Erica Mendoza Pamela Venz Sharon Lee Hart Jessica Mongeon Patrick Vincent Kelly Hinder Vesna Pavlovic ` Christina Renfer Vogel Jonathan W. Hils Duane Paxson Claudia Wilburn Stacy Isenbarger John Douglas Powers Diana Zlatanovski

6:00-8:00pm Friday Oct 19 " UAB’s Abroms-Engel Institute for the Visual Arts

2017 SECAC Artist Fellowship Stacey Holloway, Assistant Professor, University of Alabama at Birmingham

Not to be Otherwise, 2018 Installation

6 2018 SECAC SESSIONS AT-A-GLANCE

THURSDAY OCT 18 BALLROOM 1 BALLROOM 3 BALLROOM 4 BALLROOM 9 BALLROOM 11 BALLROOM 12 FORUM A FORUM B FORUM C FORUM D FORUM E FORUM F EVENING EVENTS American-Made Transgressive Practice Being Analog Eclecticism How Can We Assist? New Technologies Innov: 50s-Present Walking/Talking Keeping Up I I 8:00-9:45am 5:30-7:00pm Courts/Fee Swift/Funk Boone Crouther Runnells Malis/Friebele Concannon Schwartzott Gibbs Reception at the Pattern between Collecting & Trade One for the Ages Omissions Voids I Artist-Run Spaces Keeping Up II II 10:00-11:45am Presentation/Perf Politics & Portraiture The Art of Making Zine Culture Birmingham Museum of Art Horton/Sturgill Kienle/Weissman Najafi Arizzoli/Terrono Tyree/Bush Reed Perrott/Vigneault Walkiewicz Traviesa/Molina Ford Awards Luncheon 7:00pm 11:45-1:15pm BREAK 11:45-1:15pm BREAK Purchase Tickets Keynote Lecture with Andrew Freear at the III 1:15-3:00pm Vulcan Kidding? New Art Historians I Historic American Paint Midcentury Mix ITI: Think Y’all Rendering Italy Ab Ex 70 Years After Portamento Future of Uni Gallery Community-Based Des Gaddy Joiner Liakos Gamble Kuonen Murphy Morris Powers/Kelley Lynn/Dickins Wilson Birmingham Museum of Art IV 3:15-5:00pm Visualizing Memories New Art Historians II East, West, South Avant-Garde Echoes Immersive (MACAA) Sense Support (FATE) In the Studio Past, Present, Future Art History in Field Exhibitions as Sites 18th Century Art I Forgot to Laugh Huang Rizk Klipa English/Kruglinski Giorgio-Booher Hargrave Reneke Van Scoy Houston Kovacs Zakić Fonder

FRIDAY OCT 19

Immortal Bard All-Women Exhibition Teach Art History of US Biologic Ecologic Teach. Art History I Reflect Contemp Art Design Educators Making More Less Performance, Media Hair Intersections Netherlandish (HNA) V 8:00-9:45am Burns/Lindeman Dossin Sienkewicz Wacker Alberts Lindsey Ward Wang-Hedges Wentrack Moseley-Christian Mueller DiFuria 6:00-8:00pm Reception for the UN-DISCIPLINED I Landscape, Inter I Modern Matrons Artistic Autobio I Containers Beyond Park Mural Art with Spine Art for Heart’s Sake Bring Out Your Dead Life of the Object Beyond Retro Moving Images VI 10:00-11:45am 2018 SECAC Juried Chapman Schaeffer Jovanovich/Rasmussen Davis Gay/Niedzialkowska Cory Cushing Wright Falk Carson Toppins Fahnestock Exhibition and the 2017 SECAC Artist Fellowship 11:45-1:15pm BREAK 11:45-1:15pm BREAK Exhibition, at UAB’s Multiple Temp AMBUSHED! Who Reviews Whom Love, Courtship Teach. Art History II Paragone I Selfies & Identity Southern Accents Omissions Voids II Best-Kept Secrets Public Projects Right-Wing Attacks Abroms-Engel VII 1:15-3:00pm Galliera/Pearson McFadden Haikes/Luhar-Trice Kutbay Parrish Johnson Peacock Geiger Hawley Lovelace Culler Watson Institute for the Visual Arts. UN-DISCIPLINED II Natural Response Make Art Apprec I Queer Expression Women Paint I Paragone II Teach Studio Fund Augmented Reality Role of the Hand American Modernism Is This Mic On? Elusive Image Transportation Provided VIII 3:15-5:00pm Fine Sullivan Wester Boyles Price Lippert Vogel Kim/Gallop Frankel Stephens Morgan Pavlović

7:30am SATURDAY OCT 20 Member’s Breakfast Little Artistic Merit - I The Art of the Gift Make Art Apprec II Women Paint II Collaborating Toward Raising a Fist I Creative Collabs Artistic Autobio II Undergrad I Art & Aesthetics AI Type and Image IX 8:30-10:15am Slipp Erwin Dickins Gardner-Huggett Wilkins Wasserman Bradley/Malone Balint Mulvaney/Frederick Koterbay/Hoelscher Kim Little Artistic Merit - II Landscape, Inter II Art Across Oceans Artists Advancing Ren. Art (ATSAH) Hey, Teach! Raising a Fist II Unrecognized Making Space Undergrad II In the Dark Incorp Book Arts X 10:30am-12:15pm Beetham Peterson Cavallo/Nygard Zalewski Ehlert Barrett Ridler Hottle/Gilderhus Collier Mulvaney/Frederick Kincer Faulkes

12:15-1:15pm BREAK 12:15-1:15pm BREAK Down Home Thirty Centuries Landscape in Pieces Represent Amid Abst Something Old Teach. Design History Our Problem w/ Time Post Animal Action and Making Undergrad III Power Typography History Memory XI 1:15-3:00pm Higgs Morales O’Brien Speed Martinez/de Brestian Griffin Lunde Gomez Stonestreet/Peck Mulvaney/Frederick Finn Giutini/Shelby

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8 Wednesday Eclecticism, Appropriation, Forgery: WEDNESDAY 1:30-3:30pm Executive Board Meeting Issues of Borrowing in Art 4:00-7:00pm SECAC Board of Directors Meeting " Birmingham Ballroom 11 6:30pm New Members Welcome, hosted by Chair: Betty Crouther, University of Mississippi Debra Murphy and Bill Levin Jillian Decker, Johns Hopkins University and the New Jersey " Sheraton Casey’s Bar and Grill Vietnam Veterans’ Memorial Foundation 7:00-9:00pm Registration Desk Open Building Ludwig I’s German Identity: 7:30-9:00pm Welcome Reception at the Sheraton The Parthenon and German Hellenism " Conference Prefunction Room Kimberly Schrimsher, Emory University Becoming Guercino: Imitation and Innovation in a Seventeenth-Century Painter’s Studio THURSDAY Stephanie Chadwick, Lamar University Thursday Pastiche and Performativity in Jean Dubuffet’s Coucou Bazar Noon SECAC Awards Luncheon " Birmingham Ballroom 9 Brooke Alexander, The University of Mississippi All welcome; tickets available Borrower or Thief? at registration desk 5:30-7:00pm Reception to view Third Space/Shifting How Can We Assist You Today? Possibilities for Conversations about Contemporary Art Higher Ed Arts Outreach in K-12 Settings " Birmingham Ballroom 12 and museum galleries Chair: Jamie Runnells, Jacksonville State University 7:00pm Keynote Lecture with Andrew Freear, Auburn University’s Rural Studio Patrice Anderson, Jacksonville State University " Birmingham Museum of Art Design Prep: Exploration of Mentorship Online & IRL Co-sponsored by UAB, BMA, and Carla Rokes, University of North Carolina at Pembroke Birmingham-Southern College Reinforcing the Arts within Rural Communities through University Outreach Lisa Alembik, Georgia State University Instilling the Art Spirit Thursday Session I Innovation & Experimentation: 1950s to the Present 8:00-9:45am " Forum B Chair: Kevin Concannon, Virginia Tech 7:00am-5:00pm Registration Desk Open Herbert Hartel, Queens College, City University of New York Searching for Meaning, Identity and Place: Locating the American-Made: Holy Land Proxies in the United African-American Abstract Expressionists States Leigh Anne Roach, University of Alabama at Birmingham " BIRMINGHAM BALLROOM 1 Patterns, Perception and Pedagogy in Bridget Riley’s Co-Chair: Jennifer Courts, The University of Southern Mississippi Early Work Co-Chair: Carey E. Fee, Florida State University Mary Mazurek, Institute for Doctoral Studies in Laura Elizabeth Shea, University of Illinois the Visual Arts and Columbia College at Urbana-Champaign Everything Plus the Kitchen Sink: A Brief History of Noise Deep South: Sally Mann’s Southern Photographs as Pilgrimage in Art and Music Carey E. Fee, Florida State University Palestine Gardens: “It’s Like Jesus Walked Keep on Walking, Keep on Talking: HBCUs on African through Mississippi” Art, African American Art, and the Civil Rights Movement " Forum C Chair: Amy Schwartzott, North Carolina A&T State University Being Analog in a Digital World Anthony Bingham, Miles College " Birmingham Ballroom 9 59th Street Stories: The Ways of the Folk Chair: Harry Boone, Georgia Gwinnett College James Barnhill, North Carolina Agricultural Bridget Conn, Armstrong Campus, and Technical State University Georgia Southern University Social Justice Meets History Meets Art Kodachrome Rumors: Why Outdated Technologies Thrive in the Art World Amy Schwartzott, North Carolina A&T State University Where is the Front Door? Art and Culture at North Carolina Joseph Kameen, University of South Carolina Aiken Agricultural and Technical State University Like Fish in Water: The Impacts of Image-Fluency on Pedagogy in Painting Keeping Up with Graphic Design Trends Jaime Aelavanthara, University of Tampa and Technology – Session I Experimental Photography: The Magic When " Forum E Chair: Diane Gibbs, University of South Alabama Past Meets Present Samuel Ladwig, University of Central Oklahoma Update Required: New Software, New Syllabus

Troy Abel, University of North Texas Stop Teaching Technology—Becoming Autodidactic: Strategies for Teaching UX and Design Tools

9 New Technologies in the Studio Keeping Up with Graphic Design Trends " Forum A and Technology – Session II Co-Chair: Jon Malis, Loyola University Maryland " Forum E Co-Chair: Billy Friebele, Loyola University Maryland Chair: Ann Ford, Virginia State University Julie Ward, Florida Atlantic University Finding the Balance, How and When Wei Wang, Auburn University Utilizing Wearable Eye-Tracking Technology Raluca Iancu, Louisiana Tech University in Graphic Design Process Digital Printmaking: Beyond CTRL+P Gary Rozanc, University of Maryland, Baltimore County Jeremy Blair, Tennessee Tech University Keeping Up with the Joneses: Graphic Design (Re)Playing Art Histories: Designing Video Games Trends and Technology with Preservice Art Teachers Ann Ford, Virginia State University Never Stop Learning THURSDAY Transgressive Practices: Confronting Art, Scholarship, and Education Omissions, Voids, and Absences: Art Historical " Birmingham Ballroom 3 Examinations of Things Unseen – Session I Co-Chair: Jason Swift, University of West Georgia " Forum C Co-Chair: Clayton Funk, The Ohio State University Chair: Alice J. Walkiewicz, The Graduate Center, City University of New York James Enos, University of Georgia Social Logistics—Performative Itineraries and Locative Space Barbara M Laux, Graduate Center, City University of New York Filling in the Blanks: Claude III Audran and the Creation Lisa Kastello, Kennesaw State University of the Rococo Arabesque 101 Ways to Recycle a Dissertation Erin Pauwels, Temple University Jeff Siemers, Institute for Doctoral Studies in the Visual Arts Grid, Sequence, Speed: Reading between the Frames The Subversive Event: Overturning Institutionalized of 19th-Century Photographic Motion Studies Identities through Difference Sandrine Canac, Stony Brook University Jim Daichendt, Point Loma Nazarene University Something Which Is Unknown to Me, but Which Works Post-Studio Processes and the Artist-Teacher upon Me: Robert Barry’s Telepathic Imaginary

One for the “Ages”: Understanding and Influencing Thursday Millennials in the Classroom Session II " Birmingham Ballroom 12 10:00-11:45am Co-Chair: Natalie Tyree, Western Kentucky University Co-Chair: Rachel Bush, Austin Peay State University Artist-Run Spaces, Collectives, and Collaboration Nikki Arnell, Arkansas State University " Forum D Global Design Thinking and How the Millennial Co-Chair: Jonathan Traviesa, Tulane University Mindset Is Changing the World Co-Chair: Cristina Molina, Southeastern Louisiana University Natalie Tyree, Western Kentucky University Meg Duguid, Tiger Strikes Asteroid Chicago Motivating Millennials in the Creative Classroom Looking at Ideas of Artist Run Institutions Shannon McCarthy, Eastern Kentucky University Jeff Schmuki, Georgia Southern University Learning From Millennials, a Retrospective on How to Learn PlantBot Genetics and the ArtLab Rachel Bush, Austin Peay State University Dickie Cox, Monmouth University In this Day and Age: Learning Design from Millennials Meow Wolf: How the Due Return Became an Eternal House in the Multiverse Pattern between Decorative and Abstract " Birmingham Ballroom 4 Collecting and the Trade of Antiquities Chair: Roja Najafi, Oklahoma City Museum of Art " Birmingham Ballroom 11 Co-Chair: Louise Arizzoli, University of Mississippi Kathleen Pierce, Rutgers University Co-Chair: Evie Terrono, Randolph-Macon College Pocked: Pattern and the Diseased Surface in Fin-de-Siècle Visual Culture Maya Muratov, Adelphi University Antique Gems, Bad Blood, and Rising Ambitions: Bringing the Roja Najafi, Oklahoma City Museum of Art King Collection from Cambridge to New York Pattern and Constitutive Construction Tracey Eckersley, Kentucky College of Art + Design Chris Boyd Taylor, University of Alabama in Huntsville Colonized Collections: Père Alfred-Louis Delattre and Made-for-TV Sports Arena Design: the Collection of the Musée Archéologique de St. Louis New Patterns for a Studio Practice de Carthage, Tunisia Mark Abbe, University of Georgia Lamar Dodd School of Art Politics and Portraiture Ancient Marbles on Biscayne Bay " Birmingham Ballroom 3 Eric Beckman, Indiana University Co-Chair: Miriam Kienle, University of Kentucky Co-Chair: Terri Weissman, University of Illinois, Urbana-Champaign V.G. Simkhovitch and the Assembly of a Collection Virginia Badgett, University of California, Santa Barbara Portraits as Radical Politics: Robert Henri and “Red Emma” Lauren (Ally) Johnson, University of Illinois, Urbana-Champaign Non-Iconicity and Roy DeCarava’s Civil Rights Portraits Francesca Balboni, The University of Texas at Austin “Counterpublic” Portraiture: Marie Menken’s Friend Films Tom Williams, Watkins College of Art The Carceral Portrait in Contemporary Art

10 Presentation as Performance as Presentation Patrick Vincent, Austin Peay State University " Birmingham Ballroom 1 Worshipping the Graphic: Hybrid Images Co-Chair: Rocky Horton, Lipscomb University of Contemporary Mythologies Co-Chair: Thomas Sturgill, Middle Tennessee State University Evin Dubois, Paducah School of Art and Design at West Brent Everett Dickinson, Rutgers University Kentucky Community and Technical College Marcel Maus Hermeneutical Think Tank Presents SPECULATIVE Floating as Fanboy ENGASTRATION: The Business of Eating and Being Eaten in Infinite Space Community-Based Graphic Design Jason Brown, The University of Tennessee, Knoxville " Forum E 6 Happenings in 18 Parts Chair: Ric Wilson, University of Missouri Kent Anderson Butler, Azusa Pacific University Morgan Manning, Maryville College From the Belly of the Whale We Really Needed That Yesterday: Reflections on Designing for THURSDAY a Large Non-Profit While Also Navigating the Tenure Track The Art of Making by Recipients of the SECAC Diane Gibbs, University of South Alabama Artist’s Fellowship and SECAC Award for Pro-Bono Design Work in My Design Practice Outstanding Artistic Achievement (2013-2017) " Forum A Historic American Painting: Ben Franklin, Barns, Chair: Sandra Reed, Marshall University Baristas, and Backstitches Carol Prusa, Florida Atlantic University " Birmingham Ballroom 4 Umbraphile Chair: Barbaranne Liakos, Northern Virginia Community College Duane Paxson, Troy University Catherine Dossin, Purdue University Malelingue and Mors Eloquentiae Benjamin Franklin, the American Revolution, and the French People Reni Gower, Virginia Commonwealth University Longevity to Legacy Morgan Heard, The University of Alabama “May the Points of Our Needles Prick the Slaveholder’s Stacey Holloway, University of Alabama at Birmingham Conscience”: Women’s Abolitionist Needlework Not to be Otherwise and the Anti-Slavery Fair Eileen Yanoviak, University of Louisville Zine Culture: Making, Activating, Archiving and Speed Art Museum " Forum B Co-Chair: Sage Perrott, East Tennessee State University Crossings: Farmstead Imagery and the American Civil War Co-Chair: Marissa Vigneault, Utah State University Caroline Gillaspie, The Graduate Center, City University of New York Marissa Vigneault, Utah State University Fueling the Union: Coffee Consumption Community Building through Zines in Winslow Homer’s Civil War Images Brenda Hawley, Utah State University Stories from Home ITI: ThinkY’all Sierra Wise, Utah State University " Birmingham Ballroom 12 Creating Empowered Space for Women Chair: Lily Kuonen, Jacksonville University through Feminism and Community Art Making Jessica Mongeon, Arkansas Tech University Sage Perrott, East Tennessee State University Intangibles: Creating a Positive Learning Environment Small Forms, Big Impact: Quick Zines for Students & Educators Lauren Evans, Samford University The Procreative Professor and the Creative Process Carlos Colón, Savannah College of Art and Design The Value of an Arts Education beyond Your Chosen Field Thursday Session III Midcentury Mix of Art, Craft, and Industry 1:15-3:00pm " Birmingham Ballroom 11 Chair: Antje Gamble, Murray State University Abstract Expressionism, 70 Years After Briley Rasmussen, University of Florida " Forum B The Sin of the Cat Cookie Jar: MoMA, Television, Chair: Tony Morris, Austin Peay State University and the American Child at Mid-Century Becky Bivens, University of Illinois at Chicago Antje Gamble, Murray State University Lost in Space: Wolfgang Paalen, Robert Motherwell, America’s Italy at Work: The Politics of Italian Art, and Microcosmic Theory Craft and Industry in the United States after WWII Anthony Morris, Austin Peay State University Lorinda Roorda Bradley, University of Missori Industrial Expressionism: Hedda Sterne, Fortune, Deere & Co. “What Is This Stuff Doing at the Met?” Jamin An, University of California, Los Angeles Reconsidering “New York Painting and Sculpture: 1940-1970” Open – Session In Art History for New Art Historians – Session I Are You Vulcan’ Kidding Me? Mythology Everywhere " Birmingham Ballroom 3 " Birmingham Ballroom 1 Chair: Dorothy Joiner, LaGrange College Co-Chair: Raymond Gaddy, Georgia Southern Armstrong Campus Michael Ridlen, University of Iowa Glenda Swan, Valdosta State University Prud’hon’s Political Allegories around 1800 The Power of Images of Myth in the Classroom

11 Devon Zimmerman, The University of Maryland, College Park 18th Century Art: Looking Ahead Pattern as Model: De Stijl, Abstraction, and the Decorative Arts " Forum E Mia Laufer, Washington University in Saint Louis Chair: Boris Zakić, Georgetown College Gustave Moreau and the Implications of Jewish Ownership Macon St. Hilaire, Austin Peay State University Samuel Washburn, University of Central Oklahoma Investigating Influence and Artistic Training in 18th-Century Trends in Illustration: Types as Observed in the British Portraiture through the Lens of Technical Analysis: Society of Illustrators Annuals A Study of a Painting Attributed to John Smibert (1688-1751) Kasie Alt, Georgia Southern University Manifesting Fiction in the Landscape: Portamento: Music, Visual Arts, The Mithraic Altar at Wrest Park, Bedfordshire and the Liminal Space Between Daniel Graham, Georgetown College " Forum C Current Art Practices through 18th-Century THURSDAY Co-Chair: John Powers, University of Tennessee, Knoxville Woodworking and Tools Co-Chair: John Kelley, University of Tennessee School of Art Kevin Concannon, Virginia Tech A Sense of Support (FATE) Laurie Anderson: The Studio, the Stage, and the Stories " Birmingham Ballroom 12 Chair: Katie Hargrave, University of Tennessee at Chattanooga John Harlan Norris, Arkansas State University Wild Combination: Painting, Dreampop Lauren Kalman, Wayne State Universiy and Everything Inbetween Between Synchronization and Interpretation: Coordinating a Foundations Program for Part-Time Faculty Elisabeth Pellathy, University of Alabama at Birmingham Visualized Birdsongs Elissa Armstrong, Virginia Commonwealth University Support Structures: Shoring up Student John Kelley, University of Tennessee School of Art and Faculty Success in Art Foundation Cinematic Musical Practice as a Mode of Visual Thinking Alexandra Robinson, St. Edward’s University Rendering Italy Educating <3 and Minds " Forum A Emily Bivens, University of Tennessee Chair: Debra Murphy, University of North Florida Learning to Freestyle Jeremy Culler, University of South Carolina Aiken Rendering Orvieto: The Spatial and Cultural Heritage Art History in the Field: Study Abroad and Best Practices " of Livio Orazio Valentini Forum C Chair: Kerr Houston, Maryland Institute College of Art Chris Luhar-Trice, University of North Florida Jennifer Snyder, Austin Peay State University Teaching in Italy: Its Influence on a Working Artist London (Art) Calling: Study Abroad Debra Murphy, University of North Florida at Austin Peay State University Rendering Italy: The Paintings of Joseph Jeffers Dodge Kerr Houston, Maryland Institute College of Art “There Is a Strong Instinct in Me”: The Future of the University Art Gallery Drawing in the Field as a Means of Study " Forum D Heather Stark, Marshall University Co-Chair: Meredith Lynn, Florida State University Art History as Experience: Study Abroad for Non-Majors Co-Chair: Michael Dickins, Austin Peay State University Beverly Joyce, Mississippi University for Women Avant-Garde Echoes: Breaking through the Silos Modernist Reverberations in Contemporary Art Christopher Reno, Catich Gallery - St. Ambrose University " Birmingham Ballroom 9 An Interstitial Educational Mode—Recent Student Co-Chair: Travis English, Frostburg State University, Maryland Experiences at the Catich Gallery Co-Chair: Jennifer Kruglinski, Salisbury University Brad Adams, Berry College Lex Lancaster, University of South Carolina – Upstate Unauthorized Hard Edges, Queer Feminist Edging: Ulrike Müller’s Abstractions Sylvia Rhor, Carlow University James Toub, Appalachian State University The University Art Gallery as a Tool of Social Justice Biophilic Design and Modern Art Lisa Lee, Emory University Reverent Travesties: Thursday Thomas Hirschhorn’s Late-80s Abstractions Session IV Jennifer Kruglinski, Salisbury University Martha Rosler’s Montaged Disruptions 3:15-5:00pm East, West, South: Histories, Identities, and Art Practices ...I Forgot to Laugh " Birmingham Ballroom 4 " Forum F Chair: Rachel Klipa, Independent Chair: Carrie Fonder, University of West Florida Judith Knippschild, Heidelberg Graduate School Wendy DesChene, Auburn University for the Humanities and Social Sciences From Butts to Britney “One will hardly find a more beautiful sight”: Caroline Byrne, Independent Japan in the Imagination of Western Artists Too Serious for Drama: Satire as Philosophy Manami Ishimura, TAMUCC in Early Fantasy Fiction Stillness and Dynamism Lauren Ruth, California State University, Chico Lynne Larsen, University of Arkansas at Little Rock No Punchline Required Defining the Present through the Past: Portraits of Kings in Abomean Homes Myda Iamiceli, University of West Georgia Memories [Re]mixed: Reimagining History

12 Exhibitions as Sites of Activist Practice Visualizing Memories: Ruins, Historic Sites, " Forum D and Traces in Landscape Chair: Claire Kovacs, Augustana College " Birmingham Ballroom 1 Izabel Galliera, McDaniel College Chair: Amy Huang, Brown University Curatorial Models in Contemporary Amy Huang, Brown University Exhibitions of Activist Practice Landscape of Memories: A Case Study on Yulia Tikhonova, Florida Atlantic University Seventeenth-Century Nanjing Radical Curator (as Inspired by Citizen: Meghan Bissonnette, Colorado Mesa University An American Lyric by Claudia Ranikine) Remembering the Present: Imagined Ruins in Visual Culture Melissa Geppert, University of Central Florida Andrew Hottle, Rowan University Rehearsals for the Public Good in William Pope L.’s ‘Flint Water’ Ruined Splendor Personified: THURSDAY Sylvia Sleigh in the Crystal Palace Garden Immersive Learning and Creating a Culture Joshua Fisher, Arkansas Tech University of Engagement (MACAA) “To Tell of Outrage”: Photographs of the Borscht Belt " Birmingham Ballroom 11 Chair: Barbara Giorgio-Booher, Ball State University Friday Kaleena Sales, Tennessee State University 11:30am-12:30pm Art Inquires Meet & Greet Cynthia Gadsden, Tennessee State University with editor Kerr Houston Connecting Student-Artists & Community " Ballroom Prefunction Jerry Johnson, Troy University 12:15-1:00pm Original Makers: Folk Art from the Engaging the Community through a Collaboration Center Cargo Collection docent tour Shantanu Suman, Ball State University " Birmingham Museum of Art Community Engagement with an Academic Experience 6:00-8:00pm Reception for the 2018 SECAC Juried Jim Benedict, Jacksonville University Exhibition and the 2017 SECAC Artist Serious Fun: At the Intersection of Board Games and Sculpture Fellowship Exhibition, Stacey Holloway: Not to be Otherwise, In the Studio: Process and Practice " UAB’s AEIVA " Forum A Circulator buses will run from Sheraton Chair: Margaret Reneke, LaGrange College to stops every 20 minutes, beginning at Marisa Andropolis, University of Mississippi 5:40pm and ending at 8:00pm. Traditional Processes on Less Traditional Surfaces Route: Sheraton Birmingham > Kimble Bromley, North Dakota State University Abroms-Engel Institute for the Visual Painting the Pond: My Own Giverny in Rural Minnesota Arts > 2nd Ave. Arts District. Giang Pham, The University of Alabama Friday Disciplined in Approach: Search for Depth in Breadth Session V Daniel Shellenbarger, The Ohio State University The Invisible Hand: The Emancipation of Practice 8:00-9:45am All-Women Exhibitions before the 1970s Open – Session In Art History " Birmingham Ballroom 3 for New Art Historians – Session II Chair: Catherine Dossin, Purdue University " Birmingham Ballroom 3 Roberta Serra, Université Paul Valéry-Montpellier 3 Chair: Mysoon Rizk, The University of Toledo The Reception of the Salon of the Union des Femmes Lisa Strickland, Stony Brook University Peintres et Sculpteurs, between Late Nineteenth- and Reclaiming Eco-Art: A Feminist Legacy Early Twentieth-Century France Bryan Hilley, Nasher Museum of Art at Duke University Georgina Gluzman, Consejo Nacional de Here Today, Gone Tomorrow: Visibility in the Performances Investigaciones Científicas y Técnicas of Chris Burden “A Special Category”: Some Women Artists in All-Female Shows (Argentina, 1930s) H.C. Arnold, The University of California, Riverside Doris Sung, The University of Alabama Relation-Clicks: The Sonic Drawings of Michael Brewster Women Artists as Valuable Citizens: Clare van Loenen, Virginia Commonwealth University An All-Women Art Society in 1930s Shanghai To Script: Guidelines for Socially Co-Operative Arts Practice Shannon M. Lieberman, Pacific Northwest College of Art “A ‘pioneering’ spirit”: The Newark Museum’s Women Past, Present, Future: Rephotography Artists of America, 1707-1964 " Forum B Amy Rahn, Stony Brook University Chair: Susan Van Scoy, St. Joseph’s College, NY “I Hope You Do Not Think It Bold of Me”: Women Artists on Susan Van Scoy, St. Joseph’s College “Women Artists of America, 1707-1964” Rephotography and Site Specificity: The Big Duck in Photographs 1931-2018 Biologic Ecologic " Birmingham Ballroom 9 Dilmar Mauricio Gamero Santos, Chair: Kelly Wacker, University of Montevallo Temple University, Tyler School of Art Wanda Sullivan, Spring Hill College Strand and the Time Machine: 1915-1920–2018 Synthetic Naturals Betsy Williamson, Eastern New Mexico University Jillian Hirsch, University of Tennessee, Knoxville Hushangabad: An Indian Village 1968 / 2018 Greening the Greyscape Taylor Bradley, The University of Texas at Austin Photography, Rephotography, and the Medium of Jessica Landau, University of Illinois at Urbana-Champaign Reproduction: Art Alanis, Ed Ruscha, and John Szarkowski Getting into the Woods: Locating the Animal in Art Historical Practice Barbara Giorgio-Booher, Ball State University Conservation Tales: Children’s Books about 13 Wildlife Conservation Design Educators and the Tenure Packet Performance, Media Art, " Forum A and Their Multifarious Transmutations Chair: Neil Ward, Drake University " Forum C Scott Fisk, Samford University Chair: Kathleen Wentrack, Queensborough CC, City University of New York Tenure & Promotion Common Mistakes Francesca Bacci, University of Tampa Matthew Donaldson, University of South Carolina Upstate Re-enacting the Ephemeral: On the Status of Performance Art Am I In??? The Designer’s Quest in Crafting Scholarship Value in the Era of Its Digital Reproduction for the Promotion and Tenure Process Kathleen Wentrack, Queensborough CC, Amanda Bridges, Gardner-Webb University City University of New York Navigating the Tenure Process in a Small Liberal Arts Setting Variations on Video and Performance: Angela Horne, Georgia Southern University The Work of Ulrike Rosenbach The Other GDP FRIDAY Reflecting the Contemporary Art World Kelly Celeste Porter, East Tennessee State University through Undergraduate Curriculum Reform It Takes a Village " Birmingham Ballroom 12 Chair: Shannon Lindsey, University of Central Florida Hair: Untangling Meanings Valerie Hanks, Sam Houston State University in Pre-Modern Visual and Material Culture Strategies for Remixing Foundations " Forum D Chris Ireland, Tarleton State University Chair: Michelle Moseley-Christian, Virginia Tech Fables of Curriculum Reconstruction Tera Hedrick, Wichita Art Museum Jessica Burke, University of North Carolina at Charlotte Hair and Heirs: Picturing Relationships On Your Mark, Get Set, Go in 18th and 19th Century Portrait Miniatures Michael Marshall, University of Georgia Michelle, Moseley-Christian, Virginia Tech Studio Art Core Hairy Female Bodies and the Early Modern Wild Woman in Visual Art Teaching Art History and Writing – Session I " Birmingham Ballroom 11 Intersections: Drawing & Social Practice Chair: Lindsay Alberts, Savannah College of Art and Design " Forum E Lara Kuykendall, Ball State University Chair: Ellen Mueller, UMass Dartmouth Know Your Audience: Paul Collins, Austin Peay State University Making Writing Real for Students and Teachers Fortnight Sessions: Interactive Journalism through Drawing Jenna Altomonte, Mississippi State University Cayla Skillin-Brauchle, Willamette University Interactive Approaches to Teaching (and Performing) Art History Drawing Data Elizabeth Pugliano, University of Colorado Denver Gráinne Coughlan, Dublin Institute of Technology Not Another Analysis Paper: A Postmortem Speculative Drawing in From Different Worlds (1987) on an Alternative Term Assignment for Art History Survey Rae Goodwin, University of Kentucky, Vanessa Troiano, Graduate Center, City University of New York School of Art and Visual Studies Art History and Collaborative Writing Pedagogy Grandmothers are Superheroes! Teaching the Art History of the United States Making More With Less " Birmingham Ballroom 4 Chair: Julia Sienkewicz, Roanoke College " Forum B Chair: Ting Wang-Hedges, Oklahoma State University Judy Bullington, Belmont University Jonathan Cumberland, The University of Alabama Fostering Critical Perceptions in Studies The Little Department that Could of Historic African-American Art Christian Dunn, Jacksonville State University Nancy Puchner, University of North Carolina at Pembroke Screen Printing: Low Cost, High Return The Impact of Indigenous Voices when Teaching Native American Art History Bruce Mackh, Rocky Mountain College of Art + Design The Future of Studio Art in Higher Education Kate Kocyba, The University of Alabama “Less is a Bore”: Expanding American Architectural History Beyond High Style Architecture Open Session on Netherlandish Art (HNA) " Forum F Evie Terrono, Randolph-Macon College Chair: Arthur DiFuria, Savannah College of Art and Design Food for Thought: Teaching American Art History through Food Studies Cynthia Toussaint Andrews, Independent Scholar Grunewald and Haguenau’s Isenheim Altarpiece, Ancient Julia Sienkewicz, Roanoke College Feminine Agrarian Science, Melancholic Disposition, SoTL for American Art History? and Problems in Art History Paige Ganzel, Savannah College of Art and Design The Immortal Bard: Representations of Orpheus Martin van Heemskerck’s Twelve Patriarchs as Visual Exegesis from Antiquity to Present " Birmingham Ballroom 1 Catherine Powell, The University of Texas at Austin Co-Chair: Kara Burns, University of South Alabama A Cabinet of Curiosity out of doors: Exploring the relationship Co-Chair: Christina Lindeman, University of South Alabama between the Dutch 17th-century garden and collections Benjamin Harvey, Mississippi State University Going Underground: Asterios as Orpheus in the Work of David Mazzucchelli James Boyles, North Carolina State University The In-Betweenness of Orpheus Christina Lindeman, University of South Alabama Orpheus in the Eighteenth-Century Music Room

14 Friday Sue Jenkins, Marywood University Beyond the Park Mural: A Win-Win Approach to Service Session VI Learning in the Design Classroom 10:00-11:45am EunJung Chang, Francis Marion University Community Service-Learning: Art for Heart’s Sake: Graphic Design as Advocacy Making a Critical Connection with the Real World " Forum B Lillian Lewis, Youngstown State University Chair: Erin Wright, University of Alabama at Birmingham Collaborative Teaching for Community Improvement Tasheka Arceneaux Sutton, Southeastern Louisiana University Black Lives Matter Too Bring Out Your Dead: Erin Wright, University of Alabama at Birmingham Failed Attempts & Spectacular Disasters Posters Without Borders " Forum C FRIDAY Chair: Naomi J. Falk, University of South Carolina Art with a Spine: Little Magazines, Zines, Daniel Kraus, Temple University, Tyler School of Art and Modernism beyond the Canon Tiny Mysteries: 19th-Century Microscopic Photographs " Forum A Virginia Griswold, Austin Peay State University Chair: Douglas Cushing, The University of Texas at Austin Form Follows Failure: Risk, Reward, and Humility Sarah Archino, Furman University in the Sculpture Classroom Little Magazines in the Shadow of WWI Valerie Zimany, Clemson University Karla Huebner, Wright State University Even Monkeys Fall From Trees: Accepting Fallibility as an Educator Are We ReD? Revue Devětsil and the World of Czech Modernist Magazines Containers in Medieval and Renaissance Life " Birmingham Ballroom 11 Julia Detchon, The University of Texas at Austin Co-Chair: Richard Gay, University of North Carolina at Pembroke Little Magazines as Open Work: Diagonal Cero Co-Chair: Beata Niedzialkowska, University of North Carolina at Pembroke and the Transition from Concrete Poetry to Conceptual Art Yue Dai, University of Illinois at Urbana-Champaign Brandon Waybright, George Fox University Secular Dimension of the Aśoka Stūpa of the History from the Ground Up: Changgan Monastery in the Song Dynasty The Zine as Model for a More Inclusive Design History Dana Hogan, Syracuse University in Florence Representations of Judith on Quattrocento Marriage Chests: Artistic Autobiography: Artists’ Homes Exhorting the Heroic Female Identity in Service of Civic Duty and Studios as Gesamtkunstwerke – Session I Beth Mulvaney, Meredith College " Birmingham Ballroom 9 Container within the Container: Cardinal Bessarion’s Reliquary Chair: Sasha Davis, Renee and Chaim Gross Foundation Cross and Gentile Bellini’s Tabernacle Panel Erin Carter, Independent Scholar Rachel Danford, Marshall University Carving A Legacy: The Home & Studio of Albin Polasek Changing Views on Ambrose’s Relics: The Golden Altar Sarah Tietje-Mietz, Stone Quarry Hill Art Park and Stucco Ciborium in Sant’Ambrogio in Milan Modern Nature: Dorothy Riester and Stone Quarry Hill Art Park Carlie Wilmans, The 500 Capp Street Foundation Landscape, Interaction, and Movement: Cultural The David Ireland House: Artist’s Home as Masterwork Geographies of the Americas – Session I Julia Rosenbaum, Bard College " Birmingham Ballroom 3 Frederic Church’s Olana: Chair: D. Bryan Schaeffer, Thomas More College Reading the Landscape as Autobiography Hayley Woodward, Tulane University On the Fringe: Inscribing Boundaries in the Coixtlahuaca Lienzos Beyond Retro Graphics: Connecting Design Catherine Popovici, The University of Texas at Austin History to Studio Processes, Methods, and Ideas Center and Countryside: " Forum E The Ritual Landscape of Stelae in Copán’s River Valley Chair: Aggie Toppins, University of Tennessee at Chattanooga Heather L. Pizzurro, University of Tampa Dori Griffin, Ohio University Architecture and Placemaking at a Northern Maya City: Designers Curating Archives A Re-Evaluation of the Zoomorphic Portal at Ek’ Balam Robert Finkel, Auburn University Yumi Park Huntington, Framingham State University A People’s History of Graphic Design The Spatial Environment of the Acropolis at Matt Greenwell, University of Tennessee at Chattanooga Jequetepeque-Jatanca: Architecture, Landscape, and Here and Now: Shaping Design’s History through the Lens of Cosmology during the Late Formative Period in Peru Contemporary Practice Modern Matrons: Considering Women’s Patronage Ashley Prak, University of Tennessee at Chattanooga Rethinking Graphic Design History: A Creative Endeavor to of the Arts during the Long Twentieth Century Examine Referential Practices in Contemporary Graphic Design " Birmingham Ballroom 4 Co-Chair: Monica Jovanovich, Golden West College Aggie Toppins, University of Tennessee at Chattanooga Co-Chair: Briley Rasmussen, University of Florida Good Nostalgia/Bad Nostalgia Leanne Zalewski, Central Connecticut State University Late Nineteenth-Century Art from a Woman’s Point of View Beyond the Park Mural: Creative Approaches Ferris Olin, Rutgers University to Service Learning in the Visual Arts Judith Brodsky, Rutgers University " Birmingham Ballroom 12 20th Century Voices of Authority: The Ascendency of Art Doyennes Chair: Joseph Cory, Samford University Jennifer Wester, Notre Dame of Maryland University Neil Callander, University of Arkansas The Sensational Iris Clert The Barn Quilt Project: A Front Porch Forum for the Heidi Powell, University of Florida Arts in the Rural South Ima Hogg and Fran Bass: From Digital Reflections Jeff Whelan, Elizabeth City State University of the Past to Contemporary Collecting Change by Design: Foundation Pedagogy for Social Awareness 15 Moving Images and Capturing Time: Best-Kept Secrets Revealed: The Power Video Art in the Curriculum of Design in the Typographic Landscape " Forum F " Forum D Chair: McLean Fahnestock, Austin Peay State University Chair: Dana Ezzell Lovelace, Meredith College Tacie Jones, Virginia Tech Alma Hoffmann, University of South Alabama An Ethos of Action in Art? Keith Wall, University of South Alabama Chanan Delivuk, Anne Arundel Community College Type as Visual Reality The Artist as Historian as Professor: How Art History can be Kevin Cates, UA Little Rock Intergrated into the Fine Arts Classroom Forced Foray into Typographic Education Barry Jones, Austin Peay State University Dana Ezzell Lovelace, Meredith College : Video as a Flexible, Portable, and Public Exhibition Typographic Secrets: How to Create Amazing Text Lockups and Teaching Medium FRIDAY Love, Courtship, and Marriage from Antiquity The Life of the Object through the Baroque " Forum D " Birmingham Ballroom 9 Chair: Jenny Carson, Maryland Institute College of Art Chair: Bonnie Kutbay, Mansfield University of Pennsylvania Lauryn Smith, Case Western Reserve University Heather Sharpe, West Chester University of Pennsylvania Fabricated Identity: The Re-use of Islamic Textiles by The Games Women Play: Athenian Vases with Scenes Austrian Habsburg Women of Women Playing Kottabos Akela Reason, University of Georgia Einav Zamir, The University of Texas at Austin What the History of Cleopatra’s Needle “In the Pretense of Young Brides”: The Distaffs of Ephesus Can Tell Us about Monuments Bridget Sandhoff, University of Nebraska Omaha Love, Etruscan Style The UN-DISCIPLINED – Session I " Birmingham Ballroom 1 Reed O’Mara, Case Western Reserve University Chair: Gary Chapman, University of Alabama at Birmingham Strasbourg’s Prince of the World as Political Foe and Sinful Suitor Carl Linstrum, Savannah College of Art and Design The Blender: Confessions of a Material and Process Junkie Carrie Fonder, University of West Florida Multiple Temporalities, Vinyl, Steel, and Bald Caps: The Materials of a Layered Histories in Contemporary Art Contemporary Sculptural Practice " Birmingham Ballroom 1 Co-Chair: Izabel Galliera, McDaniel College Raymond Yeager, University of Charleston Co-Chair: Steven Pearson, McDaniel College The Complicated Life of a Frustrated Sculptor Trapped in the Body of a Painter Karen Shelby, Baruch College, City University of New York Altar: From the Fifteenth through the Twenty-First Centuries Casey McGuire, University of West Georgia Manifestations of the American Dream Heath Schultz, University of Tennessee at Chattanooga Resonant Histories and Détournement against White Supremacy Nicole Ringel, University of Maryland Baltimore County Friday The Urban Palimpsest: Approaching Public Space Session VII as a Multi-Temporal Surface 1:15-3:00pm Steven Pearson, McDaniel College Quoting My Past to Realize New Futures AMBUSHED! Pussy Grabs Back, Y’all: Exhibitionism in Art and Performance Omissions, Voids, and Absences: Art Historical " Birmingham Ballroom 3 Examinations of Things Unseen – Session II Chair: Kathryn McFadden, Independent Scholar/Artist " Forum C Stephanie Crawford, Rutgers University, Chair: Elizabeth S. Hawley, The Graduate Center, City University of New York Special Collections and University Archives Katherine Baker, Arkansas State University A Short History of Cunt Art King Me! Reconstructing Absence through the Archives Kathryn McFadden, Independent Scholar/Artist Kris Belden-Adams, University of Mississippi An Aesthetic of Anxiety: Art, Pussy and Philosophy Theorizing the Image in Its Absence: Roland Barthes’ Winter Garden Photograph Kalia Brooks, New York University Lil’ Kim and Baudelaire: Ayana Evans’s Exhibitionist Laura Lake Smith, Coastal Carolina University Takeover in Operation Catsuit An Origin in Absentia: Richard Tuttle’s First Work Stephanie Kang, The Ohio State University Paulina Pardo Gaviria, University of Pittsburgh Tuna Rice Balls: A Playful and Confrontational Lost Videocassettes and Reused Magnetic Tapes: Performance of Asian Femininity An Early History of Brazilian Video Art

Paragone: History of Artistic Competition Open Session – Session I " Birmingham Ballroom 12 Chair: Linda Johnson, University of Michigan-Flint Sarah Lippert, University of Michigan-Flint Crivelli’s Paragone Iconology Chad Airhart, Carson-Newman University Expanding the Microcosm: My Art and the Issue of Competition vs. Cooperation Hannah Segrave, University of Delaware “Io solo, fra i vivi, di cimentarmi fra tanti morti”: Salvator Rosa and the 1668 San Giovanni Decollato Exhibition 16 Public Projects, Community Collaborations Cindy Persinger, California University of Pennsylvania " Forum E Doing (Undergraduate) Research in Art History Chair: Jeremy Culler, University of South Carolina Aiken Naomi Slipp, Auburn University at Montgomery Jason Swift, University of West Georgia “Two thumbs way up!”: Pedagogical Approaches The Pearl Street Gallery: A Project Destined to Fail to Creating Positive Results in Writing Intensive Courses Nicole Foran, Middle Tennessee State University Art Advocacy Through Community Engagement Who Reviews Whom: Contemporary Kiki Gilderhus, University of Northern Colorado Perspectives on Peer Review, Promotion, and Tenure " Birmingham Ballroom 4 Jay Trask, University of Northern Colorado Co-Chair: Belinda Haikes, The College of New Jersey Collaborating Across Campus: Constructing Access to the Co-Chair: Chris Luhar-Trice, University of North Florida Petteys Collection of Women Artists Belinda Haikes, The College of New Jersey FRIDAY Ellie Perendy, Baruch College, City University of New York Disciplinary Standards: Who Needs ‘Em Belgium’s Historic Settings: Repurposed with Contemporary Art Michael Aurbach, Vanderbilt University Developing a Sound Strategy for Promotion and Tenure Right-Wing Attacks on Higher Education Lane Cooper, Cleveland Institute of Art and How to Fight Back Dismantling the Academic Hamster Wheel " Forum F Chair: Mark Watson, Clayton State University Chris Wildrick, Syracuse University Promotion as Art: An Experiment in Alternate Mark Watson, Clayton State University Peer Review Structures We Are All Contingent: Faculty Working in Union to Defend the Common Good Beauvais Lyons, University of Tennessee, Knoxville Friday The Role of the Arts and Promoting Campus Civility Session VIII and Free Speech 3:15-5:00pm Ruthann Godollei, Macalester College Fight Nazis: Visual Protest and Pushback on Campus American Modernism: Bryn Mawr, Buena Vista, and the Body Selfies and Identity: Self-Portraiture " Forum D in Photography and Beyond Chair: Rachel Stephens, The University of Alabama " Forum A Mary Springer, Jacksonville State University Co-Chair: Louly Peacock, University of North Carolina at Asheville Cope and Stewardson’s Redefinition of American Collegiate Neely Patton, Institute for Doctoral Studies in the Visual Arts Gothic at Bryn Mawr College, 1885-1906 Filtering Art, Filtering Self: Through the Lens of the Selfie Keri Watson, University of Central Florida The Body on Display: Art, Eugenics, and the Great Depression Dafna Steinberg, Northern Virginia Community College Does This Make Me Look Fat?: Self-Portraiture, Lauren Cantrell, Columbus State University “Selfies” and the Bigger Female Body Vernacular Notions of Reverie: St. EOM’s Pasaquan as Utopia Brittany Lockard, Wichita State University Full(y) Figuring the Body: Gender, Race, Sexuality, Augmented Reality/Virtual Reality Moving and Fat in Laura Aguilar’s Portraits the Pedagogical Method in Graphic Design Irby Pace, Troy University " Forum B Unintended Consequences Chair: David Gallop, Tennessee Tech University Russell Flinchum, North Carolina State University College of Design Southern Accents: Images and Patrick Fitzgerald, North Carolina State University College of Design Influences of the American South A Conversation Interface for Distance Learning " Forum B Tore Terrasi, University of Texas at Arlington Chair: Melissa Geiger, East Stroudsburg University of Pennsylvania Teaching Typography for Augmented Environments Emily Goodman, Transylvania University David Gallop, Tennessee Tech University From Stars and Bars to Stars and Stripes: Flags as a Southern Demystifying the Practical Application of VR in the Design Studio Medium in the Work of Sonya Clark and Melissa Vandenberg Annie Poslusny, Meredith College Elusive Image W. R. Valentiner and the Genesis of the " Forum F North Carolina Museum of Art Chair: Vesna Pavlović, Vanderbilt University Rebecca Reynolds, Valdosta State University Ana Tallone, Independent Scholar History in the Present: A Reception Study Breathing Digitally: New Life for Photojournalistic Iconic Images of “Places with a Past” Christine Rogers, Belmont University Bridget Gilman, San Diego State University Photographing Imagined Landscapes: The Switzerland of India “The Silence Is Splattered with Fear”: Gordon Parks’s Liz Bayan, Bowling Green State University Photographs of Segregation in Alabama Photo-Op: A Contemporary Art Pilgrimage

Teaching Art History and Writing – Session II " Birmingham Ballroom 11 Chair: Sarah Parrish, Plymouth State University Jenevieve DeLosSantos, Independent Learning to Look, Learning to Write: Fostering Critical Thinking Skills in High School and First-Year College Students through Art Historical Writing Janet Stephens, Georgia Gwinnett College Writing Art into the General Education Curriculum

17 Is This Mic On? Considering Humor Queer Expression and American Art before Stonewall: " Forum E Exploring Methodologies for Recovering the Past Chair: Jonathan Morgan, Institute for Doctoral Studies in the Visual Arts " Birmingham Ballroom 9 Chair: James Boyles, North Carolina State University Peter Pawlowicz, Independent Artist What’s So Funny? Lily Scott, Temple University Queer Culture Unsubverted: The Suggestivity Gary Keown, Southeastern Louisiana University and Precarity of Romaine Brooks Seriously Humorous Jared Ledesma, Des Moines Art Center Holly Kelly, University of Tennessee Agnes Pelton: Uncovering a Queer Art History SNL (Sample Number of Letters) Nicholas Newman, University of Nebraska Omaha Cynthia Roberts, Endicott College Don Whitman’s Naturist Culture Humor as Narrative, Process, and Outrage: From Ric Haynes’ Buffalo Jump Serenade to Linda Mary Montano and Ed Sam Watson, University of Wisconsin Green Bay FRIDAY Woodham’s Chickenarama and Beyond Where the Wild Things Are: Maurice Sendak and the Queering of American Childhood

Making “Art Appreciation” Teaching Studio Fundamentals Matter--Big and Small – Session I through a Contemporary Lens " Birmingham Ballroom 4 " Forum A Chair: Jennifer Wester, Notre Dame of Maryland University Chair: Christina Vogel, University of Tennesse at Chattanooga Catherine A. Moore, Georgia Gwinnett College Caroline Covington, Pellissippi State Community College Discovering History, Culture, and Self through Art Appreciation 3D Design: Moving beyond “Intro to Shop” Lauren DiSalvo, Dixie State University Karen Gergely, Graceland University Making Student Bonds Translate into Student Interest in Art Slowing Down and Diving Deep: Cultivating Research Skills, Perry Kirk, University of West Georgia Experimentation, Conceptual Development and Aesthetic Making the Most of the University Core Experience Inquiry in Foundations Nathan Rees, University of West Georgia Mary Laube, University of Tennessee Queering Art Appreciation Two Birds One Stone: Teaching Contemporary Practices in Introductory Studio Courses Natural Response: Metaphor, Narrative, Rusty Smith, Auburn University Rural Studio and Interpretation Operative Conditions " Birmingham Ballroom 3 Chair: Wanda Sullivan, Spring Hill College The Role of the Hand in Contemporary Technologies: Jennifer Printz, Hollins University The Pedagogies of Teaching Artists De rerum natura: The Nature of Things " Forum C Chair: Leah Frankel, Hartwick College Douglas Baulos, University of Alabama at Birmingham Bio Remediation in Art & Extinction Jake Weigel, California State University, Stanislaus Discovering A Soul in the Computer: Unifying CNC Katie Hargrave, University of Tennessee at Chattanooga and Analog Processes for Sculpture It’s Nothing Personal (Space) Tess Elliot, University of Oklahoma O. Gustavo Plascencia, Memphis College of Art Situating Computer Animation in Art Earth Ruminations Melissa Yes, Independent Artist Gregory Martin, Mississippi State University DIY Cinema as Art Foundations Cycles of Life in the Human and Natural Worlds The UN-DISCIPLINED – Session II " Birmingham Ballroom 1 Paragone: History of Artistic Competition Chair: Jenny Fine, University of Alabama at Birmingham Open Session – Session II Claudia Wilburn, Brenau University " Birmingham Ballroom 12 Chair: Sarah Lippert, University of Michigan-Flint Navigate by Reckoning Ann Kim, Indiana University East Linda Johnson, University of Michigan-Flint Doing What the Work Needs: Stepping Out of the Comfort Zone The Weasel as Pictura Poesis: Artistic and Animalia Alterations between Print Culture and Portraiture in Rembrandt van Rijn’s Kristin Skees, Christopher Newport University Hendrickje Stoffels Cozy Portraits and Other Adventures in Art Joseph Silva, Providence College Jenny Fine, University of Alabama at Birmingham Dueling Neptunes: Andrea Doria and Time as Material Cosimo I de’Medici in the Mediterranean Sea Women Painting Women Part II – Session I Ashley Elston, Berea College " Birmingham Ballroom 11 Partnership, Paragone, and the Pala Bichi Chair: Alice Price, Temple University, Tyler School of Art Alice M. R. Price, Temple University, Tyler School of Art Honoring Each Other’s Art: Evidence of Cooperation and Collaboration by Danish Women Artists Kimberly Datchuk, University of Iowa Cruelty or Clarity: The Case for Suzanne Valadon’s Representations of Women Janalee Emmer, Brigham Young University Museum of Art Women, Social Spaces, and Self-Portraits: Louise Breslau in Paris Elizabeth Rivenbark, University of South Alabama The Portraits of Romaine Brooks: Creating a Visual Iconography for Non-Traditional Gender Experience

18 Saturday Creative Collaborations 7:30am Annual Member’s Breakfast and " Forum B Co-Chair: Lorinda Roorda Bradley, University of Missouri Business Meeting (open) Co-Chair: Kelsey Frady Malone, University of Missouri " Birmingham Ballroom 9 Morgan Ridler, The Cooper Union 12:15-1:00 pm American Art docent tour Success and Innovation through Collaboration: " Birmingham Museum of Art Bauhaus Wallpaper Katherine Smith, Agnes Scott College Saturday Claes Oldenburg: Constructive Collaborations Session IX Melissa Geiger, East Stroudsburg University of Pennsylvania 8:30-10:15am When Worlds Collide: Robert Rauschenberg, Engineers, and Experiments in Art and Technology SATURDAY Art and Aesthetics in an Era of Artificial Intelligence Alida Jekabson, Hunter College, City University of New York and Digital Art: The Future Will Be the Now, or Will It? and the Museum of Arts and Design " Forum E Collaborating in Concrete: Chemi Rosado Seijo’s La Perla Bowl Co-Chair: Scott Contreras-Koterbay, East Tennessee State University Co-Chair: Jason Hoelscher, Georgia Southern University “Little of Artistic Merit?” The Art of the American Zachary Kelley, Georgia Southern University South – Session I Dungeons and AI: How Roleplaying Leads to " Birmingham Ballroom 1 Art Experiences in Theatrical Space Chair: Naomi Slipp, Auburn University at Montgomery Parisa Farmoudehyamcheh, Georgia Southern University Rachel Stephens, The University of Alabama How Emerging Media and A.I. Technology Are Transforming White Heroes, Loyal Slaves: Pre-Civil War Virginia Paintings and the Future of Graphic Design the Origins of the Lost Cause Jason Hoelscher, Georgia Southern University Wendy Castenell, The University of Alabama Ten Theses on Art and Artificial Intelligence “The Louisiana Experiment”: Alcès Portraits and Afro-Creole Scott Contreras-Koterbay, East Tennessee State University Leadership during Reconstruction Artificial Intelligence and Aesthetics: Implications for Art History Sarah Beetham, Pennsylvania Academy of the Fine Arts Confederate Monuments: Southern Heritage or Southern Art? Artistic Autobiography: Artists’ Homes and Studios Johnna Henry, Williams College and The Clark Art Institute as Gesamtkunstwerke – Session II The 1961 Mississippi Freedom Riders’ Mugshots: " Forum C A Visual Intervention Chair: Valerie Balint, Chesterwood Historic Site Kenyon Holder, Troy University Making “Art Appreciation” Realizing the Gulf: Walter Anderson’s Cottage Murals Matter--Big and Small – Session II Michael Borowski, Virginia Tech " Birmingham Ballroom 4 Azurest: An Artistic Exploration of Amaza Lee Chair: Dawn Dickins, Austin Peay State University Meredith’s Home and Studio Jessica Smith, University of West Alabama From Apprehension to Appreciation: Collaborating Toward Community Engagement: Cultivating the Non-Major in an Introduction to Art Classroom Inventive Partnerships Between Museums and Charles Clary, Coastal Carolina University Institutions of Higher Education Art Appreciation as Contemporary Exploration: " Birmingham Ballroom 12 A Romp through the Now Chair: Catherine Wilkins, University of South Florida Carolyn Phinizy, Virginia Commonwealth University Sunny Spillane, University of North Carolina at Greensboro Strategies for Using Project-Based Learning in the Rock, Paper, Scissors, and String: Museum Exhibition as Introductory Survey of Art History Community Engaged Art Education Pedagogy Mary Slavkin, Young Harris College Naomi Lifschitz-Grant, University of North Carolina at Pembroke They Use Their Phones to Answer Questions?!: University and Museum Partnerships and Family Friendly Art Appreciation and Student Engagement Programming Catherine Wilkins, University of South Florida Raising a Fist: Art and Politics – Session I Connections: A Case Study on a Museum-Higher Ed " Forum A Partnership to Promote Intergenerational Service-Learning Chair: Andrew Wasserman, University of North Carolina at Greensboro and Alzheimer’s Care Brittany Søndberg, Greensboro College Tammy Knipp, Florida Atlantic University Beyond the Wounded: Feminist Art vs. Feminist’s Art Academic Service-Learning: Instruction and Reflection Angela Whitlock, Institute for Doctoral Studies in the Visual Arts The Inescapable within a Seemingly Escapist Utopia: How Consumerism is Ingrained within Virtual Reality Sara Gevurtz, Hastings College Listed & Deregulated

The Art of the Gift in Early Modern Europe " Birmingham Ballroom 3 Chair: Rachel Erwin, University of Alabama in Huntsville William Levin, Centre College (emeritus) A Private Gift to a Public Foundation in Fourteenth-Century Florence

19 Rachel Erwin, University of Alabama in Huntsville Artists Advancing the Cause: Artists as Art Dealers Donations as Identity Constructors in Tintoretto’s Career " Birmingham Ballroom 9 Mary Brantl, St. Edward’s University Chair: Leanne Zalewski, Central Connecticut State University Well-Lubricated Clientage: From Bribe to Remembrance Anne Proctor, Roger Williams University in the 17th-Century English Court Giorgio Vasari as Agent and Broker for Sculptors Tammy Tran, George Mason University in Late Renaissance Florence Networking with the Chinese Literati: An Interpretation Courtney McNeil, Telfair Museums of the Inception and Reception of the Italian Jesuits’ “A Damn Mean Cuss”: Gari Melchers and the Telfair Academy Cultural Exchanges Lauren Rosenblum, The Graduate Center, City University of New York Type and Image Promoting The Contemporaries at Mid-Century: " Forum F Margaret Lowengrund’s Gallery and Printmaking Studio Chair: Joo Kim, University of Central Florida SATURDAY Joo Kim, University of Central Florida Hey, Teach! Considering Contemporary Emotions through Typography Pedagogical Practices Patrick Gosnell, Austin Peay State University " Birmingham Ballroom 12 Typeface Hotel: A Study of Type, Image, and Brand Chair: Douglas Barrett, University of Alabama at Birmingham Sara Dismukes, Troy University Michael Fowler, University of South Carolina Aiken Text as Representation: Large Scale Typographic Self Portraits Writing Intensive Approaches in a Typographic Design Studio Class: Using Writing as a Tool Toward More Intentional Design Undergraduate Art History Research Papers – Peter Bain, Shelton State Community College Simplified Plant Illustration: A Digital Foundation Assignment Session I " Forum D Joseph Cory, Samford University Co-Chair: Beth Mulvaney, Meredith College Stephen Watson, Samford University Co-Chair: Amy R. Frederick, Centre College Spec Grading in the Studio: Why Specification Grading Can Tori Burke, Meredith College Have A Positive Impact in Studio Courses and How to Do It The Lizard’s Bite In the Dark: Analog Photography in a Digital World Michael Baird, Centre College " Forum E Thoroughly Modern Gustave: Reactionary Utopianism Chair: Darrell Kincer, Georgetown College and Body Politic in Caillebotte’s Paris Street; Rainy Day Sharon Hart, Florida Atlantic University Madeleine Seidel, Auburn University The Living Darkroom A Physical Act: Representations of LGBTI African Bodies in the Work of Adejoke Tugbiyele and Zanele Muholi Pamela Venz, Birmingham-Southern College Alternative Processes: Experiences from the Classroom Jordan Wade, Auburn University Afrofuturist Collages, Time-Lags, and Post-Soul Paul Karabinis, University of North Florida Identities in the “Taali M” Website Pursuing Mastery/Living with Imperfection: Hand-Made Photography in the Digital Age Women Painting Women, Part II – Session II Mary Tortorici, Eastern Kentucky University The Contact Print as Metaphor " Birmingham Ballroom 11 Chair: Joanna Gardner-Huggett, DePaul University Laura Hartford, Bellarmine University Nora Butkovich, Virginia Commonwealth University Photography: Putting History in the Hands of Students The Exploration of the New Sportswoman and Nationalised Femininity: The Woodcuts of Wiktoria Goryńska Incorporating Book Arts and Fabrication Mary D. Edwards, Pratt Institute Techniques into Graphic Design Curriculum " Frida Kahlo’s Paintings of Women in Bed Forum F Chair: Eve Faulkes, West Virginia University Joanna Gardner-Huggett, DePaul University Eve Faulkes, West Virginia University The Not So Magical Disappearance of Julia Thecla (1896-1973) Book Arts in the Design Curriculum Joe Galbreath, West Virginia University The Box Project Saturday Martha Carothers, University of Delaware Session X Synthesis of Science, Story, and Skills 10:30am-12:15pm Landscape, Interaction, and Movement: Cultural Art from Across the Oceans: Connections between Geographies of the Americas – Session II the Americas, Europe, and Asia " Birmingham Ballroom 3 " Birmingham Ballroom 4 Chair: Kristi Peterson, Skidmore College Co-Chair: Bradley Cavallo, Marian University Heather Chiero, Augusta University Co-Chair: Travis Nygard, Ripon College Artistic Time Capsules: Geographical Landscapes Kathryn Robinson, University of Texas at Tyler of 19th-Century Central America Cristóbal de Villalpando: An Invented Artistic Kimiko Matsumura, Rutgers University Identity through Mimicry Naturally American: Landscape and National Identity in the Patricia Fay, Florida Gulf Coast University American Museum of Natural History What’s in a Name: Vyé Kannawi Ka Fè Bon Bouyon Susanneh Bieber, Texas A&M University (Old Pots Make Good Soup) Atoms for Peace: An Inflatable Pavilion Travels Latin America Travis Nygard, Ripon College Jamie Ratliff, University of Minnesota Duluth Kaylee Spencer, University of Wisconsin-River Falls Erasing the Border, Retouching the Lands(cape) Linnea Wren, Gustavus Adolphus College Transforming Texcatlipoca: Aztec Obsidian in Christian Europe

20 “Little of Artistic Merit?” The Art of the Unrecognized and Underrepresented American South – Session II " Forum B " Birmingham Ballroom 1 Co-Chair: Andrew Hottle, Rowan University Chair: Sarah Beetham, Pennsylvania Academy of the Fine Arts Co-Chair: Kiki Gilderhus, University of Northern Colorado Elyse Gerstenecker, University of Virginia Erin McCutcheon, Tulane University Women’s Work: Education, Design Reform, and the The Myth of Invisibility: Women, Art, and 20th Century Mexico Arts & Crafts Movement in the American South Maryam Ohadi-Hamadani, The University of Texas at Austin Ali Printz, Temple University, Tyler School of Art Reforming the Canon of British Modernism: Commonwealth The Modernist Appalachian Aesthetic: The Art of Patty Willis and Caribbean Artists in Postwar London Melissa Mednicov, Sam Houston State University Rhonda Reymond, West Virginia University Questions of Texas: A Southern Avant-Garde? French Landscape Influence on African American Painters, 1875-1915 SATURDAY Alexandra Nicolaides, Stony Brook University Eggleston in New York City, 1976 Monica Jovanovich, Golden West College More Than Just a Librarian: Remembering the Peter Han-Chih Wang, Butler University Work of Miriam Matthews Roaming in the South: Devin Lunsford’s Photographs from the Roadside Saturday Making Space: Contemporary Painting Session XI in the Round (Or Close to It…) " Forum C 1:15-3:00pm Chair: Aaron Collier, Tulane University Elsie Hill, Georgia Southern University Action and Making: Fleeting Objects: Between Representation and Incorporation Exploring the Intersection of Julia Townsend, The Peanut Factory Performance Art and Craft In and Out of the Frame: Illusion and Centricity " Forum C in Painting Past and Present Co-Chair: Tracy Stonestreet, Virginia Commonwealth University Co-Chair: Suzanne Peck, Rochester Institute of Technology Jessica Wohl, The University of the South Women’s Work: Quilted Paintings for Social Change Tracy Stonestreet, Virginia Commonwealth University Flexing the Lexicon: An Artist’s Confrontation, Exploration, and Application of Performance Terms to Making Raising a Fist: Art and Politics – Session II " Forum A Suzanne Peck, Rochester Institute of Technology Chair: Morgan Ridler, The Cooper Union Glass Performance Mapping: Charting the Distance Between Demonstration and Live Art in Contemporary Studio Glass Amanda Wangwright, University of South Carolina Saving the Nation through Collaboration: Chinese Public Art Sarah Parrish, Plymouth State University Projects before and during the Second Sino-Japanese War Craftletics: The Physical Impulse in Contemporary Art and Sport (1937-1945) Naomi J. Falk, University of South Carolina Mysoon Rizk, The University of Toledo Slipping Through Our Fingers: Performance, Parasites Found: Surviving Dysfunction in the Work of Wojnarowicz Craft and Climate Change

Erin Davenport, The University of North Carolina at Chapel Hill Down Home: Considering the Southern Landscape (Il)liberal Portraiture in the Age of Trump " Birmingham Ballroom 1 Chair: Jamie Higgs, Marian University Renaissance Art and Architecture Kally Malcom, University of North Florida As Cinematic Muse (ATSAH) Native Sun: A Visual Taxonomy of Sawmill Slough Preserve " Birmingham Ballroom 11 Edna Lanieri, Xavier University of Louisiana Chair: Jennifer Bates Ehlert, Salve Regina University Terra incognita Bonnie Kutbay, Mansfield University of Pennsylvania Michelangelo and The Agony and the Ecstasy (1965) Micah Cash, Wingate University Beach Vistas: Landscapes of Tourism and Profit Sharon Khalifa Gueta, Ben Gurion University of the Negev Riding the Dragon: Daenerys Targaryen’s Origin in St. Margaret History, Memory & Monuments: Teaching the South and the “Women and the Dragon” Syntagmatic Image In & Out of the South – Workshop Daniel Guernsey, Florida International University " Forum F J. J. Winckelmann and the Method of Zusammenhang in Co-Chair: Parme Giutini, Otis College of Art and Design The History of Ancient Art Co-Chair: Karen Shelby, Baruch College Jennifer Bates Ehlert, Salve Regina University Gabriel’s Bracelets: The Deconstruction of an Angel Landscape in Pieces in the Film Constantine " Birmingham Ballroom 4 Chair: Andrew O’Brien, University of Tennessee at Chattanooga Undergraduate Art History Research Papers – Skye Gilkerson, Elms College Session II Longing and Distance " Forum D Carolyn Lambert, University of Tennessee at Chattanooga Co-Chair: Beth Mulvaney, Meredith College Thin Slice: A Psycho-Geological Inquiry Co-Chair: Amy R. Frederick, Centre College in a Time of Climate Precarity Megan May, University of Maryland, College Park Peter Happel Christian, St. Cloud State University Juvenile Dominion: Race and Childhood in Colonial Sword of the Sun American Portraiture Asia Allen, Millsaps College The Portrait of “Dido”: Belle and Other Black Figures in the 18th Century Jonathan Orozco, University of Nebraska Omaha 21 The Perception of Technology in Fashion Our Problem with the Concept of Time The Power of Typography: Amplified by Sound and " Forum A Movement Chair: Paige Lunde, Institute for Doctoral Studies in the Visual Arts " Forum E Chair: Matthew Finn, William Paterson University Delane Ingalls Vanada, University of Florida Timelessness: A Postmodern View in Designing Art Education Monique Ortman, University of Central Oklahoma Kinetic Type: More Than Just a Pretty “Face” Billy Friebele, Loyola University Maryland Dissenting Rhythms & Learning Loops Courtney Windham, Auburn University School of Industrial + Graphic Design Paige Lunde, Institute for Doctoral Studies in the Visual Arts Kinetic Typography: Bridging the Gap Between Print and Motion The Educational Apparatus: Our Problem with Time Matthew Finn, William Paterson University Post Animal: Representation and Exploitation Type Goes to the Movies of the Non-Human Animal in the Network SATURDAY " Forum B Thirty Centuries of American Art: Borders, Connec- Chair: Norberto Gomez, Montgomery College tions, Ecopolitics, and the Geoaesthetics of Place Norberto Gomez, Montgomery College " Birmingham Ballroom 3 Omega Man: Consumption of the Non-Human through Mondo, Chair: Dito Morales, University of Central Arkansas Shock, Horror, and Postinternet Screens Amy Hulshoff, University of New Mexico Danielle Rosen, Independent Artist Sagehen in the High Sierra, a Proving Ground: An Evolution of Scorpion Grasses Eco-Critical Earthworks in the Age of the Force Majeure Leejin Kim, CICA Museum Patricia Lagarde, Tulane University Comparative Studies on Objectification of Human Bodies Hidden Objects, Spoken Narratives: The Lanzón Sculpture and in Visual Cultures of Korea and the United States Chavín de Huántar’s Sphere of Influence Dito Morales, University of Central Arkansas Representation amidst Abstraction: A Look at New Rock Art at Old Loltun: Discoveries and Implications Contemporary Painting that Utilizes Both Representational and Non-Representational Aspects Undergraduate Art History Research Papers – " Birmingham Ballroom 9 Session III Chair: Bryce Speed, The University of Alabama " Forum D Co-Chair: Beth Mulvaney, Meredith College Seth Rouser, Winthrop University Co-Chair: Amy R. Frederick, Centre College A Forked Tongue Tells the Truth: Collating Abstraction and Representationalism in Painting Amanda Beasley, University of Tennessee, Knoxville Genji Monogatari Emaki: Reading the Subtext Erin Dixon, University of West Georgia Memory, Delusion, Documentation, Fantasy Shannon Bewley, Auburn University The Part and the Whole: The Multiple Perspectives of Tara Gary Chapman, University of Alabama at Birmingham Donovan’s “Untitled (Styrofoam Cups)” Neither Abstract nor Real: But Everything In Between Cheryl Goldsleger, Augusta University The Duality of Space

Something Old, Something New, Something Borrowed: Rethinking Reuse in Architecture " Birmingham Ballroom 11 Co-Chair: Victor Martinez, Arkansas State University Co-Chair: Scott de Brestian, Central Michigan University Jennifer M. Feltman, The University of Alabama What is Authenticity? Cultural Memory and New Technologies of Stone Replication at Reims Cathedral JOIN SECAC at CAA 2019: Victor Martinez, Arkansas State University Scott de Brestian, Central Michigan University Below the Mason-Dixon Line: Artists Building Habits: Recycling the Past in Early Medieval and Historians Considering the South Spanish Architecture Friday February 15, 2:00 PM Steve Gaddis, Independent Scholar New York Hilton Midtown, Room: Rendezvous Trianon Complexity and Contradition: Santa Maria in Trastevere

Teaching Graphic Design History " Birmingham Ballroom 12 Naomi Slipp, “Between Two Worlds: Portrait of William McIntosh, Chair: Dori Griffin, Ohio University Southern Slave Owner and Lower Creek Chief” Cary Staples, University of Tennessee Making Connections to the History of Design through Play Jeremiah Ariaz, “Louisiana Trail Riders” Richard Doubleday, Louisiana State University Improving the Survey of Graphic Design History Catherine Wilkins and Jared Ragland, “Where You Come From with Active Learning is Gone: Reinhabiting the Ruins of the Native South” Amanda Horton, University of Central Oklahoma How My Flipped Classroom Flopped: A Case Study Kristin Casaletto, “Menace and Glory: An Artist Comes in Teaching Design History to Grips with the South’s Checkered Past” Corey Dzenko, Monmouth Univeristy The History of Graphic Design as a Discipline: Nell Gottlieb, “Nostos Algos: A Collaboration about Return” Surveying Student Responses to Curricular Changes

22 Samford University is an Equal Opportunity Educational Institution/Employer.

roll on over to THE 47TH KENTUCK FESTIVAL OF THE ARTS october 20-21, 2018 northport, alabama

Every year, over 10,000 travel from across the US to become immersed in a Southern experience of prolific creativity not found at other festivals. Having roots in folk art, the 2-day festival features 270+ artists, live music, spoken word, activities for children, folk and contemporary craft demonstrations, food trucks, and local craft brews.

tickets & vip packages available: kentuck.org/the-festival/ or call (205)-758-1257

Kentuck Park Saturday: 9 am - 5 pm Ranked 5th in the NATION in Classic & Contemporary 3501 5th street Sunday: 9 am - 4 pm Craft Festivals by Sunshine Artist Magazine Northport, Alabama 35476 @kentuckart kentuck.org follow us: October 21–24, 2020 SECAC2020Richmond, Virginia arts.vcu.edu/secac SECAC GOVERNANCE OFFICERS BOARD President: Alabama–Wendy DesChene, Tennessee–Tony Morris, Sandra Reed, Marshall University Auburn University Austin Peay State University First Vice-President: Arkansas–Dito Morales, Virginia–Jennifer Anderson Printz, Lawrence Jenkens, University of North University of Central Arkansas Hollins University Carolina at Greensboro Florida–Jeff Schwartz, West Virginia–Heather Stark, Marshall University Second Vice-President: Ringling College of Art and Design Kevin Concannon, Virginia Tech Georgia–Jeff Schmuki, Georgia Southern University AT LARGE Secretary-Treasurer: Al Denyer, University of Utah Beth Mulvaney, Meredith College Kentucky–Eileen Yanoviak, Dennis Ichiyama, Purdue University University of Louisville and Augustana College Past President: Speed Art Museum Claire L. Kovacs, Jason Guynes, The University of Alabama Louisiana–Jill R. Chancey, Editor, Art Inquiries: Nicholls State University Kerr Houston, Maryland Institute College of Art Mississippi–Kris Belden-Adams, University of Mississippi Chair, Artist’s Fellowship Committee: North Carolina–Kathryn Shields, Greg Shelnutt, University of Delaware Guilford College Chair, 2018 Annual Conference: South Carolina–Sarah Archino, Jared Ragland, University of Alabama Furman University at Birmingham

INSTITUTIONAL MEMBERS Agnes Scott College Jackson State University University of Florida Arkansas Arts Center Jacksonville State University University of Louisville Arkansas State University Jacksonville University University of Mississippi Armstrong Atlantic State University James Madison University University of Montevallo Auburn University Jefferson Community and Technical College University of North Alabama Auburn University at Montgomery Kennesaw State University University of North Carolina at Asheville Austin Peay State University Lake Region State College University of North Carolina at Chapel Hill Birmingham-Southern College Louisiana State University University of North Carolina at Greensboro Brevard College/Art Dept Marshall University University of North Carolina Wilmington Campbell University Maryland Institute College of Art University of North Florida Centenary College of Louisiana Meredith College University of North Georgia Clay Center for the Arts & Sciences of WV North Carolina State University University of Pittsburgh Clemson University Northwest Florida State College University of Richmond Coastal Carolina University Old Dominion University University of South Alabama Columbus College of Art & Design Pitt Community College University of South Carolina Aiken Davidson College Queens University of Charlotte University of South Carolina Upstate Duke University Ringling College of Art and Design University of South Florida East Tennessee State University Savannah College of Art and Design University of Tennessee at Chattanooga Eckerd College Slippery Rock University University of Tennessee, Knoxville Elon University Stetson University Creative Arts University of the South Florida Southern College Tennesee State University University of Virginia Florida State University The College of New Jersey University of West Florida Furman University Towson University University of West Georgia Gardner-Webb University Troy University Valdosta State University George Mason University Tulane University Vanderbilt University Georgetown College University of Akron Virginia Commonwealth University Georgia College & State University University of Alabama Virginia Tech Georgia Museum of Art | University of Georgia University of Alabama at Birmingham Washington & Lee University Georgia Southern University University of Alabama in Huntsville Wayne State University Georgia Southwestern State University University of Arkansas at Fort Smith Wesleyan College Georgia State University University of Arkansas at Little Rock West Virginia University Henderson State University University of Central Arkansas Western Kentucky University High Point University University of Central Florida Winthrop University IDSVA University of Delaware Youngstown State University

SECAC AFFILIATES AHPT FATE SGC International Art Historians Interested in Foundations in Art: Society for Paragone Studies Pedagogy and Technology Theory and Education VRA ATSAH Historians of Netherlandish Art Visual Resources Association Association for Textual MACAA Scholarship in Art History Mid-America College Art Association CAA SESAH College Art Association Southeast Chapter of the Society of Architectural Historians 25 Birmingham Civil Rights Sloss Furnaces National Vulcan Park and Museum LOCAL OUTINGS AND National Monument Historic Landmark visitvulcan.com SUGGESTED DAY TRIPS bcri.org slossfurnaces.com The world’s largest cast iron statue The Birmingham Civil Rights National Operated as a pig iron-producing symbolizing Birmingham’s industries Monument encompasses four city blast furnace from 1882 to 1971. sits atop Red Mountain, surrounded by blocks, including the 16th Street After closing, it became one of the a park & iron museum. Baptist Church and Kelly Ingram Park. first industrial sites in the US to be Museum Adjacent to Kelly Ingram Park is the preserved and restored for public use. Birmingham Civil Rights Institute, Monday–Sunday 10:00am–6:00pm a cultural and educational research Tuesday–Saturday 10:00am to 4:00pm Observation Tower center whose exhibits provide an Sunday 12:00-4:00pm Monday–Sunday 10:00am–10:00pm Closed Mondays overview of the struggle for civil rights 1701 Valley View Dr in Birmingham. 20 32nd St N Birmingham, AL 35209 Receive discount tickets to BCRI Birmingham, AL 35222 205.933.1409 with your SECAC badge. 205.254.2025 Joe Minter’s African Tuesday-Saturday 10:00am-5:00pm Gee’s Bend Village in America Sunday 1:00–5:00pm soulsgrowndeep.org/ Tucked away on the western slope of gees-bend-quiltmakers Red Mountain is Joe Minter’s African 520 16th St N Home to Alabama’s famous rural Village in America. This half-acre Birmingham, AL 35203 artisan quilts. About 120 miles from visionary art garden is backed by an 1.866.328.9696 Birmingham. I-20 to SR5. African-American cemetery. Rural Studio Daylight hours. Open gate policy; tours & Hale County available if Joe is at home. ruralstudio.org University of Florida 931 Nassau Ave SW Many of Auburn’s Rural Studio University of Louisville Birmingham, AL University of Mississippi projects and sites depicted in the photographs of William Christenberry University of Montevallo call Hale County and Greensboro, University of North Alabama Alabama home. About 80 miles from University of North Carolina at Asheville Birmingham. University of North Carolina at Chapel Hill University of North Carolina at Greensboro University of North Carolina Wilmington Birmingham-Southern College PaperWorkers Local LOCAL ART GALLERIES University of North Florida Durbin Gallery paperworkerslocal.com University of North Georgia bsc.edu/academics/art/durbin.html Marking Time & Space: Recent Work by University of Pittsburgh Chris Forgey: Oh, the Places You’ll Go! John DeMotte and Michael Merry University of Richmond Monday-Friday, 9:00am-4:30pm University of South Alabama Opening Reception: Friday, Oct 19, 5:00-7:00pm University of South Carolina Aiken 900 Arkedelphia Road University of South Carolina Upstate Birmingham, AL 35254 Gallery Hours: University of South Florida Saturday, 11:00am-4:00pm University of Tennessee at Chattanooga Ground Floor Contemporary groundfloorcontemporary.com 2717 Suite 203, 7th Ave S Space One Eleven University of Tennessee, Knoxville SAME PARTS Birmingham, AL 35233 spaceoneeleven.org University of the South Women with their Work: Materiality University of Virginia Friday, Oct 19, 5:00 - 8:00pm Samford University School University of West Florida and by appointment of the Arts Gallery 2409 2nd Ave N University of West Georgia samford.edu/arts/art-gallery Birmingham, AL 35203 111 Richard Arrington Jr Blvd S Valdosta State University The Art and Design SOE will be open Friday evening until Birmingham, AL 35233 of Samford’s Faculty Vanderbilt University 8:00pm; circulator buses from AEIVA Virginia Commonwealth University Featuring work by Sarah Jeanne Monday-Friday 9:00am-4:00pm will stop on 2nd Ave N. Virginia Tech Adkins, Daisie Hoitsma, and Julian Washington & Lee University Jackson, the exhibition emphasizes 800 Lakeshore Dr Women with their Work is a series Wayne State University visual representations of what unites– Birmingham, AL 35209 of all-women group art exhibitions Wesleyan College and divides–us in society today and co-curated by SOE’s Peter Prinz invites the viewer to meditate on the The Division Art & Design Faculty West Virginia University and UAB’s Jessica Dallow, Ph.D. underlying motifs that bind humanity will present their studio work to the The impetus for this series is SOE’s Western Kentucky University together. university community in the Samford 1988 exhibition titled Blue Angel: Winthrop University Art Gallery. This exhibit will offer a The Decline of Sexual Stereotypes in Youngstown State University Maus Contemporary glimpse into the recent research and Post-Feminist Sculpture. The theme mauscontemporary.com professional practices of Samford’s Art of that exhibition, along with the Gema Alava: Hexagons & Design faculty and will range from current discussions about wom- paintings, to posters, to floor plans. en’s rights, led to the search for an Wednesday-Friday, 11:00am - 3:30pm examination and discussion of issues 2411 2nd Ave N related to women’s issues and their Birmingham, AL 35203 contributions to the visual arts. The exhibition features female sculptors Sara Garden Armstrong, Janice Kluge, Camille Goulet, Erin Cunning- ham, Beili Liu, and Shervone Neckles. 26 BIRMINGHAM FOUNTAIN INTERNATIONAL AIRPORT HEIGHTS 31 8 MINUTES 5 MILES VISIT REGIONAL/SOUTHERN CUISINE LOCAL BREWERIES LOCAL DINING FAVORITES

A Birmingham Civil Rights Institute 1 Dreamland BBQ 17 Avondale Brewing 49 Bamboo on 2nd BIRMINGHAM 520 16th St N 1427 14th Ave S 201 41st St S 2212 2nd Ave N JEFFERSON COUNTY CONVENTION B Birmingham Museum of Art 2 Eugene’s Hot Chicken 18 Cahaba Brewing 50 El Barrio 2268 9th Ave N 4500 5th Ave S 2211 2nd Ave N CENTER 24 2000 Rev, Rev. Abraham Woods Jr Blvd

EAT, C Negro Southern League Museum 3 Fife’s Restaurant Meat & Three 19 Ghost Train 51 Bettola 1 120 16th St S 2321 4th Ave N 2616 3rd Ave S 2930 3rd Ave S

2 D The Market at Pepper Place 4 Green Acres Fried Fish and Chicken 20 Good People 52 Birmingham Breadworks 2829 2nd Ave S 1705 4th Ave N 114 14th St S 2408 7th Ave S B DRINK, 65 5 Hattie B’s Hot Chicken 21 Trim Tab 53 Brӓt Brot E Peanut Place 2808 7th Ave S #101 2721 5th Ave S 2910 6th Ave S BIRMINGHAM MUSEUM ART 2016 Morris Ave 6 Jim ’N Nick’s Bar-B-Q 22 The Sour Room 54 Brick and Tin AND LIVE F Railroad Park 1908 11th Ave S 4120 3rd Ave S 214 20th St N LINN 1700 1st Ave S PARK 7 Full Moon Bar-B-Que 55 !Cantina! 7TH AVE. N. G Rainbow Tunnel 525 25th St S 2901 2nd Ave S # 110 LIKE A 1 14th St S COFFEE 8 Saw’s Soul Kitchen 56 EastWest H Rotary Trail 215 41st St S 23 Lucy’s 2306 2nd Ave N BIRMINGHAM CIVIL 6TH AVE. N. 1st Ave S and 20th St S 2007 University Blvd Richard Arrington Jr. Blvd. N. 9 Ted’s Meat and Three 57 Golden Temple Vegan Health Food Store A LOCAL J Sloss Furnaces National Historic Landmark 328 12th St S 24 Octane 1901 11th Ave S 1236, 20 32nd St N 2221 Richard Arrington Jr Blvd N RIGHTS MUSEUM & PARK 58 Gus’ Hot Dogs 43 K Vulcan Park Museum 25 O’Henry’s 1915 4th Ave N 19th ST. N. 20th ST. N. 1701 Valley View Dr ACCOMODATIONS 2915 Highland Ave 4 59 Hot Diggity Dogs 4TH AVE. N. 4TH AVE. N. 58 L Reed Books 26 Revelator 4028 5th Ave S 3 2021 3rd Ave N 1 Sheraton Birmingham 1826 3rd Ave N Unit 101 2101 Richard Arrington Jr. Boulevard North 60 Hotbox 26 3RD AVE. N. 3RD AVE. N. M What’s on 2nd 27 The Red Cat Coffeehouse 4036 5th Ave S #2 45 2323 1st Ave N 2 SpringHill Suites by Marriott 54 2901 2nd Ave S #120 56 2024 4th Ave S 61 Fancy’s on Fifth 47 73 L 49 29 M 2ND AVE. N. 2ND AVE. N. 28 Saturn/Satellite 430 41st St S THE PIZITZ 16 FOOD HALL68 63 34 50 80 77 11 II 200 41st St S 62 The Fish Market

612 22nd St S 29 Urban Standard 1ST AVE. N. 41 1ST AVE. N. 31 2320 2nd Ave N 63 John’s City Diner 35 E 33 SLOSS FURNACES NATIONAL MORRIS AVE. 112 Richard Arrington Jr Blvd N AMTRAK HISTORIC LANDMARK J

64 The Original Pancake House NIGHTLIFE 1931 11th Ave S Richard Arrington Jr. Blvd. S. G THE VIADUCTS RAILROAD PARK F 30 Al’s on Seventh 65 Oscar’s at the Museum 2627 7th Ave S 2000 Rev, Reverend Abraham Woods Jr Blvd

1ST AVE. S. H 1ST AVE. S. 1ST AVE. S. 31 Atomic Lounge 66 Post Office Pies

C 19th ST. S. 20th ST. S. 76 2113 1st Ave N 209 41st St S REGIONS LAKEVIEW DISTRICT 32 Black Market Bar 67 Rojo BASBALL 17 D 27 1035 20th St S 2921 Highland Ave 20 STADIUM 51 AVONDALE 44 28 55 66 19 15 22 3RD AVE. S. 3RD AVE. S. 3RD AVE. S. 3RD AVE. S. 8 33 Carrigan’s Public House 68 Pizitz Food Hall 18 2430 Morris Ave 3112, 1821 2nd Ave N

28TH ST. S. 29TH ST. S. 30TH ST. S. 9 2 34 Collins Bar 69 Sitar 4TH AVE. S. 4TH AVE. S. 4TH AVE. S. 4TH AVE. S. 2125 2nd Ave N 729 20th St S

60 42 35 The Essential Cafe & Bar 70 Slice Pizza and Brew 5TH AVE. S. 5TH AVE. S. 5TH AVE. S. 5TH AVE. S. 48 59 39 61 2018 Morris Ave 725 29th St S

21 36 The Garage Cafe 71 Surin West UAB UAB 2304 10th Terrace S 1918 11th Ave S CHILDRENS UNIVERSITY 7 53 HOSPITAL HOSPITAL 6TH AVE. S. 6TH AVE. S. 24TH ST. S. 6TH AVE. S. 37 J. Clyde 72 Taj India 62 46 AVONDALE 1312 Cobb Ln 2226 Highland Ave UNIVERSITY OF ALABAMA PARK 52 5 38 Lou’s Pub and Package 73 Trattoria Centrale AT BIRMINGHAM 7TH AVE. S. 30 78 726 29th St S 207 20th St N 40 74 38 70 39 Marble Ring 74 Yum Yai 69 430 41st St S Suite B 2131 7th Ave S UNIVERSITY BLVD. 23 40 Our Place CLAIRMONT AVE. FOREST 115 7th Ave S 280 PARK GALLERIES UAB 41 Pilcrow Cocktail Cellar

CAMPUS HIGHLAND AVE. 2015 1st Ave N #1E 75 Birmingham-Southern College GREEN ST. VINCENTS Durbin Gallery (Not on Map) MEDICAL CENTER 42 The Quest 416 24th St S 900 Arkedelphia Road

76 Ground Floor Contemporary 10TH AVE. S. 43 The Roof at the Redmont HIGHLAND 2101 5th Ave N 111 Richard Arrington Jr Blvd S PARK ABROMS-ENGLE 44 Saturn/Satellite 77 Maus Contemporary INSTITUTE FOR THE 32 36 200 41st St S 2411 2nd Ave N VISUAL ARTS 6 71 HIGHLANDS GOLF COURSE 57 64 12 45 Shu Shop 78 PaperWorkers Local 1820 3rd Ave N FIVE 13 FINE DINING 2717 Suite 203, 7th Ave S UAB POINTS HIGHLANDS 10 25 46 Spikes Bar 79 Samford University School HOSPITAL SOUTH 14 72 10 Bottega Café 620 27th St S I of the Arts Gallery (Not on Map) 67 HIGHLANDS AVE . 2240 Highland Ave 800 Lakeshore Dr 47 Paramount Bar & Game Room 11 Café Dupont 200 20th St N 80 Space One Eleven 113 20th St N 37 2409 2nd Ave N 1 48 Parkside 12 Chez Fonfon 4036 5th Ave S 2007 11th Ave S Highest recommendations SOUTHSIDE 13 Highlands Bar & Grill 2011 11th Ave S

14 Hot & Hot Fish Club 2180 11th Ct S

15 OvenBird 2810 3rd Ave S #200 REDMONT PARK 16 Roots and Revelry 1623 2nd Ave N suite B

VULCAN 1938 27 PARK RED MOUNTAIN K BIRMINGHAM FOUNTAIN INTERNATIONAL AIRPORT HEIGHTS 31 8 MINUTES 5 MILES VISIT REGIONAL/SOUTHERN CUISINE LOCAL BREWERIES LOCAL DINING FAVORITES